Pre-modernism: art-world change and American culture from the Civil War to the Armory Show
Speaking of the emergence of modernism, author Virginia Woolf famously said: "On or about December 1910, human character changed." But was the shift to modernism really so revolutionary? Mancini argues that it was not. She proposes that the origins of the movement can in fact be traced wel...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Princeton, N.J.
Princeton Univ. Press
2005
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Schlagworte: | |
Online-Zugang: | Publisher description Table of contents only Rezension Inhaltsverzeichnis |
Zusammenfassung: | Speaking of the emergence of modernism, author Virginia Woolf famously said: "On or about December 1910, human character changed." But was the shift to modernism really so revolutionary? Mancini argues that it was not. She proposes that the origins of the movement can in fact be traced well into the nineteenth century. Several cultural developments after the Civil War gradually set the stage for modernism. New mass art media appeared on the scene, as did a national network of museums and groundbreaking initiatives in art education. These new institutions provided support for future modernists and models for the creators of the avant-garde. Simultaneously, art critics began to embrace abstraction after the Civil War, both for aesthetic reasons and to shore up their own nascent profession. Modernism was thus linked, Mancini argues, to the emergence of cultural hierarchy. A work of impeccable scholarship and unusual breadth, the book challenges some of the basic ideas about both the origins of twentieth-century modernism and the character of Gilded-Age culture. It will appeal not only to art historians but also to scholars in American history and American studies. |
Beschreibung: | Includes bibliographical references (p. 223-250) and index |
Beschreibung: | 256 S. Ill. 26 cm |
ISBN: | 0691118132 9780691118130 |
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520 | 3 | |a Speaking of the emergence of modernism, author Virginia Woolf famously said: "On or about December 1910, human character changed." But was the shift to modernism really so revolutionary? Mancini argues that it was not. She proposes that the origins of the movement can in fact be traced well into the nineteenth century. Several cultural developments after the Civil War gradually set the stage for modernism. New mass art media appeared on the scene, as did a national network of museums and groundbreaking initiatives in art education. These new institutions provided support for future modernists and models for the creators of the avant-garde. Simultaneously, art critics began to embrace abstraction after the Civil War, both for aesthetic reasons and to shore up their own nascent profession. Modernism was thus linked, Mancini argues, to the emergence of cultural hierarchy. A work of impeccable scholarship and unusual breadth, the book challenges some of the basic ideas about both the origins of twentieth-century modernism and the character of Gilded-Age culture. It will appeal not only to art historians but also to scholars in American history and American studies. | |
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Datensatz im Suchindex
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adam_text | Titel: Pre-modernism
Autor: Mancini, JoAnne Marie
Jahr: 2005
Contents
Introduction. Interrogating Modernism 7
1. Modern Art and Modern Art: From the Christmas Card to the Avant-Garde 17
2. Building an American Art World 45
3. Professionalism and a New Aesthetic Order 99
4. The Armory Show in Critical Perspective 133
5. Camera Work: Organizing the Avant-Garde 159
6. Continuity and Rupture 181
Postscript. Pre-Modernism and Postmodernism:
Reflections on the Tilted Arc Crisis 215
Acknowledgments 222
Abbreviations 223
Notes 233
Selected Bibliography 344
Index 251
Photography Credits 256
|
adam_txt |
Titel: Pre-modernism
Autor: Mancini, JoAnne Marie
Jahr: 2005
Contents
Introduction. Interrogating Modernism 7
1. Modern Art and Modern Art: From the Christmas Card to the Avant-Garde 17
2. Building an American Art World 45
3. Professionalism and a New Aesthetic Order 99
4. The Armory Show in Critical Perspective 133
5. Camera Work: Organizing the Avant-Garde 159
6. Continuity and Rupture 181
Postscript. Pre-Modernism and Postmodernism:
Reflections on the Tilted Arc Crisis 215
Acknowledgments 222
Abbreviations 223
Notes 233
Selected Bibliography 344
Index 251
Photography Credits 256 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Mancini, JoAnne Marie |
author_facet | Mancini, JoAnne Marie |
author_role | aut |
author_sort | Mancini, JoAnne Marie |
author_variant | j m m jm jmm |
building | Verbundindex |
bvnumber | BV022243070 |
callnumber-first | N - Fine Arts |
callnumber-label | N6510 |
callnumber-raw | N6510 |
callnumber-search | N6510 |
