Conservation of leather and related materials:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Amsterdam [u.a.]
Elsevier, BH
2006
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Butterworth-Heinemann series in conservation and museology
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXII, 340 S. zahlr. Ill., graph. Darst. |
| ISBN: | 9780750648813 0750648813 |
Internformat
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| 245 | 1 | 0 | |a Conservation of leather and related materials |c Marion Kite ; Roy Thomson |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Amsterdam [u.a.] |b Elsevier, BH |c 2006 | |
| 300 | |a XXII, 340 S. |b zahlr. Ill., graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Butterworth-Heinemann series in conservation and museology | |
| 650 | 4 | |a Hides and skins |x Conservation and restoration | |
| 650 | 4 | |a Leather |x Conservation and restoration | |
| 650 | 0 | 7 | |a Leder |0 (DE-588)4034974-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Angewandte Kunst |0 (DE-588)7593577-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Restaurierung |0 (DE-588)4049600-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Künstlerisches Material |0 (DE-588)4304079-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Konservierung |0 (DE-588)4114279-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Lederarbeit |0 (DE-588)4034975-5 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
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| adam_text | CONTENTS FOREWORD XI DEDICATIONS XIII ACKNOWLEDGEMENTS XV CONTRIBUTORS
XVII 1 THE NATURE AND PROPERTIES OF LEATHER 1 ROY THOMSON REFERENCES 3 2
COLLAGEN: THE LEATHERMAKING PROTEIN 4 B.M. HAINES 2.1 THE COLLAGEN
MOLECULE 4 2.2 BONDING WITHIN THE MOLECULE 6 2.3 BONDING BETWEEN
MOLECULES 6 2.3.1 SALT LINKS 6 2.3.2 COVALENT INTERMOLECULAR BONDING 7
2.4 FIBRIL STRUCTURE 8 2.5 SHRINKAGE TEMPERATURE 9 REFERENCES 10 3 THE
FIBRE STRUCTURE OF LEATHER 11 B.M. HAINES 3.1 THE STRUCTURE OF MAMMALIAN
SKINS 12 3.2 VARIATION OF STRUCTURE BETWEEN ANIMAL TYPES 12 3.2.1 MATURE
CATTLE SKINS 12 3.2.2 CALFSKINS 14 3.2.3 GOATSKINS 14 3.2.4 SHEEPSKINS
14 3.2.5 DEERSKINS 15 3.2.6 PIGSKINS 15 3.3 GRAIN SURFACE PATTERNS 17
3.4 SUEDE SURFACES 17 3.5 VARIATION IN STRUCTURE WITH LOCATION IN THE
SKIN 17 3.6 DIRECTIONAL RUN OF THE FIBRES 19 3.7 THE INFLUENCE OF FIBRE
STRUCTURE ON LEATHER PROPERTIES, STRUCTURE AND TEAR STRENGTH 19 3.8
STRUCTURE AND LEATHER HANDLE 20 3.9 FIBRE WEAVE AND MOVEMENT 20
REFERENCES 21 THE CHEMISTRY OF TANNING MATERIALS 22 A.D. COVINGTON 4.1
INTRODUCTION 22 4.2 VEGETABLE TANNING 23 4.3 MINERAL TANNING 27 4.3.1
CHROMIUM(III) SALTS 27 4.3.2 ALUMINIUM(III) SALTS 29 4.3.3 TITANIUM(IV)
SALTS 29 4.3.4 ZIRCONIUM(IV) SALTS 30 4.4 OIL TANNING 30 4.5 ALDEHYDE
TANNING 31 4.5.1 FORMALDEHYDE TANNING 31 4.5.2 GLUTARALDEHYDE TANNING 31
4.5.3 OXAZOLIDINE TANNING 31 4.6 SYNTANS 32 4.6.1 AUXILIARY SYNTANS 32
4.6.2 COMBINATION OR RETANNING SYNTANS 33 4.6.3 REPLACEMENT SYNTANS 33
4.7 OVERVIEW 34 REFERENCES 34 THE MECHANISMS OF DETERIORATION IN LEATHER
36 MARY-LOU E. FLORIAN 5.1 INTRODUCTION 36 5.2 AGENTS OF DETERIORATION
37 5.2.1 INTRODUCTION 37 5.2.2 ACID HYDROLYSIS 38 5.2.3 OXIDATION 38
5.2.4 METALS AND SALTS 40 VI CONTENTS 5.2.5 HEAT 5.2.6 WATER 5.3
COLLAGEN 5.3.1 BONDS IN COLLAGEN: SITES OF DETERIORATION MECHANISMS
5.3.2 PEPTIDES 5.3.3 AMINO ACIDS IN COLLAGEN 5.4 VEGETABLE TANNINS 5.4.1
INTRODUCTION 5.4.2 ANTIOXIDANT ABILITY OF TANNINS 5.4.3 ANALYSIS OF
TANNINS IN AGED LEATHER * DETERIORATION MECHANISMS 5.5 OTHER CHEMICALS
PRESENT DUE TO FABRICATION AND USE 5.5.1 INTRODUCTION 5.5.2 FATS, OILS
AND WAXES 5.5.3 SULPHUR COMPOUNDS AND THEIR ACIDS 5.5.4 ACIDS IN LEATHER
DUE TO FABRICATION OR USE 5.5.5 PERSPIRATION 5.6 DENATURATION AND
SHRINKAGE TEMPERATURES AS A METHOD OF ASSESSMENT FOR ALL TANNAGES 5.7
SUMMARY ACKNOWLEDGEMENTS REFERENCES TESTING LEATHERS AND RELATED
MATERIALS ROY THOMSON 6.1 INTRODUCTION 6.2 DETERMINATION OF RAW MATERIAL
6.3 DETERMINATION OFTANNAGE TYPE 6.3.1 ASHING TEST 6.3.2 SPOT TEST 6.3.3
CONCLUSION 6.4 DETERMINATION OFDEGREE OF DETERIORATION 6.4.1
ORGANOLEPTIC EXAMINATION 6.4.2 CHEMICAL TESTS 6.5 CONCLUSIONS REFERENCES
THE MANUFACTURE OF LEATHER ROY THOMSON 7.1 TANNING IN PREHISTORIC AND
CLASSICAL TIMES 7.2 TANNING IN THE MEDIEVAL AND POST-MEDIEVAL PERIODS
