Psychoacoustics: facts and models
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin [u.a.]
Springer
1999
|
| Ausgabe: | 2., updated ed. |
| Schriftenreihe: | Springer series in information sciences
22 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. [359] - 400 |
| Beschreibung: | XII, 416 S. graph. Darst. |
| ISBN: | 3540650636 |
Internformat
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| 245 | 1 | 0 | |a Psychoacoustics |b facts and models |c E. Zwicker ; H. Fastl |
| 250 | |a 2., updated ed. | ||
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Datensatz im Suchindex
| _version_ | 1804135982616805376 |
|---|---|
| adam_text | Titel: Psychoacoustics
Autor: Zwicker, Eberhard
Jahr: 1999
Contents
Stimuli and Procedures................................... 1
1.1 Temporal and Spectral Characteristics of Sound............ 1
1.2 Presentation of Sounds by Loudspeakers and Earphones..... 5
1.3 Methods and Procedures................................ 8
1.4 Stimuli, Sensations, and Data Averaging .................. 11
Hearing Area............................................. 17
2.1 Threshold in Quiet ..................................... 19
Information Processing in the Auditory System .......... 23
3.1 Preprocessing of Sound in the Peripheral System........... 23
3.1.1 Head and Outer Ear.............................. 23
3.1.2 Middle Ear...................................... 24
3.1.3 Inner Ear ....................................... 25
3.1.4 Otoacoustic Emissions............................ 35
3.1.5 Model of the Nonlinear Preprocessing System........ 50
3.2 Information Processing in the Nervous System............. 58
Masking.................................................. 61
4.1 Masking of Pure Tones by Noise.......................... 62
4.1.1 Pure Tones Masked by Broad-Band Noise........... 62
4.1.2 Pure Tones Masked by Narrow-Band Noise.......... 64
4.1.3 Pure Tones Masked by Low-Pass or High-Pass Noise . . 66
4.2 Masking of Pure Tones by Tones......................... 66
4.2.1 Pure Tones Masked by Pure Tones ................. 67
4.2.2 Pure Tones Masked by Complex Tones.............. 70
4.3 Psychoacoustical Tuning Curves.......................... 74
4.4 Temporal Effects....................................... 78
4.4.1 Simultaneous Masking............................ 79
4.4.2 Premasking...................................... 82
4.4.3 Postmasking..................................... 82
4.4.4 Temporal Masking Patterns ....................... 84
4.4.5 Masking-Period Patterns.......................... 93
4.4.6 Pulsation Threshold.............................. 96
X Contents
4.4.7 Mixed Spectral and Temporal Masking..............102
4.5 Addition of Masking..................................103
4.5.1 Addition of Simultaneous Masking................103
4.5.2 Addition of Postmasking........................105
4.6 Models of Masking .....................................106
4.6.1 Psychoacoustical Model of Simultaneous Masking .... 107
4.6.2 Psychoacoustical Model of Non-simultaneous Masking. 108
4.6.3 Masking Described in Cochlear Active
Feedback Models.................................109
5. Pitch and Pitch Strength.................................Ill
5.1 Pitch of Pure Tones.....................................Ill
5.1.1 Ratio Pitch...................................... Ill
5.1.2 Pitch Shifts...................................... 113
5.2 Model of Spectral Pitch................................. 116
5.3 Pitch of Complex Tones................................. 118
5.4 Model of Virtual Pitch.................................. 122
5.5 Pitch of Noise.......................................... 124
5.6 Acoustic After Image (Zwicker-tone)...................... 129
5.7 Pitch Strength......................................... 134
6. Critical Bands and Excitation ............................149
6.1 Methods for the Determination of the Critical Bandwidth ... 150
6.2 Critical-Band Rate Scale ................................158
6.3 Critical-Band Level and Excitation Level..................164
6.4 Excitation Level versus Critical-Band Rate
versus Time Pattern....................................172
7. Just-Noticeable Sound Changes...........................175
