The Drummer's complete vocabulary as taught by Alan Dawson:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Van Nuys, Calif.
Alfred
c 1997
|
| Schriftenreihe: | Manhattan Music publications
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 69 S. Ill. 2 CDs (12 cm) |
| ISBN: | 0769265243 9780769265247 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804135719105462272 |
|---|---|
| adam_text | АШРРпеАиШг
v
Introduction
vi
бјеогде
Alan
Dawson
viii
xi
/
TneRydlmnts
ι
The American Rudiments
1
The Swiss Rudiments
4
New Innovations
6
Chopsbuilders
8
The
Rudimental
Ritual
11
Gary s Flams and Arvin s Diddles
22,23
Ź
řonr-Waif
Coordination
. 25
The First Three Ways
25,26
Filling In Triplets
27
Eight Triplet Ways
30
Advanced Four-Way Coordination
31
Triplet
Partials
31
Odd-Time Blues
32
Even Eighth-Note Ideas
34
Jazz Mambo
34
Samba
35
The Kirby Special
36
Cut-Time Rock
36
The ParaBossa and RuffBossa
37
Oleo
40
Excerpts from Ted Reed s Syncopation
41
45
47
Mixing Singles and Doubles
46
Doubles, Paradiddles, and Singles
4
Soloing
48
Soloing Over an AABA Tune
48
Solo Ideas
49
Boston Eights
59
Blues for Lester
62
Trading
66
Special thanks to Julia for her unwavering support.
Thanks to my father Percy; my sons Corey, Shaka,
Niko,
and Evan; and my sisters (all three of them)
Joy, Leslie, and Sandy. My deepest gratitude to
Florence Dawson and the family for making this
book possible.
Special thanks to Paul
Siegel
for his continued
faith and support in this project, and to Rob
Wallis,
Joe Testa, Howard Goldberg,
Dave Olsen, Fred
Anton and everyone at DCI/Warner Bros.; Andy
Zildjian and Steve Oksenulc at Sabian; to John Good
and Don
Lombardi
at Drum Workshop; Carol
Calato
and Vanilc at
Calato
Regal Tip; John
Floros;
Jonathan Gorman; and Ron Savage. Thanks to Joel
Dorn
and Michael Weiner at
32
Records for Blues
for Lester.
Thanks again to Wm. Brinkley for design; Nick
Puopolo for the beautiful photography; Ken
Fredenberg,
Kenny Updegraffe, and Jerry
Steinholz
at
Toca
Percussion; Dean Anderson and Shawn
Brown for the biography; Peter Kontrimas; and
world-famous PBS Studios.
Photography: Nick Puopolo, Winthrop, MA. Mr. Puopolo has been a freelance
jazz photographer for the past thirty years.
Cover and hook design: Wm.R. Brinkley
&
Associates, Somerville, MA
ff
Γ
Bayerisch·
Staatsbibliothek
I
München
Compact D/mc
f
1.
Alan Dawson solo on
Blues
for Lester
2.
Introduction
Chapter
1
3.
The three-stroke ruff
4.
The single drag
5.
The double drag
6.
Drag paradiddle
#1
7.
The
Rudimental
Ritual: slow version played
by John Ramsay
8.
The
Rudimental
Ritual: fast version played
by Alan Dawson
9.
Alan Dawson talks about improvisation
10.
Alan Dawson explains/demonstrates odd
grouping patterns in
3/4
and
5/4
Chapter
2
four- Waif
СоогаШаРІом
11.
Explanation of four-way coordination
12.
Snare drum plays the line
13.
Bass drum plays the line
14.
Snare drum short/bass drum long
15.
The left hand fills in triplets
16.
Alternating triplets
17.
The triplet roll
18.
Three triplet ways switching randomly
19.
Bass drum plays the line
—
the left hand fills in triplets
20.
Hi-hat plays the line
—
the left hand fills in triplets
21.
Hi-hat short/bass drum long
—
the left hand fills in triplets
22.
Snare drum plays the line
—
bass drum fills in triplets
23.
Snare drum plays the line
—
hi-hat and bass drum fill in triplets
24.
The eight triplet ways
1.
Alan Dawson demonstrates practicing the
eight triplet ways
2.
Alan talks about heel down technique
Time playing examples
3.
Eighth-note triplet
partials
4.
Second and third partial
—
bass drum plays the line
5.
First and second partial
—
hi-hat plays the
Hne
6.
First and third partial
—
hi-hat short/bass drum long
Triplet
partíais
in
odă
times
7.
