Verfügbarkeit: The Cambridge companion to Shakespeare on film

The Cambridge companion to Shakespeare on film:

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Bibliographische Detailangaben
Weitere Verfasser:	Jackson, Russell 1949- (HerausgeberIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Cambridge [u.a.] Cambridge Univ. Press 2007
Ausgabe:	2. ed.
Schriftenreihe:	Cambridge companions to literature
Schlagworte:	Shakespeare, William <1564-1616> > Film adaptations Shakespeare, William > 1564-1616 Toneelstukken Verfilmingen Drama English drama > Film and video adaptations Film adaptations > History and criticism Verfilmung Aufsatzsammlung
Online-Zugang:	Inhaltsverzeichnis Klappentext
Beschreibung:	XII, 349 S.
ISBN:	9780521685016 9780521866002

Internformat

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Datensatz im Suchindex

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adam_text	CONTENTS List of contributors Va%e x Preface xi A note on references xii Introduction: Shakespeare, films and the marketplace ι RUSSELL JACKSON PART I ADAPTATION AND ITS CONTEXTS ι From play-script to screenplay 1 5 RUSSELL JACKSON ζ Video and its paradoxes 3 5 MICHÈLE WILLEMS 3 Critical junctures in Shakespeare screen history: the case of Richard Ul ąt BARBARA FREEDMAN 4 Shakespeare and movie genre: the case of Hamlet 7z HARRY REYISHIAN PART II GENRES AND PLAYS 5 The comedies on film 87 MICHAEL HATTAWAY 6 Filming Shakespeare s history: three films of Richard ΠΙ ΐοζ H. R. COURSES 7 Hamlet, Macbeth and King Lear on film izo J. LAWRENCE GÜNTNER CONTENTS S The tragedies of lore on film 141 PATRICIA TATSPAUGH PART III DIRECTORS 9 The Shakespeare films of Laurence Olivier 167 ANTHONY DAVIES 10 Orson Welles and filmed Shakespeare 187 PAMELA MASON 11 Grigori Kozintsev s Hamlet and King Lear 203 MARK SOKOLYANSKY 12 Franco Zeffirelli and Shakespeare 2.16 DEBORAH CARTMELI. ij Flamboyant realist: Kenneth Branagh 2.2.6 SAMUEL CROWL PART IV CRITICAL ISSUES 14 Looking at Shakespeare s women on film 245 CAROL CHILLINGTON RUTTER 15 National and racial stereotypes in Shakespeare films 267 NEIL TAYLOR 16 Shakespeare the illusionist: filming the supernatural 280 NEIL řORSYTH i~ Shakespeare^ cinematic offshoots 303 TONY HOWARD Further reading 324 Filmography 328 Index 336 THE CAMBRIDGE COMPANION TO SHAKESPEARE ON FILM Second edition Film adaptations of Shakespeare s plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare s plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco ZeffirelH and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare s women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong cov¬ erage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided, Russell Jackson is Allardyce Nicoli Professor of Drama and Theatre Studies in the University of Birmingham. He has worked as a textual adviser on several feature films including Shakespeare in Love and Kenneth Branaglťs Henry V, Much Ado About Nothing, Hamlet, Love s Labours Lost and As You Like It. He is co-editor of Shakespeare: An Illustrated Stage History (149ft) and two volumes in the Players of Shakespeare series.
adam_txt	CONTENTS List of contributors Va%e 'x Preface xi A note on references xii Introduction: Shakespeare, films and the marketplace ι RUSSELL JACKSON PART I ADAPTATION AND ITS CONTEXTS ι From play-script to screenplay 1 5 RUSSELL JACKSON ζ Video and its paradoxes 3 5 MICHÈLE WILLEMS 3 Critical junctures in Shakespeare screen history: the case of Richard Ul ąt BARBARA FREEDMAN 4 Shakespeare and movie genre: the case of Hamlet 7z HARRY REYISHIAN PART II GENRES AND PLAYS 5 The comedies on film 87 MICHAEL HATTAWAY 6 Filming Shakespeare's history: three films of Richard ΠΙ ΐοζ H. R. COURSES 7 Hamlet, Macbeth and King Lear on film izo J. LAWRENCE GÜNTNER CONTENTS S The tragedies of lore on film 141 PATRICIA TATSPAUGH PART III DIRECTORS 9 The Shakespeare films of Laurence Olivier 167 ANTHONY DAVIES 10 Orson Welles and filmed Shakespeare 187 PAMELA MASON 11 Grigori Kozintsev's Hamlet and King Lear 203 MARK SOKOLYANSKY 12 Franco Zeffirelli and Shakespeare 2.16 DEBORAH CARTMELI. ij Flamboyant realist: Kenneth Branagh 2.2.6 SAMUEL CROWL PART IV CRITICAL ISSUES 14 Looking at Shakespeare's women on film 245 CAROL CHILLINGTON RUTTER 15 National and racial stereotypes in Shakespeare films 267 NEIL TAYLOR 16 Shakespeare the illusionist: filming the supernatural 280 NEIL řORSYTH i~ Shakespeare^ cinematic offshoots 303 TONY HOWARD Further reading 324 Filmography 328 Index 336 THE CAMBRIDGE COMPANION TO SHAKESPEARE ON FILM Second edition Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco ZeffirelH and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong cov¬ erage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided, Russell Jackson is Allardyce Nicoli Professor of Drama and Theatre Studies in the University of Birmingham. He has worked as a textual adviser on several feature films including Shakespeare in Love and Kenneth Branaglťs Henry V, Much Ado About Nothing, Hamlet, Love's Labours Lost and As You Like It. He is co-editor of Shakespeare: An Illustrated Stage History (149ft) and two volumes in the Players of Shakespeare series.
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title_full	The Cambridge companion to Shakespeare on film ed. by Russell Jackson
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title_short	The Cambridge companion to Shakespeare on film
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