Understanding the global TV format:
"Recent years have seen an astonishing growth in the adaptation of program formats in television systems across the world. Under the new market conditions of the multi-channel cluster brought about by new technologies and increased privatization of service, the adaptation of successful and popu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bristol, UK [u.a.]
Intellect Books
2006
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Recent years have seen an astonishing growth in the adaptation of program formats in television systems across the world. Under the new market conditions of the multi-channel cluster brought about by new technologies and increased privatization of service, the adaptation of successful and popular TV formats from one place to another is occurring on an increasingly regular basis. Hence, the remaking of different national versions of Big Brother and Pop Idol are only part of what is going on. In fact, from Chinese versions of Coronation Street and Sex and the City, Indian and Indonesian remakes of Who Wants To Be A Millionaire?, program clones of Ground Force and other make-over and renovation shows across Europe and the UK, the present is the era of the global TV format. But what exactly is a format? After all, programs have been copied and imitated since the beginnings of broadcasting In this, the first book in the English language to systematically deal with the subject, Albert Moran and Justin Malbon provide a valuable guide to the institutional, cultural and legal dimensions of the format. Now widely referred to although equally often misunderstood, the TV format is a commodity of production, finance, distribution, broadcasting and marketing knowledges, that is facilitating the international reconfiguration of program making. Understanding the Global TV Format thus addresses the different stages and issues of the business. It tracks the steps whereby formats are devised, developed and distributed. Major companies are profiled as are the international markets and festivals at which trade occurs. However, there is also a great deal of piracy taking place so that the book is concerned with the control and regulation of format remaking Legal protection is often both the first and last recourse of parties and the authors examine the relevance of laws relating to such matters as copyright and contract." http://www.loc.gov/catdir/enhancements/fy0801/2006286237-d.html |
| Beschreibung: | 187 S. Ill. |
| ISBN: | 1841501328 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV021796026 | ||
| 003 | DE-604 | ||
| 005 | 20061130 | ||
| 007 | t | ||
| 008 | 061106s2006 a||| |||| 00||| eng d | ||
| 020 | |a 1841501328 |9 1-84150-132-8 | ||
| 035 | |a (OCoLC)71783430 | ||
| 035 | |a (DE-599)BVBBV021796026 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-384 |a DE-706 |a DE-M472 |a DE-12 |a DE-11 |a DE-188 |a DE-Po75 | ||
| 050 | 0 | |a HE8700.4 | |
| 082 | 0 | |a 791.457 |2 22 | |
| 084 | |a AP 35040 |0 (DE-625)7335: |2 rvk | ||
| 100 | 1 | |a Moran, Albert |d 1942- |e Verfasser |0 (DE-588)136919537 |4 aut | |
| 245 | 1 | 0 | |a Understanding the global TV format |c by Albert Moran |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Bristol, UK [u.a.] |b Intellect Books |c 2006 | |
| 300 | |a 187 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a "Recent years have seen an astonishing growth in the adaptation of program formats in television systems across the world. Under the new market conditions of the multi-channel cluster brought about by new technologies and increased privatization of service, the adaptation of successful and popular TV formats from one place to another is occurring on an increasingly regular basis. Hence, the remaking of different national versions of Big Brother and Pop Idol are only part of what is going on. In fact, from Chinese versions of Coronation Street and Sex and the City, Indian and Indonesian remakes of Who Wants To Be A Millionaire?, program clones of Ground Force and other make-over and renovation shows across Europe and the UK, the present is the era of the global TV format. But what exactly is a format? After all, programs have been copied and imitated since the beginnings of broadcasting | |
| 520 | 3 | |a In this, the first book in the English language to systematically deal with the subject, Albert Moran and Justin Malbon provide a valuable guide to the institutional, cultural and legal dimensions of the format. Now widely referred to although equally often misunderstood, the TV format is a commodity of production, finance, distribution, broadcasting and marketing knowledges, that is facilitating the international reconfiguration of program making. Understanding the Global TV Format thus addresses the different stages and issues of the business. It tracks the steps whereby formats are devised, developed and distributed. Major companies are profiled as are the international markets and festivals at which trade occurs. However, there is also a great deal of piracy taking place so that the book is concerned with the control and regulation of format remaking | |
| 520 | 3 | |a Legal protection is often both the first and last recourse of parties and the authors examine the relevance of laws relating to such matters as copyright and contract." http://www.loc.gov/catdir/enhancements/fy0801/2006286237-d.html | |
| 650 | 4 | |a Médias et culture | |
| 650 | 7 | |a Médias et culture |2 ram | |
| 650 | 4 | |a Télévision - Aspect économique | |
| 650 | 7 | |a Télévision - Aspect économique |2 ram | |
| 650 | 4 | |a Télévision - Émissions | |
| 650 | 7 | |a Télévision - Émissions |2 ram | |
| 650 | 4 | |a Mass media and culture | |
| 650 | 4 | |a Television broadcasting |x Economic aspects | |
| 650 | 4 | |a Television programs | |
| 650 | 0 | 7 | |a Globalisierung |0 (DE-588)4557997-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Vermarktung |0 (DE-588)4121857-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Fernsehsendung |0 (DE-588)4016842-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Fernsehsendung |0 (DE-588)4016842-6 |D s |
| 689 | 0 | 1 | |a Vermarktung |0 (DE-588)4121857-7 |D s |
| 689 | 0 | 2 | |a Globalisierung |0 (DE-588)4557997-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m HBZ Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015008606&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-015008606 | ||
Datensatz im Suchindex
| _version_ | 1804135709242556416 |
|---|---|
| adam_text | Contents
4 Acknowledgements
5 Glossary
9 1. Introduction
19 2. Understanding the TV programme format
29 3. Devising a format
43 4. Format development
57 5. Distributing formats
71 6. Agents and markets
85 7. Companies
101 8. Self regulation and self understanding
111 9. The law regarding TV formats
Justin Malbon
127 10. Can there be copyright in formats?
