Ausstellungsgestaltung: Konzepte und Techniken
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | German English |
Veröffentlicht: |
Ludwigsburg
avedition
2006
|
Schlagworte: | |
Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
Beschreibung: | 192 S. überw. Ill., Kt. 30 cm |
ISBN: | 3899860683 |
Internformat
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Datensatz im Suchindex
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adam_text |
TEIL 1 KONZEPTE
20 Kapitell NarrativerRaum
24 Ford Journey Zone, Millennium Dome,
London, Großbritannien, Imagination, 2000
26 United States Holocaust Memorial Museum,
Washington, D. C, USA, Ralph Appelbaum
Associates, 1993
30 The British Galleries, Victoria and Albert
Museum, London, Großbritannien, Casson
Mann, 2001
34 Frank Gehry,Architect,SolomonR.
Guggenheim Museum, New York, USA, Frank O.
Gehry Associates, 2001
38 Guinness Storehouse, Dublin, Irland,
Imagination and Robinson Keefe Devane, 2000
42 Expedition Titanic, Hamburg, Deutschland,
Atelier Brückner und Götz, Schulz, Haas
Architekten, 1997
46 Kapitel 2 PerformativerRaum
50 Ericsson, CeBIT, London, Großbritannien,
Imagination, 2001
54 Our Global Garden, Eureka! The Museum for
Children, Halifax, Großbritannien, Imagination,
2002
56 Orange Imaginarium, Explore At Bristol,
Bristol, Großbritannien, Imagination, 2001
62 Hall of the Universe, Hall of Planet Earth,
American Museum of Natural History, New York,
USA, Ralph Appelbaum Associates, 2000
64 Energy Gallery, Science Museum, London,
Großbritannien, Casson Mann, 2004
68 Olympic Rendezvous ©Samsung
Electronics, Salt Lake City, USA,
Imagination (USA), Inc., 2002
72 Les Immateriaux, Centre Pompidou, Paris,
Frankreich, Jean Frangois Lyotard und Thierry
Chaput, 1985
74 Kapitel 3 Simulierter Raum
78 Theater für Lucent Centre of Excellence.
Nürnberg, Deutschland, MET Studio Design,
2001
80 Wired Worlds, National Museum of
Photography, Film andTelevision, Bradford,
Großbritannien, MET Studio Design, 2000
84 Jean Nouvel, Centre Pompidou, Paris,
Frankreich, Jean Nouvel, 2001 2002
88 The Weather Project,Täte Modern, London,
Großbritannien, OlafurEliasson, 2003 2004
90 The Samsung Experience, Time Warner
Center, New York, USA, Imagination (USA), Inc.,
2004
94 Hall of Biodiversity, American Museum of
Natural History, New York, USA, Ralph
Appelbaum Associates, 1998
96 Stuttgart im Zweiten Weltkrieg, Stuttgart,
Deutschland, HG Merz Architekten, 1988 1989
98 Eyes, Lies and Illusions, Hayward Gallery,
London, Großbritannien, Christophe Gerrard,
Critical Space, 2004 2005
TEIL 2 TECHNIKEN
102 Kapitel 4 Präsentation
108 TheArtoftheMotorcycle, Guggenheim
Museum NewYork/Bilbao/Las Vegas, Franko.
