Vocative constructions in the language of Shakespeare:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam [u.a.]
Benjamins
2006
|
| Schriftenreihe: | Pragmatics & beyond
150 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Teilw. zugl.: Münster, Univ., Diss., 2003/04 Includes bibliographical references and index |
| Beschreibung: | XVIII, 525 S. Ill., graph. Darst. |
| ISBN: | 9027253935 |
Internformat
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| 245 | 1 | 0 | |a Vocative constructions in the language of Shakespeare |c Beatrix Busse |
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| 500 | |a Teilw. zugl.: Münster, Univ., Diss., 2003/04 | ||
| 500 | |a Includes bibliographical references and index | ||
| 600 | 1 | 4 | |a Shakespeare, William |d 1564-1616 |x Language |
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| 650 | 4 | |a Englisch | |
| 650 | 4 | |a English language |y Early modern, 1500-1700 |x Address, Forms of | |
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Datensatz im Suchindex
| _version_ | 1804136169871507456 |
|---|---|
| adam_text | Table of contents
List of illustrations xm
Preface and acknowledgements xv
List of abbreviations xvn
CHAPTER 1
This study 1
1.1 Outline of this study 1
1.2 Existent linguistic accounts of the language of Shakespeare
and of the use of forms of address 16
1.2.1 Shakespeare s language 16
1.2.2 The concept of address nominal forms of address and the second person
personal pronoun 17
1.3 A working definition of vocatives in Shakespeare 25
1.3.1 What has been excluded 25
1.3.2 What is the vocative? 26
1.4 Methodology 29
1.4.1 Selection of the corpus 29
1.4.2 Isolation of vocatives a triadic hierarchical model of vocative analysis 37
1.4.2.1 General outline of the model 37
1.4.2.2 Presentation of the design of the model vocatives analysed below the
clause 40
1.4.2.3 Presentation of the design of the model vocatives analysed in the clause 44
1.4.2.4 Presentation of the design of the model vocatives analysed above the
clause 47
1.5 Approaches 50
1.5.1 Literary critical approaches 50
1.5.2 Vocatives as social exchange a typology 51
1.5.2.1 Linguistic Shakespeare studies, Shakespeare grammars, hypertexts, online
material, and databases 51
1.5.2.2 Ethnomethodology, conversation analysis, sociolinguistic approaches,
pragmatics 53
1.5.2.3 Structural functional approaches: M.A.K. Halliday s systemic functional gram¬
mar and critical discourse analysis 57
1.6 Significance of forms of address for Early Modern English
and Early Modern England 61
viii Vocative Constructions in the Language of Shakespeare
CHAPTER 2
Theoretical framework: Shakespeare s language as social semiotic 67
2.1 Preliminaries 67
2.2 Language does not correspond. It construes. Shakespeare s
language as interactive, social, and contextual 67
2.2.1 Preliminaries 67
2.2.2 M. A. K. Halliday s systemic functional grammar 68
2.2.3 M. Bakhtins dialogism 73
2.2.4 U. Eco s Opera Aperta 75
2.3 Vocatives in Shakespeare as a natural bridge from I to You 77
2.3.1 Identity and character 77
2.3.2 Habitus 83
2.4 Stylistics and the theory of foregrounding 84
2.4.1 British stylistics 84
2.4.2 The theory of foregrounding 88
2.5 Meaning inference and cognitive theories 91
chapter 3
What is the focative case, William? the grammar of vocatives in
Shakespeare and systemic functional grammar 95
3.1 Shakespearean vocatives analysed below the clause 95
3.1.1 Shakespearean vocatives as nominal groups 95
3.1.2 The concept of amplification and the Shakespearean vocative 100
3.2 Shakespearean vocatives analysed in the clause 105
3.2.1 Introduction 105
3.2.2 Shakespearean vocatives as adjuncts 106
3.2.3 The interpersonal, textual, and experiential grammar of Shakespeare s vocatives
in the clause and their co reference with other constituents 109
3.3 The Shakespearean vocative as grammatical metaphor 117
3.3.1 Introduction 117
3.3.2 Vocatives in Shakespeare as experiential grammatical metaphor 118
3.3.3 Vocatives in Shakespeare as interpersonal grammatical metaphor 125
chapter 4
What s in a vocative ? the experiential, interpersonal, and textual
meanings of Shakespearean vocatives: a polyphony of voices 129
