Brecht & Co: German-speaking playwrights on the Australian Stage
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Bern [u.a.]
Lang
2007
|
Schriftenreihe: | German-Australian Studies
18 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 426 S. 223 mm x 155 mm |
ISBN: | 9783039108329 9780820480343 |
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adam_text |
Table
of
Contents
Acknowledgements
.9
Introduction
.11
Parti
Brecht's
work in Australia
1
Brecht as a
touchstone for this book.
33
2
The context of the Australian
Brecht
reception
.37
2.1
Aesthetics and theatrical norms
.37
2.2
English translations of Brecht's theories on theatre
.47
2.3
Brecht
and political theatre in Australia
.65
3
Beginnings: Receiving
Brecht
in the late
1950s.69
3.1
Characteristics of the
1950s,
interest in
Brecht
.69
3.2
Heinz Wiemann's production of Mother Courage
(1958).75
3.3
Wai Cherry's production of The Threepenny Opera
(1959).78
4
Searches for approaches:
Receiving
Brecht
in the
1960s
and early
1970s.95
4.1
Characteristics of the
1960s,
interest in
Brecht
.95
4.2
A tendency to 'naturalise' Brecht's plays
.98
4.3
Early innovative productions
.116
4.4
The late
1960s:
Mainstream and 'alternative' productions
.121
5
Rising interest: Receiving
Brecht
in the
1970s.129
5.1
Characteristics of the
1970s,
interest in
Brecht
.129
5.2
Brecht
in the mainstream theatre
and the question of relevance
.133
5.3
An 'authentic' version of Mother Courage!
.135
5.4
Taking up the political and aesthetic challenges
of Brecht's work
.144
6
Reaching the heights: Receiving
Brecht
in the late
1970s.167
6.1
A "Brecht
fest".167
6.2
A range of different plays, production styles
and critics' reactions
.170
6.3
Theatre Australia's special section on
Brecht.179
7
Decline: Receiving
Brecht in
the
1980s.187
7.1
Characteristics of the
1980s,
interest in
Brecht.187
7.2
Production and reception of plays
.189
7.3
Playing The Threepenny Opera for entertainment
.192
8
Receiving
Brecht in
the
1990s.203
8.1
Choice of plays and reasons for waning interest
in Brecht's work
.203
8.2
Approaches to staging Brecht's plays
for contemporary audiences
.211
8.3
The
Brecht
centenary and new approaches
to Brecht's work
.227
Part II
Plays by other German-speaking playwrights
and the Australian-German cross-cultural relationship
1
Preliminary remarks
.245
2
Early productions in English and German
.247
3
Production and reception of plays in the
1960s.255
3.1
Plays by Max
Frisch
and
Friedrich Dürrenmatt.256
3.2
Rolf Hochhuth, The Representative
.266
3.3
Other productions in the
1960s.274
4
Production and reception of plays in the
1970s.277
4.1
Plays by Peter Handke
.277
4.2
Play-readings and other cultural initiatives
at the Goethe Institute in Sydney
.286
5
Production and reception of plays in the
1980s.297
5.1
Translations and adaptations of German plays in the
1980s.297
5.2
Theater
Heute
reports on Australian theatre in
1986.310
5.3
Discussions about Australian theatre criticism in the
1980s.314
6
Production of plays in the
1990s:
Ways towards Owning' German drama
.321
6.1
Productions of Franz
Xaver Kroetz'
Farmyard
.322
6.2
Barrie Kosky'
s
production of Faust
.328
6.3
Michael
Kantor'
s
production of
Excavation. The Last Days of Mankind
.
336
7
"We must find our own voice"
Noel Tovey directs The Aboriginal Protesters
.343
8
Where from here?
Recent developments, outlook and conclusion
.365
Appendix 1
. 215
Appendix II
. 3-7-7
Bibliography
. 395
Index of play wrights, theatre practitioners and critics
.419 |
adam_txt |
Table
of
Contents
Acknowledgements
.9
Introduction
.11
Parti
Brecht's
work in Australia
1
Brecht as a
touchstone for this book.
