The physics of musical instruments:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Springer
1998
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturangaben |
| Beschreibung: | XIX, 756 S. Ill., graph. Darst. |
| ISBN: | 0387983740 |
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| 100 | 1 | |a Fletcher, Neville H. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The physics of musical instruments |c Neville H. Fletcher ; Thomas D. Rossing |
| 250 | |a 2. ed. | ||
| 264 | 1 | |a New York [u.a.] |b Springer |c 1998 | |
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Datensatz im Suchindex
| _version_ | 1804135908553785344 |
|---|---|
| adam_text | NEVILLE H. FLETCHER THOMAS D. ROSSING THE PHYSICS OF MUSICAL INSTRUMENTS
SECOND EDITION WITH 485 ILLUSTRATIONS SPRINGER CONTENTS PREFACE V
PREFACE TO THE FIRST EDITION VII I. VIBRATING SYSTEMS 1. FREE AND FORCED
VIBRATIONS OF SIMPLE SYSTEMS 3 1.1. SIMPLE HARMONIC MOTION IN ONE
DIMENSION 4 1.2. COMPLEX AMPLITUDES 6 1.3. SUPERPOSITION OF TWO HARMONIC
MOTIONS IN ONE DIMENSION 7 1.4. ENERGY 10 1.5. DAMPED OSCILLATIONS 11
1.6. OTHER SIMPLE VIBRATING SYSTEMS 13 1.7. FORCED OSCILLATIONS 18 1.8.
TRANSIENT RESPONSE OF AN OSCILLATOR 21 1.9. TWO-DIMENSIONAL HARMONIC
OSCILLATOR 23 1.10. GRAPHICAL REPRESENTATIONS OF VIBRATIONS: LISSAJOUS
FIGURES 25 1.11. NORMAL MODES OF TWO-MASS SYSTEMS 26 1.12. NONLINEARITY
28 APPENDIX 29 REFERENCES 32 2. CONTINUOUS SYSTEMS IN ONE DIMENSION:
STRINGS AND BARS 34 2.1. LINEAR ARRAY OF OSCILLATORS 34 2.2. TRANSVERSE
WAVE EQUATION FOR A STRING 36 2.3. GENERAL SOLUTION OF THE WAVE
EQUATION: TRAVELING WAVES 37 2.4. REFLECTION AT FIXED AND FREE ENDS 38
2.5. SIMPLE HARMONIC SOLUTIONS TO THE WAVE EQUATION 39 XI XII CONTENTS
2.6. STANDING WAVES 39 2.7. ENERGY OF A VIBRATING STRING 40 2.8. PLUCKED
STRING: TIME AND FREQUENCY ANALYSES 40 2.9. STRUCK STRING 44 2.10. BOWED
STRING 46 2.11. DRIVEN STRING: IMPEDANCE 50 2.12. MOTION OF THE END
SUPPORTS 52 2.13. DAMPING 53 2.14. LONGITUDINAL VIBRATIONS OF A STRING
OR THIN BAR 56 2.15. BENDING WAVES IN A BAR 58 2.16. BARS WITH FIXED AND
FREE ENDS 60 2.17. VIBRATIONS OF THICK BARS: ROTARY INERTIA AND SHEAR
DEFORMATION 63 2.18. VIBRATIONS OF A STIFF STRING 64 2.19. DISPERSION IN
STIFF AND LOADED STRINGS: CUTOFF FREQUENCY 65 2.20. TORSIONAL VIBRATIONS
OF A BAR 66 REFERENCES 68 3. TWO-DIMENSIONAL SYSTEMS: MEMBRANES, PLATES,
AND SHELLS 70 3.1. WAVE EQUATION FOR A RECTANGULAR MEMBRANE 70 3.2.
SQUARE MEMBRANES: DEGENERACY 72 3.3. CIRCULAR MEMBRANES 73 3.4. REAL
MEMBRANES: STIFFNESS AND AIR LOADING 75 3.5. WAVES IN A THIN PLATE 76
3.6. CIRCULAR PLATES 78 3.7. ELLIPTICAL PLATES 80 3.8. RECTANGULAR
PLATES 80 3.9. SQUARE PLATES 83 3.10. SQUARE AND RECTANGULAR PLATES WITH
CLAMPED EDGES 85 3.11. RECTANGULAR WOOD PLATES 88 3.12. BENDING
STIFFNESS IN A MEMBRANE 91 3.13. VIBRATION OF SHELLS , 92 3.14. DRIVING
POINT IMPEDANCE 96 REFERENCES 99 4. COUPLED VIBRATING SYSTEMS 102 4.1.
COUPLING BETWEEN TWO IDENTICAL VIBRATORS 102 4.2. NORMAL MODES 103 4.3.