4.1 Shakespearean vocatives as experiential markers 129
4.1.1 Preliminaries 129
4.1.2 Network of vocatives in Shakespeare 131
4 i 3 Making use of the idiom: the world of Shakespearean vocatives analogy and
the Early Modern Chain of Being 138
4.1.4 The etymology of vocative heads 143
4.1.4.1 Preliminaries 143
4.1.4.2 Germanic and Romance vocabulary, vocative classes and generic
observations 143
Table of contents ix
4.1.5 Shakespearean vocative clusters and quantitative observations: the foregrounded
role of vocatives in Shakespeare 146
4.1.5.1 Preliminaries 146
4.1.5.2 General figures absolute and relative frequencies of vocatives 146
4.1.5.3 Absolute and relative frequencies of vocatives computed in the different
genres 151
4.1.5.3.1 The tragedies 151
4.1.5.3.2 The histories 161
4.1.5.3.3 The comedies 166
4.1.5.4 Absolute and relative frequencies of the respective vocative clusters 171
4.1.6 A case study: the representatives of the category conventional terms in a selected
range of plays of the Shakespeare corpus 178
4.1.7 You taught me language. The role of vocatives in the construction and
naturalisation of complex power structures 186
4.2 The interpersonal and textual dimensions of vocatives in Shakespeare 194
4.2.1 Vocatives as interpersonal markers in Ant. and Lr. 194
4.2.1.1 Introduction: what is the interpersonal? 194
4.2.1.2 Vocatives as creating identity in Ant. 196
4.2.1.3 Vocatives and their potential for social and cultural positioning in Lr. 205
4.2.2 Modification of vocative heads 210
4.2.2.1 Shakespearean vocatives and amplification: general observations 210
4.2.2.2 Modification of vocatives: the epithets good, sweet, and others 219
4.2.3 Shakespearean vocative collocations 226
4.2.4 Textual dimensions of vocatives in Shakespeare and their correlations with the
interpersonal 232
4.2.4.1 Preliminaries 232
4.2.4.2 Initial position of vocatives 235
4.2.4.3 Medial position of vocatives 238
4.2.4.4 Final position of vocatives 239
4.2.4.5 Vocatives and cohesion 240
4.2.4.6 Vocatives as discourse markers indicating topic change 242
4.2.5 Characters use of vocatives in Shakespeare 243
4.2.5.1 R3 a representative analysis of Richard of Gloucester 243
4.2.5.2 Characters use of vocatives in R3 and in the entire corpus 261
4.2.5.3 Generic and social differences as construed in vocatives in R3 and other
plays 269
4.2.6 Vocatives of love and authority in Rom. 272
4.2.7 Sweet Smoke of Rhetoric historicising the use of vocatives in Shakespeare
revisited 278
4.2.7.1 Rhetoric and the Early Modern socio linguistic context 278
4.2.7.2 Wilsons ([1585] 1969) Arte of Rhetoric and vocative usage 282
4.2.7.3 Cicero s Orator and its potential for interpreting vocatives in Shakespeare 286
x Vocative Constructions in the Language of Shakespeare
CHAPTER 5
Language most shows a man: speak, that I may see thee.
Vocatives in context 291
5.1 Micro and macro analyses of vocative representatives
of the different categories 291
5.1.1 Preliminaries 291
5.1.2 Conventional Terms as vocatives Titles of their glories ? 292
5.1.2.1 Gallants 292
5.1.2.2 Constable and neighbour 293
5.1.2.3 Patrician and signior 294
5.1.2.4 Thane 295
5.1.2.5 King 296
5.1.2.6 Queen, majesty and your grace 297
5.1.2.7 Dame, lady and mistress 299
5.1.2.8 Madam 303
5.1.2.9 Lord 305
5.1.2.10 Sir 310
5.1.3 Emotion I mind, thought and EPITHETs 314
5.1.3a Love and fury 314
5.1.3.2 Truepenny 315
5.1.3.3 Friends 316
5.1.3.4 Self address 318
5.1.3.5 Goodman, fool, and caitiff 320
5.1.3.6 Barber monger, zed, whoreson, and slanderer 321
5.1.3.7 Sirrah 323
5.1.3.8 Dissembler 324
5.1.3.9 Seeming, foul and fair 325
5.1.4 Generic terms as vocatives 327
5.1.4.1 Male generic terms: boy, man, lad, and knaves 327
5.1.4.2 Female generic terms: wench, girl(s), women, and maid 330
5.1.5 Natural phenomena as vocatives 332
5.1.5.1 Animal terms: dog and gull 332
5.1.5.2 Food, parts of the body, and nature: chewet, eyes, arms, lips, sinows, brains,
heart, sides, wind, stones, night, and rose 333
5.1.6 Personal names as vocatives 336
5.1.6.1 Preliminaries 336
5.1.6.2 The vocative Margaret in R3 339
5.1.6.3 The vocative Lear in Lr. 340
5.1.6.4 The vocative Jephthah in Ham. 340