7.1 Just-Noticeable Changes in Amplitude....................175
7.1.1 Threshold of Amplitude Variation..................175
7.1.2 Just-Noticeable Level Differences...................180
7.2 Just-Noticeable Changes in Frequency.....................182
7.2.1 Threshold for Frequency Variation.................. 182
7.2.2 Just-Noticeable Frequency Differences............... 185
7.3 Just-Noticeable Phase Differences ........................ 187
7.4 Influence of Partial Masking on Just-Noticeable Changes .... 191
7.5 Models of Just-Noticeable Changes....................... 194
7.5.1 Model for Just-Noticeable Variations................194
7.5.2 Model for Just-Noticeable Differences...............200
8. Loudness .................................................203
8.1 Loudness Level.........................................203
8.2 Loudness Function......................................205
8.3 Spectral Effects........................................208
Contents XI
8.4 Spectrally Partial Masked Loudness.......................214
8.5 Temporal Effects.......................................216
8.6 Temporally Partial Masked Loudness .....................218
8.7 Model of Loudness......................................220
8.7.1 Specific Loudness.................................223
8.7.2 Loudness Summation (Spectral and Temporal).......226
8.7.3 Loudness Calculation and Loudness Meters..........233
9. Sharpness and Sensory Pleasantness......................239
9.1 Dependencies of Sharpness...............................239
9.2 Model of Sharpness.....................................241
9.3 Dependencies of Sensory Pleasantness.....................243
9.4 Model of Sensory Pleasantness...........................245
10. Fluctuation Strength.....................................247
10.1 Dependencies of Fluctuation Strength.....................247
10.2 Model of Fluctuation Strength...........................253
11. Roughness................................................257
11.1 Dependencies of Roughness..............................257
11.2 Model of Roughness....................................261
12. Subjective Duration......................................265
12.1 Dependencies of Subjective Duration......................265
12.2 Model of Subjective Duration............................267
13. Rhythm..................................................271
13.1 Dependencies of Rhythm................................271
13.2 Model of Rhythm ......................................274
14. The Ear s Own Nonlinear Distortion......................277
14.1 Even Order Distortions..................................279
14.2 Odd Order Distortions..................................282
14.3 Models of Nonlinear Distortions..........................287
15. Binaural Hearing.........................................293
15.1 Just-Noticeable Interaural Delay .........................293
15.2 Binaural Masking-Level Differences.......................295
15.2.1 Dependencies of BMLDs..........................297
15.2.2 Model of BMLDs.................................303
15.3 Lateralization..........................................308
15.4 Localization ...........................................309
15.5 Binaural Loudness......................................311
XII Contents
16. Examples of Application..................................315
16.1 Noise Abatement.......................................315
16.1.1 Loudness Measurement ...........................316
16.1.2 Evaluation of Noise Emissions......................318
16.1.3 Evaluation of Noise Immissions ....................322
16.1.4 Evaluation of Sound Quality.......................324
16.2 Applications in Audiology...............................327
16.2.1 Otoacoustic Emissions ............................327
16.2.2 Tuning Curves...................................329
16.2.3 Amplitude Resolution.............................333
16.2.4 Temporal Resolution..............................334
16.2.5 Temporal Integration.............................340
16.2.6 Loudness Summation and Recruitment..............341
16.2.7 Speech in Background-Noise.......................344
16.3 Hearing Aids...........................................348