Justin Malbon
143 11. Conclusion
Appendices
147 (i) Further sources
153 (ii) So, you want to create a game show?
159 (iii) Endemol Interactive Proposal Form
163 (iv) Format companies (by region and country)
171 References
181 Index
|
| adam_txt |
Contents
4 Acknowledgements
5 Glossary
9 1. Introduction
19 2. Understanding the TV programme format
29 3. Devising a format
43 4. Format development
57 5. Distributing formats
71 6. Agents and markets
85 7. Companies
101 8. Self regulation and self understanding
111 9. The law regarding TV formats
Justin Malbon
127 10. Can there be copyright in formats?
Justin Malbon
143 11. Conclusion
Appendices
147 (i) Further sources
153 (ii) 'So, you want to create a game show?'
159 (iii) Endemol Interactive Proposal Form
163 (iv) Format companies (by region and country)
171 References
181 Index |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Moran, Albert 1942- |
| author_GND | (DE-588)136919537 |
| author_facet | Moran, Albert 1942- |
| author_role | aut |
| author_sort | Moran, Albert 1942- |
| author_variant | a m am |
| building | Verbundindex |
| bvnumber | BV021796026 |
| callnumber-first | H - Social Science |
| callnumber-label | HE8700 |
| callnumber-raw | HE8700.4 |
| callnumber-search | HE8700.4 |
| callnumber-sort | HE 48700.4 |
| callnumber-subject | HE - Transportation and Communications |
| classification_rvk | AP 35040 |
| ctrlnum | (OCoLC)71783430 (DE-599)BVBBV021796026 |
| dewey-full | 791.457 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.457 |
| dewey-search | 791.457 |
| dewey-sort | 3791.457 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 1. publ. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03963nam a2200541 c 4500</leader><controlfield tag="001">BV021796026</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20061130 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">061106s2006 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1841501328</subfield><subfield code="9">1-84150-132-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)71783430</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV021796026</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-384</subfield><subfield code="a">DE-706</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">HE8700.4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.457</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 35040</subfield><subfield code="0">(DE-625)7335:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Moran, Albert</subfield><subfield code="d">1942-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)136919537</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Understanding the global TV format</subfield><subfield code="c">by Albert Moran</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bristol, UK [u.a.]</subfield><subfield code="b">Intellect Books</subfield><subfield code="c">2006</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">187 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Recent years have seen an astonishing growth in the adaptation of program formats in television systems across the world. Under the new market conditions of the multi-channel cluster brought about by new technologies and increased privatization of service, the adaptation of successful and popular TV formats from one place to another is occurring on an increasingly regular basis. Hence, the remaking of different national versions of Big Brother and Pop Idol are only part of what is going on. In fact, from Chinese versions of Coronation Street and Sex and the City, Indian and Indonesian remakes of Who Wants To Be A Millionaire?, program clones of Ground Force and other make-over and renovation shows across Europe and the UK, the present is the era of the global TV format. But what exactly is a format? After all, programs have been copied and imitated since the beginnings of broadcasting</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In this, the first book in the English language to systematically deal with the subject, Albert Moran and Justin Malbon provide a valuable guide to the institutional, cultural and legal dimensions of the format. Now widely referred to although equally often misunderstood, the TV format is a commodity of production, finance, distribution, broadcasting and marketing knowledges, that is facilitating the international reconfiguration of program making. Understanding the Global TV Format thus addresses the different stages and issues of the business. It tracks the steps whereby formats are devised, developed and distributed. Major companies are profiled as are the international markets and festivals at which trade occurs. However, there is also a great deal of piracy taking place so that the book is concerned with the control and regulation of format remaking</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Legal protection is often both the first and last recourse of parties and the authors examine the relevance of laws relating to such matters as copyright and contract." http://www.loc.gov/catdir/enhancements/fy0801/2006286237-d.html</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Médias et culture</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Médias et culture</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Télévision - Aspect économique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Télévision - Aspect économique</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Télévision - Émissions</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Télévision - Émissions</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mass media and culture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television broadcasting</subfield><subfield code="x">Economic aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television programs</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Globalisierung</subfield><subfield code="0">(DE-588)4557997-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Vermarktung</subfield><subfield code="0">(DE-588)4121857-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fernsehsendung</subfield><subfield code="0">(DE-588)4016842-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Fernsehsendung</subfield><subfield code="0">(DE-588)4016842-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Vermarktung</subfield><subfield code="0">(DE-588)4121857-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Globalisierung</subfield><subfield code="0">(DE-588)4557997-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HBZ Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015008606&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-015008606</subfield></datafield></record></collection> |
