Modernism, media, and propaganda: British narrative from 1900 to 1945
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Princeton [u.a.]
Princeton Univ. Press
2007
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Publisher description Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXV, 335 S. Ill. |
| ISBN: | 9780691128115 0691128111 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
List of Illustrations
Preface
Acknowledgments
INTRODUCTION
Modernism and the Information-Propaganda Matrix
Making Sense of Propaganda: From Orwell
and
Propagating Fictions: Wellington House, Modernism,
and the Invention of Modern Propaganda
Modernism and the Media of Propaganda:
Heart of Darkness and The Unlighted Coast
CHAPTER ONE
From Conrad to Hitchcock: Modernism, Film,
and the Art of Propaganda
Manipulation and Mastery: Film, Novel, Advertising
From Novel to Theater to Film to Hollywood:
In Search of an Audience
Killing Stevie: Death by Literalization/Death by
Cinematography
Picking up the Pieces: Modernism, Propaganda, and Film
CHAPTER TWO
The Woolfs, Picture Postcards, and the Propaganda
of Everyday Life
Postcards, Exhibitions, and Empire
Woolf
Education as Propaganda:
Sex, arid Empire
Scripting the Body: Colonial Postcards
and the Journey Upriver
Leonard s Jungle, Conrad s Trees
In Virginia s Jungle 111
Destabilizing the Ethnographic Frame and the
Returned Stare
VIU
Empire, Race, and the Emancipation of Women
From Male Propaganda to Female Modernism
CHAPTER THREE
Impressionism and Propaganda: Ford s Wellington House
Books and The Good Soldier
Ford and Wellington House
Ford s Critical Writings: Propagating the Impression
Impressing Facts: When Blood Is Their Argument and
Between St. Dennis and St. George
Navigating the Pseudo-Environment in The Good Soldier
CHAPTER FOUR
Joyce and the Limits of Political Propaganda
Recruitment and the Art of the Poster
Reading Posters/Reading Ulysses
Maeve, Bloom, and the Limits of Propaganda
Identification, Cultural Predication, and Narrative Structure
Carnivalizing Propaganda: Bloom and Stephen in Nighttown
Reinventing Ireland: Ulysses and the Art of Dislocation
CHAPTER FIVE
From the Thirties to World War II: Negotiating Modernism
and Propaganda in Hitchcock and Welles
War, Propaganda, and Film: Pairing Hitchcock and Welles
Orson Welles: Theater, Film, and the Art of Propaganda
Autonomy and Innovation: From the Studio to the
Mol
Citizen Kane and It s All True: Documentary and
Propaganda
Bon Voyage,
of Communication
Coda
Notes
Index
|
| adam_txt |
CONTENTS
List of Illustrations
Preface
Acknowledgments
INTRODUCTION
Modernism and the Information-Propaganda Matrix
Making Sense of Propaganda: From Orwell
and
Propagating Fictions: Wellington House, Modernism,
and the Invention of Modern Propaganda
Modernism and the Media of Propaganda:
Heart of Darkness and "The Unlighted Coast"
CHAPTER ONE
From Conrad to Hitchcock: Modernism, Film,
and the Art of Propaganda
Manipulation and Mastery: Film, Novel, Advertising
From Novel to Theater to Film to Hollywood:
In Search of an Audience
Killing Stevie: Death by Literalization/Death by
Cinematography
Picking up the Pieces: Modernism, Propaganda, and Film
CHAPTER TWO
The Woolfs, Picture Postcards, and the Propaganda
of Everyday Life
Postcards, Exhibitions, and Empire
Woolf
Education as Propaganda:
Sex, arid Empire
Scripting the Body: Colonial Postcards
and the Journey Upriver
Leonard's Jungle, Conrad's Trees
In Virginia's Jungle 111
Destabilizing the Ethnographic Frame and the
Returned Stare
VIU
Empire, Race, and the Emancipation of Women
From Male Propaganda to Female Modernism
CHAPTER THREE
Impressionism and Propaganda: Ford's Wellington House
Books and The Good Soldier
Ford and Wellington House
Ford's Critical Writings: Propagating the Impression
Impressing Facts: When Blood Is Their Argument and
Between St. Dennis and St. George
Navigating the Pseudo-Environment in The Good Soldier
CHAPTER FOUR
Joyce and the Limits of Political Propaganda
Recruitment and the Art of the Poster
Reading Posters/Reading Ulysses
Maeve, Bloom, and the Limits of Propaganda
Identification, Cultural Predication, and Narrative Structure
Carnivalizing Propaganda: Bloom and Stephen in Nighttown
Reinventing Ireland: Ulysses and the Art of Dislocation
CHAPTER FIVE
From the Thirties to World War II: Negotiating Modernism
and Propaganda in Hitchcock and Welles
War, Propaganda, and Film: Pairing Hitchcock and Welles
Orson Welles: Theater, Film, and the Art of Propaganda
Autonomy and Innovation: From the Studio to the
Mol
Citizen Kane and It's All True: Documentary and
Propaganda
Bon Voyage,
of Communication
Coda
Notes
Index |
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| era | Geschichte 1900-2000 Geschichte 1900-1945 gnd |
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| spelling | Wollaeger, Mark A. 1957- Verfasser (DE-588)133228339 aut Modernism, media, and propaganda British narrative from 1900 to 1945 Mark Wollaeger Princeton [u.a.] Princeton Univ. Press 2007 XXV, 335 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1900-2000 Geschichte 1900-1945 gnd rswk-swf Geschichte English fiction 20th century History and criticism Modernism (Literature) Great Britain Propaganda Great Britain History 20th century Motion pictures in propaganda Propaganda (DE-588)4076374-2 gnd rswk-swf Medien (DE-588)4169187-8 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Großbritannien Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Medien (DE-588)4169187-8 s Propaganda (DE-588)4076374-2 s Geschichte 1900-1945 z DE-604 http://www.loc.gov/catdir/toc/ecip0611/2006009788.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0654/2006009788-d.html Publisher description Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015051630&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wollaeger, Mark A. 1957- Modernism, media, and propaganda British narrative from 1900 to 1945 Geschichte English fiction 20th century History and criticism Modernism (Literature) Great Britain Propaganda Great Britain History 20th century Motion pictures in propaganda Propaganda (DE-588)4076374-2 gnd Medien (DE-588)4169187-8 gnd Roman (DE-588)4050479-7 gnd Englisch (DE-588)4014777-0 gnd |
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| title | Modernism, media, and propaganda British narrative from 1900 to 1945 |
| title_auth | Modernism, media, and propaganda British narrative from 1900 to 1945 |
| title_exact_search | Modernism, media, and propaganda British narrative from 1900 to 1945 |
| title_exact_search_txtP | Modernism, media, and propaganda British narrative from 1900 to 1945 |
| title_full | Modernism, media, and propaganda British narrative from 1900 to 1945 Mark Wollaeger |
| title_fullStr | Modernism, media, and propaganda British narrative from 1900 to 1945 Mark Wollaeger |
| title_full_unstemmed | Modernism, media, and propaganda British narrative from 1900 to 1945 Mark Wollaeger |
| title_short | Modernism, media, and propaganda |
| title_sort | modernism media and propaganda british narrative from 1900 to 1945 |
| title_sub | British narrative from 1900 to 1945 |
| topic | Geschichte English fiction 20th century History and criticism Modernism (Literature) Great Britain Propaganda Great Britain History 20th century Motion pictures in propaganda Propaganda (DE-588)4076374-2 gnd Medien (DE-588)4169187-8 gnd Roman (DE-588)4050479-7 gnd Englisch (DE-588)4014777-0 gnd |
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