The same solitude: Boris Pasternak and Marina Tsvetaeva
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ithaca [u.a.]
Cornell Univ. Press
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 303 S. Ill. |
| ISBN: | 080143534X 9780801435348 |
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Contents
Acknowledgments ix
Note on Editorial Method xi
Introduction i
1 The Girl Muse 10
2 The Boy Poet 43
3 The Romance of Distance (1922 1925) 82
4 Lyricism and History (1926) 131
5 The End of the End (1926 1935) 178
Conclusion 237
Appendix: Marina Tsvetaeva, "From the Sea"
("S moria," 1926) 247
Notes 2.53
Index 2.93
One of the most compelling episodes of
twentieth-century Russian literature involves
the epistolary romance that blossomed be¬
tween the modernist poets Marina Tsvetaeva
and Boris Pasternak in the
1920s.
Only
weeks after Tsvetaeva emigrated from Russia
in
1922,
Pasternak discovered her poetry and
sent her a letter of praise and admiration.
Tsvetaeva's enthusiastic response began a de¬
cade-long affair, conducted entirely through
letters.This correspondence
—
written
across the widening divide separating Soviet
Russia from Russian
émigrés
in continental
Europe
—
offers a view into the overlapping
worlds of literary creativity, sexual identity,
and political affiliation. Following both sides
of their conversation, Catherine Ciepiela
charts the poets' changing relations to each
other, to the extraordinary political events of
the period, and to literature itself. The Same
Solitude presents the first full account of this
affair of letters and poems from its beginning
in the summer of
1922
to its denouement in
the
1930s.
Drawing on man)' previously untranslated
letters and poems, Ciepiela describes the po¬
ets' mutual influence, both in the course of
their lives and the development of their art.
Neither poet saw any separation between a
poet's life and work, and Ciepiela treats each
poet's letters and poems as a single text. She
discusses the poets' famous triangular corre¬
spondence with
Rainer
Maria
Rilke in 1926,
and she addresses the profound significance
of'Tsvetaeva for Pasternak, who is often per¬
ceived (mistakenly, Ciepiela asserts) as the
more detached partner. Further, this book
expands our understanding of poetic mod¬
ernism by showing how the poets worked
through ideas about gender and writing in
the context of what they themselves called a
literary "marriage." |
| adam_txt |
Contents
Acknowledgments ix
Note on Editorial Method xi
Introduction i
1 The Girl Muse 10
2 The Boy Poet 43
3 The Romance of Distance (1922 1925) 82
4 Lyricism and History (1926) 131
5 The End of the End (1926 1935) 178
Conclusion 237
Appendix: Marina Tsvetaeva, "From the Sea"
("S moria," 1926) 247
Notes 2.53
Index 2.93
One of the most compelling episodes of
twentieth-century Russian literature involves
the epistolary romance that blossomed be¬
tween the modernist poets Marina Tsvetaeva
and Boris Pasternak in the
1920s.
Only
weeks after Tsvetaeva emigrated from Russia
in
1922,
Pasternak discovered her poetry and
sent her a letter of praise and admiration.
Tsvetaeva's enthusiastic response began a de¬
cade-long affair, conducted entirely through
letters.This correspondence
—
written
across the widening divide separating Soviet
Russia from Russian
émigrés
in continental
Europe
—
offers a view into the overlapping
worlds of literary creativity, sexual identity,
and political affiliation. Following both sides
of their conversation, Catherine Ciepiela
charts the poets' changing relations to each
other, to the extraordinary political events of
the period, and to literature itself. The Same
Solitude presents the first full account of this
affair of letters and poems from its beginning
in the summer of
1922
to its denouement in
the
1930s.
Drawing on man)' previously untranslated
letters and poems, Ciepiela describes the po¬
ets' mutual influence, both in the course of
their lives and the development of their art.