WEAK AND STRONG COUPLING 105 4.4. FORCED VIBRATIONS 107 4.5. COUPLED
ELECTRICAL CIRCUITS 111 4.6. FORCED VIBRATION OF A TWO-MASS SYSTEM 115
4.7. SYSTEMS WITH MANY MASSES 116 CONTENTS XIII 4.8. GRAPHICAL
REPRESENTATION OF FREQUENCY RESPONSE FUNCTIONS 117 4.9. VIBRATING STRING
COUPLED TO A SOUNDBOARD 119 4.10. TWO STRINGS COUPLED BY A BRIDGE 120
APPENDIX 125 REFERENCES 131 5. NONLINEAR SYSTEMS 133 5.1. A GENERAL
METHOD OF SOLUTION 134 5.2. THE NONLINEAR OSCILLATOR 136 5.3. THE
SELF-EXCITED OSCILLATOR 139 5.4. MULTIMODE SYSTEMS 140 5.5. MODE LOCKING
IN SELF-EXCITED SYSTEMS 143 5.6. NONLINEAR EFFECTS IN STRINGS 144 5.7.
NONLINEAR EFFECTS IN PLATES AND SHELLS 148 REFERENCES 150 II. SOUND
WAVES 6. SOUND WAVES IN AIR 155 6.1. PLANE WAVES 156 6.2. SPHERICAL
WAVES 160 6.3. SOUND PRESSURE LEVEL AND INTENSITY 161 6.4. REFLECTION,
DIFFRACTION, AND ABSORPTION 163 6.5. NORMAL MODES IN CAVITIES 167
REFERENCES 169 7. SOUND RADIATION 171 7.1. SIMPLE MULTIPOLE SOURCES 171
7.2. PAIRS OF POINT SOURCES 174 7.3. ARRAYS OF POINT SOURCES 176 7.4.
RADIATION FROM A SPHERICAL SOURCE 179 7.5. LINE SOURCES 181 7.6.
RADIATION FROM A PLANE SOURCE IN A BAFFLE 181 7.7. UNBAFFLED RADIATORS
185 7.8. RADIATION FROM LARGE PLATES 186 REFERENCES 189 8. PIPES, HORNS
AND CAVITIES 190 8.1. INFINITE CYLINDRICAL PIPES 190 8.2. WALL LOSSES
193 8.3. FINITE CYLINDRICAL PIPES 196 8.4. RADIATION FROM A PIPE 201 XIV
CONTENTS 8.5. IMPEDANCE CURVES 202 8.6. HORNS 205 8.7. FINITE CONICAL
HORNS 210 8.8. BESSEL HORNS 213 8.9. COMPOUND HORNS 216 8.10.
PERTURBATIONS 218 8.11. NUMERICAL CALCULATIONS 220 8.12. CURVED HORNS
220 8.13. MEASUREMENT OF ACOUSTIC IMPEDANCE 222 8.14. THE TIME DOMAIN
223 8.15. NETWORK ANALOGS 227 REFERENCES 232 III. STRING INSTRUMENTS 9.
GUITARS AND LUTES 239 9.1. DESIGN AND CONSTRUCTION OF GUITARS 239 9.2.
THE GUITAR AS A SYSTEM OF COUPLED VIBRATORS 240 9.3. FORCE EXERTED BY
THE STRING 241 9.4. MODES OF VIBRATION OF COMPONENT PARTS 245 9.5.
COUPLING OF THE TOP PLATE TO THE AIR CAVITY: TWO-OSCILLATOR MODEL 248
9.6. COUPLING TO THE BACK PLATE: THREE-OSCILLATOR MODEL 250 9.7.
RESONANCES OF A GUITAR BODY 251 9.8. RESPONSE TO STRING FORCES 253 9.9.
SOUND RADIATION 256 9.10. RESONANCES, RADIATED SOUND, AND QUALITY 258
9.11. A FAMILY OF SCALED GUITARS 260 9.12. USE OF SYNTHETIC MATERIALS
261 9.13. ELECTRIC GUITARS 262 9.14. FRETS AND COMPENSATION 263 9.15.
LUTES 264 9.16. OTHER PLUCKED STRING INSTRUMENTS 265 9.17. ONE-SIDED
BRIDGE CONSTRAINTS 268 REFERENCES 269 10. BOWED STRING INSTRUMENTS 272
10.1. A BRIEF HISTORY 272 10.2. RESEARCH ON VIOLIN ACOUSTICS 273 10.3.
CONSTRUCTION OF THE VIOLIN 274 10.4. MOTION OF BOWED STRINGS 275 10.5.
