Colorblind Shakespeare: new perspectives on race and performance
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVII, 262 S. Ill. |
| ISBN: | 0415978025 0415978017 9780415978026 9780415978019 |
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Datensatz im Suchindex
| _version_ | 1804136225254146048 |
|---|---|
| adam_text | Contents
Illustrations
ix
Acknowledgments
xi
Foreword
xiii
ΑΝΙΑ
LOOMBA
1
Practicing a Theory/Theorizing a Practice: An Introduction to
Shakespearean Colorblind Casting
1
AYANNA THOMPSON
Part I: The Semiotics of (Not) Viewing Race
2
Ocular Revisions: Re-casting Othello in Text and Performance
27
ANGELA
С. РАО
3
Colorblind Casting in Single-Sex Shakespeare
47
SUJATAIYENGAR
4
Faux Show: Falling into History in Kenneth Branagh s Love s
Labour s Lost
69
COURTNEY
LEHMANN
5
When Race Matters: Reading Race in Richard III and Macbeth
89
LISA M. ANDERSON
6
Ira Aldridge, Shakespeare, and Color-Conscious
Performances in Nineteenth-Century Europe
103
KRYSTYNA KUJAWINSKA
COURTNEY
Part II: Practicing Colorblindness: The Players Speak
7
My Own Private Shakespeare; or, Am I Deluding Myself?
125
ANTONIO OCAMPO-GUZMAN
8
In The Blood: William Shakespeare, August Wilson, and a
Black Director
137
AYANNA THOMPSON INTERVIEWS TIMOTHY DOUGLAS
vii
viii
·
Colorblind
Shakespeare
Part III: Future Possibilities/Future Directions
9
Civic ShakesPR: Middlebrow Multiculturalism, White
Television, and the Color Bind
157
RICHARD
BURT
10
Gestures of Performance: Rethinking Race in Contemporary
Shakespeare
187
MARGO HENDRICKS
11
The Cleopatra Complex: White Actresses on the Interracial
Classic Stage
205
CELIA R.DAILEADER
12
The Chicago Shakespeare Theater s Rose Rage: Whiteness,
Terror, and the Fleshwork of Theatre in a Post-Colorblind Age
221
FRANCESCA T. ROYSTER
Afterword: The Blind Side in Colorblind Casting
241
PETER ERICKSON
Notes on Contributors
251
Index
255
The systematic practice of
non-
traditional or colorblind casting began
with Joseph Papp s New York Shakespeare Festival in the
1950s.
Although
colorblind casting has been practiced for half a century now, it still
inspires vehement controversy and debate. The black playwright August Wilson
famously decried, Colorblind casting is an aberrant idea that has never had any
validity other than as a tool of the Cultural Imperialists
...
It is inconceivable to
them that life could be lived and even enriched without knowing Shakespeare.
Wilson s focus on Shakespeare within his argument against colorblind casting
relies on several important but unmentioned suppositions about the relationship
between England s most famous playwright and this twentieth-century casting
practice. First, the practice of colorblind casting is inextricably enmeshed in the
contemporary history of Shakespearean production. Second, the immense and
enduring weight of Shakespeare s cultural legacy has helped to create the perceived
need for colorblind casting. And finally, the popular notion that Shakespeare s
plays are universal lends itself to a theory that casting agents, directors, actors,
and audiences can go blind to race, color, or ethnicity.
These fascinating suppositions, which have been critically neglected, are the
focus of Colorblind Shakespeare. This collection explores both the production history
of colorblind casting in cultural terms and the theoretical implications of this
practice for reading Shakespeare in a contemporary context. With an impressive
lineup of contributors, the volume includes original essays by Lisa M. Anderson,
Richard
Burt, Krystyna
Kujawinska Courtney,
Celia
R. Daileader,
Timothy
Douglas,
Peter
Erickson,
Margo
Hendricks,
Sujata
Iyengar, Courtney
Lehmann,
Ania
Loomba, Antonio
Ocampo-Guzman,
Angela
С.
Pao, Francesca
T. Royster,
and Ayanna Thompson.
A Y
ANN A THOMPSON is an Assistant Professor of English and Women
&
Gender Studies at Arizona State University. She specializes in early modern
drama and focuses on depictions of race in the Renaissance. Her book. Per¬
forming Race and Torture on the Early Modern Stage, is forthcoming from
Routledge.
|
| adam_txt |
Contents
Illustrations
ix
Acknowledgments
xi
Foreword
xiii
ΑΝΙΑ
LOOMBA
1
Practicing a Theory/Theorizing a Practice: An Introduction to
Shakespearean Colorblind Casting
1
AYANNA THOMPSON
Part I: The Semiotics of (Not) Viewing Race
2
Ocular Revisions: Re-casting Othello in Text and Performance
27
ANGELA
С. РАО
3
Colorblind Casting in Single-Sex Shakespeare
47
SUJATAIYENGAR
4
Faux Show: Falling into History in Kenneth Branagh's Love's
Labour's Lost
69
COURTNEY
LEHMANN
5
When Race Matters: Reading Race in Richard III and Macbeth
89
LISA M. ANDERSON
6
Ira Aldridge, Shakespeare, and Color-Conscious
Performances in Nineteenth-Century Europe
103
KRYSTYNA KUJAWINSKA
COURTNEY
Part II: Practicing Colorblindness: The Players Speak
7
My Own Private Shakespeare; or, Am I Deluding Myself?