33
2
The context of the Australian
Brecht
reception
.37
2.1
Aesthetics and theatrical norms
.37
2.2
English translations of Brecht's theories on theatre
.47
2.3
Brecht
and political theatre in Australia
.65
3
Beginnings: Receiving
Brecht
in the late
1950s.69
3.1
Characteristics of the
1950s,
interest in
Brecht
.69
3.2
Heinz Wiemann's production of Mother Courage
(1958).75
3.3
Wai Cherry's production of The Threepenny Opera
(1959).78
4
Searches for approaches:
Receiving
Brecht
in the
1960s
and early
1970s.95
4.1
Characteristics of the
1960s,
interest in
Brecht
.95
4.2
A tendency to 'naturalise' Brecht's plays
.98
4.3
Early innovative productions
.116
4.4
The late
1960s:
Mainstream and 'alternative' productions
.121
5
Rising interest: Receiving
Brecht
in the
1970s.129
5.1
Characteristics of the
1970s,
interest in
Brecht
.129
5.2
Brecht
in the mainstream theatre
and the question of relevance
.133
5.3
An 'authentic' version of Mother Courage!
.135
5.4
Taking up the political and aesthetic challenges
of Brecht's work
.144
6
Reaching the heights: Receiving
Brecht
in the late
1970s.167
6.1
A "Brecht
fest".167
6.2
A range of different plays, production styles
and critics' reactions
.170
6.3
Theatre Australia's special section on
Brecht.179
7
Decline: Receiving
Brecht in
the
1980s.187
7.1
Characteristics of the
1980s,
interest in
Brecht.187
7.2
Production and reception of plays
.189
7.3
Playing The Threepenny Opera for entertainment
.192
8
Receiving
Brecht in
the
1990s.203
8.1
Choice of plays and reasons for waning interest
in Brecht's work
.203
8.2
Approaches to staging Brecht's plays
for contemporary audiences
.211
8.3
The
Brecht
centenary and new approaches
to Brecht's work
.227
Part II
Plays by other German-speaking playwrights
and the Australian-German cross-cultural relationship
1
Preliminary remarks
.245
2
Early productions in English and German
.247
3
Production and reception of plays in the
1960s.255
3.1
Plays by Max
Frisch
and
Friedrich Dürrenmatt.256
3.2
Rolf Hochhuth, The Representative
.266
3.3
Other productions in the
1960s.274
4
Production and reception of plays in the
1970s.277
4.1
Plays by Peter Handke
.277
4.2
Play-readings and other cultural initiatives
at the Goethe Institute in Sydney
.286
5
Production and reception of plays in the
1980s.297
5.1
Translations and adaptations of German plays in the
1980s.297
5.2
Theater
Heute
reports on Australian theatre in
1986.310
5.3
Discussions about Australian theatre criticism in the
1980s.314
6
Production of plays in the
1990s:
Ways towards Owning' German drama
.321
6.1
Productions of Franz
Xaver Kroetz'
Farmyard
.322
6.2
Barrie Kosky'
s
production of Faust
.328
6.3
Michael
Kantor'
s
production of
Excavation. The Last Days of Mankind
.
336
7
"We must find our own voice"
Noel Tovey directs The Aboriginal Protesters
.343
8
Where from here?
