Gustav Mahlers Klangwelt: Studien zur Instrumentation
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | German |
| Published: |
Frankfurt am Main [u.a.]
Lang
2006
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Zugl.: Hamburg, Univ., Diss., 2005 |
| Physical Description: | X, 291 S. Ill., Notenbeisp. |
| ISBN: | 363150599X |
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| adam_text | Titel: Gustav Mahlers Klangwelt
Autor: Ünlü, Altug
Jahr: 2006
VII
Inhaltsverzeichnis
Vorwort.........................................................................................................................1
1 MAHLERS MAXIMEN.....................................................................................3
1.1 Deutlichkeit.........................................................................................................3
1.2 Gesanglichkeit..................................................................................................13
1.3 Primat der Melodie..........................................................................................22
1.4 Tonglanz...........................................................................................................25
1.5 Wechsel und Gegensätzüchkeit....................................................................27
2 SPEZIFISCHE KLANGFARBEN UND KOMBINATIONEN...........31
2.1 Unkonventionelle Register und Lagen.........................................................33
2.1.1 Holzblasinstrumente.................................................................................33
2.1.1.1 Flöte......................................................................................................34
2.1.1.2 Oboe.....................................................................................................40
2.1.1.3 Klarinette..............................................................................................43
2.1.1.4 Fagott....................................................................................................45
2.1.2 Blechblasinstrumente................................................................................48
2.1.2.1 Trompete..............................................................................................48
2.1.2.2 Hörn......................................................................................................51
2.1.2.3 Posaune.................................................................................................54
2.1.2.4 Tuba......................................................................................................57
2.1.3 Streichinstrumente....................................................................................59
2.1.3.1 Violine...................................................................................................59
2.1.3.2 Viola......................................................................................................61
2.1.3.3 Violoncello...........................................................................................64
2.1.3.4 Kontrabaß............................................................................................69
2.2 Spezielle Spielarten..........................................................................................72
2.2.1 Blasinstrumente.........................................................................................72
2.2.1.1 Dämpfer...............................................................................................72
2.2.1.2 Gestopfte Töne...................................................................................75
2.2.1.3 Flatterzunge.........................................................................................81
2.2.1.4 Gehobener Schalltrichter...................................................................84
VIII Inhaltsverzeichnis
2.2.2 Streichinstrumente....................................................................................88
2.2.2.1 Flageolette............................................................................................88
2.2.2.2 Dämpfer...............................................................................................94
2.2.2.3 Am Griffbrett......................................................................................97
2.2.2.4 Am Steg................................................................................................98
2.2.2.5 Bartök-Pizzikato................................................................................100
2.2.2.6 ,Echtes Stakkato...............................................................................102
2.2.2.7 Col legno............................................................................................104
2.2.2.8 Tremolo..............................................................................................107
2.2.2.9 Skordatur............................................................................................109
2.2.2.10 Glissando..........................................................................................110
