Eyesight alone: Clement Greenberg's modernism and the bureaucratization of the senses
Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art wor...
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| Format: | Buch |
| Sprache: | English |
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Chicago [u.a.]
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2005
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| Online-Zugang: | Table of contents only Contributor biographical information Publisher description Inhaltsverzeichnis Rezension |
| Zusammenfassung: | Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art world. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Caroline Jones's magisterial study widens Greenberg's fundamental tenet of "opticality"-the idea that modernist art is apprehended through "eyesight alone"-to a broader arena, examining how the critic's emphasis on the specular resonated with a society increasingly invested in positivist approaches to the world. Greenberg's modernist discourse, Jones argues, developed in relation to the rationalized procedures that gained wide currency in the United States at midcentury, in fields ranging from the sense-data protocols theorized by scientific philosophy to the development of cultural forms, such as hi-fi, that targeted specific senses, one by one. Greenberg's attempt to isolate and celebrate the visual was one manifestation of a large-scale segmentation-or bureaucratization-of the body's senses. Working through these historical developments, Jones brings Greenberg's theories into contemporary philosophical debates about agency and subjectivity.--Publisher description. |
| Beschreibung: | Includes bibliographical references (p. 503-526) and index |
| Beschreibung: | XXIX, 553 S. zahlr. Ill. 26 cm |
| ISBN: | 0226409511 |
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| 245 | 1 | 0 | |a Eyesight alone |b Clement Greenberg's modernism and the bureaucratization of the senses |c Caroline A. Jones |
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| 500 | |a Includes bibliographical references (p. 503-526) and index | ||
| 520 | 3 | |a Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art world. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Caroline Jones's magisterial study widens Greenberg's fundamental tenet of "opticality"-the idea that modernist art is apprehended through "eyesight alone"-to a broader arena, examining how the critic's emphasis on the specular resonated with a society increasingly invested in positivist approaches to the world. Greenberg's modernist discourse, Jones argues, developed in relation to the rationalized procedures that gained wide currency in the United States at midcentury, in fields ranging from the sense-data protocols theorized by scientific philosophy to the development of cultural forms, such as hi-fi, that targeted specific senses, one by one. Greenberg's attempt to isolate and celebrate the visual was one manifestation of a large-scale segmentation-or bureaucratization-of the body's senses. Working through these historical developments, Jones brings Greenberg's theories into contemporary philosophical debates about agency and subjectivity.--Publisher description. | |
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Datensatz im Suchindex
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| adam_text | CONTENTS
Illustrations ix
Preface and Acknowledgments xv
PARTI STATEMENTS chapter i Becoming Greenberg 3
chapter 2 Formalism 51
chapter 3 Abstraction 97