Recent developments, outlook and conclusion
.365
Appendix 1
. 215
Appendix II
. 3-7-7
Bibliography
. 395
Index of play wrights, theatre practitioners and critics
.419 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Garde, Ulrike 1964- |
author_GND | (DE-588)132651343 |
author_facet | Garde, Ulrike 1964- |
author_role | aut |
author_sort | Garde, Ulrike 1964- |
author_variant | u g ug |
building | Verbundindex |
bvnumber | BV022203865 |
callnumber-first | P - Language and Literature |
callnumber-label | PT2603 |
callnumber-raw | PT2603.R397 |
callnumber-search | PT2603.R397 |
callnumber-sort | PT 42603 R397 |
callnumber-subject | PT - European, Asian and African Literature |
classification_rvk | GM 2660 GN 1641 GN 1890 |
ctrlnum | (OCoLC)77004117 (DE-599)BVBBV022203865 |
dewey-full | 832/.912 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 832 - German drama |
dewey-raw | 832/.912 |
dewey-search | 832/.912 |
dewey-sort | 3832 3912 |
dewey-tens | 830 - Literatures of Germanic languages |
discipline | Germanistik / Niederlandistik / Skandinavistik Sprachwissenschaft |
discipline_str_mv | Germanistik / Niederlandistik / Skandinavistik Sprachwissenschaft |
era | Geschichte 1945-1996 gnd |
era_facet | Geschichte 1945-1996 |
format | Book |
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illustrated | Not Illustrated |
index_date | 2024-07-02T16:24:48Z |
indexdate | 2024-08-30T00:10:41Z |
institution | BVB |
isbn | 9783039108329 9780820480343 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015415285 |
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series | German-Australian Studies |
series2 | German-Australian Studies |
spelling | Garde, Ulrike 1964- Verfasser (DE-588)132651343 aut Brecht & Co German-speaking playwrights on the Australian Stage Ulrike Garde Bern [u.a.] Lang 2007 426 S. 223 mm x 155 mm txt rdacontent n rdamedia nc rdacarrier German-Australian Studies 18 Brecht, Bertolt <1898-1956> Appreciation Australia Brecht, Bertolt <1898-1956> Dramatic production Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd rswk-swf Geschichte 1945-1996 gnd rswk-swf German drama Appreciation Australia Rezeption (DE-588)4049716-1 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Australien Australien (DE-588)4003900-6 gnd rswk-swf Australien (DE-588)4003900-6 g Drama (DE-588)4012899-4 s Aufführung (DE-588)4143388-9 s Deutsch (DE-588)4113292-0 s Geschichte 1945-1996 z DE-604 Brecht, Bertolt 1898-1956 (DE-588)118514768 p Rezeption (DE-588)4049716-1 s German-Australian Studies 18 (DE-604)BV002657889 18 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015415285&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Garde, Ulrike 1964- Brecht & Co German-speaking playwrights on the Australian Stage German-Australian Studies Brecht, Bertolt <1898-1956> Appreciation Australia Brecht, Bertolt <1898-1956> Dramatic production Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd German drama Appreciation Australia Rezeption (DE-588)4049716-1 gnd Aufführung (DE-588)4143388-9 gnd Drama (DE-588)4012899-4 gnd Deutsch (DE-588)4113292-0 gnd |
subject_GND | (DE-588)118514768 (DE-588)4049716-1 (DE-588)4143388-9 (DE-588)4012899-4 (DE-588)4113292-0 (DE-588)4003900-6 |
title | Brecht & Co German-speaking playwrights on the Australian Stage |
title_auth | Brecht & Co German-speaking playwrights on the Australian Stage |
title_exact_search | Brecht & Co German-speaking playwrights on the Australian Stage |
title_exact_search_txtP | Brecht & Co German-speaking playwrights on the Australian Stage |
title_full | Brecht & Co German-speaking playwrights on the Australian Stage Ulrike Garde |
title_fullStr | Brecht & Co German-speaking playwrights on the Australian Stage Ulrike Garde |
title_full_unstemmed | Brecht & Co German-speaking playwrights on the Australian Stage Ulrike Garde |
title_short | Brecht & Co |
title_sort | brecht co german speaking playwrights on the australian stage |
title_sub | German-speaking playwrights on the Australian Stage |
topic | Brecht, Bertolt <1898-1956> Appreciation Australia Brecht, Bertolt <1898-1956> Dramatic production Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd German drama Appreciation Australia Rezeption (DE-588)4049716-1 gnd Aufführung (DE-588)4143388-9 gnd Drama (DE-588)4012899-4 gnd Deutsch (DE-588)4113292-0 gnd |
topic_facet | Brecht, Bertolt <1898-1956> Appreciation Australia Brecht, Bertolt <1898-1956> Dramatic production Brecht, Bertolt 1898-1956 German drama Appreciation Australia Rezeption Aufführung Drama Deutsch Australien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015415285&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV002657889 |
work_keys_str_mv | AT gardeulrike brechtcogermanspeakingplaywrightsontheaustralianstage |