16.4 Broadcasting and Communication Systems ................349
16.5 Speech Recognition.....................................352
16.6 Musical Acoustics ......................................353
16.7 Room Acoustics........................................355
Literature ....................................................359
Subject Index ................................................401
|
| adam_txt |
Titel: Psychoacoustics
Autor: Zwicker, Eberhard
Jahr: 1999
Contents
Stimuli and Procedures. 1
1.1 Temporal and Spectral Characteristics of Sound. 1
1.2 Presentation of Sounds by Loudspeakers and Earphones. 5
1.3 Methods and Procedures. 8
1.4 Stimuli, Sensations, and Data Averaging . 11
Hearing Area. 17
2.1 Threshold in Quiet . 19
Information Processing in the Auditory System . 23
3.1 Preprocessing of Sound in the Peripheral System. 23
3.1.1 Head and Outer Ear. 23
3.1.2 Middle Ear. 24
3.1.3 Inner Ear . 25
3.1.4 Otoacoustic Emissions. 35
3.1.5 Model of the Nonlinear Preprocessing System. 50
3.2 Information Processing in the Nervous System. 58
Masking. 61
4.1 Masking of Pure Tones by Noise. 62
4.1.1 Pure Tones Masked by Broad-Band Noise. 62
4.1.2 Pure Tones Masked by Narrow-Band Noise. 64
4.1.3 Pure Tones Masked by Low-Pass or High-Pass Noise . . 66
4.2 Masking of Pure Tones by Tones. 66
4.2.1 Pure Tones Masked by Pure Tones . 67
4.2.2 Pure Tones Masked by Complex Tones. 70
4.3 Psychoacoustical Tuning Curves. 74
4.4 Temporal Effects. 78
4.4.1 Simultaneous Masking. 79
4.4.2 Premasking. 82
4.4.3 Postmasking. 82
4.4.4 Temporal Masking Patterns . 84
4.4.5 Masking-Period Patterns. 93
4.4.6 Pulsation Threshold. 96
X Contents
4.4.7 Mixed Spectral and Temporal Masking.102
4.5 "Addition" of Masking.103
4.5.1 "Addition" of Simultaneous Masking.103
4.5.2 "Addition" of Postmasking.105
4.6 Models of Masking .106
4.6.1 Psychoacoustical Model of Simultaneous Masking . 107
4.6.2 Psychoacoustical Model of Non-simultaneous Masking. 108
4.6.3 Masking Described in Cochlear Active
Feedback Models.109
5. Pitch and Pitch Strength.Ill
5.1 Pitch of Pure Tones.Ill
5.1.1 Ratio Pitch. Ill
5.1.2 Pitch Shifts. 113
5.2 Model of Spectral Pitch. 116
5.3 Pitch of Complex Tones. 118
5.4 Model of Virtual Pitch. 122
5.5 Pitch of Noise. 124
5.6 Acoustic After Image (Zwicker-tone). 129
5.7 Pitch Strength. 134
6. Critical Bands and Excitation .149
6.1 Methods for the Determination of the Critical Bandwidth . 150
6.2 Critical-Band Rate Scale .158
6.3 Critical-Band Level and Excitation Level.164
6.4 Excitation Level versus Critical-Band Rate
versus Time Pattern.172
7. Just-Noticeable Sound Changes.175
7.1 Just-Noticeable Changes in Amplitude.175
7.1.1 Threshold of Amplitude Variation.175
7.1.2 Just-Noticeable Level Differences.180
7.2 Just-Noticeable Changes in Frequency.182
7.2.1 Threshold for Frequency Variation. 182
7.2.2 Just-Noticeable Frequency Differences. 185
7.3 Just-Noticeable Phase Differences . 187
7.4 Influence of Partial Masking on Just-Noticeable Changes . 191
7.5 Models of Just-Noticeable Changes. 194
7.5.1 Model for Just-Noticeable Variations.194
7.5.2 Model for Just-Noticeable Differences.200
8. Loudness .203
8.1 Loudness Level.203
8.2 Loudness Function.205
8.3 Spectral Effects.208
Contents XI
8.4 Spectrally Partial Masked Loudness.214
8.5 Temporal Effects.216
8.6 Temporally Partial Masked Loudness .218
8.7 Model of Loudness.220
8.7.1 Specific Loudness.223
8.7.2 Loudness Summation (Spectral and Temporal).226
8.7.3 Loudness Calculation and Loudness Meters.233
9. Sharpness and Sensory Pleasantness.239
9.1 Dependencies of Sharpness.239
9.2 Model of Sharpness.241
9.3 Dependencies of Sensory Pleasantness.243
9.4 Model of Sensory Pleasantness.245
10. Fluctuation Strength.247
10.1 Dependencies of Fluctuation Strength.247
10.2 Model of Fluctuation Strength.253
11. Roughness.257
11.1 Dependencies of Roughness.257
11.2 Model of Roughness.261
12. Subjective Duration.265
12.1 Dependencies of Subjective Duration.265
12.2 Model of Subjective Duration.267
13. Rhythm.271
13.1 Dependencies of Rhythm.271
13.2 Model of Rhythm .274
14. The Ear's Own Nonlinear Distortion.277
14.1 Even Order Distortions.279
14.2 Odd Order Distortions.282
14.3 Models of Nonlinear Distortions.287
15. Binaural Hearing.293