7.3 TANNING IN THE NINETEENTH CENTURY 7.4 TANNING IN MODERN TIMES 7.4.1
PRETANNING 41 41 43 43 43 44 47 47 47 47 50 50 51 51 52 52 53 54 54 58
7.4.2 7.4.3 REFERENCES TANNING POST-TANNING THE SOCIAL POSITION OF
LEATHERWORKERS ROBERT D. HIGH AM REFERENCES 81 81 82 87 9 GILT LEATHER
88 ROY THOMSON 9.1 PRODUCTION AND ART HISTORICAL ASPECTS 90 9.2
CONSERVATION AND RESTORATION 91 10 CUIR BOUILLI 94 LAURA DAVIES 10.1 THE
CUIR BOUILLI TECHNIQUE 94 10.2 LEATHER MOULDING TECHNIQUES 94 10.3 THE
ORIGINS OF THE CUIR BOUILLI TECHNIQUE 94 10.4 CHANGES UNDERGONE BY THE
LEATHER IN THE CUIR BOUILLI PROCESS 97 10.5 CONSERVATION OF CUIR BOUILLI
97 10.5.1 STABILITY 97 10.5.2 DAMAGE CAUSED BY OLD TREATMENTS 98 10.5.3
ORIGINAL TREATMENTS OF CUIR BOUILLI LEATHER 98 10.6 CASE STUDY OF THE
CONSERVATION OF CUIR BOUILLI LEATHER 98 10.6.1 ANALYSIS AND USE OF NON-
INVASIVE XERORADIOGRAPHIC 58 58 58 58 59 59 59 59 60 64 64 66 66 68 73
77 77 10.6.2 ENDNOTES REFERENCES IMAGING REMOVAL OF INAPPROPRIATE
SURFACE COATINGS 11 THE TOOLS AND TECHNIQUES OF LEATHERWORKING: CORRECT
TOOLS + SKILLS = QUALITY CAROLINE DARKE 11.1 LEATHERWORKING TOOLS 11.1.1
11.1.2 11.1.3 11.1.4 11.1.5 11.1.6 11.1.7 11.1.8 11.1.9 11.1.10 11.1.11
THE AWL THE KNIFE THE STROP THE BONE FOLDER OR CREASE THE STEEL RULE THE
DIVIDERS (COMPASS) THE REVOLVING HOLE PUNCH THE HAMMER THE RACE THE CLAM
THE EDGE SHAVE 99 99 101 101 103 103 103 103 104 104 104 104 105 105 105
105 105 CONTENTS VII 11.1.12 THE CREASE IRON 106 11.1.13 THE STITCH
MARKER 106 11.1.14 THE PRICKING IRON 107 11.1.15 THENEEDLE 107 11.1.16
THREAD 108 11.2 ADHESIVES 108 11.3 REINFORCEMENTS 108 11.4 TECHNIQUES
109 11.4.1 SKIVING 109 11.4.2 PREPARATION 109 11.4.3 SEWING - STITCH
FORMATION 109 11.4.4 DECORATIVE STITCHING 110 11.4.5 MACHINE STITCHING
110 11.4.6 DECORATIVE MACHINE STITCHING 110 11.4.7 SEAMS AND
CONSTRUETION 111 BIBLIOGRAPHY 112 12 GENERAL PRINCIPLES OF CARE, STORAGE
AND DISPLAY 113 ALINE ANGUS, MARION KITE AND THEODORE STURGE 12.1
INTRODUCTION 113 12.2 OBJECTS IN USE 113 12.3 DISPLAY OR STORAGE 114
12.4 LEVELS OF TREATMENT 114 12.5 HANDLING BY THE PUBLIC 114 12.6
THE FINISH 115 12.7 PREVENTIVE CONSERVATION 115 12.7.1 ENVIRONMENT 115
12.7.2 PESTS 116 12.7.3 STORAGE AND DISPLAY 116 12.8 SHOES 117 12.9
GLOVES 117 12.10 LEATHER GARMENTS 117 12.11 LUGGAGE 117 12.12 SADDLES
117 12.13 HARNESS 118 12.14 SCREENS, WALL HANGINGS AND SEDAN CHAIRS 119
12.15 CARRIAGES AND CARS 120 12.16 CONCLUSION 120 REFERENCE 120 13
MATERIALS AND TECHNIQUES: PAST AND PRESENT 121 MARION KITE, ROY THOMSON
AND ALINE ANGUS 13.1 PAST CONSERVATION TREATMENTS 121 13.1.1
INTRODUCTION 121 13.1.2 1982 JAMIESON SURVEY 121 13.1.3 1995 SURVEY
122 13.1.4 2000 LIST 123 13.1.5 2003 CANADIAN CONSERVATION 14 15
INSTITUTE (CGI) SURVEY 13.2 NOTES ON TREATMENTS IN USE IN 2004 *
ADDITIONAL INFORMATION 13.2.1 INTRODUCTION 13.2.2 DRY CLEANING 13.2.3
WET CLEANING AND SOLVENT CLEANING PROPRIETARY LEATHER CLEANERS
HUMIDIFICATION 13.3 13.4 13.5 13.6 13.7 13.8 REFERENCES 13.2.4 13.2.5
REPAIR MATERIALS ADHESIVES SURFACE INFILLING MATERIALS AND REPLACEMENT
TECHNIQUES MOULDING AND CASTING MATERIALS AND TECHNIQUES CONSOLIDATION
TECHNIQUES DRESSINGS AND FINISHES TAXIDERMY J.A. DICKINSON 14.1 A BRIEF
HISTORY 14.2 TAXIDERMY TERMS 14.3 BIRDS 14.3.1 METHODS 14.3.2 PROBLEMS
14.4 MAMMALS 14.4.1 METHODS 14.4.2 14.5 FISH 14.5.1 14.5.2 14.6 CARE
14.6.1 14.6.2 14.6.3 14.6.4 14.7 PRESERVATIVES REFERENCES PROBLEMS
METHODS PROBLEMS LIGHT TEMPERATURE RELATIVE HUMIDITY STORAGE FUERS AND
FURRIERY: HISTORY, TECHNIQUES AND CONSERVATION MARION KITE 15.1 HISTORY
OF FUER USE 15.1.1 INTRODUCTION 15.1.2 BACKGROUND AND HISTORY 15.1.3
HUSBANDRY AND HARVESTING 15.1.4 SOME FASHIONABLE FUERS AND DATES 15.2
STRUCTURE, MORPHOLOGY, DRESSING AND MAKING 15.2.1 DEFINITIONS AND
TERMINOLOGY 124 124 124 124 125 125 125 126 126 127 128 128 128 129 130
130 131 131 131 132 132 132 134 135 135 136 137 137 137 137 137 140 140
141 141 141 142 145 146 148 148 VIII CONTENTS 15.2.2 BRIEF HISTORY
OFFUR-SKIN PROCESSING AND DYEING 148 15.2.3 HAIR AND FUER FIBRES 149
15.2.4 KERATIN 149 15.2.5 MORPHOLOGY OF HAIR 150 15.2.6 FUR-SKIN
DRESSING 151 15.2.7 DYEING 153 15.2.8 FINISHING 154 15.2.9 POINTING 154
15.2.10 MAKING UP INTO GARMENTS OR ACCESSORIES 154 15.2.11 PLATES AND