5.1.6.5 The vocative Charmian in Ant. 341
5.1.6.6 The vocative Caesar in Ant. 342
5.1.6.7 The vocative Andronicus in Tit. 343
5.1.7 Specialised fields as vocatives 344
Table of contents xi
5.1.7.1 Metaphysical terms: soul, hag, minister, god, priest, woe, smulkin, apparition,
and wonder 344
5.1.7.2 Arts and leisure: art and music 350
5.1.7.3 Military terms: soldiers, defender, lieutenant, and wrack 351
5.1.7.4 Legal terms: allegiance, thief, traitor, and advocate 352
5.1.8 Terms of family relationship 353
5.1.8.1 Preliminaries 353
5.1.8.2 The vocative son 353
5.1.8.3 The vocative wife 357
5.1.8.4 The vocative husband 358
5.1.8.5 The vocatives nuncle and niece 359
5.2 Pairs use of vocatives in Shakespeare: positioning self,
other and identity construction 361
5.2.1 Preliminaries 361
5.2.2 Othello and Iago in Oth. 363
5.2.2.1 Quantitative findings of their vocative usage 363
5.2.2.2 Contextual analysis of vocatives exchanged between Iago and Othello in Oth.:
Iago preparing a voice potential 366
5.2.2.3 Feign and farce: vocative usage in the temptation scene 372
5.2.3 Othello and Desdemona in Oth. cultural tension and immaturity of love as
construed by vocatives 383
5.2.3.1 Preliminaries 383
5.2.3.2 Quantitative findings of their vocative usage 383
5.2.3.3 The destruction of alter ego and of the inherent interactive function of the
vocative 391
5.2.4 Prince Henry s and Falstaff s mutual vocative usage or Whom do we Credit,
Hal s Old White Bearded Satan (1H4 2.4.462) or Sweet Jack Falstaff, Kind
Jack FalstafF, True Jack Falstaff, Valiant Jack Falstaff, and therefore more valiant,
being as he is old Jack FalstafF (iH4 2.4.475 77)? 396
5.2.4.1 Preliminaries 396
5.2.4.2 Quantitative findings of their vocative usage 396
5.2.4.3 Vocative change: from devotion and jesting mockery to princely ambivalence
and destruction 399
5.2.4.4 Falling out: vocative usage creating a loveless Hal staff 403
chapter 6
Vocatives in Shakespeare and the theatre 413
6.1 Going beyond speaker selection: quantitative, generic,
diachronic and thematic results 413
6.2 Supplementing and triggering: vocatives as stage directions 423
6.3 Vocatives in Shakespeare and Biihler s ([1934] 1999) concept
ofAusdruck and Appell 425
6.4 Stirring up emotions: vocatives as addresses to the recipient 433
xii Vocative Constructions in the Language of Shakespeare
CHAPTER 7
Conclusions 445
Appendix 459
References 495
Index 523
|
| adam_txt |
Table of contents
List of illustrations xm
Preface and acknowledgements xv
List of abbreviations xvn
CHAPTER 1
This study 1
1.1 Outline of this study 1
1.2 Existent linguistic accounts of the language of Shakespeare
and of the use of forms of address 16
1.2.1 Shakespeare's language 16
1.2.2 The concept of address nominal forms of address and the second person
personal pronoun 17
1.3 A working definition of vocatives in Shakespeare 25
1.3.1 What has been excluded 25
1.3.2 What is the vocative? 26
1.4 Methodology 29
1.4.1 Selection of the corpus 29
1.4.2 Isolation of vocatives a triadic hierarchical model of vocative analysis 37
1.4.2.1 General outline of the model 37
1.4.2.2 Presentation of the design of the model vocatives analysed below the
clause 40
1.4.2.3 Presentation of the design of the model vocatives analysed in the clause 44
1.4.2.4 Presentation of the design of the model vocatives analysed above the
clause 47
1.5 Approaches 50
1.5.1 Literary critical approaches 50
1.5.2 Vocatives as social exchange a typology 51
1.5.2.1 Linguistic Shakespeare studies, Shakespeare grammars, hypertexts, online
material, and databases 51
1.5.2.2 Ethnomethodology, conversation analysis, sociolinguistic approaches,
pragmatics 53
1.5.2.3 Structural functional approaches: M.A.K. Halliday's systemic functional gram¬
mar and critical discourse analysis 57
1.6 Significance of forms of address for Early Modern English
and Early Modern England 61
viii Vocative Constructions in the Language of Shakespeare
CHAPTER 2
Theoretical framework: Shakespeare's language as social semiotic 67
2.1 Preliminaries 67
2.2 "Language does not correspond. It construes." Shakespeare's
language as interactive, social, and contextual 67
2.2.1 Preliminaries 67
