Holographic visions: a history of new science
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2006
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Table of contents only Publisher description Inhaltsverzeichnis |
| Beschreibung: | XXI, 518 S. Ill., graph. Darst., Portr. 26 cm |
| ISBN: | 0198571224 |
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Datensatz im Suchindex
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| adam_text | CONTENTS LIST OF FIGURES XVII ACRONYMS XX 1. INTRODUCTION: SEEKING
COHERENCE 1 PART I: CREATING A SUBJECT 13 2. WAVEFRONT RECONSTRUCTION IN
ENGLAND AND BEYOND 15 2.1 INTRODUCTION 15 2.2 HOLOSCOPY 22 2.3 A NEW
MICROSCOPIC PRINCIPLE 30 2.4 MICROSCOPY BY RECONSTRUCTED WAVEFRONTS 33
2.5 THE DIFLRACTION MICROSCOPE AT IMPERIAL COLLEGE 34 2.6 GORDON ROGERS
AND D.M. 37 2.7 THE CALIFORNIAN CONNECTION 43 2.8 ADOLF LOHMANN IN
GERMANY 48 2.9 THE DECLINE OF DIFFRACTION MICROSCOPY 51 3. WAVE
PHOTOGRAPHY IN THE SOVIET UNION 60 3.1 THE VAVILOV STATE OPTICAL
INSTITUTE AND THE BACKDROP OF SOVIET SCIENCE 60 3.2 YURI DENISYUK AND
HIS KANDIDAT RESEARCH 63 3.3 WAVE PHOTOGRAPHS 71 3.4 PAUSE AND RECEPTION
74 4. LENSLESS PHOTOGRAPHY IN AMERICA 78 4.1 THE WILLOW RUN LABORATORIES
AND OPTICAL PROCESSING 78 4.2 FROM OPTICAL PROCESSING TO WAVEFRONT
RECONSTRUCTION 95 4.3 LENSLESS PHOTOGRAPHY 99 4.4 THREE-DIMENSIONAL
WAVEFRONT RECONSTRUCTION 102 XIV CONTENTS 5. CONSTRUCTING HOLOGRAPHY 120
5.1 INTRODUCTION 120 5.2 GEORGE STROKE AND THE PACKAGING OF HOLOGRAPHY
123 5.3 THE NOBEL PRIZE AND HISTORIOGRAPHICAL VALIDATION 142 5.4
PATENTS, PRIORITY, AND PROFITS 145 5.5 FINDING COHERENCE 147 PART II:
CREATING A MEDIUM 149 6. EARLY EXPLOITATION 151 6.1 SATISFYING SPONSORS
AT THE UNIVERSITY OF MICHIGAN 151 6.2 SEDUCING INVESTORS AT CONDUCTRON
159 6.3 ANN ARBOR, HOLOGRAPHY CAPITAL OF THE WORLD 168 6.4 SEEKING
APPLICATIONS FURTHER AFIELD 175 6.5 EXPANSION IN THE EAST 180 7.
TECHNOLOGY OF THE SUBLIME: THE VERSATILE HOLOGRAM 189 7.1 PROSPECTS AND
PROBLEMS 189 7.2 INVENTING AND REINVENTING HOLOGRAPHIC INTERFEROMETRY
191 7.3 THE AMERICANIZATION OF REFLECTION HOLOGRAPHY 200 7.4 IMAGE-PLANE
HOLOGRAMS 202 7.5 360 HOLOGRAMS 204 7.6 PULSED HOLOGRAMS 206 7.7
RAINBOW HOLOGRAMS 209 7.8 HOLOGRAPHIC STEREOGRAMS 212 7.9
COMPUTER-GENERATED HOLOGRAMS 216 7.10 PHOTOSENSITIVE MATERIALS 220 7.11
THE MEDIUM AND ITS MESSAGE 227 PART III: CREATING AN IDENTITY 229 8.