CROSSES 157 15.3 CONSERVATION AND CARE 158 15.3.1 INTRODUCTION 158
15.3.2 SPECIES IDENTIFICAFION 158 15.3.3 DAMAGE 159 15.3.4 CONSERVATION
METHODS 159 15.3.5 TWO CASE HISTORIES ILLUSTRATING METHODS 161 15.3.6
FREEZING TESTS OF ADHESIVES 165 15.3.7 CARE OF FUERS 166 ENDNOTES 167
REFERENCES 168 16 THE TANNING, DRESSING AND CONSERVATION OF EXOTIC,
AQUATIC AND FEATHERED SKINS 170 RUDI GRAEMER AND MARION KITE 16.1 EXOTIC
SKINS 170 16.1.1 INTRODUCTION 170 16.1.2 ORIGINS AND HISTORY OF EXOTIC
LEATHERS 170 16.1.3 USES OF EXOTIC LEATHERS 170 16.1.4 PREPARING THE RAW
SKINS 171 16.1.5 TANNING AND DRESSING 171 16.1.6 CONSERVATION 172 16.1.7
CONCLUSION 172 16.2 AQUATIC SKINS 173 16.2.1 FISH SKIN PREPARATION 174
16.2.2 STRUCTURE AND IDENTIFICATION 174 16.2.3 FISH SKIN IN ETHNOGRAPHIE
OBJEETS 175 16.2.4 CONSERVATION 178 16.3 FEATHERED SKINS AND FASHIONABLE
DRESS 178 16.3.1 PROCESSING 178 16.3.2 CONSERVATION PROBLEMS WITH BIRD
SKINS 181 ENDNOTES 182 REFERENCES 182 17 ETHNOGRAPHIE LEATHER AND SKIN
PRODUETS 184 SHERRY DOYAL AND MARION KITE 17.1 INTRODUCTION 184 17.2
ETHICS 184 17.3 USES 184 17.4 TANNING METHODS 1.85 17.5 CONSTRUCTION
TECHNIQUES 185 17.6 DECORATION 185 17.7 CONSERVATION 186 17.7.1
PRE-TREATMENT EXAMINATION 186 17.7.2 POISONS - HEALTH AND SAFETY ISSUES
186 17.7.3 CONDITION 187 17.7.4 CLEANING 187 17.7.5 SOLVENT CLEANING 188
17.7.6 RESHAPING 188 17.7.7 MOUNTS / INTER NAL SUPPORTS 188 17.7.8
MENDING 189 17.7.9 REPAIR SUPPORTS 189 17.7.10 SEWING 189 17.7.11
ADHESIVES 189 17.7.12 COSMETIC REPAIRS AND INFILLS 190 17.7.13 STORAGE
190 17.7.14 DISPLAY 190 REFERENCES 190 BIBLIOGRAPHY 191 COLLAGEN
PRODUETS: GLUES, GELATINE, GUT MEMBRANE AND SAUSAGE CASINGS 192 MARION
KITE 18.1 ANIMAL GLUES AND FISH GLUES 192 18.2 SKIN GLUES AND HIDE GLUES
192 18.3 PARCHMENT GLUE AND PARCHMENT SIZE 193 18.4 RABBIT SKIN GLUE
18.5 BONE GLUE 18.6 GELATINE 18.7 FISH GLUE 18.8 GUT MEMBRANE 18.9
SAUSAGE CASINGS REFERENCES 19 THE MANUFACTURE OF PARCHMENT B.M. HAINES
19.1 TEMPORARY PRESERVATION 19.2 SOAKING 19.3 LIMING 19.4 UNHAIRING AND
FLESHING 19.5 DRYING BIBLIOGRAPHY 20 THE CONSERVATION OF PARCHMENT
CHRISTOPHER S. WOODS 20.1 INTRODUCTION 20.2 PARCHMENT PRODUCTION AND USE
20.3 CHEMICAL, PHYSICAL AND DETERIORATION CHARACTERISTICS 20.4 DISPLAY
AND STORAGE 193 193 193 194 194 195 197 198 198 198 198 198 198 199 200
200 200 203 209 CONTENTS IX 20.5 CONSERVATION TREATMENTS 20.5.1 MOULD
AND FUMIGATION 20.5.2 CLEANING METHODS 20.5.3 HUMIDIFICATION AND
SOFTENING 20.5.4 CONSOLIDATION OF WEAK PARCHMENT 20.5.5 CONSOLIDATION OF
INKS AND PIGMENTS 20.5.6 REPAIRS AND SUPPORTS 20.6 CONCLUSION
ACKNOWLEDGEMENTS ENDNOTES REFERENCES 21 CONSERVATION OF LEATHER
BOOKBINDINGS: A MOSAIC OF CONTEMPORARY TECHNIQUES 21.1 INTRODUCTION
RANDY SILVERRNAN 21.2 BINDING SOLUTIONS TO OLD PROBLEMS ANTHONY CAINS
21.2.1 INTRODUCTION 21.2.2 KLUCELG 21.2.3 APPLICATION OF KLUCEL G 21.2.4
FACING DEGRADED LEATHER 21.2.5 TECHNIQUE 21.2.6 TREATMENT OF THE BOARDS
21.2.7 ADHESIVES 21.2.8 OFFSETTING 21.2.9 BOARD ATTACHMENT 21.2.10
HELICAL OVERSEWING 21.2.11 THE JOINT TACKET 21.2.12 DRILLS 21.2.13
MAKING THE NEEDLE DRILL BIT 21.3 LEATHER CONSERVATION * BOOKBINDING
LEATHER CONSOLIDANTS GLEN RUZICKA, PAULA ZYATS, SARAH REIDELL AND OIIVIA
PRIMANIS 21.3.1 INTRODUCTION 21.3.2 ENVIRONMENT LEATHER PROJECT 21.3.3
CONSOLIDANTS 21.4 SOLVENT-SET BOOK REPAIR TISSUE ALAN PUGLIA AND
PRISCILLA ANDERSON 21.4.1 PREPARATION OF THE REPAIR TISSUE 21.4.2
LEATHER CONSOLIDATION 21.4.3 REPAIR TECHNIQUE 21.4.4 REVERSING
SOLVENT-SET TISSUE REPAIRS 21.4.5 CONCLUSION 209 210 210 211 215 216 217
220 220 220 221 225 225 225 225 226 227 227 227 228 228 228 228 228 229
229 21.5 21.6 21.7 21.8 21.9 SPLIT JOINTS ON LEATHER BINDINGS DON
ETHERINGTON A VARIATION ON THE JAPANESE PAPER HINGE * ADDING A CLOTH
INNER HINGE BILL MINTER SPLIT-HINGE BOARD REATTACHMENT DAVID BROCK BOARD
SLOTTING * A MACHINE- SUPPORTED BOOK CONSERVATION METHOD FRIEDERIKE
ZIMMERN 21.8.1 INTRODUCTION 21.8.2 THE METHOD 21.8.3 TREATMENT OF THE
TEXT BLOCK 21.8.4 TREATMENT OF BOARDS 21.8.5 REATTACHMENT OF TEXT BLOCK
AND BOARDS 21.8.6 THE BOARD SLOTTING MACHINE 21.8.7 SCIENTIFIC ANALYSES
21.8.8 DYEING WITH REACTIVE DYES 21.8.9 CONCLUSIONS 21.8.10
ACKNOWLEDGEMENTS A VARIATION ON THE BOARD SLOTTING MACHINE BILL MINTER
REFERENCES 22 THE CONSERVATION OF ARCHAEOLOGICAL LEATHER E. CAMERON, J.