2.2.2 M. A. K. Halliday's systemic functional grammar 68
2.2.3 M. Bakhtins dialogism 73
2.2.4 U. Eco's Opera Aperta 75
2.3 Vocatives in Shakespeare as a natural bridge from I to You 77
2.3.1 Identity and character 77
2.3.2 Habitus 83
2.4 Stylistics and the theory of foregrounding 84
2.4.1 British stylistics 84
2.4.2 The theory of foregrounding 88
2.5 Meaning inference and cognitive theories 91
chapter 3
"What is the focative case, William?" the grammar of vocatives in
Shakespeare and systemic functional grammar 95
3.1 Shakespearean vocatives analysed below the clause 95
3.1.1 Shakespearean vocatives as nominal groups 95
3.1.2 The concept of amplification and the Shakespearean vocative 100
3.2 Shakespearean vocatives analysed in the clause 105
3.2.1 Introduction 105
3.2.2 Shakespearean vocatives as adjuncts 106
3.2.3 The interpersonal, textual, and experiential grammar of Shakespeare's vocatives
in the clause and their co reference with other constituents 109
3.3 The Shakespearean vocative as grammatical metaphor 117
3.3.1 Introduction 117
3.3.2 Vocatives in Shakespeare as experiential grammatical metaphor 118
3.3.3 Vocatives in Shakespeare as interpersonal grammatical metaphor 125
chapter 4
What's in a vocative ? the experiential, interpersonal, and textual
meanings of Shakespearean vocatives: a polyphony of voices 129
4.1 Shakespearean vocatives as experiential markers 129
4.1.1 Preliminaries 129
4.1.2 Network of vocatives in Shakespeare 131
4 i 3 Making use of the idiom: the world of Shakespearean vocatives analogy and
the Early Modern Chain of Being 138
4.1.4 The etymology of vocative heads 143
4.1.4.1 Preliminaries 143
4.1.4.2 Germanic and Romance vocabulary, vocative classes and generic
observations 143
Table of contents ix
4.1.5 Shakespearean vocative clusters and quantitative observations: the foregrounded
role of vocatives in Shakespeare 146
4.1.5.1 Preliminaries 146
4.1.5.2 General figures absolute and relative frequencies of vocatives 146
4.1.5.3 Absolute and relative frequencies of vocatives computed in the different
genres 151
4.1.5.3.1 The tragedies 151
4.1.5.3.2 The histories 161
4.1.5.3.3 The comedies 166
4.1.5.4 Absolute and relative frequencies of the respective vocative clusters 171
4.1.6 A case study: the representatives of the category conventional terms in a selected
range of plays of the Shakespeare corpus 178
4.1.7 "You taught me language." The role of vocatives in the construction and
naturalisation of complex power structures 186
4.2 The interpersonal and textual dimensions of vocatives in Shakespeare 194
4.2.1 Vocatives as interpersonal markers in Ant. and Lr. 194
4.2.1.1 Introduction: what is the interpersonal? 194
4.2.1.2 Vocatives as creating identity in Ant. 196
4.2.1.3 Vocatives and their potential for social and cultural positioning in Lr. 205
4.2.2 Modification of vocative heads 210
4.2.2.1 Shakespearean vocatives and amplification: general observations 210
4.2.2.2 Modification of vocatives: the epithets good, sweet, and others 219
4.2.3 Shakespearean vocative collocations 226
4.2.4 Textual dimensions of vocatives in Shakespeare and their correlations with the
interpersonal 232
4.2.4.1 Preliminaries 232
4.2.4.2 Initial position of vocatives 235
4.2.4.3 Medial position of vocatives 238
4.2.4.4 Final position of vocatives 239
4.2.4.5 Vocatives and cohesion 240
4.2.4.6 Vocatives as discourse markers indicating topic change 242
4.2.5 Characters'use of vocatives in Shakespeare 243
4.2.5.1 R3 a representative analysis of Richard of Gloucester 243
4.2.5.2 Characters' use of vocatives in R3 and in the entire corpus 261
4.2.5.3 Generic and social differences as construed in vocatives in R3 and other
plays 269
4.2.6 Vocatives of love and authority in Rom. 272
4.2.7 "Sweet Smoke of Rhetoric" historicising the use of vocatives in Shakespeare
revisited 278
4.2.7.1 Rhetoric and the Early Modern socio linguistic context 278
4.2.7.2 Wilsons ([1585] 1969) Arte of Rhetoric and vocative usage 282
4.2.7.3 Cicero's Orator and its potential for interpreting vocatives in Shakespeare 286
x Vocative Constructions in the Language of Shakespeare
CHAPTER 5
"Language most shows a man: speak, that I may see thee."