chapter 4 Sweating Out Cubism 145
PART 2 VISIBILITIES chapter 5 Customs Inspector 205
(Greenberg s Pollock, Part 1)
chapter 6 Eyes in the Heat 253
(Greenberg s Pollock, Part 2)
chapter 7 Tyranny of the Eye 303
PART 3 REGIMES chapter 8 Postmodernism s Greenberg 347
chapter 9 The Modernist Sensorium 38g
Notes 437
Bibliography 503
Index 527
vii
ILLUSTRATIONS
Color Plates (appearing after page 194)
1 Morris Louis, Blue Veil, 1958 59
2 Hans Hofmann, Green Bottle, 1921
3 Hans Hofmann, Yellow Table on Yellow Background, 1936
4 Hans Hofmann, Cathedral, 1959
5 [ackson Pollock, Totem Lesson 2, 1945
6 Piet Mondrian, Broadway Boogie Woogie, 1942 43
7 Jackson Pollock, Mural, 1943
8 Jackson Pollock, Bird, 1941
9 Jackson Pollock, Full Fathom Five, 1947
10 Jean Fautrier, Head of Hostage, No. 1, 1944
11 Hans Namuth, Living room of Clement Greenberg, 1964
12 Kazimir Malevich, The Advance of the Red Cavalry, 1928 32
13 Kenneth Noland, Graded Exposure, 1967
14 Morris Louis, Dalet Kaf, 1959
15 Helen Frankenthaler, Mountains and Sea, 1952
16 Helen Frankenthaler, Scene with Nude, 1952
17 Helen Frankenthaler, Arcadia, 1962
18 Robert Motherwell, Elegy to Spanish Republic No. ¡4, 1953 54
19 Gordon Parks, photograph of Frankenthaler in her studio, 1957
20 Helen Frankenthaler, Approach, 1962
21 Mark Tansey, Myth of Depth, 1984
22 Piet Mondrian, detail of Broadway Boogie Woogie, 1942 43
23 Gerhard Richter, Ice 2 (Eis 2). 1989
¡x
x l jSïrat 0 s
Black and White Figures
o.i Untitled, c. 1971 xxii
0.2 Kenneth Noland, New Day, 1967 xxiv
0.3 Robert Irwin, Untitled, 1965 67 uiv
1.1 Gustave Courbet, Burial at Omans, 1849 41
1.2 Gustave Courbet, The Stonebreakers, 1849 41
2.1 The Laocoön Group, first century CE ^2
2.2 Willem de Kooning, Attic, 1949 66
2.3 Franz Kline, New Vont, NY, 1953 66
2.4 Jackson Pollock, Autumn Rhythm, 1950 67
2.5 David Smith, Interior, 1937 68
2.6 George L. K. Morris, Indians Hunting, No. 2, 1933 71
3.1 Duck Rabbit image, 1892 121
3.2 Edouard Manet, The Fifer, 1866 140
3.3 Frank Stella, Union Pacific, i960 140
4.1 Georgia O Keeffe, Radiator Building at Night, New York, 1927 146
4.2 Arthur Dove, Nature Symbolized No. 2, 1911 14 152
4.3 Alfred Stieglitz, photograph of The Garden of Love (improvisation No. îy)
by Wassily Kandinsky, 1913 J53
4.4 Morris Hirshfield, Tiger, 1940 ¡55
4.5 Henri Rousseau, The Repast of the Lion, 1907 157
4.6 [ohn Marin, Pertaining to Stonington Harbor, Maine, No. 4, 1926 159
4.7 |ohn Marin, Woolworth Building, No. 31, 1912 159
4.8 Arnold Newman, John Marin in His Studio at 243 Clark Terrace, 1947 ¡62
4.9 Frank Eugene, Alfred Stieglitz, 1907 162
4.10 Alfred Stieglitz, Equivalent, 1930 164
4.11 Alfred Stieglitz, Georgia O Keeffe: A Portrait (Hand and Breasts), 1919 164
4.12 John Marin, Looking up 5th Avenue from 30th Street, 1932 i( n
4.13 Alfred Stieglitz, Interpretation, 1919 17;
4.14 Georgia O Keeffe, jack in the l ulpit No. VI, 1930 17;
4.15 Georgia O Keeffe, Special No. 4, 1915 175
4.16 Georgia O Keeffe, Special No. 5, 1915 175
4.17 Pablo Picasso, Portrait of Ambroise Vollard, 1910 180
4.18 )an Müller, Seated Nude Model, 1950 51 182
4.19 [an Müller, Seated Nude Model—Abstraction, 1950 51 182
4.20 (an Müller, Linear Abstraction of Model, 1950 51 182
4.21 Henri Matisse, The Back I, 1909 182
4.22 Henri Matisse, The Back II, 1913 ¡82
4.23 Henri Matisse, The Back HI, 1916 iA¡
4.24 Henri Matisse, The Back IV, 1931 ¡8¡
Illustrations x¡
4.25 Hans Hofmann, Sel] Portrait, 1902 itili
4.26 Hans Hofmann,.Stili Life, 1902 ¡H
4.27 |ohn Haley, Unfitted (male portrait), 1927 ¡us
4.28 Hans Hofmann, Unfitted (cubist head), 19(0 ¡ss