DEFINING THE SCIENTIFIC HOLOGRAPHER 231 8.1 RESHAPING OPTICAL
ENGINEERING FOR HOLOGRAPHERS 231 CONTENTS XV 8.2 CARVING A NICHE WITH
JOURNALS 235 8.3 MEETINGS AS SOCIAL NUCLEI 242 8.4 DEFINING THE
HOLOGRAPHER 250 9. CULTURE AND COUNTERCULTURE: THE ARTISAN HOLOGRAPHER
253 9.1 INTRODUCTION 253 9.2 CHALLENGING THE ORTHODOX OPTICAL
LABORATORY: MATERIAL CULTURE AND COMMUNITY IDENTITY 262 9.3 TRAINING
ARTISANS: THE BIRTH OF SCHOOLS 271 9.4 TRANSMITTING THE COUNTERCULTURE:
PRACTICAL PUBLICATIONS 280 9.5 SHAPING AND RESHAPING AN IDENTITY 283 10.
AESTHETIC HOLOGRAPHERS AND THEIR ART 287 10.1 INTRODUCTION 287 10.2
ARTIST-SCIENTIST COLLABORATIONS 290 10.3 ARTISTS AND ARTISANS 303 10.4
FORMALIZING THE ART: ACCREDITED SCHOOLS 305 10.5 DISTINGUISHING
SUBCULTURES 308 10.6 ENCHANTING AUDIENCES THROUGH EXHIBITIONS 312 10.7
CRITIQUES FROM MAINSTREAM ART 317 11. BUILDING HOLOGRAPHIC COMMUNITIES
325 11.1 UNCERTAIN IDENTITIES 325 11.2 STRENGTHENING NETWORKS 327 11.3
SPECIAL CONGREGATIONS: SYMPOSIA 330 11.4 SPECIAL PLACES: MUSEUMS 335
PART IV: CREATING A MARKET 347 12. COMMERCIALIZATION AND UBIQUITY 349
12.1 MAKING HOLOGRAPHY PAY 349 12.2 ENTREPRENEURS AND COTTAGE INDUSTRY
356 12.3 OPTIMISTIC INVESTMENT: THE ILFORD STORY 367 XVI CONTENTS 12.4
EMBOSSED HOLOGRAMS AND PROFITABILITY 372 12.5 PATENTS AND COMMERCIAL
HOLOGRAPHY 378 12.6 SECURITY AND ITS INFLUENCES 386 13. THE HOLOGRAM AND
POPULAR CULTURE 393 13.1 SHOCK AND AWE 393 13.2 FROM THE SUBLIME TO
KITSCH 398 13.3 PERSISTENT IDEAS 402 13.4 HOLOGRAMS AS ANALOGY AND
PARADIGM 409 13.5 CONFLICTING VALUES AND COMPETING MEANINGS 413 14.
CONCLUSION: CREATIVE VISIONS 415 14.1 THROUGH A GLASS DARKLY: VISIONS OF
SCIENTIFIC GENESIS 415 14.2 ASSESSING PROGRESS: VISIONS OF SUCCESSFUL
TECHNOLOGY 418 14.3 PRESERVING AND PREDICTING: VISIONS OF THE PAST AND
FUTURE 433 14.4 CAREERS IN LIGHT: VISIONS OF TECHNICAL IDENTITY 438 14.5
IMAGINED AND INVENTED FUTURES 441 BIBLIOGRAPHY 447 INTERVIEWS 447
ARCHIVES CONSULTED 448 BOOKS 449 PAPERS AND ARTICLES 454 UNPUBLISHED
COMMUNICATIONS 479 APPENDIX 489 PUBLICATION STATISTICS 489 INDEX 491
|
| adam_txt |
CONTENTS LIST OF FIGURES XVII ACRONYMS XX 1. INTRODUCTION: SEEKING
COHERENCE 1 PART I: CREATING A SUBJECT 13 2. WAVEFRONT RECONSTRUCTION IN
ENGLAND AND BEYOND 15 2.1 INTRODUCTION 15 2.2 HOLOSCOPY 22 2.3 'A NEW