| id | DE-604.BV021796026 |
| illustrated | Illustrated |
| index_date | 2024-07-02T15:46:09Z |
| indexdate | 2024-07-09T20:44:49Z |
| institution | BVB |
| isbn | 1841501328 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015008606 |
| oclc_num | 71783430 |
| open_access_boolean | |
| owner | DE-384 DE-706 DE-M472 DE-12 DE-11 DE-188 DE-Po75 |
| owner_facet | DE-384 DE-706 DE-M472 DE-12 DE-11 DE-188 DE-Po75 |
| physical | 187 S. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Intellect Books |
| record_format | marc |
| spelling | Moran, Albert 1942- Verfasser (DE-588)136919537 aut Understanding the global TV format by Albert Moran 1. publ. Bristol, UK [u.a.] Intellect Books 2006 187 S. Ill. txt rdacontent n rdamedia nc rdacarrier "Recent years have seen an astonishing growth in the adaptation of program formats in television systems across the world. Under the new market conditions of the multi-channel cluster brought about by new technologies and increased privatization of service, the adaptation of successful and popular TV formats from one place to another is occurring on an increasingly regular basis. Hence, the remaking of different national versions of Big Brother and Pop Idol are only part of what is going on. In fact, from Chinese versions of Coronation Street and Sex and the City, Indian and Indonesian remakes of Who Wants To Be A Millionaire?, program clones of Ground Force and other make-over and renovation shows across Europe and the UK, the present is the era of the global TV format. But what exactly is a format? After all, programs have been copied and imitated since the beginnings of broadcasting In this, the first book in the English language to systematically deal with the subject, Albert Moran and Justin Malbon provide a valuable guide to the institutional, cultural and legal dimensions of the format. Now widely referred to although equally often misunderstood, the TV format is a commodity of production, finance, distribution, broadcasting and marketing knowledges, that is facilitating the international reconfiguration of program making. Understanding the Global TV Format thus addresses the different stages and issues of the business. It tracks the steps whereby formats are devised, developed and distributed. Major companies are profiled as are the international markets and festivals at which trade occurs. However, there is also a great deal of piracy taking place so that the book is concerned with the control and regulation of format remaking Legal protection is often both the first and last recourse of parties and the authors examine the relevance of laws relating to such matters as copyright and contract." http://www.loc.gov/catdir/enhancements/fy0801/2006286237-d.html Médias et culture Médias et culture ram Télévision - Aspect économique Télévision - Aspect économique ram Télévision - Émissions Télévision - Émissions ram Mass media and culture Television broadcasting Economic aspects Television programs Globalisierung (DE-588)4557997-0 gnd rswk-swf Vermarktung (DE-588)4121857-7 gnd rswk-swf Fernsehsendung (DE-588)4016842-6 gnd rswk-swf Fernsehsendung (DE-588)4016842-6 s Vermarktung (DE-588)4121857-7 s Globalisierung (DE-588)4557997-0 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015008606&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Moran, Albert 1942- Understanding the global TV format Médias et culture Médias et culture ram Télévision - Aspect économique Télévision - Aspect économique ram Télévision - Émissions Télévision - Émissions ram Mass media and culture Television broadcasting Economic aspects Television programs Globalisierung (DE-588)4557997-0 gnd Vermarktung (DE-588)4121857-7 gnd Fernsehsendung (DE-588)4016842-6 gnd |
| subject_GND | (DE-588)4557997-0 (DE-588)4121857-7 (DE-588)4016842-6 |
| title | Understanding the global TV format |
| title_auth | Understanding the global TV format |
| title_exact_search | Understanding the global TV format |
| title_exact_search_txtP | Understanding the global TV format |
| title_full | Understanding the global TV format by Albert Moran |
| title_fullStr | Understanding the global TV format by Albert Moran |
| title_full_unstemmed | Understanding the global TV format by Albert Moran |
| title_short | Understanding the global TV format |
| title_sort | understanding the global tv format |
| topic | Médias et culture Médias et culture ram Télévision - Aspect économique Télévision - Aspect économique ram Télévision - Émissions Télévision - Émissions ram Mass media and culture Television broadcasting Economic aspects Television programs Globalisierung (DE-588)4557997-0 gnd Vermarktung (DE-588)4121857-7 gnd Fernsehsendung (DE-588)4016842-6 gnd |
| topic_facet | Médias et culture Télévision - Aspect économique Télévision - Émissions Mass media and culture Television broadcasting Economic aspects Television programs Globalisierung Vermarktung Fernsehsendung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015008606&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT moranalbert understandingtheglobaltvformat |