2.2.2.11 Auf- und Abstrich...........................................................................111
2.2.3 Zupfinstrumente.....................................................................................113
2.2.3.1 Mediator.............................................................................................113
2.3 Neue und neuartige Instrumente................................................................114
2.3.1 Blasinstrumente.......................................................................................114
2.3.1.1 Es-Klarinette......................................................................................114
2.3.1.2 Posthorn.............................................................................................119
2.3.1.3 Tenorhorn..........................................................................................122
2.3.2 Schlag- und Tasteninstrumente............................................................125
2.3.2.1 Pedalpauke.........................................................................................125
2.3.2.2 Glocken..............................................................................................126
2.3.2.3 Herdenglocken..................................................................................131
2.3.2.4 Hammer..............................................................................................133
2.3.2.5 Rute.....................................................................................................135
2.3.2.6 Schelle.................................................................................................138
2.3.2.7 Celesta.................................................................................................139
2.3.2.8 Klavier.................................................................................................143
2.3.2.9 Orgel...................................................................................................145
2.3.2.10 Harmonium......................................................................................149
2.3.3 Zupfinstrumente.....................................................................................153
2.3.3.1 Gitarre.................................................................................................154
2.3.3.2 Mandoline...........................................................................................157
3 SATZTECHNISCHE SPEZIFIKA............................................................163
3.1 Der Satztypus: ,al fresco und ,Feinmalerei ..............................................163
3.2 Stimmaufteilung und Notation...................................................................165
Inhaltsverzeichnis IX
3.3 Dynamik.........................................................................................................168
3.3.1 Orchesterdecrescendo............................................................................168
3.3.2 Relative Dynamik....................................................................................169
3.3.3 Initialmarke..............................................................................................171
3.4 Klang...............................................................................................................172
3.4.1 Klangbreite...............................................................................................172
3.4.2 Klangdichte............................... ...............................................................173
3.4.3 Reguläre und irreguläre Disposition....................................................175
3.5 Harmonik........................................................................................................176
3.5.1 Signaldissonanzen...................................................................................176
3.5.1.1 Der ,Siebenklang in der Zweiten......................................................176
3.5.1.2 Der ,Neunklang in der Zehnten.......................................................178
3.5.2 Bitonale und ,bifunktionale Wendungen............................................180
3.5.3 Septakkorde..............................................................................................181
3.6 Form................................................................................................................182
3.6.1 Formaufbau und Klangstärke...............................................................182
3.6.2 Formübergänge.......................................................................................185
3.6.2.1 Fanfare................................................................................................185
3.6.2.2 Harfenglissando.................................................................................187
3.7 Bläsersatz........................................................................................................189
3.8 Streichersatz...................................................................................................193