SPRIGGS AND B. WILLS 22.1 INTRODUCTION 22.1.1 THE ARCHAEOLOEICAL CONTEXT
234 235 235 236 236 237 237 237 237 238 238 239 241 241 241 242 244 244
244 22.1.2 LEATHER TECHNOLOGY AND 229 MATERIAL CULTURE 244 22.2 WET
LEATHER 245 230 22.2.1 CONDITION 245 22.2.2 PRESERVING WET LEATHER
BEFORE TREATMENT 246 230 22.2.3 PAST TREATMENTS 247 22.2.4 PRESENT-DAY
CONSERVATION 230 TREATMENTS 248 230 22.3 DRY LEATHER 251 232 22.3.1
CONDITION 251 22.3.2 ON-SITE RETRIEVAL 253 22.3.3 RECORDING PROCEDURES
254 233 22.3.4 PRESENT-DAY TREATMENTS 256 233 22.4 MINERALIZED LEATHER
257 233 22.4.1 CONDITION 257 22.4.2 ON-SITE RETRIEVAL 259 233 22.4.3
RECORDING 259 233 22.4.4 TREATMENT 259 X CONTENTS 22.5 LONG-TERNI
STORAGE OF ARCHAEOLOGICAL LEATHER 260 22.5.1 STORAGE REQUIREMENTS 260
22.5.2 CONDITION ASSESSMENTS OF 23.8.4 THE FOUR CHAIRS WHERE THE COVERS
WERE REMOVED 22.6 22.7 TREATED LEATHER 22.5.3 OLD COLLECTIONS/
RETREATMENTS PURPOSE OF TREATMENT: A CALL FOR CLARITY CONCLUSION 23.9
REFERENCES 23 CASE HISTORIES OF TREATMENTS 23.1 THE GOLD STATE COACH.
1762 23.1.1 DESCRIPTION 23.1.2 THE PROBLEMS AND THE OPTIONS 23.1.3
TREATMENT 23.2 DOG WHIP * BELIEVED TO BE EIGHTEENTH CENTURY 23.2.1
DESCRIPTION 23.2.2 TREATMENT 23.3 FIRE BUECKET 23.3.1 DESCRIPTION 23.3.2
TREATMENT 23.4 FIREMAN S HEIMET 23.4.1 DESCRIPTION 23.4.2 TREATMENT 23.5
LEATHER LION 23.5.1 DESCRIPTION 23.5.2 TREATMENT 23.6 SEDAN CHAIR 23.6.1
DESCRIPTION 23.6.2 REPAIRS 23.6.3 CLEANING 23.6.4 GAP FILLING AND
FINISHING 23.7 JEWELLERY BOX 23.7.1 DESCRIPTION 23.7.2 TREATMENT 23.8
DINING CHAIRS 23.8.1 DESCRIPTION 23.8.2 THE SET OF EIGHT CHAIRS FOR
REUPHOLSTERING 23.8.3 THE SET OF EIGHT CHAIRS REPAIRED WITHOUT REMOVING
THE COVERS 260 260 260 261 261 264 265 265 265 265 268 268 268 271 271
271 274 274 274 276 276 278 279 279 279 283 284 285 285 285 287 287 287
287 INDEX 23.10 23.11 23.12 23.13 23.14 23.15 23.16 23.17 AND CONSERVED
23.8.5 OVERVIEW ALUM TAWED GLOVES, HAVING BELONGED TO OLIVER CROMWELL
23.9.1 DESCRIPTION 23.9.2 CONDITION 23.9.3 TREATMENT 23.9.4 FUTURE CARE
COURT GLOVES 23.10.1 DESCRIPTION 23.10.2 TREATMENT MOUNTING OF A
COLLECTION OF FLYING HEIMETS 23.11.1 DESCRIPTION 23.11.2 MOUNT
INSTRUCTIONS LEATHER COMPONENTS FROM PANHARD ET LEVASSOR AUTOMOBILE.
1899 23.12.1 DESCRIPTION 23.12.2 CONDITION 23.12.3 TREATMENT 23.12.4
FUTURE CARE ALTAR FRONTAL. 1756 23.13.1 DESCRIPTION 23.13.2 TREATMENT
GILT LEATHER SCREEN 23.14.1 DESCRIPTION 23.14.2 TREATMENT GILT LEATHER
WALL HANGINGS, LEVENS HALL 23.15.1 DESCRIPTION 23.15.2 TREATMENT PHILLIP
WEBB SETTLE. 1860-65 23.16.1 DESCRIPTION 23.16.2 TREATMENT GILT LEATHER
WALL HANGINGS AT GROOTE SCHUUR, CAPE TOWN 23.17.1 DESCRIPTION 23.17.2
CONDITION 23.17.3 CONSERVATION TREATMENT 23.17.4 FUTURE CARE 289 290 293
293 293 293 294 296 296 296 297 297 297 302 302 303 304 306 307 307 307
313 313 313 315 315 316 325 325 325 329 329 329 331 333 335
|
| adam_txt |
CONTENTS FOREWORD XI DEDICATIONS XIII ACKNOWLEDGEMENTS XV CONTRIBUTORS
XVII 1 THE NATURE AND PROPERTIES OF LEATHER 1 ROY THOMSON REFERENCES 3 2
COLLAGEN: THE LEATHERMAKING PROTEIN 4 B.M. HAINES 2.1 THE COLLAGEN
MOLECULE 4 2.2 BONDING WITHIN THE MOLECULE 6 2.3 BONDING BETWEEN
MOLECULES 6 2.3.1 SALT LINKS 6 2.3.2 COVALENT INTERMOLECULAR BONDING 7
2.4 FIBRIL STRUCTURE 8 2.5 SHRINKAGE TEMPERATURE 9 REFERENCES 10 3 THE
FIBRE STRUCTURE OF LEATHER 11 B.M. HAINES 3.1 THE STRUCTURE OF MAMMALIAN
SKINS 12 3.2 VARIATION OF STRUCTURE BETWEEN ANIMAL TYPES 12 3.2.1 MATURE
CATTLE SKINS 12 3.2.2 CALFSKINS 14 3.2.3 GOATSKINS 14 3.2.4 SHEEPSKINS
14 3.2.5 DEERSKINS 15 3.2.6 PIGSKINS 15 3.3 GRAIN SURFACE PATTERNS 17
3.4 SUEDE SURFACES 17 3.5 VARIATION IN STRUCTURE WITH LOCATION IN THE
SKIN 17 3.6 DIRECTIONAL RUN OF THE FIBRES 19 3.7 THE INFLUENCE OF FIBRE
STRUCTURE ON LEATHER PROPERTIES, STRUCTURE AND TEAR STRENGTH 19 3.8
STRUCTURE AND LEATHER HANDLE 20 3.9 FIBRE WEAVE AND MOVEMENT 20
REFERENCES 21 THE CHEMISTRY OF TANNING MATERIALS 22 A.D. COVINGTON 4.1
INTRODUCTION 22 4.2 VEGETABLE TANNING 23 4.3 MINERAL TANNING 27 4.3.1
CHROMIUM(III) SALTS 27 4.3.2 ALUMINIUM(III) SALTS 29 4.3.3 TITANIUM(IV)
SALTS 29 4.3.4 ZIRCONIUM(IV) SALTS 30 4.4 OIL TANNING 30 4.5 ALDEHYDE
