Mad tales from Bollywood: portrayal of mental illness in conventional Hindi cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hove [u.a.]
Psychology Press
2006
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Maudsley monographs
48 |
| Schlagworte: | |
| Online-Zugang: | Table of contents only Publisher description Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVI, 310 S. Ill. |
| ISBN: | 1841696463 |
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| 245 | 1 | 0 | |a Mad tales from Bollywood |b portrayal of mental illness in conventional Hindi cinema |c Dinesh Bhugra |
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| 650 | 4 | |a Film | |
| 650 | 4 | |a Mental illness in motion pictures | |
| 650 | 4 | |a Motion pictures |z India | |
| 650 | 4 | |a Mental Disorders |z India | |
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Datensatz im Suchindex
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| adam_text | Contents
List of figures and tables xi
Preface xiii
Acknowledgements xv
1. Cinema s culture 1
Why study cinema? 1
Definitions 7
Signs, symbols, or phenomena 7
Viewing the film 16
Reading the image 18
Conclusions 23
2. Culture and mental illness 25
Psychoses and the western perspective 32
Conclusions 35
3. Cinema, emotions, and psychiatry in India 37
The other in the Indian context 45
Conclusions 50
4. Attitudes towards mental illness 51
Conclusions 54
5. Socioeconomic factors and cinema in India 57
Concepts of Hindu identity and self 60
vii
viii CONTENTS
Working class and cinema in India 62
Type of film 62
Middle class and cinema 64
Literature and middle class cinema 65
Role of music and song in cinema 69
Conclusions 76
6. History of Hindi cinema 77
Background and historical development 77
The 1960s 86
The 1970s 87
The 1980s 89
The 1990s 91
Conclusions 92
7. Indian personality, villainy, and history 95
Conclusions 104
8. 1950s fun, Funtoosh, and Kishore Kumar 107
Conclusions 127
9. Psychoanalysis in the films of the 1960s 129
Psychoanalysis and the cinema 131
India and psychoanalysis 135
Cinematic identification 137
Conclusions 159
10. Arrival of the new villain 161
Sholay and beyond 167
Conclusions 183
11. Rootless 1980s and fundamentalist 1990s 185
Conclusions 211
12. Why should women remain behind? 213
Murdering Kauri and keeping the secret Gupt 219
Conclusions 225
13. New century: New villains 227
Conclusions 234
14. Family fun, frolics, and madness in Khilona 235
Conclusions 247
15. Electric shock treatment in Hindi cinema 249
Brief history of ECT 250
CONTENTS ix
Implications for public attitudes 251
ECT and Hindi cinema 252
Memory loss and terror 256
Conclusions 258
16. Conclusions 259
References 261
Selected filmography 271
Appendix 293
Author index 295
Subject index 299
List of figures and tables
FIGURES
1.1 Reading an image 19
2.1 The relationship between culture and symptoms 34
8.1 Scene from Anhonee (courtesy of National Film Archive of
India) 125
8.2 Scene from Anhonee (courtesy of National Film Archive of
India) 126
9.1 Differences between Greek and Indian myths 136
9.2 Scene from Khamoshi (courtesy of South Asia Cinema
Foundation) 141
9.3 Scene from Raat aur Din (courtesy of National Film Archive of
India) 153
12.1 Ittefaq (courtesy of National Film Archive of India) 220
13.1 Scene from Anhonee (courtesy of National Film Archive of
India) 231
14.1 Scene from Khilona (courtesy of National Film Archive of
India) 242
TABLE
5.1 Seven dimensions of Hinduism 61
xi
|
| adam_txt |
Contents
List of figures and tables xi
Preface xiii
Acknowledgements xv
1. Cinema's culture 1
Why study cinema? 1
Definitions 7
Signs, symbols, or phenomena 7
Viewing the film 16
Reading the image 18
Conclusions 23
2. Culture and mental illness 25
Psychoses and the western perspective 32
Conclusions 35
3. Cinema, emotions, and psychiatry in India 37
"The other" in the Indian context 45