Gehry Associates, 1998 2002
114 Dia:Beacon, Riggio Galleries, Dia Art
Foundation, Beacon, USA, Dia Art Foundation,
Robert Irwin und Open Office, 2003
118 American Folk Art Museum, New York, USA,
Ralph Appelbaum Associates, 2001
120 Wellcome Wing, Science Museum, London,
Großbritannien, Casson Mann, 2000
124 Crimes Against Humanity, Imperial War
Museum, London, Großbritannien, Casson
Mann, 2002
126 The Rise of the Picture Press, International
Center of Photography, New York, USA, Julie Ault
und Martin Beck, 2000
128 Grande Galerie de l'Evolution, Botanischer
Garten, Paris, Frankreich, Paul Chemetov und
BorjaHuidobro, 1994
132 Addressing the Century: 100 Years of Art and
Fashion, Hayward Gallery, London,
Großbritannien, Zaha Hadid Architects,
1997 1998
136 Kapitel 5 Beleuchtung
140 Lightshow, Täte Modern, London,
Großbritannien, Imagination, 2000
142 Brazil: Body and Soul, Guggenheim Museum,
New York, USA, Jean Nouvel, 2001 2002
146 Steuben Flagship Store, New York, USA,
Ralph Appelbaum Associates, 2000
148 Giorgio Armani, Guggenheim Museum New
York, USA/Bilbao, Spanien, Robert Wilson,
2000 2001
154 SITECO, Light and Building Messe, Frankfurt,
Deutschland, Atelier Brückner, 2000,2002
156 Halls of Vertebrate Evolution, American
Museum of Natural History, New York, USA,
Ralph Appelbaum Associates, 1996
160 Kapitel 6 Kommunikation, Grafik und Farbe
164 Outdoor Systems, Indoor Distribution,
Neue Gesellschaft für Bildende Kunst, Berlin,
Deutschland, Julie Ault und Martin Beck, 2000
168 Experience Music Project, Seattle, USA,
Franko. Gehry Associates, 2000
170 Samsung Brand Showcase, Moskau,
Russland, Imagination (USA), Inc., 2003
172 Museum für Kommunikation, Berlin,
Deutschland, HG Merz Architekten, 1997 2000
174 Power Up, Reassembled, UCLA Hammer
Museum, Los Angeles, USA, Julie Ault, 2000
178 Sparking Reaction, Sellafield Visitor Centre,
Cumbria, Großbritannien, Casson Mann, 2002
182 Fußnoten
183 Literaturempfehlungen
184 Register
188 Projektnachweis
190 Abbildungsnachweis
192 Danksagung |
adam_txt |
TEIL 1 KONZEPTE
20 Kapitell NarrativerRaum
24 Ford Journey Zone, Millennium Dome,
London, Großbritannien, Imagination, 2000
26 United States Holocaust Memorial Museum,
Washington, D. C, USA, Ralph Appelbaum
Associates, 1993
30 The British Galleries, Victoria and Albert
Museum, London, Großbritannien, Casson
Mann, 2001
34 Frank Gehry,Architect,SolomonR.
Guggenheim Museum, New York, USA, Frank O.
Gehry Associates, 2001
38 Guinness Storehouse, Dublin, Irland,
Imagination and Robinson Keefe Devane, 2000
42 Expedition Titanic, Hamburg, Deutschland,
Atelier Brückner und Götz, Schulz, Haas
Architekten, 1997
46 Kapitel 2 PerformativerRaum
50 Ericsson, CeBIT, London, Großbritannien,
Imagination, 2001
54 Our Global Garden, Eureka! The Museum for
Children, Halifax, Großbritannien, Imagination,
2002
56 Orange Imaginarium, Explore At Bristol,
Bristol, Großbritannien, Imagination, 2001
62 Hall of the Universe, Hall of Planet Earth,
American Museum of Natural History, New York,
USA, Ralph Appelbaum Associates, 2000
64 Energy Gallery, Science Museum, London,
Großbritannien, Casson Mann, 2004
68 Olympic Rendezvous ©Samsung
Electronics, Salt Lake City, USA,
Imagination (USA), Inc., 2002
72 Les Immateriaux, Centre Pompidou, Paris,
Frankreich, Jean Frangois Lyotard und Thierry
Chaput, 1985
74 Kapitel 3 Simulierter Raum
78 Theater für Lucent Centre of Excellence.
Nürnberg, Deutschland, MET Studio Design,
2001
80 Wired Worlds, National Museum of
Photography, Film andTelevision, Bradford,
Großbritannien, MET Studio Design, 2000
84 Jean Nouvel, Centre Pompidou, Paris,
Frankreich, Jean Nouvel, 2001 2002
88 The Weather Project,Täte Modern, London,
Großbritannien, OlafurEliasson, 2003 2004
90 The Samsung Experience, Time Warner
Center, New York, USA, Imagination (USA), Inc.,
2004
94 Hall of Biodiversity, American Museum of
Natural History, New York, USA, Ralph
Appelbaum Associates, 1998
96 Stuttgart im Zweiten Weltkrieg, Stuttgart,
Deutschland, HG Merz Architekten, 1988 1989
98 Eyes, Lies and Illusions, Hayward Gallery,
London, Großbritannien, Christophe Gerrard,
Critical Space, 2004 2005
TEIL 2 TECHNIKEN
102 Kapitel 4 Präsentation
108 TheArtoftheMotorcycle, Guggenheim
Museum NewYork/Bilbao/Las Vegas, Franko.