TANNING 31 4.5.1 FORMALDEHYDE TANNING 31 4.5.2 GLUTARALDEHYDE TANNING 31
4.5.3 OXAZOLIDINE TANNING 31 4.6 SYNTANS 32 4.6.1 AUXILIARY SYNTANS 32
4.6.2 COMBINATION OR RETANNING SYNTANS 33 4.6.3 REPLACEMENT SYNTANS 33
4.7 OVERVIEW 34 REFERENCES 34 THE MECHANISMS OF DETERIORATION IN LEATHER
36 MARY-LOU E. FLORIAN 5.1 INTRODUCTION 36 5.2 AGENTS OF DETERIORATION
37 5.2.1 INTRODUCTION 37 5.2.2 ACID HYDROLYSIS 38 5.2.3 OXIDATION 38
5.2.4 METALS AND SALTS 40 VI CONTENTS 5.2.5 HEAT 5.2.6 WATER 5.3
COLLAGEN 5.3.1 BONDS IN COLLAGEN: SITES OF DETERIORATION MECHANISMS
5.3.2 PEPTIDES 5.3.3 AMINO ACIDS IN COLLAGEN 5.4 VEGETABLE TANNINS 5.4.1
INTRODUCTION 5.4.2 ANTIOXIDANT ABILITY OF TANNINS 5.4.3 ANALYSIS OF
TANNINS IN AGED LEATHER * DETERIORATION MECHANISMS 5.5 OTHER CHEMICALS
PRESENT DUE TO FABRICATION AND USE 5.5.1 INTRODUCTION 5.5.2 FATS, OILS
AND WAXES 5.5.3 SULPHUR COMPOUNDS AND THEIR ACIDS 5.5.4 ACIDS IN LEATHER
DUE TO FABRICATION OR USE 5.5.5 PERSPIRATION 5.6 DENATURATION AND
SHRINKAGE TEMPERATURES AS A METHOD OF ASSESSMENT FOR ALL TANNAGES 5.7
SUMMARY ACKNOWLEDGEMENTS REFERENCES TESTING LEATHERS AND RELATED
MATERIALS ROY THOMSON 6.1 INTRODUCTION 6.2 DETERMINATION OF RAW MATERIAL
6.3 DETERMINATION OFTANNAGE TYPE 6.3.1 ASHING TEST 6.3.2 SPOT TEST 6.3.3
CONCLUSION 6.4 DETERMINATION OFDEGREE OF DETERIORATION 6.4.1
ORGANOLEPTIC EXAMINATION 6.4.2 CHEMICAL TESTS 6.5 CONCLUSIONS REFERENCES
THE MANUFACTURE OF LEATHER ROY THOMSON 7.1 TANNING IN PREHISTORIC AND
CLASSICAL TIMES 7.2 TANNING IN THE MEDIEVAL AND POST-MEDIEVAL PERIODS
7.3 TANNING IN THE NINETEENTH CENTURY 7.4 TANNING IN MODERN TIMES 7.4.1
PRETANNING 41 41 43 43 43 44 47 47 47 47 50 50 51 51 52 52 53 54 54 58
7.4.2 7.4.3 REFERENCES TANNING POST-TANNING THE SOCIAL POSITION OF
LEATHERWORKERS ROBERT D. HIGH AM REFERENCES 81 81 82 87 9 GILT LEATHER
88 ROY THOMSON 9.1 PRODUCTION AND ART HISTORICAL ASPECTS 90 9.2
CONSERVATION AND RESTORATION 91 10 CUIR BOUILLI 94 LAURA DAVIES 10.1 THE
CUIR BOUILLI TECHNIQUE 94 10.2 LEATHER MOULDING TECHNIQUES 94 10.3 THE
ORIGINS OF THE CUIR BOUILLI TECHNIQUE 94 10.4 CHANGES UNDERGONE BY THE
LEATHER IN THE CUIR BOUILLI PROCESS 97 10.5 CONSERVATION OF CUIR BOUILLI
97 10.5.1 STABILITY 97 10.5.2 DAMAGE CAUSED BY OLD TREATMENTS 98 10.5.3
ORIGINAL TREATMENTS OF CUIR BOUILLI LEATHER 98 10.6 CASE STUDY OF THE
CONSERVATION OF CUIR BOUILLI LEATHER 98 10.6.1 ANALYSIS AND USE OF NON-
INVASIVE XERORADIOGRAPHIC 58 58 58 58 59 59 59 59 60 64 64 66 66 68 73
77 77 10.6.2 ENDNOTES REFERENCES IMAGING REMOVAL OF INAPPROPRIATE
SURFACE COATINGS 11 THE TOOLS AND TECHNIQUES OF LEATHERWORKING: CORRECT
TOOLS + SKILLS = QUALITY CAROLINE DARKE 11.1 LEATHERWORKING TOOLS 11.1.1
11.1.2 11.1.3 11.1.4 11.1.5 11.1.6 11.1.7 11.1.8 11.1.9 11.1.10 11.1.11
THE AWL THE KNIFE THE STROP THE BONE FOLDER OR CREASE THE STEEL RULE THE
DIVIDERS (COMPASS) THE REVOLVING HOLE PUNCH THE HAMMER THE RACE THE CLAM
THE EDGE SHAVE 99 99 101 101 103 103 103 103 104 104 104 104 105 105 105
105 105 CONTENTS VII 11.1.12 THE CREASE IRON 106 11.1.13 THE STITCH
MARKER 106 11.1.14 THE PRICKING IRON 107 11.1.15 THENEEDLE 107 11.1.16
THREAD 108 11.2 ADHESIVES 108 11.3 REINFORCEMENTS 108 11.4 TECHNIQUES
109 11.4.1 SKIVING 109 11.4.2 PREPARATION 109 11.4.3 SEWING - STITCH
FORMATION 109 11.4.4 DECORATIVE STITCHING 110 11.4.5 MACHINE STITCHING
110 11.4.6 DECORATIVE MACHINE STITCHING 110 11.4.7 SEAMS AND
CONSTRUETION 111 BIBLIOGRAPHY 112 12 GENERAL PRINCIPLES OF CARE, STORAGE
AND DISPLAY 113 ALINE ANGUS, MARION KITE AND THEODORE STURGE 12.1
INTRODUCTION 113 12.2 OBJECTS IN USE 113 12.3 DISPLAY OR STORAGE 114
12.4 LEVELS OF TREATMENT 114 12.5 HANDLING BY THE PUBLIC 114 12.6
THE'FINISH' 115 12.7 PREVENTIVE CONSERVATION 115 12.7.1 ENVIRONMENT 115
12.7.2 PESTS 116 12.7.3 STORAGE AND DISPLAY 116 12.8 SHOES 117 12.9
GLOVES 117 12.10 LEATHER GARMENTS 117 12.11 LUGGAGE 117 12.12 SADDLES
117 12.13 HARNESS 118 12.14 SCREENS, WALL HANGINGS AND SEDAN CHAIRS 119
12.15 CARRIAGES AND CARS 120 12.16 CONCLUSION 120 REFERENCE 120 13
MATERIALS AND TECHNIQUES: PAST AND PRESENT 121 MARION KITE, ROY THOMSON
AND ALINE ANGUS 13.1 PAST CONSERVATION TREATMENTS 121 13.1.1