4.29 Pablo Picasso, Seated Woman, 1927 ¡an
4.30 Hans Hofmann, Still Life, 1939 iyi
4.31 Henri Matisse, Red Studio (lssyles Moulineaux), 1911 191
4.32 Hans Hofmann, teaching diagram for Rembrandt s Queen Artemisia, 1931 u)i,
4.33 Hans Hofmann, lecture demonstration drawing, 1942 196
4.34 Lee Krasner, Unfitted (female figure study), 1940 196
4.35 |ane Freilicher, Untitled (figure study), 1947 196
4.36 Hans Hofmann, Spring, 1944 45 199
4.37 Jackson Pollock, The Moon Woman, 1942 100
4.38 Hans Hofmann, Idolatress, 1944 200
5.1 Jackson Pollock, Totem Lesson 1, 1944 210
5.2 Frederick Kiesler s design for Art of This Century Gallery, 1942 215
5.3 Jackson Pollock, Guardians of the Secret, 1943 ¿i
5.4 Willem de Kooning, Excavation, 1950 220
5.5 Lee Krasner, White Squares, 1948 220
5.6 Janet Sobel, The Attraction of Pink, 1945 221
5.7 Mark Tobey, Crystallization, 1944 221
5.8 Joan Miró, Femmes Encerclées par le Vol d un Oiseau, 1941 ¿11
5.9 Jackson Pollock, Mural (detail), 1943 124
5.10 Mirko Lion, photograph of Peggy Guggenheim and Jackson 1 nllock, 1944 224
5.11 Jackson Pollock, Composition with Figures and Banners, c. 1934 38 22^
5.12 André Masson,/li/fomatic Drawing, c. 1925 26 2(2
5.13 Apparatus for Catching and Suspending Hogs, 1882 m
5.14 Thomas Eakins, Jesse Godley (motion study—male walking), 18H4 14 ¡
5.15 Page 24 from C. Francis Jenkins, Animated Pictures, 1898 ¿44
5.16 Rudolph Burckhardt, photograph of Pollock in his studio with
Number 32, 1950 245
5.17 Hans Namuth, photograph, Jackson Pollock Painting, 1950 24s
5.18 MoMA and Hans Namuth, film frames from latkson Pollock Painting, 1950 ¿4^
5.19 Gjon Mili, Artist Pablo Picasso Painting with Light .it Madoura Potlciy,
Life magazine, January 30, 1950 24=,
5.20 Gjon Mili, Drummer (¡ene Krupa performing in Gjon Mili s Studio, 1941 . 41,
5.21 Gjon Mili, cover of Life maga/ine, Mardi 26, 1945 24U
5.22 Gjon Mili and the editors of Life maga/ine, Lasier Housekeeping:
Pattern of Light Streaks Show How an Efficient Housewife Makes Bed,
September 9, 1946 24S
5.23 Jackson Pollock, Cathedral, 1947 249
6.1 |ackson Pollock, One (Number ji, 1950) 257
6.2 Cecil Beaton, Spring Ball Gowns. Vogue, March 1, 1951 219
xü Illustrations
6.3 (ackson Pollock, Trou bled Queen, 1945 262
6.4 Pablo Picasso, Ma Jolie (Woman with a Zither or Guitar), 1911 12 262
6.5 Jackson Pollock, Something of the Past, 1946 267
6.6 Jackson Pollock Gothic, 1944 267
6.7 Jackson Pollock, Naked Man with Knife, 1938 40 26«
6.8 Jackson Pollock, The Key, 1946 274
6.9 Jackson Pollock, Eyes in the Heat, 1946 275
6.10 Martha Holmes, photograph of Artist Jackson Pollock dribbling . . . in Life
magazine, August 8, 1949 290
6.11 Hans Namuth, Clement Greenberg at Springs, 1951 290
6.12 Arnold Newman, photographs for Jackson Pollock: Is he the greatest
living painter in the United States? January 3, 1949 295
6.13 Jackson Pollock, Cut Out, 1948 50 299
6.14 Jackson Pollock, Untitled (Cut out Figure), 1948 299
7.1 Fred Wilson, Deconstruction of Clement Greenberq s Art and Culture, 2001 304
7.2 Helen Frankenthaler, Cloud Slant, 1968 308
7.3 Willem de Kooning, Woman I, 1950 52 311
7.4 Jackson Pollock, Portrait and a Dream, 1953 311
7.5 Detail of Piero della Francesca, Victory of Heraclius over the Persian King
Chosroes, 1460 31«
7.6 Paul Jenkins, Side of St. George, 1968 323
7.7 Jean Dubuffet, Olympia (Corps de Dame), 1950 325
7.8 Gustave Courbet, I Origine du Monde, 1866 327
7.9 Shigeko Kubota, Vagina Painting, 1965 329
7.10 Helen Frankenthaler, Arden, 1961 330
7.11 Helen Frankenthaler, Nude, 1958 335
