Profaning the sacred: Salman Rushdie
Salman Rushdie, b. 1947, Indo-English novelist.
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Delhi
S. S. Publ.
2005
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | Salman Rushdie, b. 1947, Indo-English novelist. |
Beschreibung: | 240 S. |
ISBN: | 8185396442 |
Internformat
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Datensatz im Suchindex
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---|---|
adam_text | Contents
foreword
vii
Ргфсе
ix
1.
Introduction
1
2.
Metafiction and
34
Or Alienating the Reader
3.
Intertextuality, Parody and Pastiche or the
96
Question of Context
4.
Magical Realism and Self-Reflexivity:
148
Or History Dehistoricized
5.
A Study of Salman Rushdie s Short Faction
200
6.
Location
215
Summing Up
225
Bibliography
234
Index
238
Ever since Salman Rushdie published his
epoch making Midnight s Childmt, which was
lapped up by his western reviewers and
admirers as a kind of metafictional
historiography of the Indian sub-continent
validating even its several moral/ideological
effronteries to Indian people, things have
never been the same for an Indian
in English. Under the explicit guise of
Natívising
technique, Rushdie s mode of narration was
hailed as parallel to that of the Panchtantra .
The present book encompasses how Rushdie
was subtly representing the sub-continental
reality through an angular and arcane
narrativity which obviously derives from
western masters and
why he cared a fig for the moral, religious
traditions of the represented communities of
India and Pakistan, as he only slanders the
social cultural realities of the Indian sub¬
continent.
The Indian intellectuals have shown its
almost parasitic dependence on the western
critical canon by accepting or rejecting the
works of different writers. Even, in the post-
colonial situation the Indian critics are eager
to join the post-modernist bandwagon.
Rushdie s works are self-reflexive in a
sense, as they reflect the culture of
fragmentary sensations, eclectic nostalgia and
promiscuous superficiality in which the
traditionally valued qualities of depth,
meaning, originality and authenticity are
evacuated or dissolved amidst the swirl of
empty signals. The book probes the writer s
self conscious details wrapped up in
postmodemistic techniques like metafiction,
fabulation, intertextuality,
self-reflexivity and magical realism, which are
provocative enough for the reader as it
disturbs the set social-political cultural mode.
|
adam_txt |
Contents
foreword
vii
Ргфсе
ix
1.
Introduction
1
2.
Metafiction and
34
Or Alienating the Reader
3.
Intertextuality, Parody and Pastiche or the
96
Question of Context
4.
Magical Realism and Self-Reflexivity:
148
Or History Dehistoricized
5.
A Study of Salman Rushdie's Short Faction
200
6.
Location
215
Summing Up
225
Bibliography
234
Index
238
Ever since Salman Rushdie published his
epoch making Midnight's Childmt, which was
lapped up by his western reviewers and
admirers as a kind of metafictional
historiography of the Indian sub-continent
validating even its several moral/ideological
effronteries to Indian people, things have
never been the same for an Indian
in English. Under the explicit guise of
'Natívising'
technique, Rushdie's mode of narration was
hailed as parallel to that of the 'Panchtantra'.
The present book encompasses how Rushdie
was subtly representing the sub-continental
reality through an angular and arcane
narrativity which obviously derives from
western masters and
why he cared a fig for the moral, religious
traditions of the represented communities of
India and Pakistan, as he only slanders the
social cultural realities of the Indian sub¬
continent.
The Indian intellectuals have shown its
almost parasitic dependence on the western
critical canon by accepting or rejecting the
works of different writers. Even, in the post-
colonial situation the Indian critics are eager
to join the post-modernist bandwagon.
Rushdie's works are self-reflexive in a
sense, as they reflect the culture of
fragmentary sensations, eclectic nostalgia and
promiscuous superficiality in which the
traditionally valued qualities of depth,
meaning, originality and authenticity are
evacuated or dissolved amidst the swirl of
empty signals. The book probes the writer's
self conscious details wrapped up in
postmodemistic techniques like metafiction,
fabulation, intertextuality,
self-reflexivity and magical realism, which are
provocative enough for the reader as it
disturbs the set social-political cultural mode. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Rana, Randeep |
author_facet | Rana, Randeep |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 820 - English & Old English literatures |
dewey-raw | 820.9 |
dewey-search | 820.9 |
dewey-sort | 3820.9 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
edition | 1. publ. |
format | Book |
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id | DE-604.BV022194476 |
illustrated | Not Illustrated |
index_date | 2024-07-02T16:22:26Z |
indexdate | 2024-07-09T20:52:07Z |
institution | BVB |
isbn | 8185396442 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015405999 |
oclc_num | 60911228 |
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physical | 240 S. |
publishDate | 2005 |
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publisher | S. S. Publ. |
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spelling | Rana, Randeep Verfasser aut Profaning the sacred Salman Rushdie Randeep Rana 1. publ. Delhi S. S. Publ. 2005 240 S. txt rdacontent n rdamedia nc rdacarrier Salman Rushdie, b. 1947, Indo-English novelist. Rushdie, Salman Criticism and interpretation Rushdie, Salman 1947- (DE-588)118873520 gnd rswk-swf Rushdie, Salman 1947- (DE-588)118873520 p DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015405999&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015405999&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Rana, Randeep Profaning the sacred Salman Rushdie Rushdie, Salman Criticism and interpretation Rushdie, Salman 1947- (DE-588)118873520 gnd |
subject_GND | (DE-588)118873520 |
title | Profaning the sacred Salman Rushdie |
title_auth | Profaning the sacred Salman Rushdie |
title_exact_search | Profaning the sacred Salman Rushdie |
title_exact_search_txtP | Profaning the sacred Salman Rushdie |
title_full | Profaning the sacred Salman Rushdie Randeep Rana |
title_fullStr | Profaning the sacred Salman Rushdie Randeep Rana |
title_full_unstemmed | Profaning the sacred Salman Rushdie Randeep Rana |
title_short | Profaning the sacred |
title_sort | profaning the sacred salman rushdie |
title_sub | Salman Rushdie |
topic | Rushdie, Salman Criticism and interpretation Rushdie, Salman 1947- (DE-588)118873520 gnd |
topic_facet | Rushdie, Salman Criticism and interpretation Rushdie, Salman 1947- |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015405999&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015405999&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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