VIOLIN BODY VIBRATIONS 285 10.6. TRANSIENT WAVE RESPONSE OF THE VIOLIN
BODY 294 10.7. SOUNDPOST AND BASS BAR 295 CONTENTS XV 10.8. THE BRIDGE
297 10.9. SOUND RADIATION 301 10.10. THE BOW 310 10.11. WOLF NOTES AND
PAYABILITY 312 10.12. TONAL QUALITY OF VIOLINS 313 10.13. VIOLA, CELLO,
AND DOUBLE BASS 318 10.14. VIOLS 319 10.15. A NEW VIOLIN FAMILY 322
REFERENCES 326 11. HARPS, HARPSICHORDS, CLAVICHORDS, AND DULCIMERS 331
11.1. TRADITIONAL INSTRUMENTS 331 11.2. THE HARP 336 11.3. THE
HARPSICHORD 340 11.4. HARPSICHORD DESIGN CONSIDERATIONS 343 11.5.
HARPSICHORD CHARACTERISTICS 346 11.6. THE CLAVICHORD 347 REFERENCES 350
12. THE PIANO 352 12.1. GENERAL DESIGN OF PIANOS 353 12.2. PIANO ACTION
354 12.3. PIANO STRINGS 362 12.4. PIANO HAMMERS 366 12.5. THE SOUNDBOARD
374 12.6. SOUND DECAY: INTERACTION OF STRINGS, BRIDGE, AND SOUNDBOARD
383 12.7. SCALING AND TUNING 387 12.8. TUNING AND INHARMONICITY 388
12.9. TIMBRE 390 12.10. ELECTRIC PIANOS 396 REFERENCES 396 IV. WIND
INSTRUMENTS 13. SOUND GENERATION BY REED AND LIP VIBRATIONS 401 13.1.
PRESSURE-CONTROLLED VALVES 401 13.2. QUASI-STATIC MODEL 403 13.3.
GENERATOR BEHAVIOR AT PLAYING FREQUENCY 406 13.4. FREE REEDS 413 13.5.
GENERATORS COUPLED TO HORNS 415 13.6. LARGE-AMPLITUDE BEHAVIOR 418 13.7.
NONLINEAR ANALYSIS 422 XVI CONTENTS 13.8. NUMERICAL SIMULATION 424
REFERENCES 426 14. LIP-DRIVEN BRASS INSTRUMENTS 429 14.1. HISTORICAL
DEVELOPMENT OF BRASS INSTRUMENTS 429 14.2. HORN PROFILES 431 14.3.
MOUTHPIECES 433 14.4. RADIATION 437 14.5. SLIDES AND VALVES 440 14.6.