15.1 Just-Noticeable Interaural Delay .293
15.2 Binaural Masking-Level Differences.295
15.2.1 Dependencies of BMLDs.297
15.2.2 Model of BMLDs.303
15.3 Lateralization.308
15.4 Localization .309
15.5 Binaural Loudness.311
XII Contents
16. Examples of Application.315
16.1 Noise Abatement.315
16.1.1 Loudness Measurement .316
16.1.2 Evaluation of Noise Emissions.318
16.1.3 Evaluation of Noise Immissions .322
16.1.4 Evaluation of Sound Quality.324
16.2 Applications in Audiology.327
16.2.1 Otoacoustic Emissions .327
16.2.2 Tuning Curves.329
16.2.3 Amplitude Resolution.333
16.2.4 Temporal Resolution.334
16.2.5 Temporal Integration.340
16.2.6 Loudness Summation and Recruitment.341
16.2.7 Speech in Background-Noise.344
16.3 Hearing Aids.348
16.4 Broadcasting and Communication Systems .349
16.5 Speech Recognition.352
16.6 Musical Acoustics .353
16.7 Room Acoustics.355
Literature .359
Subject Index .401 |
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| discipline | Physik Psychologie Medizin |
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| id | DE-604.BV022007777 |
| illustrated | Illustrated |
| index_date | 2024-07-02T16:11:43Z |
| indexdate | 2024-07-09T20:49:09Z |
| institution | BVB |
| isbn | 3540650636 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015222409 |
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| physical | XII, 416 S. graph. Darst. |
| publishDate | 1999 |
| publishDateSearch | 1999 |
| publishDateSort | 1999 |
| publisher | Springer |
| record_format | marc |
| series | Springer series in information sciences |
| series2 | Springer series in information sciences |
| spelling | Zwicker, Eberhard 1924-1990 Verfasser (DE-588)119249758 aut Psychoakustik Psychoacoustics facts and models E. Zwicker ; H. Fastl 2., updated ed. Berlin [u.a.] Springer 1999 XII, 416 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Springer series in information sciences 22 Literaturverz. S. [359] - 400 Auditieve waarneming gtt Muziekpsychologie gtt Psychoacoustique Psychoakoestiek gtt Psychoacoustics Physiologische Akustik (DE-588)4463420-1 gnd rswk-swf Psychoakustik (DE-588)4176198-4 gnd rswk-swf Audiometrie (DE-588)4003475-6 gnd rswk-swf Physiologische Akustik (DE-588)4463420-1 s DE-604 Psychoakustik (DE-588)4176198-4 s Audiometrie (DE-588)4003475-6 s 1\p DE-604 Fastl, Hugo 1944- Verfasser (DE-588)108673669 aut Springer series in information sciences 22 (DE-604)BV000008063 22 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015222409&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Zwicker, Eberhard 1924-1990 Fastl, Hugo 1944- Psychoacoustics facts and models Springer series in information sciences Auditieve waarneming gtt Muziekpsychologie gtt Psychoacoustique Psychoakoestiek gtt Psychoacoustics Physiologische Akustik (DE-588)4463420-1 gnd Psychoakustik (DE-588)4176198-4 gnd Audiometrie (DE-588)4003475-6 gnd |
| subject_GND | (DE-588)4463420-1 (DE-588)4176198-4 (DE-588)4003475-6 |
| title | Psychoacoustics facts and models |
| title_alt | Psychoakustik |
| title_auth | Psychoacoustics facts and models |
| title_exact_search | Psychoacoustics facts and models |
| title_exact_search_txtP | Psychoacoustics facts and models |
| title_full | Psychoacoustics facts and models E. Zwicker ; H. Fastl |
| title_fullStr | Psychoacoustics facts and models E. Zwicker ; H. Fastl |
| title_full_unstemmed | Psychoacoustics facts and models E. Zwicker ; H. Fastl |
| title_short | Psychoacoustics |
| title_sort | psychoacoustics facts and models |
| title_sub | facts and models |
| topic | Auditieve waarneming gtt Muziekpsychologie gtt Psychoacoustique Psychoakoestiek gtt Psychoacoustics Physiologische Akustik (DE-588)4463420-1 gnd Psychoakustik (DE-588)4176198-4 gnd Audiometrie (DE-588)4003475-6 gnd |
| topic_facet | Auditieve waarneming Muziekpsychologie Psychoacoustique Psychoakoestiek Psychoacoustics Physiologische Akustik Psychoakustik Audiometrie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015222409&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000008063 |
| work_keys_str_mv | AT zwickereberhard psychoakustik AT fastlhugo psychoakustik AT zwickereberhard psychoacousticsfactsandmodels AT fastlhugo psychoacousticsfactsandmodels |