7.12 Helen Frankenthaler, Two Live as One on a Crocodile Isle, 1959 336
7.13 Ernst Haas, photograph of Helen Frankenthaler painting in her 83rd Street
and 3rd Avenue studio, 1969 ¡;8
7.14 Burt Glinn, Painter Helen Frankenthalar Works on an Abstract Expressionistic
Painting in Her Studio, 1957 338
7.15 Henri Matisse, Woman and an Amphora, 1953 33g
7.16 Yves Klein, Untitled (Anthropometry No. 82), i960 33»
8.1 Dan Flavin, Monument 1 for V. Tatlin, 1964 3^3
8.2 David Levine, Clement Greenberg, 1975 354
8.3 Mark Tansey, Triumph of the New York School, 1984 754
8.4 Mark Tansey, Occupation, 1984 1^6
8.5 Germaine Krull, Walter Benjamin, 1927 ¡^H
8.6 Jenny Hölzer, Truisms series, Raise Boys and Girls the Same Way, 1977 79 37
8.7 Barbara Kruger, Untitled (We Are Being Made Spectacles Of), 1983 371
8.8 Sigmar Polke, Lager, 1982 ¡yi
8.9 Gerhard Richter, Man Shot Down 1 (Erschosenner 1), October 18, 1977, 1988 379
Illustrations xiii
10io Jenny Holzer, installation in gallery H of the Unilcd States l .ivilioii, 441I1
Venice Biennale, showing excerpts troni Truisms, Inflammatory Lssuys,
Living, Survival, Under 11 Rock, Laments, Mother and Child, 1990 ¡s
8.11 David Wojnarowicz, Untitled, [rom the Sex Series (¡or Marion Scenmmaj,
1988 89 ¡Hz
8.12 Donald Wildmon, fundraising brochure prepared for the American l aniily
Association, 1989 90 jtiz
8.13 Silence = Death Project, AlDSijnte, 1987 jäj
8.14 Time magazine cover, Why Voters Don t Trust Clinton, published April 20,
1992 384
8.15 Time magazine cover, Man of the Year, President elect Bill Clinton,
published January 4, 1993 384
9.1 Eric Boman, photograph of Clement Greenberg s Central I ark West
Apartment, published in Vogue magazine, February 1990 ¡99
9.2 Paul Sietsema, Clement Greenberg Room, 2002 400
9.3 Advertisement for Herringbone Rigid Metal Lath, 1923 40 s
9.4 Fabian Marcaccio, Multiple Site l aintant, 2001 2 (detail) 4is
9.5 Advertisement for Dutch Boy Paint, visuahzing Home in 1930s 40s 41s
9.6 Strength of images in each of the senses ¡or one individuili, 19SO 410
|
| adam_txt |
CONTENTS
Illustrations ix
Preface and Acknowledgments xv
PARTI STATEMENTS chapter i Becoming Greenberg 3
chapter 2 Formalism 51
chapter 3 Abstraction 97
chapter 4 Sweating Out Cubism 145
PART 2 VISIBILITIES chapter 5 Customs Inspector 205
(Greenberg's Pollock, Part 1)
chapter 6 Eyes in the Heat 253
(Greenberg's Pollock, Part 2)
chapter 7 Tyranny of the Eye 303
PART 3 REGIMES chapter 8 Postmodernism's Greenberg 347
chapter 9 The Modernist Sensorium 38g
Notes 437
Bibliography 503
Index 527
vii
ILLUSTRATIONS
Color Plates (appearing after page 194)
1 Morris Louis, Blue Veil, 1958 59
2 Hans Hofmann, Green Bottle, 1921
3 Hans Hofmann, Yellow Table on Yellow Background, 1936
4 Hans Hofmann, Cathedral, 1959
5 [ackson Pollock, Totem Lesson 2, 1945
6 Piet Mondrian, Broadway Boogie Woogie, 1942 43
7 Jackson Pollock, Mural, 1943
8 Jackson Pollock, Bird, 1941
9 Jackson Pollock, Full Fathom Five, 1947
10 Jean Fautrier, Head of Hostage, No. 1, 1944
11 Hans Namuth, "Living room of Clement Greenberg, " 1964
12 Kazimir Malevich, The Advance of the Red Cavalry, 1928 32
13 Kenneth Noland, Graded Exposure, 1967
14 Morris Louis, Dalet Kaf, 1959
15 Helen Frankenthaler, Mountains and Sea, 1952
16 Helen Frankenthaler, Scene with Nude, 1952
17 Helen Frankenthaler, Arcadia, 1962
" 18 Robert Motherwell, Elegy to Spanish Republic No. ¡4, 1953 54
19 Gordon Parks, photograph of Frankenthaler in her studio, 1957
20 Helen Frankenthaler, Approach, 1962
21 Mark Tansey, Myth of Depth, 1984
