Art at the limits of perception: the aesthetic theory of Wolfgang Welsch
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Lang
2006
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| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 284 S. |
| ISBN: | 9783039105694 3039105698 0820475963 |
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Datensatz im Suchindex
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CONTENTS ACKNOWLEDGEMENTS 7 INTRODUCTION TRANSCENDENTAL OR MARGINAL
AESTHETICS 9 CHAPTER ONE AESTHETICS BEYOND AESTHETICS: THE THEORETICAL
CONTRIBUTION OFWOLFGANG WELSCH 19 AISTHESIS: THE RETURN TO THE SENSORY
20 ASTHETISIERUNGSPROZESSE: EXCESS, SURFACE OR PERFECTION 24 WELSCH'S
ANAESTHETIK 36 ANAESTHETICS AND THE RETURN TO ART: THREE CONCEPTS OF ART
46 CHAPTER TWO THE SENSORY AND SUPER-SENSORY: WOLF GANG WELSCH'S
PRECURSORS IN PHILOSOPHICAL AESTHETICS 57 ALEXANDER BAUMGARTEN'S
'SENSORY KNOWLEDGE' 59 IMMANUEL KANT'S TRANSCENDENTAL AESTHETICS 71
EARLY ROMANTIC THOUGHT: PARTICULARITY AND NEGATIVITY 77 VIKTOR SHKLOVSKY
AND MARGINAL AESTHETICS 84 COGNITIVE AESTHETICS: RETRIEVING THE
DISTRUSTED SUBJECT 91 CHAPTER THREE WELSCH AND THE AESTHETICS OFTHE
SUBLIME 101 THE HISTORICAL SIGNIFICANCE OFTHE SUBLIME 104 WELSCH ON THE
SUBLIME I: ADORNO'S 'REHABILITIERUNG DES ERHABENEN' 112 ADORNO ON THE
SUBLIME: DIALECTICAL AUTONOMY 120 WELSCH ON THE SUBLIME II: LYOTARD,
PLURALITY AND IMMANENCE 135 JEAN-FRAN~OIS LYOTARD'S POSTMODERN SUBLIMES
142 5 CHAPTER FOUR THE IDEO1OGY OFTHE ANAESTHETIC 161 PHILOSOPHICAL
AESTHETICS: NEGATIVITY AND IDEOLOGY 164 NON-PERCEPTION AND THE SELF 172
THE TURN AGAINST REPRESENTATION AND THE DIALECTIC OF ART AND THE
EVERYDAY 177 WHITHER THE SENSORY? MARCUSE III 184 CHAPTER FIVE APP1IED
ANAESTHETICS: THEART OFTHE IMPERCEPTIB1E 193 DISMANTLED DRAMA: A RADICAL
TRADITION 194 SAMUEL BECKETT'S LATE THEATRE: SENSE BEYOND MEANING 197
PETER HANDKE: ANTI-REFERENCE AND NON-PERCEPTION 208 BECKETT, HANDKE, AND
WELSCH'S ANAESTHETICS 223 CHAPTER SIX THEATRE OF EXCESS: A 'POETRY OF
THE SENSES ' 231 RADICAL AISTHESIS: A COUNTER-TRADITION 231 HEINER
MUELLER: ANTI-MINIMAL IST 235 THE CORPOREAL AS FORMAL METHOD 243 CLOSING
REMARKS: THE CORPOREAL AND WELSCH'S AESTHETICS 261 CONCLUSION
BIBLIOGRAPHY 6 265 273 |
| adam_txt |
CONTENTS ACKNOWLEDGEMENTS 7 INTRODUCTION TRANSCENDENTAL OR MARGINAL
AESTHETICS 9 CHAPTER ONE AESTHETICS BEYOND AESTHETICS: THE THEORETICAL
CONTRIBUTION OFWOLFGANG WELSCH 19 AISTHESIS: THE RETURN TO THE SENSORY
20 ASTHETISIERUNGSPROZESSE: EXCESS, SURFACE OR PERFECTION 24 WELSCH'S
ANAESTHETIK 36 ANAESTHETICS AND THE RETURN TO ART: THREE CONCEPTS OF ART
46 CHAPTER TWO THE SENSORY AND SUPER-SENSORY: WOLF GANG WELSCH'S
PRECURSORS IN PHILOSOPHICAL AESTHETICS 57 ALEXANDER BAUMGARTEN'S
'SENSORY KNOWLEDGE' 59 IMMANUEL KANT'S TRANSCENDENTAL AESTHETICS 71