Vocatives in context 291
5.1 Micro and macro analyses of vocative representatives
of the different categories 291
5.1.1 Preliminaries 291
5.1.2 Conventional Terms as vocatives "Titles of their glories"? 292
5.1.2.1 Gallants 292
5.1.2.2 Constable and neighbour 293
5.1.2.3 Patrician and signior 294
5.1.2.4 Thane 295
5.1.2.5 King 296
5.1.2.6 Queen, majesty and your grace 297
5.1.2.7 Dame, lady and mistress 299
5.1.2.8 Madam 303
5.1.2.9 Lord 305
5.1.2.10 Sir 310
5.1.3 Emotion I mind, thought and EPITHETs 314
5.1.3a Love and fury 314
5.1.3.2 Truepenny 315
5.1.3.3 Friends 316
5.1.3.4 Self address 318
5.1.3.5 Goodman, fool, and caitiff 320
5.1.3.6 Barber monger, zed, whoreson, and slanderer 321
5.1.3.7 Sirrah 323
5.1.3.8 Dissembler 324
5.1.3.9 Seeming, foul and fair 325
5.1.4 Generic terms as vocatives 327
5.1.4.1 Male generic terms: boy, man, lad, and knaves 327
5.1.4.2 Female generic terms: wench, girl(s), women, and maid 330
5.1.5 Natural phenomena as vocatives 332
5.1.5.1 Animal terms: dog and gull 332
5.1.5.2 Food, parts of the body, and nature: chewet, eyes, arms, lips, sinows, brains,
heart, sides, wind, stones, night, and rose 333
5.1.6 Personal names as vocatives 336
5.1.6.1 Preliminaries 336
5.1.6.2 The vocative Margaret in R3 339
5.1.6.3 The vocative Lear in Lr. 340
5.1.6.4 The vocative Jephthah in Ham. 340
5.1.6.5 The vocative Charmian in Ant. 341
5.1.6.6 The vocative Caesar in Ant. 342
5.1.6.7 The vocative Andronicus in Tit. 343
5.1.7 Specialised fields as vocatives 344
Table of contents xi
5.1.7.1 Metaphysical terms: soul, hag, minister, god, priest, woe, smulkin, apparition,
and wonder 344
5.1.7.2 Arts and leisure: art and music 350
5.1.7.3 Military terms: soldiers, defender, lieutenant, and wrack 351
5.1.7.4 Legal terms: allegiance, thief, traitor, and advocate 352
5.1.8 Terms of family relationship 353
5.1.8.1 Preliminaries 353
5.1.8.2 The vocative son 353
5.1.8.3 The vocative wife 357
5.1.8.4 The vocative husband 358
5.1.8.5 The vocatives nuncle and niece 359
5.2 Pairs' use of vocatives in Shakespeare: positioning self,
other and identity construction 361
5.2.1 Preliminaries 361
5.2.2 Othello and Iago in Oth. 363
5.2.2.1 Quantitative findings of their vocative usage 363
5.2.2.2 Contextual analysis of vocatives exchanged between Iago and Othello in Oth.:
Iago preparing a "voice potential" 366
5.2.2.3 Feign and farce: vocative usage in the temptation scene 372
5.2.3 Othello and Desdemona in Oth. cultural tension and immaturity of love as
construed by vocatives 383
5.2.3.1 Preliminaries 383
5.2.3.2 Quantitative findings of their vocative usage 383
5.2.3.3 The destruction of alter ego and of the inherent interactive function of the
vocative 391
5.2.4 Prince Henry's and Falstaff s mutual vocative usage or "Whom do we Credit,
Hal's 'Old White Bearded Satan' (1H4 2.4.462) or 'Sweet Jack Falstaff, Kind
Jack FalstafF, True Jack Falstaff, Valiant Jack Falstaff, and therefore more valiant,
being as he is old Jack FalstafF"'(iH4 2.4.475 77)? 396
5.2.4.1 Preliminaries 396
5.2.4.2 Quantitative findings of their vocative usage 396
5.2.4.3 Vocative change: from devotion and jesting mockery to princely ambivalence
and destruction 399
5.2.4.4 Falling out: vocative usage creating a loveless 'Hal staff' 403
chapter 6
Vocatives in Shakespeare and the theatre 413
6.1 Going beyond speaker selection: quantitative, generic,
diachronic and thematic results 413
6.2 Supplementing and triggering: vocatives as stage directions 423
6.3 Vocatives in Shakespeare and Biihler's ([1934] 1999) concept
ofAusdruck and Appell 425
6.4 Stirring up emotions: vocatives as addresses to the recipient 433
