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Phrase and subject: studies in literature and music

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Bibliographische Detailangaben
Weitere Verfasser:	Sousa Correa, Delia da 1960- (HerausgeberIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	New York Legenda 2006
Ausgabe:	1st publication
Schlagworte:	Musik Music and literature Music / Philosophy and aesthetics Music, Influence of Literatur Aufsatzsammlung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XII, 212 Seiten Illustrationen, Notenbeispiele
ISBN:	1904713076 9781904713074

Internformat

MARC


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Datensatz im Suchindex

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adam_text	CONTENTS Acknowledgements ix About the Contributors x Introduction DELIA DA SOUSA CORREA I PART I: THEORETICAL ISSUES и ι Stances towards Music as a Language DANIEL ALBRIGHT 12 2 Music before the Literary: Or, the Eventness of Musical Events ANTHONY GRITTEN 21 3 Music in the Philosophical Imagination: Deconstructing Friedrich Nietzsche s Human, All Too Human TINA FRÜHAUF 34 4 The Force of Music in Derrida s Writing PETER DAYAN 45 PART II: GENERIC ALLIANCES 59 5 Music and Realism: Samuel Richardson, Italian Opera, and English Oratorio LAWRENCE WOOF ÓO 6 Saving the Ordinary: Beethoven s Ghost Trio and the Wheel of History LAWRENCE KRAMER 73 7 Musical Scores and Literary Form in Modernism: Ezra Pound s Pisan Cantos and Samuel Beckett s Watt mark byron 87 PART III:THE GENDERED TEXT 99 8 Revoicing Rousseau: Staël s Corinne and the Song of the South TILI BOON CUILLÉ 100 9 The Dear Dead Past: The Piano in Victorian and Edwardian Poetry REGULA HOHL TRILLINI 112 10 Music and Kate Chopin s The Awakening SUE ASBEE and TOM COOPER I2S її Narratives of Masculinity and Femininity: Two Schumann Song Cycles ROBERT SAMUELS 135 viii Contents PART IV: NARRATIVE MODES H7 12 The Concert as a Literary Genre: Berlioz s Lelio GUILLAUME BORDRY 1 48 13 Literature as Déjà vu? The Third Movement of Gustav Mahler s First Symphony FEDERICO CELESTINI 153 14 Fugue or Music Drama? Symmetry, Counterpoint, and Leitmotif in Dostoevsky s The Brothers Karamazov ROSAMUND BARTLETT 1 67 15 Benjamin Britten and Wilfred Owen: An Intertextual Reading of the War Requiem DAVID CRILLY 1 78 Bibliography 193 Index 207
adam_txt	CONTENTS Acknowledgements ix About the Contributors x Introduction DELIA DA SOUSA CORREA I PART I: THEORETICAL ISSUES и ι Stances towards Music as a Language DANIEL ALBRIGHT 12 2 Music before the Literary: Or, the Eventness of Musical Events ANTHONY GRITTEN 21 3 Music in the Philosophical Imagination: Deconstructing Friedrich Nietzsche's Human, All Too Human TINA FRÜHAUF 34 4 The Force of Music in Derrida's Writing PETER DAYAN 45 PART II: GENERIC ALLIANCES 59 5 Music and Realism: Samuel Richardson, Italian Opera, and English Oratorio LAWRENCE WOOF ÓO 6 Saving the Ordinary: Beethoven's 'Ghost'Trio and the Wheel of History LAWRENCE KRAMER 73 7 Musical Scores and Literary Form in Modernism: Ezra Pound's Pisan Cantos and Samuel Beckett's Watt mark byron 87 PART III:THE GENDERED TEXT 99 8 Revoicing Rousseau: Staël's Corinne and the Song of the South TILI BOON CUILLÉ 100 9 The Dear Dead Past: The Piano in Victorian and Edwardian Poetry REGULA HOHL TRILLINI 112 10 Music and Kate Chopin's The Awakening SUE ASBEE and TOM COOPER I2S її Narratives of Masculinity and Femininity: Two Schumann Song Cycles ROBERT SAMUELS 135 viii Contents PART IV: NARRATIVE MODES H7 12 The Concert as a Literary Genre: Berlioz's Lelio GUILLAUME BORDRY 1 48 13 Literature as Déjà vu? The Third Movement of Gustav Mahler's First Symphony FEDERICO CELESTINI 153 14 Fugue or Music Drama? Symmetry, Counterpoint, and Leitmotif in Dostoevsky's The Brothers Karamazov ROSAMUND BARTLETT 1 67 15 Benjamin Britten and Wilfred Owen: An Intertextual Reading of the War Requiem DAVID CRILLY 1 78 Bibliography 193 Index 207
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