22 Piet Mondrian, detail of Broadway Boogie Woogie, 1942 43
23 Gerhard Richter, Ice 2 (Eis 2). 1989
¡x
x l jSïrat 0"s
Black and White Figures
o.i Untitled, c. 1971 xxii
0.2 Kenneth Noland, New Day, 1967 xxiv
0.3 Robert Irwin, Untitled, 1965 67 uiv
1.1 Gustave Courbet, Burial at Omans, 1849 41
1.2 Gustave Courbet, The Stonebreakers, 1849 41
2.1 The Laocoön Group, first century CE ^2
2.2 Willem de Kooning, Attic, 1949 66
2.3 Franz Kline, New Vont, NY, 1953 66
2.4 Jackson Pollock, Autumn Rhythm, 1950 67
2.5 David Smith, Interior, 1937 68
2.6 George L. K. Morris, Indians Hunting, No. 2, 1933 71
3.1 Duck Rabbit image, 1892 121
3.2 Edouard Manet, The Fifer, 1866 140
3.3 Frank Stella, Union Pacific, i960 140
4.1 Georgia O'Keeffe, Radiator Building at Night, New York, 1927 146
4.2 Arthur Dove, Nature Symbolized No. 2, 1911 14 152
4.3 Alfred Stieglitz, photograph of The Garden of Love (improvisation No. îy)
by Wassily Kandinsky, 1913 J53
4.4 Morris Hirshfield, Tiger, 1940 ¡55
4.5 Henri Rousseau, The Repast of the Lion, 1907 157
4.6 [ohn Marin, Pertaining to Stonington Harbor, Maine, No. 4, 1926 159
4.7 |ohn Marin, Woolworth Building, No. 31, 1912 159
4.8 Arnold Newman, John Marin in His Studio at 243 Clark Terrace, 1947 ¡62
4.9 Frank Eugene, Alfred Stieglitz, 1907 162
4.10 Alfred Stieglitz, Equivalent, 1930 164
4.11 Alfred Stieglitz, Georgia O'Keeffe: A Portrait (Hand and Breasts), 1919 164
4.12 John Marin, Looking up 5th Avenue from 30th Street, 1932 i( n
4.13 Alfred Stieglitz, Interpretation, 1919 17;
4.14 Georgia O'Keeffe, jack in the l'ulpit No. VI, 1930 17;
4.15 Georgia O'Keeffe, Special No. 4, 1915 175
4.16 Georgia O'Keeffe, Special No. 5, 1915 175
4.17 Pablo Picasso, Portrait of Ambroise Vollard, 1910 180
4.18 )an Müller, Seated Nude Model, 1950 51 182
4.19 [an Müller, Seated Nude Model—Abstraction, 1950 51 182
4.20 (an Müller, Linear Abstraction of Model, 1950 51 182
4.21 Henri Matisse, The Back I, 1909 182
4.22 Henri Matisse, The Back II, 1913 ¡82
4.23 Henri Matisse, The Back HI, 1916 iA¡
4.24 Henri Matisse, The Back IV, 1931 ¡8¡
Illustrations x¡
4.25 Hans Hofmann, Sel] Portrait, 1902 itili
4.26 Hans Hofmann,.Stili Life, 1902 ¡H
4.27 |ohn Haley, Unfitted (male portrait), 1927 ¡us
4.28 Hans Hofmann, Unfitted (cubist head), 19(0 ¡ss
4.29 Pablo Picasso, Seated Woman, 1927 ¡an
4.30 Hans Hofmann, Still Life, 1939 iyi
4.31 Henri Matisse, Red Studio (lssyles Moulineaux), 1911 191
4.32 Hans Hofmann, teaching diagram for Rembrandt's Queen Artemisia, 1931 u)i,
4.33 Hans Hofmann, lecture demonstration drawing, 1942 196
4.34 Lee Krasner, Unfitted (female figure study), 1940 196
4.35 |ane Freilicher, Untitled (figure study), 1947 196
4.36 Hans Hofmann, Spring, 1944 45 199
4.37 Jackson Pollock, The Moon Woman, 1942 100
4.38 Hans Hofmann, Idolatress, 1944 200
5.1 Jackson Pollock, Totem Lesson 1, 1944 210
5.2 Frederick Kiesler's design for Art of This Century Gallery, 1942 215
5.3 Jackson Pollock, Guardians of the Secret, 1943 ¿i
5.4 Willem de Kooning, Excavation, 1950 220
5.5 Lee Krasner, White Squares, 1948 220
5.6 Janet Sobel, The Attraction of Pink, 1945 221
5.7 Mark Tobey, Crystallization, 1944 221
5.8 Joan Miró, Femmes Encerclées par le Vol d'un Oiseau, 1941 ¿11
5.9 Jackson Pollock, Mural (detail), 1943 124
5.10 Mirko Lion, photograph of Peggy Guggenheim and Jackson 1'nllock, 1944 224
5.11 Jackson Pollock, Composition with Figures and Banners, c. 1934 38 22^
5.12 André Masson,/li/fomatic Drawing, c. 1925 26 2(2
5.13 "Apparatus for Catching and Suspending Hogs," 1882 m
5.14 Thomas Eakins, Jesse Godley (motion study—male walking), 18H4 14 ¡