MICROSCOPIC PRINCIPLE' 30 2.4 MICROSCOPY BY RECONSTRUCTED WAVEFRONTS 33
2.5 THE DIFLRACTION MICROSCOPE AT IMPERIAL COLLEGE 34 2.6 GORDON ROGERS
AND'D.M.' 37 2.7 THE CALIFORNIAN CONNECTION 43 2.8 ADOLF LOHMANN IN
GERMANY 48 2.9 THE DECLINE OF DIFFRACTION MICROSCOPY 51 3. WAVE
PHOTOGRAPHY IN THE SOVIET UNION 60 3.1 THE VAVILOV STATE OPTICAL
INSTITUTE AND THE BACKDROP OF SOVIET SCIENCE 60 3.2 YURI DENISYUK AND
HIS KANDIDAT RESEARCH 63 3.3 WAVE PHOTOGRAPHS 71 3.4 PAUSE AND RECEPTION
74 4. LENSLESS PHOTOGRAPHY IN AMERICA 78 4.1 THE WILLOW RUN LABORATORIES
AND OPTICAL PROCESSING 78 4.2 FROM OPTICAL PROCESSING TO WAVEFRONT
RECONSTRUCTION 95 4.3 LENSLESS PHOTOGRAPHY 99 4.4 THREE-DIMENSIONAL
WAVEFRONT RECONSTRUCTION 102 XIV CONTENTS 5. CONSTRUCTING HOLOGRAPHY 120
5.1 INTRODUCTION 120 5.2 GEORGE STROKE AND THE PACKAGING OF HOLOGRAPHY
123 5.3 THE NOBEL PRIZE AND HISTORIOGRAPHICAL VALIDATION 142 5.4
PATENTS, PRIORITY, AND PROFITS 145 5.5 FINDING COHERENCE 147 PART II:
CREATING A MEDIUM 149 6. EARLY EXPLOITATION 151 6.1 SATISFYING SPONSORS
AT THE UNIVERSITY OF MICHIGAN 151 6.2 SEDUCING INVESTORS AT CONDUCTRON
159 6.3 ANN ARBOR,'HOLOGRAPHY CAPITAL OF THE WORLD' 168 6.4 SEEKING
APPLICATIONS FURTHER AFIELD 175 6.5 EXPANSION IN THE EAST 180 7.
TECHNOLOGY OF THE SUBLIME: THE VERSATILE HOLOGRAM 189 7.1 PROSPECTS AND
PROBLEMS 189 7.2 INVENTING AND REINVENTING HOLOGRAPHIC INTERFEROMETRY
191 7.3 THE AMERICANIZATION OF REFLECTION HOLOGRAPHY 200 7.4 IMAGE-PLANE
HOLOGRAMS 202 7.5 360 HOLOGRAMS 204 7.6 PULSED HOLOGRAMS 206 7.7
RAINBOW HOLOGRAMS 209 7.8 HOLOGRAPHIC STEREOGRAMS 212 7.9
COMPUTER-GENERATED HOLOGRAMS 216 7.10 PHOTOSENSITIVE MATERIALS 220 7.11
THE MEDIUM AND ITS MESSAGE 227 PART III: CREATING AN IDENTITY 229 8.
DEFINING THE SCIENTIFIC HOLOGRAPHER 231 8.1 RESHAPING OPTICAL
ENGINEERING FOR HOLOGRAPHERS 231 CONTENTS XV 8.2 CARVING A NICHE WITH
JOURNALS 235 8.3 MEETINGS AS SOCIAL NUCLEI 242 8.4 DEFINING THE
HOLOGRAPHER 250 9. CULTURE AND COUNTERCULTURE: THE ARTISAN HOLOGRAPHER
253 9.1 INTRODUCTION 253 9.2 CHALLENGING THE ORTHODOX OPTICAL
LABORATORY: MATERIAL CULTURE AND COMMUNITY IDENTITY 262 9.3 TRAINING
ARTISANS: THE BIRTH OF SCHOOLS 271 9.4 TRANSMITTING THE COUNTERCULTURE:
PRACTICAL PUBLICATIONS 280 9.5 SHAPING AND RESHAPING AN IDENTITY 283 10.