INTRODUCTION 121 13.1.2 1982 JAMIESON SURVEY 121 13.1.3 1995 SURVEY '
122 13.1.4 2000 LIST 123 13.1.5 2003 CANADIAN CONSERVATION 14 15
INSTITUTE (CGI) SURVEY 13.2 NOTES ON TREATMENTS IN USE IN 2004 *
ADDITIONAL INFORMATION 13.2.1 INTRODUCTION 13.2.2 DRY CLEANING 13.2.3
WET CLEANING AND SOLVENT CLEANING PROPRIETARY LEATHER CLEANERS
HUMIDIFICATION 13.3 13.4 13.5 13.6 13.7 13.8 REFERENCES 13.2.4 13.2.5
REPAIR MATERIALS ADHESIVES SURFACE INFILLING MATERIALS AND REPLACEMENT
TECHNIQUES MOULDING AND CASTING MATERIALS AND TECHNIQUES CONSOLIDATION
TECHNIQUES DRESSINGS AND FINISHES TAXIDERMY J.A. DICKINSON 14.1 A BRIEF
HISTORY 14.2 TAXIDERMY TERMS 14.3 BIRDS 14.3.1 METHODS 14.3.2 PROBLEMS
14.4 MAMMALS 14.4.1 METHODS 14.4.2 14.5 FISH 14.5.1 14.5.2 14.6 CARE
14.6.1 14.6.2 14.6.3 14.6.4 14.7 PRESERVATIVES REFERENCES PROBLEMS
METHODS PROBLEMS LIGHT TEMPERATURE RELATIVE HUMIDITY STORAGE FUERS AND
FURRIERY: HISTORY, TECHNIQUES AND CONSERVATION MARION KITE 15.1 HISTORY
OF FUER USE 15.1.1 INTRODUCTION 15.1.2 BACKGROUND AND HISTORY 15.1.3
HUSBANDRY AND HARVESTING 15.1.4 SOME FASHIONABLE FUERS AND DATES 15.2
STRUCTURE, MORPHOLOGY, DRESSING AND MAKING 15.2.1 DEFINITIONS AND
TERMINOLOGY 124 124 124 124 125 125 125 126 126 127 128 128 128 129 130
130 131 131 131 132 132 132 134 135 135 136 137 137 137 137 137 140 140
141 141 141 142 145 146 148 148 VIII CONTENTS 15.2.2 BRIEF HISTORY
OFFUR-SKIN PROCESSING AND DYEING 148 15.2.3 HAIR AND FUER FIBRES 149
15.2.4 KERATIN 149 15.2.5 MORPHOLOGY OF HAIR 150 15.2.6 FUR-SKIN
DRESSING 151 15.2.7 DYEING 153 15.2.8 FINISHING 154 15.2.9 POINTING 154
15.2.10 MAKING UP INTO GARMENTS OR ACCESSORIES 154 15.2.11 PLATES AND
CROSSES 157 15.3 CONSERVATION AND CARE 158 15.3.1 INTRODUCTION 158
15.3.2 SPECIES IDENTIFICAFION 158 15.3.3 DAMAGE 159 15.3.4 CONSERVATION
METHODS 159 15.3.5 TWO CASE HISTORIES ILLUSTRATING METHODS 161 15.3.6
FREEZING TESTS OF ADHESIVES 165 15.3.7 CARE OF FUERS 166 ENDNOTES 167
REFERENCES 168 16 THE TANNING, DRESSING AND CONSERVATION OF EXOTIC,
AQUATIC AND FEATHERED SKINS 170 RUDI GRAEMER AND MARION KITE 16.1 EXOTIC
SKINS 170 16.1.1 INTRODUCTION 170 16.1.2 ORIGINS AND HISTORY OF EXOTIC
LEATHERS 170 16.1.3 USES OF EXOTIC LEATHERS 170 16.1.4 PREPARING THE RAW
SKINS 171 16.1.5 TANNING AND DRESSING 171 16.1.6 CONSERVATION 172 16.1.7
CONCLUSION 172 16.2 AQUATIC SKINS 173 16.2.1 FISH SKIN PREPARATION 174
16.2.2 STRUCTURE AND IDENTIFICATION 174 16.2.3 FISH SKIN IN ETHNOGRAPHIE
OBJEETS 175 16.2.4 CONSERVATION 178 16.3 FEATHERED SKINS AND FASHIONABLE
DRESS 178 16.3.1 PROCESSING 178 16.3.2 CONSERVATION PROBLEMS WITH BIRD
SKINS 181 ENDNOTES 182 REFERENCES 182 17 ETHNOGRAPHIE LEATHER AND SKIN
PRODUETS 184 SHERRY DOYAL AND MARION KITE 17.1 INTRODUCTION 184 17.2
ETHICS 184 17.3 USES 184 17.4 TANNING METHODS 1.85 17.5 CONSTRUCTION
TECHNIQUES 185 17.6 DECORATION 185 17.7 CONSERVATION 186 17.7.1
PRE-TREATMENT EXAMINATION 186 17.7.2 POISONS - HEALTH AND SAFETY ISSUES
186 17.7.3 CONDITION 187 17.7.4 CLEANING 187 17.7.5 SOLVENT CLEANING 188
17.7.6 RESHAPING 188 17.7.7 MOUNTS / INTER NAL SUPPORTS 188 17.7.8
MENDING 189 17.7.9 REPAIR SUPPORTS 189 17.7.10 SEWING 189 17.7.11
ADHESIVES 189 17.7.12 COSMETIC REPAIRS AND INFILLS 190 17.7.13 STORAGE
190 17.7.14 DISPLAY 190 REFERENCES 190 BIBLIOGRAPHY 191 COLLAGEN
PRODUETS: GLUES, GELATINE, GUT MEMBRANE AND SAUSAGE CASINGS 192 MARION
KITE 18.1 ANIMAL GLUES AND FISH GLUES 192 18.2 SKIN GLUES AND HIDE GLUES
192 18.3 PARCHMENT GLUE AND PARCHMENT SIZE 193 18.4 RABBIT SKIN GLUE
18.5 BONE GLUE 18.6 GELATINE 18.7 FISH GLUE 18.8 GUT MEMBRANE 18.9
SAUSAGE CASINGS REFERENCES 19 THE MANUFACTURE OF PARCHMENT B.M. HAINES
19.1 TEMPORARY PRESERVATION 19.2 SOAKING 19.3 LIMING 19.4 UNHAIRING AND
FLESHING 19.5 DRYING BIBLIOGRAPHY 20 THE CONSERVATION OF PARCHMENT
CHRISTOPHER S. WOODS 20.1 INTRODUCTION 20.2 PARCHMENT PRODUCTION AND USE
20.3 CHEMICAL, PHYSICAL AND DETERIORATION CHARACTERISTICS 20.4 DISPLAY
AND STORAGE 193 193 193 194 194 195 197 198 198 198 198 198 198 199 200
200 200 203 209 CONTENTS IX 20.5 CONSERVATION TREATMENTS 20.5.1 MOULD
AND FUMIGATION 20.5.2 CLEANING METHODS 20.5.3 HUMIDIFICATION AND
