Drama kings: players and publics in the re-creation of Peking opera ; 1870 - 1937
"In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera'...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Berkeley [u.a.]
Univ. of California Press
2007
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Schlagworte: | |
Zusammenfassung: | "In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera's key actors, he explores their methods for earning a living; their status in an ever-changing society; the methods by which theaters functioned; the nature and content of performances; audience make-up; and the larger relationship between Peking opera and Chinese nationalism. Propelled by a synergy of the commercial and the political patronage from the Qing court in Beijing to modern theaters in Shanghai and Tianjin, Peking opera rose to national prominence. The genre's star actors, particularly male cross-dressing performers led by the exquisite Mei Lanfang and the "Four Great Female Impersonators" became media celebrities, models of modern fashion and world travel. Ironically, as it became increasingly entrenched in modern commercial networks, Peking opera was increasingly framed in post-May fourth discourses as profoundly traditional. Drama Kings demonstrates that the process of reforming and marketing Peking opera as a national genre was integrally involved with process of colonial modernity, shifting gender roles, the rise of capitalist visual culture, and new technologies of public discipline that became increasingly prevalent in urban China in the Republican era." -- Publisher's description. |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XI, 371 S. Ill. |
ISBN: | 9780520247529 0520247523 |
Internformat
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520 | 3 | |a "In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera's key actors, he explores their methods for earning a living; their status in an ever-changing society; the methods by which theaters functioned; the nature and content of performances; audience make-up; and the larger relationship between Peking opera and Chinese nationalism. Propelled by a synergy of the commercial and the political patronage from the Qing court in Beijing to modern theaters in Shanghai and Tianjin, Peking opera rose to national prominence. The genre's star actors, particularly male cross-dressing performers led by the exquisite Mei Lanfang and the "Four Great Female Impersonators" became media celebrities, models of modern fashion and world travel. Ironically, as it became increasingly entrenched in modern commercial networks, Peking opera was increasingly framed in post-May fourth discourses as profoundly traditional. Drama Kings demonstrates that the process of reforming and marketing Peking opera as a national genre was integrally involved with process of colonial modernity, shifting gender roles, the rise of capitalist visual culture, and new technologies of public discipline that became increasingly prevalent in urban China in the Republican era." -- Publisher's description. | |
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author | Goldstein, Joshua |
author_facet | Goldstein, Joshua |
author_role | aut |
author_sort | Goldstein, Joshua |
author_variant | j g jg |
building | Verbundindex |
bvnumber | BV022192325 |
callnumber-first | P - Language and Literature |
callnumber-label | PN2876 |
callnumber-raw | PN2876.B37 |
callnumber-search | PN2876.B37 |
callnumber-sort | PN 42876 B37 |
callnumber-subject | PN - General Literature |
classification_rvk | LS 41400 |
ctrlnum | (OCoLC)71347468 (DE-599)BVBBV022192325 |
dewey-full | 792.0951/156 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.0951/156 |
dewey-search | 792.0951/156 |
dewey-sort | 3792.0951 3156 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Musikwissenschaft |
discipline_str_mv | Allgemeines Musikwissenschaft |
era | Geschichte 1870-1937 gnd |
era_facet | Geschichte 1870-1937 |
format | Book |
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id | DE-604.BV022192325 |
illustrated | Illustrated |
index_date | 2024-07-02T16:21:43Z |
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institution | BVB |
isbn | 9780520247529 0520247523 |
language | English |
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spelling | Goldstein, Joshua Verfasser aut Drama kings players and publics in the re-creation of Peking opera ; 1870 - 1937 Joshua Goldstein Berkeley [u.a.] Univ. of California Press 2007 XI, 371 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera's key actors, he explores their methods for earning a living; their status in an ever-changing society; the methods by which theaters functioned; the nature and content of performances; audience make-up; and the larger relationship between Peking opera and Chinese nationalism. Propelled by a synergy of the commercial and the political patronage from the Qing court in Beijing to modern theaters in Shanghai and Tianjin, Peking opera rose to national prominence. The genre's star actors, particularly male cross-dressing performers led by the exquisite Mei Lanfang and the "Four Great Female Impersonators" became media celebrities, models of modern fashion and world travel. Ironically, as it became increasingly entrenched in modern commercial networks, Peking opera was increasingly framed in post-May fourth discourses as profoundly traditional. Drama Kings demonstrates that the process of reforming and marketing Peking opera as a national genre was integrally involved with process of colonial modernity, shifting gender roles, the rise of capitalist visual culture, and new technologies of public discipline that became increasingly prevalent in urban China in the Republican era." -- Publisher's description. Mei, Lanfang 1894-1961 Mei, Lanfang 1894-1961 (DE-588)119556855 gnd rswk-swf Geschichte 1870-1937 gnd rswk-swf Geschichte Theater China Beijing History Operas, Chinese China Beijing History Peking-Oper (DE-588)4173610-2 gnd rswk-swf Mei, Lanfang 1894-1961 (DE-588)119556855 p DE-604 Peking-Oper (DE-588)4173610-2 s Geschichte 1870-1937 z |
spellingShingle | Goldstein, Joshua Drama kings players and publics in the re-creation of Peking opera ; 1870 - 1937 Mei, Lanfang 1894-1961 Mei, Lanfang 1894-1961 (DE-588)119556855 gnd Geschichte Theater China Beijing History Operas, Chinese China Beijing History Peking-Oper (DE-588)4173610-2 gnd |
subject_GND | (DE-588)119556855 (DE-588)4173610-2 |
title | Drama kings players and publics in the re-creation of Peking opera ; 1870 - 1937 |
title_auth | Drama kings players and publics in the re-creation of Peking opera ; 1870 - 1937 |
title_exact_search | Drama kings players and publics in the re-creation of Peking opera ; 1870 - 1937 |
title_exact_search_txtP | Drama kings players and publics in the re-creation of Peking opera ; 1870 - 1937 |
title_full | Drama kings players and publics in the re-creation of Peking opera ; 1870 - 1937 Joshua Goldstein |
title_fullStr | Drama kings players and publics in the re-creation of Peking opera ; 1870 - 1937 Joshua Goldstein |
title_full_unstemmed | Drama kings players and publics in the re-creation of Peking opera ; 1870 - 1937 Joshua Goldstein |
title_short | Drama kings |
title_sort | drama kings players and publics in the re creation of peking opera 1870 1937 |
title_sub | players and publics in the re-creation of Peking opera ; 1870 - 1937 |
topic | Mei, Lanfang 1894-1961 Mei, Lanfang 1894-1961 (DE-588)119556855 gnd Geschichte Theater China Beijing History Operas, Chinese China Beijing History Peking-Oper (DE-588)4173610-2 gnd |
topic_facet | Mei, Lanfang 1894-1961 Geschichte Theater China Beijing History Operas, Chinese China Beijing History Peking-Oper |
work_keys_str_mv | AT goldsteinjoshua dramakingsplayersandpublicsintherecreationofpekingopera18701937 |