Partials
in
3/4
8.
Partials
in
5/4
9.
Partials
in
7/4
10.
Partials
in
9/4
11.
Alan plays Odd-Time Blues
(5,7
&9)
on vibraphone
12.
Alan talks about time and practicing with
the metronome
13.
The Jazz Mambo
14.
Samba
—
the left hand fills in eighth notes
15.
Samba with one stick and one brush
16.
Right hand and right foot unison
—
the left
hand fills in eighths and eighth-note triplets
17.
The Kirby Special
18.
Cut-time rock and variation played by
Alan Dawson
19.
The Para-Bossa
20.
The Ruff-Bossa
21.
Ruff-Bossa variation
22.
The Roy Haynes Special
23.
Alan demonstrates hi-hat short with foot,
long with stick and
Oleo
24.
John Ramsay s notes on
Alan s performance
—
Alan demonstrates
25.
Alan talks about rudiments, other
drummers, playing to records
26.
Alan Dawson closing solo
Λ
note about the audio
Some of the audio examples played by Alan Dawson were remastered
from cassette tapes made on a home tape recorder by the author during
his drum lessons (some during the early
1970s).
Therefore, the sound is
not the best possible quality on these particular tracks.
|
| adam_txt |
АШРРпеАиШг
v
Introduction
vi
бјеогде
Alan
Dawson
viii
xi
/
TneRydlmnts
ι
The American Rudiments
1
The Swiss Rudiments
4
New Innovations
6
Chopsbuilders
8
The
Rudimental
Ritual
11
Gary's Flams and Arvin's Diddles
22,23
Ź
řonr-Waif
Coordination
. 25
The First Three Ways
25,26
Filling In Triplets
27
Eight Triplet Ways
30
Advanced Four-Way Coordination
31
Triplet
Partials
31
Odd-Time Blues
32
Even Eighth-Note Ideas
34
Jazz Mambo
34
Samba
35
The Kirby Special
36
Cut-Time Rock
36
The ParaBossa and RuffBossa
37
"Oleo"
40
Excerpts from Ted Reed's Syncopation
41
45
47
Mixing Singles and Doubles
46
Doubles, Paradiddles, and Singles
4
Soloing
48
Soloing Over an AABA Tune
48
Solo Ideas
49
Boston Eights
59
"Blues for Lester"
62
Trading
66
Special thanks to Julia for her unwavering support.
Thanks to my father Percy; my sons Corey, Shaka,
Niko,
and Evan; and my sisters (all three of them)
Joy, Leslie, and Sandy. My deepest gratitude to
Florence Dawson and the family for making this
book possible.
Special thanks to Paul
Siegel
for his continued
faith and support in this project, and to Rob
Wallis,
Joe Testa, Howard Goldberg,
Dave Olsen, Fred
Anton and everyone at DCI/Warner Bros.; Andy
Zildjian and Steve Oksenulc at Sabian; to John Good
and Don
Lombardi
at Drum Workshop; Carol
Calato
and Vanilc at
Calato
Regal Tip; John
Floros;
Jonathan Gorman; and Ron Savage. Thanks to Joel
Dorn
and Michael Weiner at
32
Records for "Blues
for Lester."
Thanks again to Wm. Brinkley for design; Nick
Puopolo for the beautiful photography; Ken
Fredenberg,
Kenny Updegraffe, and Jerry
Steinholz
at
Toca
Percussion; Dean Anderson and Shawn
Brown for the biography; Peter Kontrimas; and
world-famous PBS Studios.
Photography: Nick Puopolo, Winthrop, MA. Mr. Puopolo has been a freelance
jazz photographer for the past thirty years.
Cover and hook design: Wm.R. Brinkley
&
Associates, Somerville, MA
ff
Γ
Bayerisch·
Staatsbibliothek
I
München
Compact D/mc
f
1.
Alan Dawson solo on
"Blues
for Lester"
2.
Introduction
Chapter
1
3.
The three-stroke ruff
4.
The single drag
5.
The double drag
6.
Drag paradiddle
#1
7.
The
Rudimental
Ritual: slow version played
by John Ramsay
8.
The
Rudimental
Ritual: fast version played
by Alan Dawson
9.
Alan Dawson talks about improvisation
10.
Alan Dawson explains/demonstrates odd
grouping patterns in
3/4
and
5/4
Chapter
2
four- Waif
СоогаШаРІом
11.
Explanation of four-way coordination
12.
Snare drum plays the line
13.