3.8.1 Solovioline................................................................................................193
3.8.2 Akkorde....................................................................................................195
3.8.3 Akkordbrechungen.................................................................................198
3.9 Schlagzeugsatz...............................................................................................199
3.10 Das Fernorchester und seine Simulation...............................................203
3.11 Orchestrale Effekte....................................................................................207
3.11.1 Orchesterpedal.....................................................................................207
3.11.2 Klangfläche...........................................................................................208
3.11.3 Orchesterglissando...............................................................................210
3.12 Begleitung der Singstimmen.....................................................................211
3.12.1 Sologesang.............................................................................................211
3.12.2 Chorgesang............................................................................................213
X Inhaltsverzeichnis
4 SEMANTIK DER INSTRUMENTE.........................................................217
4.1 Todessymbole................................................................................................217
4.1.1 Pauke.........................................................................................................217
4.1.2 Große Trommel......................................................................................220
4.1.3 Tamtam.....................................................................................................225
4.1.4 Hammer....................................................................................................226
4.1.5 Skordierte Solovioüne (Symbol des personifizierten Todes)...........227
4.2 Sinnbilder der Nacht, der Trauer sowie Schreckensbilder.....................231
4.2.1 Dämpfer....................................................................................................231
4.2.2 Gestopfte Töne.......................................................................................233
4.2.3 Englischhorn............................................................................................235
4.2.4 Bartök-Pizzikato......................................................................................237
4.3 Sinnbilder elysischer Transzendenz...........................................................239
4.3.1 Glocken (musica paradiso)....................................................................239
4.3.2 Glockenspiel ( musica angelica ).........................................................247
4.3.3 Herdenglocken (Symbol weltferner Einsamkeit )...........................250
Nachwort.................................................................................................................255
5 ANHANG.........................................................................................................257
5.1 Abkürzungen..................................................................................................257
5.2 Legende...........................................................................................................260
5.3 Quellenverzeichnis........................................................................................263
5.4 Indizes.............................................................................................................281
5.4.1 Werkindex................................................................................................281
5.4.2 Instrumentenindex..................................................................................283
5.4.3 Sachindex..................................................................................................286
5.4.4 Personenindex.........................................................................................287
5.4.5 Ortsindex..................................................................................................291
|
| adam_txt |
Titel: Gustav Mahlers Klangwelt
Autor: Ünlü, Altug
Jahr: 2006
VII
Inhaltsverzeichnis
Vorwort.1
1 MAHLERS MAXIMEN.3
1.1 Deutlichkeit.3
1.2 Gesanglichkeit.13
1.3 Primat der Melodie.22
1.4 Tonglanz.25
1.5 Wechsel und Gegensätzüchkeit.27
2 SPEZIFISCHE KLANGFARBEN UND KOMBINATIONEN.31
2.1 Unkonventionelle Register und Lagen.33
2.1.1 Holzblasinstrumente.33
2.1.1.1 Flöte.34
2.1.1.2 Oboe.40
2.1.1.3 Klarinette.43
2.1.1.4 Fagott.45
2.1.2 Blechblasinstrumente.48
2.1.2.1 Trompete.48
2.1.2.2 Hörn.51
2.1.2.3 Posaune.54
2.1.2.4 Tuba.57
2.1.3 Streichinstrumente.59
2.1.3.1 Violine.59
2.1.3.2 Viola.61
2.1.3.3 Violoncello.64
2.1.3.4 Kontrabaß.69
2.2 Spezielle Spielarten.72
2.2.1 Blasinstrumente.72
2.2.1.1 Dämpfer.72
2.2.1.2 Gestopfte Töne.75
2.2.1.3 Flatterzunge.81