SOFTENING 20.5.4 CONSOLIDATION OF WEAK PARCHMENT 20.5.5 CONSOLIDATION OF
INKS AND PIGMENTS 20.5.6 REPAIRS AND SUPPORTS 20.6 CONCLUSION
ACKNOWLEDGEMENTS ENDNOTES REFERENCES 21 CONSERVATION OF LEATHER
BOOKBINDINGS: A MOSAIC OF CONTEMPORARY TECHNIQUES 21.1 INTRODUCTION
RANDY SILVERRNAN 21.2 BINDING SOLUTIONS TO OLD PROBLEMS ANTHONY CAINS
21.2.1 INTRODUCTION 21.2.2 KLUCELG 21.2.3 APPLICATION OF KLUCEL G 21.2.4
FACING DEGRADED LEATHER 21.2.5 TECHNIQUE 21.2.6 TREATMENT OF THE BOARDS
21.2.7 ADHESIVES 21.2.8 OFFSETTING 21.2.9 BOARD ATTACHMENT 21.2.10
HELICAL OVERSEWING 21.2.11 THE JOINT TACKET 21.2.12 DRILLS 21.2.13
MAKING THE NEEDLE DRILL BIT 21.3 LEATHER CONSERVATION * BOOKBINDING
LEATHER CONSOLIDANTS GLEN RUZICKA, PAULA ZYATS, SARAH REIDELL AND OIIVIA
PRIMANIS 21.3.1 INTRODUCTION 21.3.2 ENVIRONMENT LEATHER PROJECT 21.3.3
CONSOLIDANTS 21.4 SOLVENT-SET BOOK REPAIR TISSUE ALAN PUGLIA AND
PRISCILLA ANDERSON 21.4.1 PREPARATION OF THE REPAIR TISSUE 21.4.2
LEATHER CONSOLIDATION 21.4.3 REPAIR TECHNIQUE 21.4.4 REVERSING
SOLVENT-SET TISSUE REPAIRS 21.4.5 CONCLUSION 209 210 210 211 215 216 217
220 220 220 221 225 225 225 225 226 227 227 227 228 228 228 228 228 229
229 21.5 21.6 21.7 21.8 21.9 SPLIT JOINTS ON LEATHER BINDINGS DON
ETHERINGTON A VARIATION ON THE JAPANESE PAPER HINGE * ADDING A CLOTH
INNER HINGE BILL MINTER SPLIT-HINGE BOARD REATTACHMENT DAVID BROCK BOARD
SLOTTING * A MACHINE- SUPPORTED BOOK CONSERVATION METHOD FRIEDERIKE
ZIMMERN 21.8.1 INTRODUCTION 21.8.2 THE METHOD 21.8.3 TREATMENT OF THE
TEXT BLOCK 21.8.4 TREATMENT OF BOARDS 21.8.5 REATTACHMENT OF TEXT BLOCK
AND BOARDS 21.8.6 THE BOARD SLOTTING MACHINE 21.8.7 SCIENTIFIC ANALYSES
21.8.8 DYEING WITH REACTIVE DYES 21.8.9 CONCLUSIONS 21.8.10
ACKNOWLEDGEMENTS A VARIATION ON THE BOARD SLOTTING MACHINE BILL MINTER
REFERENCES 22 THE CONSERVATION OF ARCHAEOLOGICAL LEATHER E. CAMERON, J.
SPRIGGS AND B. WILLS 22.1 INTRODUCTION 22.1.1 THE ARCHAEOLOEICAL CONTEXT
234 235 235 236 236 237 237 237 237 238 238 239 241 241 241 242 244 244
244 22.1.2 LEATHER TECHNOLOGY AND 229 MATERIAL CULTURE 244 22.2 WET
LEATHER 245 230 22.2.1 CONDITION 245 22.2.2 PRESERVING WET LEATHER
BEFORE TREATMENT 246 230 22.2.3 PAST TREATMENTS 247 22.2.4 PRESENT-DAY
CONSERVATION 230 TREATMENTS 248 230 22.3 DRY LEATHER 251 232 22.3.1
CONDITION 251 22.3.2 ON-SITE RETRIEVAL 253 22.3.3 RECORDING PROCEDURES
254 233 22.3.4 PRESENT-DAY TREATMENTS 256 233 22.4 MINERALIZED LEATHER
257 233 22.4.1 CONDITION 257 22.4.2 ON-SITE RETRIEVAL 259 233 22.4.3
RECORDING 259 233 22.4.4 TREATMENT 259 X CONTENTS 22.5 LONG-TERNI
STORAGE OF ARCHAEOLOGICAL LEATHER 260 22.5.1 STORAGE REQUIREMENTS 260
22.5.2 CONDITION ASSESSMENTS OF 23.8.4 THE FOUR CHAIRS WHERE THE COVERS
WERE REMOVED 22.6 22.7 TREATED LEATHER 22.5.3 OLD COLLECTIONS/
RETREATMENTS PURPOSE OF TREATMENT: A CALL FOR CLARITY CONCLUSION 23.9
REFERENCES 23 CASE HISTORIES OF TREATMENTS 23.1 THE GOLD STATE COACH.
1762 23.1.1 DESCRIPTION 23.1.2 THE PROBLEMS AND THE OPTIONS 23.1.3
TREATMENT 23.2 DOG WHIP * BELIEVED TO BE EIGHTEENTH CENTURY 23.2.1
DESCRIPTION 23.2.2 TREATMENT 23.3 FIRE BUECKET 23.3.1 DESCRIPTION 23.3.2
TREATMENT 23.4 FIREMAN'S HEIMET 23.4.1 DESCRIPTION 23.4.2 TREATMENT 23.5
LEATHER LION 23.5.1 DESCRIPTION 23.5.2 TREATMENT 23.6 SEDAN CHAIR 23.6.1
DESCRIPTION 23.6.2 REPAIRS 23.6.3 CLEANING 23.6.4 GAP FILLING AND
FINISHING 23.7 JEWELLERY BOX 23.7.1 DESCRIPTION 23.7.2 TREATMENT 23.8
DINING CHAIRS 23.8.1 DESCRIPTION 23.8.2 THE SET OF EIGHT CHAIRS FOR
REUPHOLSTERING 23.8.3 THE SET OF EIGHT CHAIRS REPAIRED WITHOUT REMOVING
THE COVERS 260 260 260 261 261 264 265 265 265 265 268 268 268 271 271
271 274 274 274 276 276 278 279 279 279 283 284 285 285 285 287 287 287
287 INDEX 23.10 23.11 23.12 23.13 23.14 23.15 23.16 23.17 AND CONSERVED
23.8.5 OVERVIEW ALUM TAWED GLOVES, HAVING BELONGED TO OLIVER CROMWELL
23.9.1 DESCRIPTION 23.9.2 CONDITION 23.9.3 TREATMENT 23.9.4 FUTURE CARE
COURT GLOVES 23.10.1 DESCRIPTION 23.10.2 TREATMENT MOUNTING OF A
COLLECTION OF FLYING HEIMETS 23.11.1 DESCRIPTION 23.11.2 MOUNT
INSTRUCTIONS LEATHER COMPONENTS FROM PANHARD ET LEVASSOR AUTOMOBILE.
