Mozart's piano sonatas: contexts, sources, style
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Cambridge University Press
2006
|
| Ausgabe: | First paperback version |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxii, 215 Seiten Notenbeispiele |
| ISBN: | 9780521027410 0521027411 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents Preface Acknowledgements Abbreviations PART i: page ix xx xxi CONTEXTS 1 The solo sonata in context 2 Stylistic models for Mozart’s sonatas PART и: 3 16 SOURCES 3 Six sonatas, K.279-84 51 4 Three sonatas, K.309-11 62 5 Four sonatas, K.330—2; K.333 66 6 Fantasia and Sonata in C minor, K.475and 457 73 7 Later Viennese sonatas, K.533 and 494;K.545; K.570; K.576 83 8 Fragments 89 part 9 10 in: STYLE Eighteenth-century views of sonata form 99 Pre-compositional choices - the rhetorical inventio 111 11 Dispositio: rhetoric and design 116 12 The rhetorical elocutio 151 Notes Select bibliography Index 162 201 212 vii
Paperback Re-issue Mozart’s piano sonatas form a richly diverse and significant part of his instrumental output, and span much of his mature composing career, thereby representing a microcosm of the composer’s changing style. Part I examines the contexts in which the sonatas were composed and in which they were performed, and reviews likely sources of influence. Part II concentrates on the genesis of the sonatas and the surviving autographs, which reveal important information about Mozart’s compositional process. In Part III the music is studied from the standpoint of rhetoric - a discipline featured in numerous contemporary aesthetic and theoretical textbooks on music - and proceeds through an investigation of the nature of the musical ideas (the inventio), followed by a discussion of formal design (the dispositio) and finally a consideration of the elocutio (style, or expression), which attempts a detailed rhetorical analysis of several extracts — ranging from the construction of themes to whole movements. The resulting picture affords a cross-section of Mozart’s compositional strategies.
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| adam_txt |
Contents Preface Acknowledgements Abbreviations PART i: page ix xx xxi CONTEXTS 1 The solo sonata in context 2 Stylistic models for Mozart’s sonatas PART и: 3 16 SOURCES 3 Six sonatas, K.279-84 51 4 Three sonatas, K.309-11 62 5 ' Four sonatas, K.330—2; K.333 66 6 Fantasia and Sonata in C minor, K.475and 457 73 7 Later Viennese sonatas, K.533 and 494;K.545; K.570; K.576 83 8 Fragments 89 part 9 10 in: STYLE Eighteenth-century views of sonata form 99 Pre-compositional choices - the rhetorical inventio 111 11 Dispositio: rhetoric and design 116 12 The rhetorical elocutio 151 Notes Select bibliography Index 162 201 212 vii
Paperback Re-issue Mozart’s piano sonatas form a richly diverse and significant part of his instrumental output, and span much of his mature composing career, thereby representing a microcosm of the composer’s changing style. Part I examines the contexts in which the sonatas were composed and in which they were performed, and reviews likely sources of influence. Part II concentrates on the genesis of the sonatas and the surviving autographs, which reveal important information about Mozart’s compositional process. In Part III the music is studied from the standpoint of rhetoric - a discipline featured in numerous contemporary aesthetic and theoretical textbooks on music - and proceeds through an investigation of the nature of the musical ideas (the inventio), followed by a discussion of formal design (the dispositio) and finally a consideration of the elocutio (style, or expression), which attempts a detailed rhetorical analysis of several extracts — ranging from the construction of themes to whole movements. The resulting picture affords a cross-section of Mozart’s compositional strategies. |
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| dewey-full | 786.2183 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
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| discipline | Musikwissenschaft |
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| edition | First paperback version |
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| spelling | Irving, John 1959- Verfasser (DE-588)120240416 aut Mozart's piano sonatas contexts, sources, style John Irving, lecturer in music, University of Bristol First paperback version New York Cambridge University Press 2006 xxii, 215 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Klaviersonate (DE-588)4030995-2 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Klaviersonate (DE-588)4030995-2 s DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-0-521-49631-5 Äquivalent Druck-Ausgabe, Hardcover 0-521-49631-4 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014975673&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014975673&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Mozart's piano sonatas contexts, sources, style |
| title_auth | Mozart's piano sonatas contexts, sources, style |
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| title_full | Mozart's piano sonatas contexts, sources, style John Irving, lecturer in music, University of Bristol |
| title_fullStr | Mozart's piano sonatas contexts, sources, style John Irving, lecturer in music, University of Bristol |
| title_full_unstemmed | Mozart's piano sonatas contexts, sources, style John Irving, lecturer in music, University of Bristol |
| title_short | Mozart's piano sonatas |
| title_sort | mozart s piano sonatas contexts sources style |
| title_sub | contexts, sources, style |
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| topic_facet | Mozart, Wolfgang Amadeus 1756-1791 Klaviersonate |
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