Neither poet saw any separation between a
poet's life and work, and Ciepiela treats each
poet's letters and poems as a single text. She
discusses the poets' famous triangular corre¬
spondence with
Rainer
Maria
Rilke in 1926,
and she addresses the profound significance
of'Tsvetaeva for Pasternak, who is often per¬
ceived (mistakenly, Ciepiela asserts) as the
more detached partner. Further, this book
expands our understanding of poetic mod¬
ernism by showing how the poets worked
through ideas about gender and writing in
the context of what they themselves called a
literary "marriage." |
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| spelling | Ciepiela, Catherine Verfasser aut The same solitude Boris Pasternak and Marina Tsvetaeva Catherine Ciepiela Ithaca [u.a.] Cornell Univ. Press 2006 303 S. Ill. txt rdacontent n rdamedia nc rdacarrier Pasternak, Boris Leonidovič <1890-1960> - analys och tolkning sao Tsvetajeva, Marina <1892-1941> - analys och tolkning sao Tsvetaeva, Marina 1892-1941 Criticism and interpretation Pasternak, Boris Leonidovich 1890-1960 Criticism and interpretation Cvetaeva, Marina 1892-1941 (DE-588)118638580 gnd rswk-swf Pasternak, Boris Leonidovič 1890-1960 (DE-588)118591940 gnd rswk-swf Einsamkeit (DE-588)4013921-9 gnd rswk-swf Pasternak, Boris Leonidovič 1890-1960 (DE-588)118591940 p Einsamkeit (DE-588)4013921-9 s DE-604 Cvetaeva, Marina 1892-1941 (DE-588)118638580 p HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015035323&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015035323&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Ciepiela, Catherine The same solitude Boris Pasternak and Marina Tsvetaeva Pasternak, Boris Leonidovič <1890-1960> - analys och tolkning sao Tsvetajeva, Marina <1892-1941> - analys och tolkning sao Tsvetaeva, Marina 1892-1941 Criticism and interpretation Pasternak, Boris Leonidovich 1890-1960 Criticism and interpretation Cvetaeva, Marina 1892-1941 (DE-588)118638580 gnd Pasternak, Boris Leonidovič 1890-1960 (DE-588)118591940 gnd Einsamkeit (DE-588)4013921-9 gnd |
| subject_GND | (DE-588)118638580 (DE-588)118591940 (DE-588)4013921-9 |
| title | The same solitude Boris Pasternak and Marina Tsvetaeva |
| title_auth | The same solitude Boris Pasternak and Marina Tsvetaeva |
| title_exact_search | The same solitude Boris Pasternak and Marina Tsvetaeva |
| title_exact_search_txtP | The same solitude Boris Pasternak and Marina Tsvetaeva |
| title_full | The same solitude Boris Pasternak and Marina Tsvetaeva Catherine Ciepiela |
| title_fullStr | The same solitude Boris Pasternak and Marina Tsvetaeva Catherine Ciepiela |
| title_full_unstemmed | The same solitude Boris Pasternak and Marina Tsvetaeva Catherine Ciepiela |
| title_short | The same solitude |
| title_sort | the same solitude boris pasternak and marina tsvetaeva |
| title_sub | Boris Pasternak and Marina Tsvetaeva |
| topic | Pasternak, Boris Leonidovič <1890-1960> - analys och tolkning sao Tsvetajeva, Marina <1892-1941> - analys och tolkning sao Tsvetaeva, Marina 1892-1941 Criticism and interpretation Pasternak, Boris Leonidovich 1890-1960 Criticism and interpretation Cvetaeva, Marina 1892-1941 (DE-588)118638580 gnd Pasternak, Boris Leonidovič 1890-1960 (DE-588)118591940 gnd Einsamkeit (DE-588)4013921-9 gnd |
| topic_facet | Pasternak, Boris Leonidovič <1890-1960> - analys och tolkning Tsvetajeva, Marina <1892-1941> - analys och tolkning Tsvetaeva, Marina 1892-1941 Criticism and interpretation Pasternak, Boris Leonidovich 1890-1960 Criticism and interpretation Cvetaeva, Marina 1892-1941 Pasternak, Boris Leonidovič 1890-1960 Einsamkeit |
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