SMALL-AMPLITUDE NONLINEARITY 442 14.7. LARGE-AMPLITUDE NONLINEARITY 445
14.8. INPUT IMPEDANCE CURVES 449 14.9. TRANSIENTS 450 14.10. ACOUSTIC
SPECTRA 453 14.11. MUTES 453 14.12. PERFORMANCE TECHNIQUE 455 REFERENCES
459 15. WOODWIND REED INSTRUMENTS 461 15.1. WOODWIND BORE SHAPES 461
15.2. FINGER HOLES 464 15.3. IMPEDANCE CURVES 470 15.4. REED AND AIR
COLUMN INTERACTION 477 15.5. DIRECTIONALITY 480 15.6. PERFORMANCE
TECHNIQUE 481 15.7. ACOUSTIC EFFICIENCY 484 15.8. THE LIMITING SPECTRUM
484 15.9. THE CLARINET 486 15.10. THE OBOE 491 15.11. THE BASSOON 494
15.12. THE SAXOPHONE 496 15.13. CAPPED REED INSTRUMENTS 497 REFERENCES
500 16. FLUTES AND FLUE ORGAN PIPES 503 16.1. DYNAMICS OF AN AIR JET 503
16.2. DISTURBANCE OF AN AIR JET 509 16.3. JET-RESONATOR INTERACTION 511
16.4. THE REGENERATIVE EXCITATION MECHANISM 516 16.5. RIGOROUS
FLUID-DYNAMICS APPROACHES 521 16.6. NONLINEARITY AND HARMONIC GENERATION
522 16.7. TRANSIENTS AND MODE TRANSITIONS 525 16.8. AERODYNAMIC NOISE
528 CONTENTS XVII 16.9. SIMPLE FLUTE-TYPE INSTRUMENTS 529 16.10. THE
RECORDER 531 16.11. THE FLUTE 537 REFERENCES . 548 17. PIPE ORGANS 552
17.1. GENERAL DESIGN PRINCIPLES 553 17.2. ORGAN PIPE RANKS 557 17.3.
FLUE PIPE RANKS 559 17.4. CHARACTERISTIC FLUE PIPES 563 17.5. MIXTURES
AND MUTATIONS 564 17.6. TUNING AND TEMPERAMENT 566 17.7. SOUND RADIATION
FROM FLUE PIPES 568 17.8. TRANSIENTS IN FLUE PIPES 569 17.9. FLUE PIPE
VOICING 570 17.10. EFFECT OF PIPE MATERIAL 571 17.11. REED PIPE RANKS
573 17.12. ANALYSIS OF TIMBRE 575 17.13. TONAL ARCHITECTURE 577
REFERENCES 578 V. PERCUSSION INSTRUMENTS 18. DRUMS 583 18.1. KETTLEDRUMS
584 18.2. BASS DRUMS 599 18.3. SNARE DRUMS , 602 18.4. TOM-TOMS 606
18.5. INDIAN DRUMS 609 18.6. JAPANESE DRUMS 615 18.7. INDONESIAN DRUMS
618 18.8. LATIN AMERICAN DRUMS 618 18.9. TAMBOURINES 620 REFERENCES 621
19. MALLET PERCUSSION INSTRUMENTS 623 19.1. GLOCKENSPIEL 623 19.2. THE
MARIMBA 624 19.3. TUNING THE BARS 627 19.4. RESONATORS 633 19.5. THE
XYLOPHONE 636 XVIII CONTENTS 19.6. VIBES 638 19.7. MALLETS 639 19.8.
CHIMES 641 19.9. TRIANGLES AND PENTANGLES 642 19.10. GAMELAN INSTRUMENTS
645 19.11. TUBAPHONES AND GAMELAN CHIMES 645 REFERENCES 647 20. CYMBALS,
GONGS, PLATES, AND STEEL DRUMS 649 20.1. CYMBALS 649 20.2. TAM-TAMS 656
20.3. GONGS 660 20.4. CROTALES 663 20.5. BELL PLATES 665 20.6. FLEXED
PLATES: THE MUSICAL SAW 665 20.7. STEEL PANS 667 REFERENCES 673 21.
BELLS 675 21.1. MODES OF VIBRATION OF CHURCH BELLS 676 21.2. TUNING AND
TEMPERAMENT 681 21.3. THE STRIKE NOTE 682 21.4. MAJOR-THIRD BELLS 685
21.5. SOUND DECAY AND WARBLE 686 21.6. SCALING OF BELLS 688 21.7. MODES
OF VIBRATION OF HANDBELLS 691 21.8. TIMBRE AND TUNING OF HANDBELLS 694
21.9. SOUND DECAY AND WARBLE IN HANDBELLS 695 21.10. SCALING OF
HANDBELLS 696 21.11. SOUND RADIATION 697 21.12. BASS HANDBELLS 699
21.13. CLAPPERS 699 21.14. ANCIENT CHINESE TWO-TONE BELLS 700 21.15.
TEMPLE BELLS OF CHINA, KOREA, AND JAPAN 701 REFERENCES 705 PART VI.
