The Cambridge introduction to Shakespeare:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2007
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge introductions to literature
|
| Schlagworte: | |
| Online-Zugang: | Publisher description Table of contents only Inhaltsverzeichnis |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | IX, 166 S. Ill. |
| ISBN: | 0521855993 9780521855990 0521671884 9780521671880 |
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Datensatz im Suchindex
| _version_ | 1804135779679600640 |
|---|---|
| adam_text | Contents
List of figures and tables page
viii
Preface
ix
Chapter
1
Character l
Juliet s balcony, Verona
1
Shakespeare s realism?
3
Shakespeare s unreal characters
4
Reading Shakespeare s characters on the page
6
Embodying Shakespeare s characters on stage
7
Doubling on the early modern stage
8
Writing for particular actors
11
Falstaff: character as individual or type?
12
Naming and individuality
12
Characters as individuals or as
inter-relationships
14
Character: interior or exterior?
17
Character: where next?
19
Chapter
2
Performance
23
Measure for Measure: staging silence
23
Going back to the text : the challenge of
performance
26
Performance interpretations: The Taming of the
Shrew
27
Topical performance: the plays in different
theatrical contexts
30
Citing performances
32
Using film
33
Using film comparatively: Macbeth
35
vi
Contents
Hamlet
To be or not to be
39
Adaptations: Shakespearean enough?
41
Performance: where next?
42
Chapter
3
Texts
46
Shakespeare s hand
46
So what did Shakespeare write?
47
Stage to page
48
Quartos and Folio
49
Editing as interpretation
50
The job of the editor: the example of Richard II
53
Stage directions
57
Speech prefixes
60
The job of the editor: the example of King Lear
61
Texts: where next?
65
Chapter
4
Language
71
In a double sense (Macbeth
5.7.50) 71
Did anyone really talk like that?
72
Playing with language
77
Language of the play
/
language of the person
79
Prose and verse
81
Linguistic shifts:
1
Henry IV
82
Shakespeare s verse
84
Linguistic variation: A Midsummer Night s
Dream
85
Language: where next?
87
Chapter
5
Structure
90
Finding the heart of the play
90
Shakespeare s genres: dynamic, not static
93
Tragedy and comedy
94
Tragedy
-
expanding the genre
95
Comedy
-
expanding the genre
98
History: is this a fixed genre?
101
Structuring scenes: Much Ado About Nothing
103
Juxtaposing scenes, activating ironies: Henry V
104
Contents
Showing
v.
telling
106
Structure: where next?
107
Chapter
6
Sources
113
Antony and Cleopatra and Plutarch
113
Originality: was Shakespeare a plagiarist?
116
Shakespeare at work: the intentional fallacy?
118
The source bites back: Romeo and Juliet and
The Winter s Tale
120
The strong poet? King Lear
127
Sources: where next?
131
Chapter
7
History
134
Politic picklocks: interpreting topically
134
History plays: political Shakespeare?
136
History plays: Shakespeare as propagandist?
138
Hamlet as history play?
140
Jacobean patronage: King Lear and Macbeth
142
Historical specificity: gender roles
144
Race and Othello
148
History: where next?
153
Bibliography
157
Index
162
|
| adam_txt |
Contents
List of figures and tables page
viii
Preface
ix
Chapter
1
Character l
Juliet's balcony, Verona
1
Shakespeare's realism?
3
Shakespeare's 'unreal' characters
4
Reading Shakespeare's characters on the page
6
Embodying Shakespeare's characters on stage
7
Doubling on the early modern stage
8
Writing for particular actors
11
Falstaff: character as individual or type?
12
Naming and individuality
12
Characters as individuals or as
inter-relationships
14
Character: interior or exterior?
17
Character: where next?