125
ANTONIO OCAMPO-GUZMAN
8
In The Blood: William Shakespeare, August Wilson, and a
Black Director
137
AYANNA THOMPSON INTERVIEWS TIMOTHY DOUGLAS
vii
viii
·
Colorblind
Shakespeare
Part III: Future Possibilities/Future Directions
9
Civic ShakesPR: Middlebrow Multiculturalism, White
Television, and the Color Bind
157
RICHARD
BURT
10
Gestures of Performance: Rethinking Race in Contemporary
Shakespeare
187
MARGO HENDRICKS
11
The Cleopatra Complex: White Actresses on the Interracial
"Classic" Stage
205
CELIA R.DAILEADER
12
The Chicago Shakespeare Theater's Rose Rage: Whiteness,
Terror, and the Fleshwork of Theatre in a Post-Colorblind Age
221
FRANCESCA T. ROYSTER
Afterword: The Blind Side in Colorblind Casting
241
PETER ERICKSON
Notes on Contributors
251
Index
255
The systematic practice of
non-
traditional or "colorblind" casting began
with Joseph Papp's New York Shakespeare Festival in the
1950s.
Although
colorblind casting has been practiced for half a century now, it still
inspires vehement controversy and debate. The black playwright August Wilson
famously decried, "Colorblind casting is an aberrant idea that has never had any
validity other than as a tool of the Cultural Imperialists
.
It is inconceivable to
them that life could be lived and even enriched without knowing Shakespeare."
Wilson's focus on Shakespeare within his argument against colorblind casting
relies on several important but unmentioned suppositions about the relationship
between England's most famous playwright and this twentieth-century casting
practice. First, the practice of colorblind casting is inextricably enmeshed in the
contemporary history of Shakespearean production. Second, the immense and
enduring weight of Shakespeare's cultural legacy has helped to create the perceived
need for colorblind casting. And finally, the popular notion that Shakespeare's
plays are "universal" lends itself to a theory that casting agents, directors, actors,
and audiences can go "blind" to race, color, or ethnicity.
These fascinating suppositions, which have been critically neglected, are the
focus of Colorblind Shakespeare. This collection explores both the production history
of colorblind casting in cultural terms and the theoretical implications of this
practice for reading Shakespeare in a contemporary context. With an impressive
lineup of contributors, the volume includes original essays by Lisa M. Anderson,
Richard
Burt, Krystyna
Kujawinska Courtney,
Celia
R. Daileader,
Timothy
Douglas,
Peter
Erickson,
Margo
Hendricks,
Sujata
Iyengar, Courtney
Lehmann,
Ania
Loomba, Antonio
Ocampo-Guzman,
Angela
С.
Pao, Francesca
T. Royster,
and Ayanna Thompson.
A Y
ANN A THOMPSON is an Assistant Professor of English and Women
&
Gender Studies at Arizona State University. She specializes in early modern
drama and focuses on depictions of race in the Renaissance. Her book. Per¬
forming Race and Torture on the Early Modern Stage, is forthcoming from
Routledge. |
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| spelling | Colorblind Shakespeare new perspectives on race and performance edited by Ayanna Thompson New York [u.a.] Routledge 2006 XVII, 262 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Stage history Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Theater Casting Race in literature Aufführungspraxis (DE-588)4141464-0 gnd rswk-swf Rassenfrage (DE-588)4176975-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Aufführungspraxis (DE-588)4141464-0 s DE-604 Rassenfrage (DE-588)4176975-2 s Thompson, Ayanna 1972- Sonstige (DE-588)1015456898 oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015446639&sequence=000015&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015446639&sequence=000016&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Colorblind Shakespeare new perspectives on race and performance Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Stage history Shakespeare, William 1564-1616 (DE-588)118613723 gnd Theater Casting Race in literature Aufführungspraxis (DE-588)4141464-0 gnd Rassenfrage (DE-588)4176975-2 gnd |
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| title | Colorblind Shakespeare new perspectives on race and performance |
| title_auth | Colorblind Shakespeare new perspectives on race and performance |
| title_exact_search | Colorblind Shakespeare new perspectives on race and performance |
| title_exact_search_txtP | Colorblind Shakespeare new perspectives on race and performance |
| title_full | Colorblind Shakespeare new perspectives on race and performance edited by Ayanna Thompson |
| title_fullStr | Colorblind Shakespeare new perspectives on race and performance edited by Ayanna Thompson |
| title_full_unstemmed | Colorblind Shakespeare new perspectives on race and performance edited by Ayanna Thompson |
| title_short | Colorblind Shakespeare |
| title_sort | colorblind shakespeare new perspectives on race and performance |
| title_sub | new perspectives on race and performance |
| topic | Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Stage history Shakespeare, William 1564-1616 (DE-588)118613723 gnd Theater Casting Race in literature Aufführungspraxis (DE-588)4141464-0 gnd Rassenfrage (DE-588)4176975-2 gnd |
| topic_facet | Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Stage history Shakespeare, William 1564-1616 Theater Casting Race in literature Aufführungspraxis Rassenfrage Aufsatzsammlung |
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