American modernism's expatriate scene: the labour of translation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2007
|
| Schriftenreihe: | Edinburgh studies in transatlantic literatures
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | VIII, 197 S. |
| ISBN: | 9780748625260 9780748691210 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
Acknowledgements
vii
Introduction
ι
ι.
Native Well Being: Henry James and the Cosmopolite
io
2.
The Mother s Tongue: Seduction, Authenticity, and
Interference in The Ambassadors
34
3.
Ezra Pound s American Scenes: Henry James and the
Labour of Translation
53
4.
Pound and Translation: Ideogram and the Vulgar Tongue
71
5.
Gertrude Stein, Wyndham Lewis, and the American
Language
95
6.
Jack Spicer s After
Lorca:
Translation as Delocalization
τ
18
7·
Homecomings: The Poet s Prose of Ashbery,
Sch
uy
1er
and Spicer
140
Notes
160
vi
]
American
Modernism s Expatriate
Scene
Bibliography
185
Index
193
Edinburgh Studies in Transatlantic Literatures
Series Editors: Susan Manning and Andrew Taylor,
University of Edinburgh
American Modernism s Expatriate
Scene:
lhe
Labour of Translation
Daniel Katz
This study takes as its point of departure
an essential premise: that the widespread
phenomenon of expatriation in American
modernism is less a flight from the homeland
than a dialectical return to it, but one which
renders uncanny all tropes of familiarity and
immediacy which fatherlands and mother
tongues are traditionally seen as providing. In
this framework, similarly totalizing notions of
cultural authenticity are seen to govern both
exoticist mystification and
nativisť
obsessions
with the purity of the mother tongue. At the
same time, cosmopolitanism, translation, and
multilingualism become often eroticized tropes
of violation of this model, and in consequence,
simultaneously courted and abhorred, in a
movement which, if crystallized in expatriate
modernism, continued to make its presence
felt beyond.
Beginning with the late work of Henry James,
this book goes on to examine at length Ezra
Pound and Gertrude Stein, to conclude with
the uncanny regionalism of mid-century San
Francisco Renaissance poet Jack Spicer, and the
deterritorialized aesthetic of Spicer s peer, John
Ashbery. Through an emphasis on modernism
as a space of generalized interference, the
practice and trope of translation emerges
as central to all of the writers concerned,
while the book remains in constant dialogue
with key recent works on transnationalism,
transatlanticism, and modernism.
Daniel Katz is a Senior Lecturer in the
Department of English at the
Université de
Paris
VII.
He is author of Saying I No More:
Subjectivity and Consciousness in the Prose of
Samuel Beckett
(1999).
|
| adam_txt |
CONTENTS
Acknowledgements
vii
Introduction
ι
ι.
Native Well Being: Henry James and the "Cosmopolite"
io
2.
The Mother's Tongue: Seduction, Authenticity, and
Interference in The Ambassadors
34
3.
Ezra Pound's American Scenes: Henry James and the
Labour of Translation
53
4.
Pound and Translation: Ideogram and the Vulgar Tongue
71
5.
Gertrude Stein, Wyndham Lewis, and the American
Language
95
6.
Jack Spicer's After
Lorca:
Translation as Delocalization
τ
18
7·
Homecomings: The Poet's Prose of Ashbery,
Sch
uy
1er
and Spicer
140
Notes
160
vi
]
American
Modernism's Expatriate
Scene
Bibliography
185
Index
193
Edinburgh Studies in Transatlantic Literatures
Series Editors: Susan Manning and Andrew Taylor,
University of Edinburgh
American Modernism's Expatriate
Scene:
lhe
Labour of Translation
Daniel Katz
This study takes as its point of departure
an essential premise: that the widespread
phenomenon of expatriation in American
modernism is less a flight from the homeland
than a dialectical return to it, but one which
renders uncanny all tropes of familiarity and
immediacy which 'fatherlands' and 'mother
tongues' are traditionally seen as providing. In
this framework, similarly totalizing notions of
cultural authenticity are seen to govern both
exoticist mystification and
'nativisť
obsessions
with the purity of the 'mother tongue.' At the
same time, cosmopolitanism, translation, and
multilingualism become often eroticized tropes
of violation of this model, and in consequence,
simultaneously courted and abhorred, in a
movement which, if crystallized in expatriate
modernism, continued to make its presence
felt beyond.
Beginning with the late work of Henry James,
this book goes on to examine at length Ezra
Pound and Gertrude Stein, to conclude with
the uncanny regionalism of mid-century San
Francisco Renaissance poet Jack Spicer, and the
deterritorialized aesthetic of Spicer's peer, John
Ashbery. Through an emphasis on modernism
as a space of generalized interference, the
practice and trope of translation emerges
as central to all of the writers concerned,
while the book remains in constant dialogue
with key recent works on transnationalism,
transatlanticism, and modernism.
Daniel Katz is a Senior Lecturer in the
Department of English at the
Université de
Paris
VII.
He is author of Saying I No More:
Subjectivity and Consciousness in the Prose of
Samuel Beckett
(1999). |
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| spelling | Katz, Daniel Verfasser aut American modernism's expatriate scene the labour of translation Daniel Katz Edinburgh Edinburgh Univ. Press 2007 VIII, 197 S. txt rdacontent n rdamedia nc rdacarrier Edinburgh studies in transatlantic literatures Hier auch später erschienene, unveränderte Nachdrucke Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1900-2000 gnd rswk-swf American literature 19th century History and criticism American literature 20th century History and criticism Modernism (Literature) United States Moderne (DE-588)4039827-4 gnd rswk-swf Exilliteratur (DE-588)4015961-9 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Moderne (DE-588)4039827-4 s Exilliteratur (DE-588)4015961-9 s Geschichte 1900-2000 z b DE-604 Erscheint auch als Online-Ausgabe 978-0-7486-9122-7 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014979812&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014979812&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Katz, Daniel American modernism's expatriate scene the labour of translation American literature 19th century History and criticism American literature 20th century History and criticism Modernism (Literature) United States Moderne (DE-588)4039827-4 gnd Exilliteratur (DE-588)4015961-9 gnd |
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| title | American modernism's expatriate scene the labour of translation |
| title_auth | American modernism's expatriate scene the labour of translation |
| title_exact_search | American modernism's expatriate scene the labour of translation |
| title_exact_search_txtP | American modernism's expatriate scene the labour of translation |
| title_full | American modernism's expatriate scene the labour of translation Daniel Katz |
| title_fullStr | American modernism's expatriate scene the labour of translation Daniel Katz |
| title_full_unstemmed | American modernism's expatriate scene the labour of translation Daniel Katz |
| title_short | American modernism's expatriate scene |
| title_sort | american modernism s expatriate scene the labour of translation |
| title_sub | the labour of translation |
| topic | American literature 19th century History and criticism American literature 20th century History and criticism Modernism (Literature) United States Moderne (DE-588)4039827-4 gnd Exilliteratur (DE-588)4015961-9 gnd |
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