Narrative voices in Russ Meyer's films: a cacophony of carnality
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lewiston, N.Y. [u.a.]
Mellen
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | III, 423 S. |
| ISBN: | 0773458573 9780773458574 |
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| adam_text | Table of Contents
Foreword by Donald E. Staples
Acknowledgments v
Chapter 1 1
Introduction to the life and times of Russ Meyer: The late 50 s, the
Motion Picture Production Code, the European impact, Health Films,
and types of narrators.
Chapter 2 15
SUPERVIXENS (1975): A work that inscribes all Meyer s other works.
Chapter 3 47
THE IMMORAL MR. TEAS (1959): Characteristic tropes in Meyer s
films and the beginning of his Nude Wave.
Chapter 4 57
LORNA (1964): First of Russ neorealist pictures and the commencement
of the poor white trash cycle.
Chapter 5 79
MUDHONEY (1965): Considerations on Camp sensibility and Erskin
Caldwell characters come to life as drawn by Al Capp.
Chapter 6 93
FASTER, PUSSYCAT! KILL! KILL! (1966): The last of neorealism
and giving lip service to the newly empowered woman.
Chapter 7 117
COMMON LAW CABIN (1967): RM with the sensibility and ennui
reminiscent of foreign films, only the subtitles are wanting.
Chapter 8 139
GOOD MORNING AND GOODBYE! (1967): A classic triangle resorting
to a deus ex machina to reinstate patriarchy by restoring potency to a middle
aged hero with a castrating wife.
Chapter 9 175
FINDERS KEEPERS, LOVERS WEEPERS!(1968). The changing film
world around RM makes his works seem almost naive resulting in a
somber art film with an unusually tragic ending.
Chapter 10 207
VIXEN (1968): Causes more censorship debates than all of Meyer s
films with social redeeming values that fail to placate the censors.
Chapter 11 243
CHERRY, HARRY AND RAQUEL (1969): Meyer attacks his critics
through the film sform, and further experiments with editing.
Chapter 12 271
BEYOND THE VALLEY OF THE DOLLS (1970): The personal
favorite of Meyer and his first Hollywood production that makes him feel
he has arrived.
Chapter 13 307
UP! (1976): With an avant garde editing style, RM attempts to keep up
with the permissiveness in movies by wedding outrageous sex to violence.
Chapter 14 345
BENEATH THE VALLEY OF THE ULTRAVIXENS (1979):
Meyer s bildungsroman swan song employing sound in a delirious manner
to define character.
Chapter 15 389
Conclusion. A confession by the author and an argument with a Reverend
about elitism.
Bibliography 399
Index 417
|
| adam_txt |
Table of Contents
Foreword by Donald E. Staples '
Acknowledgments v
Chapter 1 1
Introduction to the life and times of Russ Meyer: The late 50's, the
Motion Picture Production Code, the European impact, "Health Films,"
and types of narrators.
Chapter 2 15
SUPERVIXENS (1975): A work that inscribes all Meyer s other works.
Chapter 3 47
THE IMMORAL MR. TEAS (1959): Characteristic tropes in Meyer's
films and the beginning of his "Nude Wave."
Chapter 4 57
LORNA (1964): First of Russ' "neorealist" pictures and the commencement
of the "poor white trash" cycle.
Chapter 5 79
MUDHONEY (1965): Considerations on Camp sensibility and Erskin
Caldwell characters come to life as drawn by Al Capp.
Chapter 6 93
FASTER, PUSSYCAT! KILL! KILL! (1966): The last of "neorealism "
and giving lip service to the newly empowered woman.
Chapter 7 117
COMMON LAW CABIN (1967): RM with the sensibility and ennui
reminiscent of foreign films, only the subtitles are wanting.
Chapter 8 139
GOOD MORNING AND GOODBYE! (1967): A classic triangle resorting
to a deus ex machina to reinstate patriarchy by restoring potency to a middle
aged hero with a castrating wife.
Chapter 9 175
FINDERS KEEPERS, LOVERS WEEPERS!(1968). The changing film
world around RM makes his works seem almost naive resulting in a
somber art film with an unusually tragic ending.
Chapter 10 207
VIXEN (1968): Causes more censorship debates than all of Meyer's
films with social redeeming values that fail to placate the censors.
Chapter 11 243
CHERRY, HARRY AND RAQUEL (1969): Meyer attacks his critics
through the film 'sform, and further experiments with editing.
Chapter 12 271
BEYOND THE VALLEY OF THE DOLLS (1970): The personal
favorite of Meyer and his first Hollywood production that makes him feel
he has "arrived."
Chapter 13 307
UP! (1976): With an avant garde editing style, RM attempts to keep up
with the permissiveness in movies by wedding outrageous sex to violence.
Chapter 14 345
BENEATH THE VALLEY OF THE ULTRAVIXENS (1979):
Meyer's bildungsroman swan song employing sound in a delirious manner
to define character.
Chapter 15 389
Conclusion. A confession by the author and an argument with a Reverend
about elitism.
Bibliography 399
Index 417 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-02T15:29:15Z |
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| isbn | 0773458573 9780773458574 |
| language | English |
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| physical | III, 423 S. |
| publishDate | 2006 |
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| publisher | Mellen |
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| spelling | Sevastakis, Michael Verfasser aut Narrative voices in Russ Meyer's films a cacophony of carnality Michael Sevastakis Lewiston, N.Y. [u.a.] Mellen 2006 III, 423 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Meyer, Russ 1922- Criticism and interpretation Meyer, Russ 1922-2004 (DE-588)118811657 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Stimme (DE-588)4057587-1 gnd rswk-swf Meyer, Russ 1922-2004 (DE-588)118811657 p Film (DE-588)4017102-4 s Stimme (DE-588)4057587-1 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014953823&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sevastakis, Michael Narrative voices in Russ Meyer's films a cacophony of carnality Meyer, Russ 1922- Criticism and interpretation Meyer, Russ 1922-2004 (DE-588)118811657 gnd Film (DE-588)4017102-4 gnd Stimme (DE-588)4057587-1 gnd |
| subject_GND | (DE-588)118811657 (DE-588)4017102-4 (DE-588)4057587-1 |
| title | Narrative voices in Russ Meyer's films a cacophony of carnality |
| title_auth | Narrative voices in Russ Meyer's films a cacophony of carnality |
| title_exact_search | Narrative voices in Russ Meyer's films a cacophony of carnality |
| title_exact_search_txtP | Narrative voices in Russ Meyer's films a cacophony of carnality |
| title_full | Narrative voices in Russ Meyer's films a cacophony of carnality Michael Sevastakis |
| title_fullStr | Narrative voices in Russ Meyer's films a cacophony of carnality Michael Sevastakis |
| title_full_unstemmed | Narrative voices in Russ Meyer's films a cacophony of carnality Michael Sevastakis |
| title_short | Narrative voices in Russ Meyer's films |
| title_sort | narrative voices in russ meyer s films a cacophony of carnality |
| title_sub | a cacophony of carnality |
| topic | Meyer, Russ 1922- Criticism and interpretation Meyer, Russ 1922-2004 (DE-588)118811657 gnd Film (DE-588)4017102-4 gnd Stimme (DE-588)4057587-1 gnd |
| topic_facet | Meyer, Russ 1922- Criticism and interpretation Meyer, Russ 1922-2004 Film Stimme |
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