Bass drum plays the line
14.
Snare drum short/bass drum long
15.
The left hand fills in triplets
16.
Alternating triplets
17.
The triplet roll
18.
Three triplet ways switching randomly
19.
Bass drum plays the line
—
the left hand fills in triplets
20.
Hi-hat plays the line
—
the left hand fills in triplets
21.
Hi-hat short/bass drum long
—
the left hand fills in triplets
22.
Snare drum plays the line
—
bass drum fills in triplets
23.
Snare drum plays the line
—
hi-hat and bass drum fill in triplets
24.
The eight triplet ways
1.
Alan Dawson demonstrates practicing the
eight triplet ways
2.
Alan talks about heel down technique
Time playing examples
3.
Eighth-note triplet
partials
4.
Second and third partial
—
bass drum plays the line
5.
First and second partial
—
hi-hat plays the
Hne
6.
First and third partial
—
hi-hat short/bass drum long
Triplet
partíais
in
odă
times
7.
Partials
in
3/4
8.
Partials
in
5/4
9.
Partials
in
7/4
10.
Partials
in
9/4
11.
Alan plays Odd-Time Blues
(5,7
&9)
on vibraphone
12.
Alan talks about time and practicing with
the metronome
13.
The Jazz Mambo
14.
Samba
—
the left hand fills in eighth notes
15.
Samba with one stick and one brush
16.
Right hand and right foot unison
—
the left
hand fills in eighths and eighth-note triplets
17.
The Kirby Special
18.
Cut-time rock and variation played by
Alan Dawson
19.
The Para-Bossa
20.
The Ruff-Bossa
21.
Ruff-Bossa variation
22.
The Roy Haynes Special
23.
Alan demonstrates hi-hat short with foot,
long with stick and
"Oleo"
24.
John Ramsay's notes on
Alan's performance
—
Alan demonstrates
25.
Alan talks about rudiments, other
drummers, playing to records
26.
Alan Dawson closing solo
Λ
note about the audio
Some of the audio examples played by Alan Dawson were remastered
from cassette tapes made on a home tape recorder by the author during
his drum lessons (some during the early
1970s).
Therefore, the sound is
not the best possible quality on these particular tracks. |
| any_adam_object | 1 |
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| author_facet | Ramsay, John |
| author_role | cmp |
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| building | Verbundindex |
| bvnumber | BV021802738 |
| ctrlnum | (OCoLC)219324611 (DE-599)BVBBV021802738 |
| format | Musical Score Book |
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| index_date | 2024-07-02T15:48:23Z |
| indexdate | 2024-07-09T20:44:58Z |
| institution | BVB |
| isbn | 0769265243 9780769265247 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015015207 |
| oclc_num | 219324611 |
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| owner | DE-12 DE-1259 |
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| physical | XIV, 69 S. Ill. 2 CDs (12 cm) |
| publishDate | 1997 |
| publishDateSearch | 1997 |
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| publisher | Alfred |
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| spelling | Ramsay, John Komponist cmp The Drummer's complete vocabulary as taught by Alan Dawson by John Ramsay Van Nuys, Calif. Alfred c 1997 XIV, 69 S. Ill. 2 CDs (12 cm) ntm rdacontent n rdamedia nc rdacarrier Manhattan Music publications Schlagzeugspiel (DE-588)4329032-2 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Schlagzeugspiel (DE-588)4329032-2 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015015207&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ramsay, John The Drummer's complete vocabulary as taught by Alan Dawson Schlagzeugspiel (DE-588)4329032-2 gnd |
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| title | The Drummer's complete vocabulary as taught by Alan Dawson |
| title_auth | The Drummer's complete vocabulary as taught by Alan Dawson |
| title_exact_search | The Drummer's complete vocabulary as taught by Alan Dawson |
| title_exact_search_txtP | The Drummer's complete vocabulary as taught by Alan Dawson |
| title_full | The Drummer's complete vocabulary as taught by Alan Dawson by John Ramsay |
| title_fullStr | The Drummer's complete vocabulary as taught by Alan Dawson by John Ramsay |
| title_full_unstemmed | The Drummer's complete vocabulary as taught by Alan Dawson by John Ramsay |
| title_short | The Drummer's complete vocabulary as taught by Alan Dawson |
| title_sort | the drummer s complete vocabulary as taught by alan dawson |
| topic | Schlagzeugspiel (DE-588)4329032-2 gnd |
| topic_facet | Schlagzeugspiel Einführung |
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