MATERIALS 22. MATERIALS FOR MUSICAL INSTRUMENTS 711 22.1. MECHANICAL
PROPERTIES OF MATERIALS 712 22.2. MATERIALS FOR WIND INSTRUMENTS 717
22.3. WOOD 719 22.4. PLASTICS AND COMPOSITE MATERIALS 22.5. METALS 22.6.
CONCLUSION REFERENCES NAME INDEX SUBJECT INDEX CONTENTS XIX 726 728 732
733 735 743
|
| adam_txt |
NEVILLE H. FLETCHER THOMAS D. ROSSING THE PHYSICS OF MUSICAL INSTRUMENTS
SECOND EDITION WITH 485 ILLUSTRATIONS SPRINGER CONTENTS PREFACE V
PREFACE TO THE FIRST EDITION VII I. VIBRATING SYSTEMS 1. FREE AND FORCED
VIBRATIONS OF SIMPLE SYSTEMS 3 1.1. SIMPLE HARMONIC MOTION IN ONE
DIMENSION 4 1.2. COMPLEX AMPLITUDES 6 1.3. SUPERPOSITION OF TWO HARMONIC
MOTIONS IN ONE DIMENSION 7 1.4. ENERGY 10 1.5. DAMPED OSCILLATIONS 11
1.6. OTHER SIMPLE VIBRATING SYSTEMS 13 1.7. FORCED OSCILLATIONS 18 1.8.
TRANSIENT RESPONSE OF AN OSCILLATOR 21 1.9. TWO-DIMENSIONAL HARMONIC
OSCILLATOR 23 1.10. GRAPHICAL REPRESENTATIONS OF VIBRATIONS: LISSAJOUS
FIGURES 25 1.11. NORMAL MODES OF TWO-MASS SYSTEMS 26 1.12. NONLINEARITY
28 APPENDIX 29 REFERENCES 32 2. CONTINUOUS SYSTEMS IN ONE DIMENSION:
STRINGS AND BARS 34 2.1. LINEAR ARRAY OF OSCILLATORS 34 2.2. TRANSVERSE
WAVE EQUATION FOR A STRING 36 2.3. GENERAL SOLUTION OF THE WAVE
EQUATION: TRAVELING WAVES 37 2.4. REFLECTION AT FIXED AND FREE ENDS 38
2.5. SIMPLE HARMONIC SOLUTIONS TO THE WAVE EQUATION 39 XI XII CONTENTS
2.6. STANDING WAVES 39 2.7. ENERGY OF A VIBRATING STRING 40 2.8. PLUCKED
STRING: TIME AND FREQUENCY ANALYSES 40 2.9. STRUCK STRING 44 2.10. BOWED
STRING 46 2.11. DRIVEN STRING: IMPEDANCE 50 2.12. MOTION OF THE END
SUPPORTS 52 2.13. DAMPING 53 2.14. LONGITUDINAL VIBRATIONS OF A STRING
OR THIN BAR 56 2.15. BENDING WAVES IN A BAR 58 2.16. BARS WITH FIXED AND
FREE ENDS 60 2.17. VIBRATIONS OF THICK BARS: ROTARY INERTIA AND SHEAR
DEFORMATION 63 2.18. VIBRATIONS OF A STIFF STRING 64 2.19. DISPERSION IN
STIFF AND LOADED STRINGS: CUTOFF FREQUENCY 65 2.20. TORSIONAL VIBRATIONS
OF A BAR 66 REFERENCES 68 3. TWO-DIMENSIONAL SYSTEMS: MEMBRANES, PLATES,
AND SHELLS 70 3.1. WAVE EQUATION FOR A RECTANGULAR MEMBRANE 70 3.2.
SQUARE MEMBRANES: DEGENERACY 72 3.3. CIRCULAR MEMBRANES 73 3.4. REAL
MEMBRANES: STIFFNESS AND AIR LOADING 75 3.5. WAVES IN A THIN PLATE 76
3.6. CIRCULAR PLATES 78 3.7. ELLIPTICAL PLATES 80 3.8. RECTANGULAR
PLATES 80 3.9. SQUARE PLATES 83 3.10. SQUARE AND RECTANGULAR PLATES WITH
CLAMPED EDGES 85 3.11. RECTANGULAR WOOD PLATES 88 3.12. BENDING
STIFFNESS IN A MEMBRANE 91 3.13. VIBRATION OF SHELLS , 92 3.14. DRIVING
POINT IMPEDANCE 96 REFERENCES 99 4. COUPLED VIBRATING SYSTEMS 102 4.1.
COUPLING BETWEEN TWO IDENTICAL VIBRATORS 102 4.2. NORMAL MODES 103 4.3.
WEAK AND STRONG COUPLING 105 4.4. FORCED VIBRATIONS 107 4.5. COUPLED
ELECTRICAL CIRCUITS 111 4.6. FORCED VIBRATION OF A TWO-MASS SYSTEM 115
4.7. SYSTEMS WITH MANY MASSES 116 CONTENTS XIII 4.8. GRAPHICAL
REPRESENTATION OF FREQUENCY RESPONSE FUNCTIONS 117 4.9. VIBRATING STRING
COUPLED TO A SOUNDBOARD 119 4.10. TWO STRINGS COUPLED BY A BRIDGE 120
APPENDIX 125 REFERENCES 131 5. NONLINEAR SYSTEMS 133 5.1. A GENERAL
METHOD OF SOLUTION 134 5.2. THE NONLINEAR OSCILLATOR 136 5.3. THE
SELF-EXCITED OSCILLATOR 139 5.4. MULTIMODE SYSTEMS 140 5.5. MODE LOCKING
IN SELF-EXCITED SYSTEMS 143 5.6. NONLINEAR EFFECTS IN STRINGS 144 5.7.
NONLINEAR EFFECTS IN PLATES AND SHELLS 148 REFERENCES 150 II. SOUND
WAVES 6. SOUND WAVES IN AIR 155 6.1. PLANE WAVES 156 6.2. SPHERICAL
WAVES 160 6.3. SOUND PRESSURE LEVEL AND INTENSITY 161 6.4. REFLECTION,
DIFFRACTION, AND ABSORPTION 163 6.5. NORMAL MODES IN CAVITIES 167
REFERENCES 169 7. SOUND RADIATION 171 7.1. SIMPLE MULTIPOLE SOURCES 171
7.2. PAIRS OF POINT SOURCES 174 7.3. ARRAYS OF POINT SOURCES 176 7.4.
RADIATION FROM A SPHERICAL SOURCE 179 7.5. LINE SOURCES 181 7.6.