1899 23.12.1 DESCRIPTION 23.12.2 CONDITION 23.12.3 TREATMENT 23.12.4
FUTURE CARE ALTAR FRONTAL. 1756 23.13.1 DESCRIPTION 23.13.2 TREATMENT
GILT LEATHER SCREEN 23.14.1 DESCRIPTION 23.14.2 TREATMENT GILT LEATHER
WALL HANGINGS, LEVENS HALL 23.15.1 DESCRIPTION 23.15.2 TREATMENT PHILLIP
WEBB SETTLE. 1860-65 23.16.1 DESCRIPTION 23.16.2 TREATMENT GILT LEATHER
WALL HANGINGS AT GROOTE SCHUUR, CAPE TOWN 23.17.1 DESCRIPTION 23.17.2
CONDITION 23.17.3 CONSERVATION TREATMENT 23.17.4 FUTURE CARE 289 290 293
293 293 293 294 296 296 296 297 297 297 302 302 303 304 306 307 307 307
313 313 313 315 315 316 325 325 325 329 329 329 331 333 335 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author_GND | (DE-588)143104101 |
| building | Verbundindex |
| bvnumber | BV022207223 |
| callnumber-first | T - Technology |
| callnumber-label | TS967 |
| callnumber-raw | TS967 |
| callnumber-search | TS967 |
| callnumber-sort | TS 3967 |
| callnumber-subject | TS - Manufactures |
| classification_rvk | LH 60360 QR 526 |
| ctrlnum | (OCoLC)456701313 (DE-599)BVBBV022207223 |
| dewey-full | 675.0288 |
| dewey-hundreds | 600 - Technology (Applied sciences) |
| dewey-ones | 675 - Leather and fur processing |
| dewey-raw | 675.0288 |
| dewey-search | 675.0288 |
| dewey-sort | 3675.0288 |
| dewey-tens | 670 - Manufacturing |
| discipline | Kunstgeschichte Werkstoffwissenschaften / Fertigungstechnik Wirtschaftswissenschaften |
| discipline_str_mv | Kunstgeschichte Werkstoffwissenschaften / Fertigungstechnik Wirtschaftswissenschaften |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV022207223 |
| illustrated | Illustrated |
| index_date | 2024-07-02T16:25:54Z |
| indexdate | 2024-07-09T20:52:23Z |
| institution | BVB |
| isbn | 9780750648813 0750648813 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015418593 |
| oclc_num | 456701313 |
| open_access_boolean | |
| owner | DE-M17 DE-12 DE-M498 DE-523 DE-M157 DE-525 DE-255 DE-Y2 DE-M350 DE-Aug9 DE-91 DE-BY-TUM |
| owner_facet | DE-M17 DE-12 DE-M498 DE-523 DE-M157 DE-525 DE-255 DE-Y2 DE-M350 DE-Aug9 DE-91 DE-BY-TUM |
| physical | XXII, 340 S. zahlr. Ill., graph. Darst. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Elsevier, BH |
| record_format | marc |
| series2 | Butterworth-Heinemann series in conservation and museology |
| spelling | Conservation of leather and related materials Marion Kite ; Roy Thomson 1. publ. Amsterdam [u.a.] Elsevier, BH 2006 XXII, 340 S. zahlr. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Butterworth-Heinemann series in conservation and museology Hides and skins Conservation and restoration Leather Conservation and restoration Leder (DE-588)4034974-3 gnd rswk-swf Angewandte Kunst (DE-588)7593577-6 gnd rswk-swf Restaurierung (DE-588)4049600-4 gnd rswk-swf Künstlerisches Material (DE-588)4304079-2 gnd rswk-swf Konservierung (DE-588)4114279-2 gnd rswk-swf Lederarbeit (DE-588)4034975-5 gnd rswk-swf Leder (DE-588)4034974-3 s Konservierung (DE-588)4114279-2 s DE-604 Lederarbeit (DE-588)4034975-5 s Angewandte Kunst (DE-588)7593577-6 s Künstlerisches Material (DE-588)4304079-2 s Restaurierung (DE-588)4049600-4 s Kite, Marion ca. 20. Jh. Sonstige (DE-588)143104101 oth Thomson, Roy Sonstige oth SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015418593&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Conservation of leather and related materials Hides and skins Conservation and restoration Leather Conservation and restoration Leder (DE-588)4034974-3 gnd Angewandte Kunst (DE-588)7593577-6 gnd Restaurierung (DE-588)4049600-4 gnd Künstlerisches Material (DE-588)4304079-2 gnd Konservierung (DE-588)4114279-2 gnd Lederarbeit (DE-588)4034975-5 gnd |
| subject_GND | (DE-588)4034974-3 (DE-588)7593577-6 (DE-588)4049600-4 (DE-588)4304079-2 (DE-588)4114279-2 (DE-588)4034975-5 |
| title | Conservation of leather and related materials |
| title_auth | Conservation of leather and related materials |
| title_exact_search | Conservation of leather and related materials |
| title_exact_search_txtP | Conservation of leather and related materials |
| title_full | Conservation of leather and related materials Marion Kite ; Roy Thomson |
| title_fullStr | Conservation of leather and related materials Marion Kite ; Roy Thomson |
| title_full_unstemmed | Conservation of leather and related materials Marion Kite ; Roy Thomson |
| title_short | Conservation of leather and related materials |
| title_sort | conservation of leather and related materials |
| topic | Hides and skins Conservation and restoration Leather Conservation and restoration Leder (DE-588)4034974-3 gnd Angewandte Kunst (DE-588)7593577-6 gnd Restaurierung (DE-588)4049600-4 gnd Künstlerisches Material (DE-588)4304079-2 gnd Konservierung (DE-588)4114279-2 gnd Lederarbeit (DE-588)4034975-5 gnd |
| topic_facet | Hides and skins Conservation and restoration Leather Conservation and restoration Leder Angewandte Kunst Restaurierung Künstlerisches Material Konservierung Lederarbeit |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015418593&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kitemarion conservationofleatherandrelatedmaterials AT thomsonroy conservationofleatherandrelatedmaterials |