2.2.1.4 Gehobener Schalltrichter.84
VIII Inhaltsverzeichnis
2.2.2 Streichinstrumente.88
2.2.2.1 Flageolette.88
2.2.2.2 Dämpfer.94
2.2.2.3 Am Griffbrett.97
2.2.2.4 Am Steg.98
2.2.2.5 Bartök-Pizzikato.100
2.2.2.6 ,Echtes' Stakkato.102
2.2.2.7 Col legno.104
2.2.2.8 Tremolo.107
2.2.2.9 Skordatur.109
2.2.2.10 Glissando.110
2.2.2.11 Auf- und Abstrich.111
2.2.3 Zupfinstrumente.113
2.2.3.1 Mediator.113
2.3 Neue und neuartige Instrumente.114
2.3.1 Blasinstrumente.114
2.3.1.1 Es-Klarinette.114
2.3.1.2 Posthorn.119
2.3.1.3 Tenorhorn.122
2.3.2 Schlag- und Tasteninstrumente.125
2.3.2.1 Pedalpauke.125
2.3.2.2 Glocken.126
2.3.2.3 Herdenglocken.131
2.3.2.4 Hammer.133
2.3.2.5 Rute.135
2.3.2.6 Schelle.138
2.3.2.7 Celesta.139
2.3.2.8 Klavier.143
2.3.2.9 Orgel.145
2.3.2.10 Harmonium.149
2.3.3 Zupfinstrumente.153
2.3.3.1 Gitarre.154
2.3.3.2 Mandoline.157
3 SATZTECHNISCHE SPEZIFIKA.163
3.1 Der Satztypus: ,al fresco' und ,Feinmalerei'.163
3.2 Stimmaufteilung und Notation.165
Inhaltsverzeichnis IX
3.3 Dynamik.168
3.3.1 Orchesterdecrescendo.168
3.3.2 Relative Dynamik.169
3.3.3 Initialmarke.171
3.4 Klang.172
3.4.1 Klangbreite.172
3.4.2 Klangdichte.'.173
3.4.3 Reguläre und irreguläre Disposition.175
3.5 Harmonik.176
3.5.1 Signaldissonanzen.176
3.5.1.1 Der ,Siebenklang' in der Zweiten.176
3.5.1.2 Der ,Neunklang' in der Zehnten.178
3.5.2 Bitonale und ,bifunktionale' Wendungen.180
3.5.3 Septakkorde.181
3.6 Form.182
3.6.1 Formaufbau und Klangstärke.182
3.6.2 Formübergänge.185
3.6.2.1 Fanfare.185
3.6.2.2 Harfenglissando.187
3.7 Bläsersatz.189
3.8 Streichersatz.193
3.8.1 Solovioline.193
3.8.2 Akkorde.195
3.8.3 Akkordbrechungen.198
3.9 Schlagzeugsatz.199
3.10 Das Fernorchester und seine Simulation.203
3.11 Orchestrale Effekte.207
3.11.1 Orchesterpedal.207
3.11.2 Klangfläche.208
3.11.3 Orchesterglissando.210
3.12 Begleitung der Singstimmen.211
3.12.1 Sologesang.211
3.12.2 Chorgesang.213
X Inhaltsverzeichnis
4 SEMANTIK DER INSTRUMENTE.217
4.1 Todessymbole.217
4.1.1 Pauke.217
4.1.2 Große Trommel.220
4.1.3 Tamtam.225
4.1.4 Hammer.226
4.1.5 Skordierte Solovioüne (Symbol des personifizierten Todes).227
4.2 Sinnbilder der Nacht, der Trauer sowie Schreckensbilder.231
4.2.1 Dämpfer.231
4.2.2 Gestopfte Töne.233
4.2.3 Englischhorn.235
4.2.4 Bartök-Pizzikato.237
4.3 Sinnbilder elysischer Transzendenz.239
4.3.1 Glocken (musica paradiso).239
4.3.2 Glockenspiel ("musica angelica").247
4.3.3 Herdenglocken (Symbol "weltferner Einsamkeit").250
Nachwort.255
5 ANHANG.257
5.1 Abkürzungen.257
5.2 Legende.260
5.3 Quellenverzeichnis.263
5.4 Indizes.281
5.4.1 Werkindex.281
5.4.2 Instrumentenindex.283
5.4.3 Sachindex.286
5.4.4 Personenindex.287
5.4.5 Ortsindex.291 |
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| index_date | 2024-07-02T15:35:20Z |
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| publisher | Lang |
| record_format | marc |
| spelling | Ünlü, Altug 1965- Verfasser (DE-588)131767739 aut Gustav Mahlers Klangwelt Studien zur Instrumentation Altug Ünlü Frankfurt am Main [u.a.] Lang 2006 X, 291 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Zugl.: Hamburg, Univ., Diss., 2005 Mahler, Gustav <1860-1911> Criticism and interpretation Mahler, Gustav 1860-1911 (DE-588)118576291 gnd rswk-swf Instrumentation and orchestration Instrumentation (DE-588)4027219-9 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Mahler, Gustav 1860-1911 (DE-588)118576291 p Instrumentation (DE-588)4027219-9 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014974392&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ünlü, Altug 1965- Gustav Mahlers Klangwelt Studien zur Instrumentation Mahler, Gustav <1860-1911> Criticism and interpretation Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Instrumentation and orchestration Instrumentation (DE-588)4027219-9 gnd |
| subject_GND | (DE-588)118576291 (DE-588)4027219-9 (DE-588)4113937-9 |
| title | Gustav Mahlers Klangwelt Studien zur Instrumentation |
| title_auth | Gustav Mahlers Klangwelt Studien zur Instrumentation |
| title_exact_search | Gustav Mahlers Klangwelt Studien zur Instrumentation |
| title_exact_search_txtP | Gustav Mahlers Klangwelt Studien zur Instrumentation |
| title_full | Gustav Mahlers Klangwelt Studien zur Instrumentation Altug Ünlü |
| title_fullStr | Gustav Mahlers Klangwelt Studien zur Instrumentation Altug Ünlü |
| title_full_unstemmed | Gustav Mahlers Klangwelt Studien zur Instrumentation Altug Ünlü |
| title_short | Gustav Mahlers Klangwelt |
| title_sort | gustav mahlers klangwelt studien zur instrumentation |
| title_sub | Studien zur Instrumentation |
| topic | Mahler, Gustav <1860-1911> Criticism and interpretation Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Instrumentation and orchestration Instrumentation (DE-588)4027219-9 gnd |
| topic_facet | Mahler, Gustav <1860-1911> Criticism and interpretation Mahler, Gustav 1860-1911 Instrumentation and orchestration Instrumentation Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014974392&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT unlualtug gustavmahlersklangweltstudienzurinstrumentation |