Conclusions 50
4. Attitudes towards mental illness 51
Conclusions 54
5. Socioeconomic factors and cinema in India 57
Concepts of Hindu identity and self 60
vii
viii CONTENTS
Working class and cinema in India 62
Type of film 62
Middle class and cinema 64
Literature and middle class cinema 65
Role of music and song in cinema 69
Conclusions 76
6. History of Hindi cinema 77
Background and historical development 77
The 1960s 86
The 1970s 87
The 1980s 89
The 1990s 91
Conclusions 92
7. Indian personality, villainy, and history 95
Conclusions 104
8. 1950s fun, Funtoosh, and Kishore Kumar 107
Conclusions 127
9. Psychoanalysis in the films of the 1960s 129
Psychoanalysis and the cinema 131
India and psychoanalysis 135
Cinematic identification 137
Conclusions 159
10. Arrival of the new villain 161
Sholay and beyond 167
Conclusions 183
11. Rootless 1980s and fundamentalist 1990s 185
Conclusions 211
12. Why should women remain behind? 213
Murdering Kauri and keeping the secret Gupt 219
Conclusions 225
13. New century: New villains 227
Conclusions 234
14. Family fun, frolics, and madness in Khilona 235
Conclusions 247
15. Electric shock treatment in Hindi cinema 249
Brief history of ECT 250
CONTENTS ix
Implications for public attitudes 251
ECT and Hindi cinema 252
Memory loss and terror 256
Conclusions 258
16. Conclusions 259
References 261
Selected filmography 271
Appendix 293
Author index 295
Subject index 299
List of figures and tables
FIGURES
1.1 Reading an image 19
2.1 The relationship between culture and symptoms 34
8.1 Scene from Anhonee (courtesy of National Film Archive of
India) 125
8.2 Scene from Anhonee (courtesy of National Film Archive of
India) 126
9.1 Differences between Greek and Indian myths 136
9.2 Scene from Khamoshi (courtesy of South Asia Cinema
Foundation) 141
9.3 Scene from Raat aur Din (courtesy of National Film Archive of
India) 153
12.1 Ittefaq (courtesy of National Film Archive of India) 220
13.1 Scene from Anhonee (courtesy of National Film Archive of
India) 231
14.1 Scene from Khilona (courtesy of National Film Archive of
India) 242
TABLE
5.1 Seven dimensions of Hinduism 61
xi |
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| spelling | Bhugra, Dinesh 1952- Verfasser (DE-588)104113391 aut Mad tales from Bollywood portrayal of mental illness in conventional Hindi cinema Dinesh Bhugra 1. publ. Hove [u.a.] Psychology Press 2006 XVI, 310 S. Ill. txt rdacontent n rdamedia nc rdacarrier Maudsley monographs 48 Includes bibliographical references and index Film Mental illness in motion pictures Motion pictures India Mental Disorders India Attitude to Health India Hinduism India Motion Pictures India Indien Maudsley monographs 48 (DE-604)BV000011879 48 http://www.loc.gov/catdir/toc/ecip067/2006003490.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0654/2006003490-d.html Publisher description HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015030418&sequence=000008&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bhugra, Dinesh 1952- Mad tales from Bollywood portrayal of mental illness in conventional Hindi cinema Maudsley monographs Film Mental illness in motion pictures Motion pictures India Mental Disorders India Attitude to Health India Hinduism India Motion Pictures India |
| title | Mad tales from Bollywood portrayal of mental illness in conventional Hindi cinema |
| title_auth | Mad tales from Bollywood portrayal of mental illness in conventional Hindi cinema |
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| title_full | Mad tales from Bollywood portrayal of mental illness in conventional Hindi cinema Dinesh Bhugra |
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| title_short | Mad tales from Bollywood |
| title_sort | mad tales from bollywood portrayal of mental illness in conventional hindi cinema |
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