5.15 Page 24 from C. Francis Jenkins, Animated Pictures, 1898 ¿44
5.16 Rudolph Burckhardt, photograph of Pollock in his studio with
Number 32, 1950 245
5.17 Hans Namuth, photograph, Jackson Pollock Painting, 1950 24s
5.18 MoMA and Hans Namuth, film frames from latkson Pollock Painting, 1950 ¿4^
5.19 Gjon Mili,"Artist Pablo Picasso Painting with Light .it Madoura Potlciy,"
Life magazine, January 30, 1950 24=,
5.20 Gjon Mili, "Drummer (¡ene Krupa performing in Gjon Mili s Studio," 1941 .'41,
5.21 Gjon Mili, cover of Life maga/ine, Mardi 26, 1945 24U
5.22 Gjon Mili and the editors of Life maga/ine, "Lasier Housekeeping:
Pattern of Light Streaks Show How an Efficient Housewife Makes Bed,
September 9, 1946 24S
5.23 Jackson Pollock, Cathedral, 1947 249
6.1 |ackson Pollock, One (Number ji, 1950) 257
6.2 Cecil Beaton, "Spring Ball Gowns.' Vogue, March 1, 1951 219
xü Illustrations
6.3 (ackson Pollock, Trou bled Queen, 1945 262
6.4 Pablo Picasso, Ma Jolie (Woman with a Zither or Guitar), 1911 12 262
6.5 Jackson Pollock, Something of the Past, 1946 267
6.6 Jackson Pollock Gothic, 1944 267
6.7 Jackson Pollock, Naked Man with Knife, 1938 40 26«
6.8 Jackson Pollock, The Key, 1946 274
6.9 Jackson Pollock, Eyes in the Heat, 1946 275
6.10 Martha Holmes, photograph of "Artist Jackson Pollock dribbling . . ." in Life
magazine, August 8, 1949 290
6.11 Hans Namuth, Clement Greenberg at Springs, 1951 290
6.12 Arnold Newman, photographs for "Jackson Pollock: Is he the greatest
living painter in the United States?' January 3, 1949 295
6.13 Jackson Pollock, Cut Out, 1948 50 299
6.14 Jackson Pollock, Untitled (Cut out Figure), 1948 299
7.1 Fred Wilson, Deconstruction of Clement Greenberq's Art and Culture, 2001 304
7.2 Helen Frankenthaler, Cloud Slant, 1968 308
7.3 Willem de Kooning, Woman I, 1950 52 311
7.4 Jackson Pollock, Portrait and a Dream, 1953 311
7.5 Detail of Piero della Francesca, Victory of Heraclius over the Persian King
Chosroes, 1460 31«
7.6 Paul Jenkins, Side of St. George, 1968 323
7.7 Jean Dubuffet, Olympia (Corps de Dame), 1950 325
7.8 Gustave Courbet, I Origine du Monde, 1866 327
7.9 Shigeko Kubota, Vagina Painting, 1965 329
7.10 Helen Frankenthaler, Arden, 1961 330
7.11 Helen Frankenthaler, Nude, 1958 335
7.12 Helen Frankenthaler, Two Live as One on a Crocodile Isle, 1959 336
7.13 Ernst Haas, photograph of Helen Frankenthaler painting in her 83rd Street
and 3rd Avenue studio, 1969 ¡;8
7.14 Burt Glinn, Painter Helen Frankenthalar Works on an Abstract Expressionistic
Painting in Her Studio, 1957 338
7.15 Henri Matisse, Woman and an Amphora, 1953 33g
7.16 Yves Klein, Untitled (Anthropometry No. 82), i960 33»
8.1 Dan Flavin, "Monument" 1 for V. Tatlin, 1964 3^3
8.2 David Levine, Clement Greenberg, 1975 354
8.3 Mark Tansey, Triumph of the New York School, 1984 754
8.4 Mark Tansey, Occupation, 1984 1^6
8.5 Germaine Krull, Walter Benjamin, 1927 ¡^H
8.6 Jenny Hölzer, Truisms series, Raise Boys and Girls the Same Way, 1977 79 37'
8.7 Barbara Kruger, Untitled (We Are Being Made Spectacles Of), 1983 371
8.8 Sigmar Polke, Lager, 1982 ¡yi
8.9 Gerhard Richter, Man Shot Down 1 (Erschosenner 1), October 18, 1977, 1988 379
Illustrations xiii
10io Jenny Holzer, installation in gallery H of the Unilcd States l'.ivilioii, 441I1
Venice Biennale, showing excerpts troni Truisms, Inflammatory Lssuys,
Living, Survival, Under 11 Rock, Laments, Mother and Child, 1990 ¡s
8.11 David Wojnarowicz, Untitled, [rom the "Sex Series (¡or Marion Scenmmaj,
1988 89 ¡Hz
8.12 Donald Wildmon, fundraising brochure prepared for the American l 'aniily