callnumber-sort | N 46510 |
callnumber-subject | N - Visual Arts |
classification_rvk | LO 94020 LO 94030 LO 94031 |
ctrlnum | (OCoLC)54677613 (DE-599)BVBBV022243070 |
dewey-full | 306.4/7/097309034 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 306 - Culture and institutions |
dewey-raw | 306.4/7/097309034 |
dewey-search | 306.4/7/097309034 |
dewey-sort | 3306.4 17 897309034 |
dewey-tens | 300 - Social sciences |
discipline | Kunstgeschichte Soziologie |
discipline_str_mv | Kunstgeschichte Soziologie |
era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1850-1900 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1850-1900 |
format | Book |
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spelling | Mancini, JoAnne Marie Verfasser aut Pre-modernism art-world change and American culture from the Civil War to the Armory Show J. M. Mancini Princeton, N.J. Princeton Univ. Press 2005 256 S. Ill. 26 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 223-250) and index Speaking of the emergence of modernism, author Virginia Woolf famously said: "On or about December 1910, human character changed." But was the shift to modernism really so revolutionary? Mancini argues that it was not. She proposes that the origins of the movement can in fact be traced well into the nineteenth century. Several cultural developments after the Civil War gradually set the stage for modernism. New mass art media appeared on the scene, as did a national network of museums and groundbreaking initiatives in art education. These new institutions provided support for future modernists and models for the creators of the avant-garde. Simultaneously, art critics began to embrace abstraction after the Civil War, both for aesthetic reasons and to shore up their own nascent profession. Modernism was thus linked, Mancini argues, to the emergence of cultural hierarchy. A work of impeccable scholarship and unusual breadth, the book challenges some of the basic ideas about both the origins of twentieth-century modernism and the character of Gilded-Age culture. It will appeal not only to art historians but also to scholars in American history and American studies. Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1850-1900 gnd rswk-swf Art américain - 19e siècle Art américain - 20e siècle Beeldende kunsten gtt Modernisme (Art) - États-Unis Modernisme (cultuur) gtt Kunst Art, American 19th century Art, American 20th century Modernism (Art) United States Kunst (DE-588)4114333-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Geschichte 1850-1900 z DE-604 http://www.loc.gov/catdir/enhancements/fy0654/2004044530-d.html Publisher description http://www.loc.gov/catdir/enhancements/fy0654/2004044530-t.html Table of contents only http://digital.bib-bvb.de/webclient/DeliveryManager?pid=213817&custom_att_2=simple_viewer Rezension HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015453968&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Mancini, JoAnne Marie Pre-modernism art-world change and American culture from the Civil War to the Armory Show Art américain - 19e siècle Art américain - 20e siècle Beeldende kunsten gtt Modernisme (Art) - États-Unis Modernisme (cultuur) gtt Kunst Art, American 19th century Art, American 20th century Modernism (Art) United States Kunst (DE-588)4114333-4 gnd |
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title | Pre-modernism art-world change and American culture from the Civil War to the Armory Show |
title_auth | Pre-modernism art-world change and American culture from the Civil War to the Armory Show |
title_exact_search | Pre-modernism art-world change and American culture from the Civil War to the Armory Show |
title_exact_search_txtP | Pre-modernism art-world change and American culture from the Civil War to the Armory Show |
title_full | Pre-modernism art-world change and American culture from the Civil War to the Armory Show J. M. Mancini |
title_fullStr | Pre-modernism art-world change and American culture from the Civil War to the Armory Show J. M. Mancini |
title_full_unstemmed | Pre-modernism art-world change and American culture from the Civil War to the Armory Show J. M. Mancini |
title_short | Pre-modernism |
title_sort | pre modernism art world change and american culture from the civil war to the armory show |
title_sub | art-world change and American culture from the Civil War to the Armory Show |
topic | Art américain - 19e siècle Art américain - 20e siècle Beeldende kunsten gtt Modernisme (Art) - États-Unis Modernisme (cultuur) gtt Kunst Art, American 19th century Art, American 20th century Modernism (Art) United States Kunst (DE-588)4114333-4 gnd |
topic_facet | Art américain - 19e siècle Art américain - 20e siècle Beeldende kunsten Modernisme (Art) - États-Unis Modernisme (cultuur) Kunst Art, American 19th century Art, American 20th century Modernism (Art) United States USA |
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