RADIATION FROM A PLANE SOURCE IN A BAFFLE 181 7.7. UNBAFFLED RADIATORS
185 7.8. RADIATION FROM LARGE PLATES 186 REFERENCES 189 8. PIPES, HORNS
AND CAVITIES 190 8.1. INFINITE CYLINDRICAL PIPES 190 8.2. WALL LOSSES
193 8.3. FINITE CYLINDRICAL PIPES 196 8.4. RADIATION FROM A PIPE 201 XIV
CONTENTS 8.5. IMPEDANCE CURVES 202 8.6. HORNS 205 8.7. FINITE CONICAL
HORNS 210 8.8. BESSEL HORNS 213 8.9. COMPOUND HORNS 216 8.10.
PERTURBATIONS 218 8.11. NUMERICAL CALCULATIONS 220 8.12. CURVED HORNS
220 8.13. MEASUREMENT OF ACOUSTIC IMPEDANCE 222 8.14. THE TIME DOMAIN
223 8.15. NETWORK ANALOGS 227 REFERENCES 232 III. STRING INSTRUMENTS 9.
GUITARS AND LUTES 239 9.1. DESIGN AND CONSTRUCTION OF GUITARS 239 9.2.
THE GUITAR AS A SYSTEM OF COUPLED VIBRATORS 240 9.3. FORCE EXERTED BY
THE STRING 241 9.4. MODES OF VIBRATION OF COMPONENT PARTS 245 9.5.
COUPLING OF THE TOP PLATE TO THE AIR CAVITY: TWO-OSCILLATOR MODEL 248
9.6. COUPLING TO THE BACK PLATE: THREE-OSCILLATOR MODEL 250 9.7.
RESONANCES OF A GUITAR BODY 251 9.8. RESPONSE TO STRING FORCES 253 9.9.
SOUND RADIATION 256 9.10. RESONANCES, RADIATED SOUND, AND QUALITY 258
9.11. A FAMILY OF SCALED GUITARS 260 9.12. USE OF SYNTHETIC MATERIALS
261 9.13. ELECTRIC GUITARS 262 9.14. FRETS AND COMPENSATION 263 9.15.
LUTES 264 9.16. OTHER PLUCKED STRING INSTRUMENTS 265 9.17. ONE-SIDED
BRIDGE CONSTRAINTS 268 REFERENCES 269 10. BOWED STRING INSTRUMENTS 272
10.1. A BRIEF HISTORY 272 10.2. RESEARCH ON VIOLIN ACOUSTICS 273 10.3.
CONSTRUCTION OF THE VIOLIN 274 10.4. MOTION OF BOWED STRINGS 275 10.5.
VIOLIN BODY VIBRATIONS 285 10.6. TRANSIENT WAVE RESPONSE OF THE VIOLIN
BODY 294 10.7. SOUNDPOST AND BASS BAR 295 CONTENTS XV 10.8. THE BRIDGE
297 10.9. SOUND RADIATION 301 10.10. THE BOW 310 10.11. WOLF NOTES AND
PAYABILITY 312 10.12. TONAL QUALITY OF VIOLINS 313 10.13. VIOLA, CELLO,
AND DOUBLE BASS 318 10.14. VIOLS 319 10.15. A NEW VIOLIN FAMILY 322
REFERENCES 326 11. HARPS, HARPSICHORDS, CLAVICHORDS, AND DULCIMERS 331
11.1. TRADITIONAL INSTRUMENTS 331 11.2. THE HARP 336 11.3. THE
HARPSICHORD 340 11.4. HARPSICHORD DESIGN CONSIDERATIONS 343 11.5.
HARPSICHORD CHARACTERISTICS 346 11.6. THE CLAVICHORD 347 REFERENCES 350
12. THE PIANO 352 12.1. GENERAL DESIGN OF PIANOS 353 12.2. PIANO ACTION
354 12.3. PIANO STRINGS 362 12.4. PIANO HAMMERS 366 12.5. THE SOUNDBOARD
374 12.6. SOUND DECAY: INTERACTION OF STRINGS, BRIDGE, AND SOUNDBOARD
383 12.7. SCALING AND TUNING 387 12.8. TUNING AND INHARMONICITY 388
12.9. TIMBRE 390 12.10. ELECTRIC PIANOS 396 REFERENCES 396 IV. WIND
INSTRUMENTS 13. SOUND GENERATION BY REED AND LIP VIBRATIONS 401 13.1.
PRESSURE-CONTROLLED VALVES 401 13.2. QUASI-STATIC MODEL 403 13.3.
GENERATOR BEHAVIOR AT PLAYING FREQUENCY 406 13.4. FREE REEDS 413 13.5.
GENERATORS COUPLED TO HORNS 415 13.6. LARGE-AMPLITUDE BEHAVIOR 418 13.7.
NONLINEAR ANALYSIS 422 XVI CONTENTS 13.8. NUMERICAL SIMULATION 424
REFERENCES 426 14. LIP-DRIVEN BRASS INSTRUMENTS 429 14.1. HISTORICAL
DEVELOPMENT OF BRASS INSTRUMENTS 429 14.2. HORN PROFILES 431 14.3.