Association, 1989 90 jtiz
8.13 Silence = Death Project, AlDSijnte, 1987 jäj
8.14 Time magazine cover,"Why Voters Don't Trust Clinton," published April 20,
1992 384
8.15 Time magazine cover, "Man of the Year, President elect Bill Clinton,"
published January 4, 1993 384
9.1 Eric Boman, photograph of Clement Greenberg s Central I'ark West
Apartment, published in Vogue magazine, February 1990 ¡99
9.2 Paul Sietsema, Clement Greenberg Room, 2002 400
9.3 Advertisement for Herringbone Rigid Metal Lath, 1923 40 s
9.4 Fabian Marcaccio, Multiple Site l'aintant, 2001 2 (detail) 4is
9.5 Advertisement for Dutch Boy Paint, visuahzing'Home" in 1930s 40s 41s
9.6 Strength of images in each of the senses ¡or one individuili, 19SO 410 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Jones, Caroline A. 1954- |
| author_GND | (DE-588)135695996 |
| author_facet | Jones, Caroline A. 1954- |
| author_role | aut |
| author_sort | Jones, Caroline A. 1954- |
| author_variant | c a j ca caj |
| building | Verbundindex |
| bvnumber | BV021826912 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7483 |
| callnumber-raw | N7483.G73 |
| callnumber-search | N7483.G73 |
| callnumber-sort | N 47483 G73 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LH 61060 |
| ctrlnum | (OCoLC)57514930 (DE-599)BVBBV021826912 |
| dewey-full | 709/.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709/.2 |
| dewey-search | 709/.2 |
| dewey-sort | 3709 12 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1930-1994 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1930-1994 |
| format | Book |
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| id | DE-604.BV021826912 |
| illustrated | Illustrated |
| index_date | 2024-07-02T15:56:05Z |
| indexdate | 2024-07-09T20:45:32Z |
| institution | BVB |
| isbn | 0226409511 |
| language | English |
| lccn | 2005001622 |
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| physical | XXIX, 553 S. zahlr. Ill. 26 cm |
| publishDate | 2005 |
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| publisher | Univ. of Chicago Press |
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| spelling | Jones, Caroline A. 1954- Verfasser (DE-588)135695996 aut Eyesight alone Clement Greenberg's modernism and the bureaucratization of the senses Caroline A. Jones Chicago [u.a.] Univ. of Chicago Press 2005 XXIX, 553 S. zahlr. Ill. 26 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 503-526) and index Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art world. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Caroline Jones's magisterial study widens Greenberg's fundamental tenet of "opticality"-the idea that modernist art is apprehended through "eyesight alone"-to a broader arena, examining how the critic's emphasis on the specular resonated with a society increasingly invested in positivist approaches to the world. Greenberg's modernist discourse, Jones argues, developed in relation to the rationalized procedures that gained wide currency in the United States at midcentury, in fields ranging from the sense-data protocols theorized by scientific philosophy to the development of cultural forms, such as hi-fi, that targeted specific senses, one by one. Greenberg's attempt to isolate and celebrate the visual was one manifestation of a large-scale segmentation-or bureaucratization-of the body's senses. Working through these historical developments, Jones brings Greenberg's theories into contemporary philosophical debates about agency and subjectivity.