EARLY ROMANTIC THOUGHT: PARTICULARITY AND NEGATIVITY 77 VIKTOR SHKLOVSKY
AND MARGINAL AESTHETICS 84 COGNITIVE AESTHETICS: RETRIEVING THE
DISTRUSTED SUBJECT 91 CHAPTER THREE WELSCH AND THE AESTHETICS OFTHE
SUBLIME 101 THE HISTORICAL SIGNIFICANCE OFTHE SUBLIME 104 WELSCH ON THE
SUBLIME I: ADORNO'S 'REHABILITIERUNG DES ERHABENEN' 112 ADORNO ON THE
SUBLIME: DIALECTICAL AUTONOMY 120 WELSCH ON THE SUBLIME II: LYOTARD,
PLURALITY AND IMMANENCE 135 JEAN-FRAN~OIS LYOTARD'S POSTMODERN SUBLIMES
142 5 CHAPTER FOUR THE IDEO1OGY OFTHE ANAESTHETIC 161 PHILOSOPHICAL
AESTHETICS: NEGATIVITY AND IDEOLOGY 164 NON-PERCEPTION AND THE SELF 172
THE TURN AGAINST REPRESENTATION AND THE DIALECTIC OF ART AND THE
EVERYDAY 177 WHITHER THE SENSORY? MARCUSE III 184 CHAPTER FIVE APP1IED
ANAESTHETICS: THEART OFTHE IMPERCEPTIB1E 193 DISMANTLED DRAMA: A RADICAL
TRADITION 194 SAMUEL BECKETT'S LATE THEATRE: SENSE BEYOND MEANING 197
PETER HANDKE: ANTI-REFERENCE AND NON-PERCEPTION 208 BECKETT, HANDKE, AND
WELSCH'S ANAESTHETICS 223 CHAPTER SIX THEATRE OF EXCESS: A 'POETRY OF
THE SENSES ' 231 RADICAL AISTHESIS: A COUNTER-TRADITION 231 HEINER
MUELLER: ANTI-MINIMAL IST 235 THE CORPOREAL AS FORMAL METHOD 243 CLOSING
REMARKS: THE CORPOREAL AND WELSCH'S AESTHETICS 261 CONCLUSION
BIBLIOGRAPHY 6 265 273 |
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| bvnumber | BV021799267 |
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| dewey-full | 111.85 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111.85 |
| dewey-search | 111.85 |
| dewey-sort | 3111.85 |
| dewey-tens | 110 - Metaphysics |
| discipline | Kunstgeschichte Philosophie |
| discipline_str_mv | Kunstgeschichte Philosophie |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| title | Art at the limits of perception the aesthetic theory of Wolfgang Welsch |
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| title_exact_search | Art at the limits of perception the aesthetic theory of Wolfgang Welsch |
| title_exact_search_txtP | Art at the limits of perception the aesthetic theory of Wolfgang Welsch |
| title_full | Art at the limits of perception the aesthetic theory of Wolfgang Welsch Jerome Carroll |
| title_fullStr | Art at the limits of perception the aesthetic theory of Wolfgang Welsch Jerome Carroll |
| title_full_unstemmed | Art at the limits of perception the aesthetic theory of Wolfgang Welsch Jerome Carroll |
| title_short | Art at the limits of perception |
| title_sort | art at the limits of perception the aesthetic theory of wolfgang welsch |
| title_sub | the aesthetic theory of Wolfgang Welsch |
| topic | Welsch, Wolfgang <1946-> Welsch, Wolfgang 1946- (DE-588)128555343 gnd Aesthetics, Modern 20th century Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Welsch, Wolfgang <1946-> Welsch, Wolfgang 1946- Aesthetics, Modern 20th century Ästhetik |
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