AESTHETIC HOLOGRAPHERS AND THEIR ART 287 10.1 INTRODUCTION 287 10.2
ARTIST-SCIENTIST COLLABORATIONS 290 10.3 ARTISTS AND ARTISANS 303 10.4
FORMALIZING THE ART: ACCREDITED SCHOOLS 305 10.5 DISTINGUISHING
SUBCULTURES 308 10.6 ENCHANTING AUDIENCES THROUGH EXHIBITIONS 312 10.7
CRITIQUES FROM MAINSTREAM ART 317 11. BUILDING HOLOGRAPHIC COMMUNITIES
325 11.1 UNCERTAIN IDENTITIES 325 11.2 STRENGTHENING NETWORKS 327 11.3
SPECIAL CONGREGATIONS: SYMPOSIA 330 11.4 SPECIAL PLACES: MUSEUMS 335
PART IV: CREATING A MARKET 347 12. COMMERCIALIZATION AND UBIQUITY 349
12.1 MAKING HOLOGRAPHY PAY 349 12.2 ENTREPRENEURS AND COTTAGE INDUSTRY
356 12.3 OPTIMISTIC INVESTMENT: THE ILFORD STORY 367 XVI CONTENTS 12.4
EMBOSSED HOLOGRAMS AND PROFITABILITY 372 12.5 PATENTS AND COMMERCIAL
HOLOGRAPHY 378 12.6 SECURITY AND ITS INFLUENCES 386 13. THE HOLOGRAM AND
POPULAR CULTURE 393 13.1 SHOCK AND AWE 393 13.2 FROM THE SUBLIME TO
KITSCH 398 13.3 PERSISTENT IDEAS 402 13.4 HOLOGRAMS AS ANALOGY AND
PARADIGM 409 13.5 CONFLICTING VALUES AND COMPETING MEANINGS 413 14.
CONCLUSION: CREATIVE VISIONS 415 14.1 THROUGH A GLASS DARKLY: VISIONS OF
SCIENTIFIC GENESIS 415 14.2 ASSESSING PROGRESS: VISIONS OF SUCCESSFUL
TECHNOLOGY 418 14.3 PRESERVING AND PREDICTING: VISIONS OF THE PAST AND
FUTURE 433 14.4 CAREERS IN LIGHT: VISIONS OF TECHNICAL IDENTITY 438 14.5
IMAGINED AND INVENTED FUTURES 441 BIBLIOGRAPHY 447 INTERVIEWS 447
ARCHIVES CONSULTED 448 BOOKS 449 PAPERS AND ARTICLES 454 UNPUBLISHED
COMMUNICATIONS 479 APPENDIX 489 PUBLICATION STATISTICS 489 INDEX 491 |
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| spelling | Johnston, Sean Verfasser aut Holographic visions a history of new science Sean F. Johnston 1. publ. Oxford [u.a.] Oxford Univ. Press 2006 XXI, 518 S. Ill., graph. Darst., Portr. 26 cm txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Holografie gtt Geschichte Holography History Holografie (DE-588)4025643-1 gnd rswk-swf Holografie (DE-588)4025643-1 s Geschichte z DE-604 http://www.loc.gov/catdir/toc/ecip065/2005036594.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0637/2005036594-d.html Publisher description SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014961399&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Johnston, Sean Holographic visions a history of new science Holografie gtt Geschichte Holography History Holografie (DE-588)4025643-1 gnd |
| subject_GND | (DE-588)4025643-1 |
| title | Holographic visions a history of new science |
| title_auth | Holographic visions a history of new science |
| title_exact_search | Holographic visions a history of new science |
| title_exact_search_txtP | Holographic visions a history of new science |
| title_full | Holographic visions a history of new science Sean F. Johnston |
| title_fullStr | Holographic visions a history of new science Sean F. Johnston |
| title_full_unstemmed | Holographic visions a history of new science Sean F. Johnston |
| title_short | Holographic visions |
| title_sort | holographic visions a history of new science |
| title_sub | a history of new science |
| topic | Holografie gtt Geschichte Holography History Holografie (DE-588)4025643-1 gnd |
| topic_facet | Holografie Geschichte Holography History |
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