--Publisher description. Greenberg, Clément <1909-> Greenberg, Clement 1909-1994 Greenberg, Clement 1909-1994 (DE-588)118718606 gnd rswk-swf Geschichte 1900-2000 Geschichte 1930-1994 gnd rswk-swf Critique d'art - États-Unis - Histoire - 20e siècle Kunsttheorie gtt Waarneming gtt Geschichte Art criticism United States History 20th century Modernism (Art) United States Kunstkritik (DE-588)4033659-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Greenberg, Clement 1909-1994 (DE-588)118718606 p Kunstkritik (DE-588)4033659-1 s DE-604 USA (DE-588)4078704-7 g Geschichte 1930-1994 z http://www.loc.gov/catdir/toc/ecip056/2005001622.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0621/2005001622-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0621/2005001622-d.html Publisher description HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015038964&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis http://digital.bib-bvb.de/webclient/DeliveryManager?pid=215265&custom_att_2=simple_viewer Rezension |
| spellingShingle | Jones, Caroline A. 1954- Eyesight alone Clement Greenberg's modernism and the bureaucratization of the senses Greenberg, Clément <1909-> Greenberg, Clement 1909-1994 Greenberg, Clement 1909-1994 (DE-588)118718606 gnd Critique d'art - États-Unis - Histoire - 20e siècle Kunsttheorie gtt Waarneming gtt Geschichte Art criticism United States History 20th century Modernism (Art) United States Kunstkritik (DE-588)4033659-1 gnd |
| subject_GND | (DE-588)118718606 (DE-588)4033659-1 (DE-588)4078704-7 |
| title | Eyesight alone Clement Greenberg's modernism and the bureaucratization of the senses |
| title_auth | Eyesight alone Clement Greenberg's modernism and the bureaucratization of the senses |
| title_exact_search | Eyesight alone Clement Greenberg's modernism and the bureaucratization of the senses |
| title_exact_search_txtP | Eyesight alone Clement Greenberg's modernism and the bureaucratization of the senses |
| title_full | Eyesight alone Clement Greenberg's modernism and the bureaucratization of the senses Caroline A. Jones |
| title_fullStr | Eyesight alone Clement Greenberg's modernism and the bureaucratization of the senses Caroline A. Jones |
| title_full_unstemmed | Eyesight alone Clement Greenberg's modernism and the bureaucratization of the senses Caroline A. Jones |
| title_short | Eyesight alone |
| title_sort | eyesight alone clement greenberg s modernism and the bureaucratization of the senses |
| title_sub | Clement Greenberg's modernism and the bureaucratization of the senses |
| topic | Greenberg, Clément <1909-> Greenberg, Clement 1909-1994 Greenberg, Clement 1909-1994 (DE-588)118718606 gnd Critique d'art - États-Unis - Histoire - 20e siècle Kunsttheorie gtt Waarneming gtt Geschichte Art criticism United States History 20th century Modernism (Art) United States Kunstkritik (DE-588)4033659-1 gnd |
| topic_facet | Greenberg, Clément <1909-> Greenberg, Clement 1909-1994 Critique d'art - États-Unis - Histoire - 20e siècle Kunsttheorie Waarneming Geschichte Art criticism United States History 20th century Modernism (Art) United States Kunstkritik USA |
| url | http://www.loc.gov/catdir/toc/ecip056/2005001622.html http://www.loc.gov/catdir/enhancements/fy0621/2005001622-b.html http://www.loc.gov/catdir/enhancements/fy0621/2005001622-d.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015038964&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://digital.bib-bvb.de/webclient/DeliveryManager?pid=215265&custom_att_2=simple_viewer |
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