xii Vocative Constructions in the Language of Shakespeare
CHAPTER 7
Conclusions 445
Appendix 459
References 495
Index 523 |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV022195400 |
| illustrated | Illustrated |
| index_date | 2024-07-02T16:22:42Z |
| indexdate | 2024-07-09T20:52:08Z |
| institution | BVB |
| isbn | 9027253935 |
| language | English |
| lccn | 2006049870 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015406904 |
| oclc_num | 237085681 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM DE-11 DE-20 |
| owner_facet | DE-12 DE-19 DE-BY-UBM DE-11 DE-20 |
| physical | XVIII, 525 S. Ill., graph. Darst. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Benjamins |
| record_format | marc |
| series | Pragmatics & beyond |
| series2 | Pragmatics & beyond |
| spelling | Busse, Beatrix 1973- Verfasser (DE-588)173875017 aut Vocative constructions in the language of Shakespeare Beatrix Busse Amsterdam [u.a.] Benjamins 2006 XVIII, 525 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Pragmatics & beyond 150 Teilw. zugl.: Münster, Univ., Diss., 2003/04 Includes bibliographical references and index Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf English language - Early modern, 1500-1700 - Address, Forms of Englisch English language Early modern, 1500-1700 Address, Forms of Forms of address in literature Anrede (DE-588)4002158-0 gnd rswk-swf Frühneuenglisch (DE-588)4352423-0 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Frühneuenglisch (DE-588)4352423-0 s Anrede (DE-588)4002158-0 s DE-604 Pragmatics & beyond 150 (DE-604)BV002551261 150 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015406904&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Busse, Beatrix 1973- Vocative constructions in the language of Shakespeare Pragmatics & beyond Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd English language - Early modern, 1500-1700 - Address, Forms of Englisch English language Early modern, 1500-1700 Address, Forms of Forms of address in literature Anrede (DE-588)4002158-0 gnd Frühneuenglisch (DE-588)4352423-0 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4002158-0 (DE-588)4352423-0 (DE-588)4113937-9 |
| title | Vocative constructions in the language of Shakespeare |
| title_auth | Vocative constructions in the language of Shakespeare |
| title_exact_search | Vocative constructions in the language of Shakespeare |
| title_exact_search_txtP | Vocative constructions in the language of Shakespeare |
| title_full | Vocative constructions in the language of Shakespeare Beatrix Busse |
| title_fullStr | Vocative constructions in the language of Shakespeare Beatrix Busse |
| title_full_unstemmed | Vocative constructions in the language of Shakespeare Beatrix Busse |
| title_short | Vocative constructions in the language of Shakespeare |
| title_sort | vocative constructions in the language of shakespeare |
| topic | Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd English language - Early modern, 1500-1700 - Address, Forms of Englisch English language Early modern, 1500-1700 Address, Forms of Forms of address in literature Anrede (DE-588)4002158-0 gnd Frühneuenglisch (DE-588)4352423-0 gnd |
| topic_facet | Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 English language - Early modern, 1500-1700 - Address, Forms of Englisch English language Early modern, 1500-1700 Address, Forms of Forms of address in literature Anrede Frühneuenglisch Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015406904&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV002551261 |
| work_keys_str_mv | AT bussebeatrix vocativeconstructionsinthelanguageofshakespeare |