MOUTHPIECES 433 14.4. RADIATION 437 14.5. SLIDES AND VALVES 440 14.6.
SMALL-AMPLITUDE NONLINEARITY 442 14.7. LARGE-AMPLITUDE NONLINEARITY 445
14.8. INPUT IMPEDANCE CURVES 449 14.9. TRANSIENTS 450 14.10. ACOUSTIC
SPECTRA 453 14.11. MUTES 453 14.12. PERFORMANCE TECHNIQUE 455 REFERENCES
459 15. WOODWIND REED INSTRUMENTS 461 15.1. WOODWIND BORE SHAPES 461
15.2. FINGER HOLES 464 15.3. IMPEDANCE CURVES 470 15.4. REED AND AIR
COLUMN INTERACTION 477 15.5. DIRECTIONALITY 480 15.6. PERFORMANCE
TECHNIQUE 481 15.7. ACOUSTIC EFFICIENCY 484 15.8. THE LIMITING SPECTRUM
484 15.9. THE CLARINET 486 15.10. THE OBOE 491 15.11. THE BASSOON 494
15.12. THE SAXOPHONE 496 15.13. CAPPED REED INSTRUMENTS 497 REFERENCES
500 16. FLUTES AND FLUE ORGAN PIPES 503 16.1. DYNAMICS OF AN AIR JET 503
16.2. DISTURBANCE OF AN AIR JET 509 16.3. JET-RESONATOR INTERACTION 511
16.4. THE REGENERATIVE EXCITATION MECHANISM 516 16.5. RIGOROUS
FLUID-DYNAMICS APPROACHES 521 16.6. NONLINEARITY AND HARMONIC GENERATION
522 16.7. TRANSIENTS AND MODE TRANSITIONS 525 16.8. AERODYNAMIC NOISE
528 CONTENTS XVII 16.9. SIMPLE FLUTE-TYPE INSTRUMENTS 529 16.10. THE
RECORDER 531 16.11. THE FLUTE 537 REFERENCES . 548 17. PIPE ORGANS 552
17.1. GENERAL DESIGN PRINCIPLES 553 17.2. ORGAN PIPE RANKS 557 17.3.
FLUE PIPE RANKS 559 17.4. CHARACTERISTIC FLUE PIPES 563 17.5. MIXTURES
AND MUTATIONS 564 17.6. TUNING AND TEMPERAMENT 566 17.7. SOUND RADIATION
FROM FLUE PIPES 568 17.8. TRANSIENTS IN FLUE PIPES 569 17.9. FLUE PIPE
VOICING 570 17.10. EFFECT OF PIPE MATERIAL 571 17.11. REED PIPE RANKS
573 17.12. ANALYSIS OF TIMBRE 575 17.13. TONAL ARCHITECTURE 577
REFERENCES 578 V. PERCUSSION INSTRUMENTS 18. DRUMS 583 18.1. KETTLEDRUMS
584 18.2. BASS DRUMS 599 18.3. SNARE DRUMS , 602 18.4. TOM-TOMS 606
18.5. INDIAN DRUMS 609 18.6. JAPANESE DRUMS 615 18.7. INDONESIAN DRUMS
618 18.8. LATIN AMERICAN DRUMS 618 18.9. TAMBOURINES 620 REFERENCES 621
19. MALLET PERCUSSION INSTRUMENTS 623 19.1. GLOCKENSPIEL 623 19.2. THE
MARIMBA 624 19.3. TUNING THE BARS 627 19.4. RESONATORS 633 19.5. THE
XYLOPHONE 636 XVIII CONTENTS 19.6. VIBES 638 19.7. MALLETS 639 19.8.
CHIMES 641 19.9. TRIANGLES AND PENTANGLES 642 19.10. GAMELAN INSTRUMENTS
645 19.11. TUBAPHONES AND GAMELAN CHIMES 645 REFERENCES 647 20. CYMBALS,
GONGS, PLATES, AND STEEL DRUMS 649 20.1. CYMBALS 649 20.2. TAM-TAMS 656
20.3. GONGS 660 20.4. CROTALES 663 20.5. BELL PLATES 665 20.6. FLEXED
PLATES: THE MUSICAL SAW 665 20.7. STEEL PANS 667 REFERENCES 673 21.
BELLS 675 21.1. MODES OF VIBRATION OF CHURCH BELLS 676 21.2. TUNING AND
TEMPERAMENT 681 21.3. THE STRIKE NOTE 682 21.4. MAJOR-THIRD BELLS 685
21.5. SOUND DECAY AND WARBLE 686 21.6. SCALING OF BELLS 688 21.7. MODES
OF VIBRATION OF HANDBELLS 691 21.8. TIMBRE AND TUNING OF HANDBELLS 694
21.9. SOUND DECAY AND WARBLE IN HANDBELLS 695 21.10. SCALING OF
HANDBELLS 696 21.11. SOUND RADIATION 697 21.12. BASS HANDBELLS 699
21.13. CLAPPERS 699 21.14. ANCIENT CHINESE TWO-TONE BELLS 700 21.15.
TEMPLE BELLS OF CHINA, KOREA, AND JAPAN 701 REFERENCES 705 PART VI.
