Catholicism, sexual deviance, and Victorian Gothic culture:
Patrick O'Malley charts these developments from the origins of the Gothic novel in the mid-18th century, through the mid-19th century sensation novel, toward the end of the Victorian Gothic in Bram Stoker's Dracula and Thomas Hardy's Jude the Obscure.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2006
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge studies in nineteenth-century literature and culture
51 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Patrick O'Malley charts these developments from the origins of the Gothic novel in the mid-18th century, through the mid-19th century sensation novel, toward the end of the Victorian Gothic in Bram Stoker's Dracula and Thomas Hardy's Jude the Obscure. |
| Beschreibung: | Literaturverz. S. 260 - 274 Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | X, 279 S. Ill. |
| ISBN: | 0521863988 9780521863988 |
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Datensatz im Suchindex
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| adam_text | Contents
List of illustrations page v^I II
Acknowledgments ix
Introduction: skeletons in the cloister I
1 Goths and Romans: the literature of Gothic from Radcliffe
to Ruskin 31
2 The Church s closet : Victorian Catholicism and the crisis
of interpretation 72
3 Domestic Gothic: unveiling Lady Audley s Secret 103
4 The blood of the saints: vampirism from Polidori to Stoker 130
5 Monstrous and terrible delight : the aesthetic Gothic of Pater
and Wilde 165
6 Conclusions: Oxford s ghosts and the end of the Gothic 193
Notes 217
Works cited 260
Lndex 275
vii
Illustrations
2.1 Religion A La Mode (1858), from Punch page 77
2.2 The Kidnapper. A Case for the Police (1851), from Punch 80
4.1 Selling Off!! (1851), from Punch 152
4.2 A Wolf in Sheep s Clothing (1877), from Punch 154
4.3 The Pope in His Chair (1851), from Punch 155
viii
It has long been recognised that the Gothic genre sensationalised beliefs and
practices associated with Catholicism. Often, the rhetorical tropes and
narrative structures of the Gothic, with its lurid and supernatural plots,
were used to argue that both Catholicism and sexual difference were
fundamentally alien and threatening to British Protestant culture.
Ultimately, however, the Gothic also provided an imaginative space in
which unconventional writers from John Henry Newman to Oscar Wilde
could articulate an alternative vision of British culture. Patrick O Malley
charts these developments from the origins of the Gothic novel in the mid
eighteenth century, through the mid-nineteenth-century sensation novel, to
the end of the Victorian Gothic in
Bram
Stoker s
Dracula
and Thomas
Hardy s
Jude
the Obscure. O Malley foregrounds the continuing importance
of Victorian Gothic as a genre through which British authors defined their
о о
culture and what was outside it.
|
| adam_txt |
Contents
List of illustrations page "v^I II
Acknowledgments ix
Introduction: skeletons in the cloister I
1 Goths and Romans: the literature of Gothic from Radcliffe
to Ruskin 31
2 "The Church's closet": Victorian Catholicism and the crisis
of interpretation 72
3 Domestic Gothic: unveiling Lady Audley 's Secret 103
4 The blood of the saints: vampirism from Polidori to Stoker 130
5 "Monstrous and terrible delight": the aesthetic Gothic of Pater
and Wilde 165
6 Conclusions: Oxford's ghosts and the end of the Gothic 193
Notes 217
Works cited 260
Lndex 275
vii
Illustrations
2.1 "Religion A La Mode" (1858), from Punch page 77
2.2 "The Kidnapper. A Case for the Police" (1851), from Punch 80
4.1 "Selling Off!!" (1851), from Punch 152
4.2 "A Wolf in Sheep's Clothing" (1877), from Punch 154
4.3 "The Pope in His Chair" (1851), from Punch 155
viii
It has long been recognised that the Gothic genre sensationalised beliefs and
practices associated with Catholicism. Often, the rhetorical tropes and
narrative structures of the Gothic, with its lurid and supernatural plots,
were used to argue that both Catholicism and sexual difference were
fundamentally alien and threatening to British Protestant culture.
Ultimately, however, the Gothic also provided an imaginative space in
which unconventional writers from John Henry Newman to Oscar Wilde
could articulate an alternative vision of British culture. Patrick O'Malley
charts these developments from the origins of the Gothic novel in the mid
eighteenth century, through the mid-nineteenth-century sensation novel, to
the end of the Victorian Gothic in
Bram
Stoker's
Dracula
and Thomas
Hardy's
Jude
the Obscure. O'Malley foregrounds the continuing importance
of Victorian Gothic as a genre through which British authors defined their
о о
culture and what was outside it. |
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| spelling | O'Malley, Patrick R. Verfasser aut Catholicism, sexual deviance, and Victorian Gothic culture Patrick R. O'Malley 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2006 X, 279 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cambridge studies in nineteenth-century literature and culture 51 Literaturverz. S. 260 - 274 Hier auch später erschienene, unveränderte Nachdrucke Patrick O'Malley charts these developments from the origins of the Gothic novel in the mid-18th century, through the mid-19th century sensation novel, toward the end of the Victorian Gothic in Bram Stoker's Dracula and Thomas Hardy's Jude the Obscure. Katholische Kirche Catholic Church In literature Geschichte 1800-1900 Geschichte 1750-1850 gnd rswk-swf English fiction 19th century History and criticism Gothic fiction (Literary genre), English History and criticism Paraphilias in literature Homosexualität (DE-588)4025798-8 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Schauerliteratur (DE-588)4179419-9 gnd rswk-swf Katholizismus (DE-588)4030027-4 gnd rswk-swf Englisch (DE-588)4014777-0 s Schauerliteratur (DE-588)4179419-9 s Katholizismus (DE-588)4030027-4 s Homosexualität (DE-588)4025798-8 s Geschichte 1750-1850 z DE-604 Cambridge studies in nineteenth-century literature and culture 51 (DE-604)BV009696612 51 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014989368&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014989368&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | O'Malley, Patrick R. Catholicism, sexual deviance, and Victorian Gothic culture Cambridge studies in nineteenth-century literature and culture Katholische Kirche Catholic Church In literature English fiction 19th century History and criticism Gothic fiction (Literary genre), English History and criticism Paraphilias in literature Homosexualität (DE-588)4025798-8 gnd Englisch (DE-588)4014777-0 gnd Schauerliteratur (DE-588)4179419-9 gnd Katholizismus (DE-588)4030027-4 gnd |
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| title | Catholicism, sexual deviance, and Victorian Gothic culture |
| title_auth | Catholicism, sexual deviance, and Victorian Gothic culture |
| title_exact_search | Catholicism, sexual deviance, and Victorian Gothic culture |
| title_exact_search_txtP | Catholicism, sexual deviance, and Victorian Gothic culture |
| title_full | Catholicism, sexual deviance, and Victorian Gothic culture Patrick R. O'Malley |
| title_fullStr | Catholicism, sexual deviance, and Victorian Gothic culture Patrick R. O'Malley |
| title_full_unstemmed | Catholicism, sexual deviance, and Victorian Gothic culture Patrick R. O'Malley |
| title_short | Catholicism, sexual deviance, and Victorian Gothic culture |
| title_sort | catholicism sexual deviance and victorian gothic culture |
| topic | Katholische Kirche Catholic Church In literature English fiction 19th century History and criticism Gothic fiction (Literary genre), English History and criticism Paraphilias in literature Homosexualität (DE-588)4025798-8 gnd Englisch (DE-588)4014777-0 gnd Schauerliteratur (DE-588)4179419-9 gnd Katholizismus (DE-588)4030027-4 gnd |
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