19
Chapter
2
Performance
23
Measure for Measure: staging silence
23
'Going back to the text': the challenge of
performance
26
Performance interpretations: The Taming of the
Shrew
27
Topical performance: the plays in different
theatrical contexts
30
Citing performances
32
Using film
33
Using film comparatively: Macbeth
35
vi
Contents
Hamlet
'To be or not to be'
39
Adaptations: Shakespearean enough?
41
Performance: where next?
42
Chapter
3
Texts
46
Shakespeare's hand
46
So what did Shakespeare write?
47
Stage to page
48
Quartos and Folio
49
Editing as interpretation
50
The job of the editor: the example of Richard II
53
Stage directions
57
Speech prefixes
60
The job of the editor: the example of King Lear
61
Texts: where next?
65
Chapter
4
Language
71
'In a double sense' (Macbeth
5.7.50) 71
Did anyone really talk like that?
72
Playing with language
77
Language of the play
/
language of the person
79
Prose and verse
81
Linguistic shifts:
1
Henry IV
82
Shakespeare's verse
84
Linguistic variation: A Midsummer Night's
Dream
85
Language: where next?
87
Chapter
5
Structure
90
Finding the heart of the play
90
Shakespeare's genres: dynamic, not static
93
Tragedy and comedy
94
Tragedy
-
expanding the genre
95
Comedy
-
expanding the genre
98
History: is this a fixed genre?
101
Structuring scenes: Much Ado About Nothing
103
Juxtaposing scenes, activating ironies: Henry V
104
Contents
Showing
v.
telling
106
Structure: where next?
107
Chapter
6
Sources
113
Antony and Cleopatra and Plutarch
113
Originality: was Shakespeare a plagiarist?
116
Shakespeare at work: the intentional fallacy?
118
The source bites back: Romeo and Juliet and
The Winter's Tale
120
The strong poet? King Lear
127
Sources: where next?
131
Chapter
7
History
134
Politic picklocks: interpreting topically
134
History plays: political Shakespeare?
136
History plays: Shakespeare as propagandist?
138
Hamlet as history play?
140
Jacobean patronage: King Lear and Macbeth
142
Historical specificity: gender roles
144
Race and Othello
148
History: where next?
153
Bibliography
157
Index
162 |
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| discipline | Anglistik / Amerikanistik |
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| edition | 1. publ. |
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| index_date | 2024-07-02T16:01:21Z |
| indexdate | 2024-07-09T20:45:56Z |
| institution | BVB |
| isbn | 0521855993 9780521855990 0521671884 9780521671880 |
| language | English |
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| spelling | Smith, Emma 1970- Verfasser (DE-588)142779830 aut The Cambridge introduction to Shakespeare Emma Smith Shakespeare 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2007 IX, 166 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cambridge introductions to literature Hier auch später erschienene, unveränderte Nachdrucke Shakespeare, William <1564-1616> Handbooks, manuals, etc Shakespeare, William <1564-1616> Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s DE-604 http://www.loc.gov/catdir/enhancements/fy0702/2006031965-d.html Publisher description http://www.loc.gov/catdir/enhancements/fy0702/2006031965-t.html Table of contents only Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015055829&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Smith, Emma 1970- The Cambridge introduction to Shakespeare Shakespeare, William <1564-1616> Handbooks, manuals, etc Shakespeare, William <1564-1616> Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4012899-4 |
| title | The Cambridge introduction to Shakespeare |
| title_alt | Shakespeare |
| title_auth | The Cambridge introduction to Shakespeare |
| title_exact_search | The Cambridge introduction to Shakespeare |
| title_exact_search_txtP | The Cambridge introduction to Shakespeare |
| title_full | The Cambridge introduction to Shakespeare Emma Smith |
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| title_full_unstemmed | The Cambridge introduction to Shakespeare Emma Smith |
| title_short | The Cambridge introduction to Shakespeare |
| title_sort | the cambridge introduction to shakespeare |
| topic | Shakespeare, William <1564-1616> Handbooks, manuals, etc Shakespeare, William <1564-1616> Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Drama (DE-588)4012899-4 gnd |
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