MATERIALS 22. MATERIALS FOR MUSICAL INSTRUMENTS 711 22.1. MECHANICAL
PROPERTIES OF MATERIALS 712 22.2. MATERIALS FOR WIND INSTRUMENTS 717
22.3. WOOD 719 22.4. PLASTICS AND COMPOSITE MATERIALS 22.5. METALS 22.6.
CONCLUSION REFERENCES NAME INDEX SUBJECT INDEX CONTENTS XIX 726 728 732
733 735 743 |
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| author | Fletcher, Neville H. Rossing, Thomas D. 1929- |
| author_GND | (DE-588)112601340 |
| author_facet | Fletcher, Neville H. Rossing, Thomas D. 1929- |
| author_role | aut aut |
| author_sort | Fletcher, Neville H. |
| author_variant | n h f nh nhf t d r td tdr |
| building | Verbundindex |
| bvnumber | BV021945980 |
| callnumber-first | M - Music |
| callnumber-label | ML3805 |
| callnumber-raw | ML3805 |
| callnumber-search | ML3805 |
| callnumber-sort | ML 43805 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)258708930 (DE-599)BVBBV021945980 |
| dewey-full | 784.190153 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784.190153 |
| dewey-search | 784.190153 |
| dewey-sort | 3784.190153 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 2. ed. |
| format | Book |
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| id | DE-604.BV021945980 |
| illustrated | Illustrated |
| index_date | 2024-07-02T16:07:19Z |
| indexdate | 2024-07-09T20:47:59Z |
| institution | BVB |
| isbn | 0387983740 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015161130 |
| oclc_num | 258708930 |
| open_access_boolean | |
| owner | DE-706 |
| owner_facet | DE-706 |
| physical | XIX, 756 S. Ill., graph. Darst. |
| publishDate | 1998 |
| publishDateSearch | 1998 |
| publishDateSort | 1998 |
| publisher | Springer |
| record_format | marc |
| spelling | Fletcher, Neville H. Verfasser aut The physics of musical instruments Neville H. Fletcher ; Thomas D. Rossing 2. ed. New York [u.a.] Springer 1998 XIX, 756 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Literaturangaben Musikinstrument - Musikalische Akustik Technische Akustik (DE-588)4059219-4 gnd rswk-swf Musikinstrument (DE-588)4040851-6 gnd rswk-swf Akustik (DE-588)4000988-9 gnd rswk-swf Musikalische Akustik (DE-588)4123807-2 gnd rswk-swf Technische Akustik (DE-588)4059219-4 s DE-604 Musikalische Akustik (DE-588)4123807-2 s Musikinstrument (DE-588)4040851-6 s 1\p DE-604 Akustik (DE-588)4000988-9 s 2\p DE-604 Rossing, Thomas D. 1929- Verfasser (DE-588)112601340 aut HEBIS Datenaustausch Darmstadt application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015161130&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Fletcher, Neville H. Rossing, Thomas D. 1929- The physics of musical instruments Musikinstrument - Musikalische Akustik Technische Akustik (DE-588)4059219-4 gnd Musikinstrument (DE-588)4040851-6 gnd Akustik (DE-588)4000988-9 gnd Musikalische Akustik (DE-588)4123807-2 gnd |
| subject_GND | (DE-588)4059219-4 (DE-588)4040851-6 (DE-588)4000988-9 (DE-588)4123807-2 |
| title | The physics of musical instruments |
| title_auth | The physics of musical instruments |
| title_exact_search | The physics of musical instruments |
| title_exact_search_txtP | The physics of musical instruments |
| title_full | The physics of musical instruments Neville H. Fletcher ; Thomas D. Rossing |
| title_fullStr | The physics of musical instruments Neville H. Fletcher ; Thomas D. Rossing |
| title_full_unstemmed | The physics of musical instruments Neville H. Fletcher ; Thomas D. Rossing |
| title_short | The physics of musical instruments |
| title_sort | the physics of musical instruments |
| topic | Musikinstrument - Musikalische Akustik Technische Akustik (DE-588)4059219-4 gnd Musikinstrument (DE-588)4040851-6 gnd Akustik (DE-588)4000988-9 gnd Musikalische Akustik (DE-588)4123807-2 gnd |
| topic_facet | Musikinstrument - Musikalische Akustik Technische Akustik Musikinstrument Akustik Musikalische Akustik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015161130&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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