Gehry Associates, 1998 2002
114 Dia:Beacon, Riggio Galleries, Dia Art
Foundation, Beacon, USA, Dia Art Foundation,
Robert Irwin und Open Office, 2003
118 American Folk Art Museum, New York, USA,
Ralph Appelbaum Associates, 2001
120 Wellcome Wing, Science Museum, London,
Großbritannien, Casson Mann, 2000
124 Crimes Against Humanity, Imperial War
Museum, London, Großbritannien, Casson
Mann, 2002
126 The Rise of the Picture Press, International
Center of Photography, New York, USA, Julie Ault
und Martin Beck, 2000
128 Grande Galerie de l'Evolution, Botanischer
Garten, Paris, Frankreich, Paul Chemetov und
BorjaHuidobro, 1994
132 Addressing the Century: 100 Years of Art and
Fashion, Hayward Gallery, London,
Großbritannien, Zaha Hadid Architects,
1997 1998
136 Kapitel 5 Beleuchtung
140 Lightshow, Täte Modern, London,
Großbritannien, Imagination, 2000
142 Brazil: Body and Soul, Guggenheim Museum,
New York, USA, Jean Nouvel, 2001 2002
146 Steuben Flagship Store, New York, USA,
Ralph Appelbaum Associates, 2000
148 Giorgio Armani, Guggenheim Museum New
York, USA/Bilbao, Spanien, Robert Wilson,
2000 2001
154 SITECO, Light and Building Messe, Frankfurt,
Deutschland, Atelier Brückner, 2000,2002
156 Halls of Vertebrate Evolution, American
Museum of Natural History, New York, USA,
Ralph Appelbaum Associates, 1996
160 Kapitel 6 Kommunikation, Grafik und Farbe
164 Outdoor Systems, Indoor Distribution,
Neue Gesellschaft für Bildende Kunst, Berlin,
Deutschland, Julie Ault und Martin Beck, 2000
168 Experience Music Project, Seattle, USA,
Franko. Gehry Associates, 2000
170 Samsung Brand Showcase, Moskau,
Russland, Imagination (USA), Inc., 2003
172 Museum für Kommunikation, Berlin,
Deutschland, HG Merz Architekten, 1997 2000
174 Power Up, Reassembled, UCLA Hammer
Museum, Los Angeles, USA, Julie Ault, 2000
178 Sparking Reaction, Sellafield Visitor Centre,
Cumbria, Großbritannien, Casson Mann, 2002
182 Fußnoten
183 Literaturempfehlungen
184 Register
188 Projektnachweis
190 Abbildungsnachweis
192 Danksagung |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author_GND | (DE-588)131522337 |
building | Verbundindex |
bvnumber | BV021738961 |
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classification_tum | ARC 509f |
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dewey-full | 069 |
dewey-hundreds | 000 - Computer science, information, general works |
dewey-ones | 069 - Museology (Museum science) |
dewey-raw | 069 |
dewey-search | 069 |
dewey-sort | 269 |
dewey-tens | 060 - General organizations and museology |
discipline | Kunstgeschichte Allgemeines Architektur |
discipline_str_mv | Kunstgeschichte Allgemeines Architektur |
era | Geschichte 2000-2005 gnd |
era_facet | Geschichte 2000-2005 |
format | Book |
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genre | (DE-588)4144384-6 Beispielsammlung gnd-content |
genre_facet | Beispielsammlung |
geographic | Art Exhibition techniques |
geographic_facet | Art Exhibition techniques |
id | DE-604.BV021738961 |
illustrated | Illustrated |
index_date | 2024-07-02T15:28:47Z |
indexdate | 2024-09-19T04:01:16Z |
institution | BVB |
isbn | 3899860683 |
language | German English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014952354 |
oclc_num | 214417485 |
open_access_boolean | |
owner | DE-210 DE-898 DE-BY-UBR DE-858 DE-Aug4 DE-861 DE-M157 DE-703 DE-M347 DE-1102 DE-634 DE-473 DE-BY-UBG DE-83 DE-M17 DE-1051 DE-11 DE-824 DE-525 DE-188 DE-20 DE-M508 DE-523 DE-92 DE-B496 DE-863 DE-BY-FWS DE-91 DE-BY-TUM DE-384 DE-Fth3 DE-Y2 DE-M352 |
owner_facet | DE-210 DE-898 DE-BY-UBR DE-858 DE-Aug4 DE-861 DE-M157 DE-703 DE-M347 DE-1102 DE-634 DE-473 DE-BY-UBG DE-83 DE-M17 DE-1051 DE-11 DE-824 DE-525 DE-188 DE-20 DE-M508 DE-523 DE-92 DE-B496 DE-863 DE-BY-FWS DE-91 DE-BY-TUM DE-384 DE-Fth3 DE-Y2 DE-M352 |
physical | 192 S. überw. Ill., Kt. 30 cm |
publishDate | 2006 |
publishDateSearch | 2006 |
publishDateSort | 2006 |
publisher | avedition |
record_format | marc |
spellingShingle | Ausstellungsgestaltung Konzepte und Techniken Kunst Museum techniques Gestaltung (DE-588)4157139-3 gnd Museum (DE-588)4040795-0 gnd Ausstellung (DE-588)4129601-1 gnd |
subject_GND | (DE-588)4157139-3 (DE-588)4040795-0 (DE-588)4129601-1 (DE-588)4144384-6 |
title | Ausstellungsgestaltung Konzepte und Techniken |
title_alt | Exhibition design |
title_auth | Ausstellungsgestaltung Konzepte und Techniken |
title_exact_search | Ausstellungsgestaltung Konzepte und Techniken |
title_exact_search_txtP | Ausstellungsgestaltung Konzepte und Techniken |
title_full | Ausstellungsgestaltung Konzepte und Techniken David Dernie |
title_fullStr | Ausstellungsgestaltung Konzepte und Techniken David Dernie |
title_full_unstemmed | Ausstellungsgestaltung Konzepte und Techniken David Dernie |
title_short | Ausstellungsgestaltung |
title_sort | ausstellungsgestaltung konzepte und techniken |
title_sub | Konzepte und Techniken |
topic | Kunst Museum techniques Gestaltung (DE-588)4157139-3 gnd Museum (DE-588)4040795-0 gnd Ausstellung (DE-588)4129601-1 gnd |
topic_facet | Kunst Museum techniques Gestaltung Museum Ausstellung Art Exhibition techniques Beispielsammlung |
url | http://deposit.dnb.de/cgi-bin/dokserv?id=2750424&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014952354&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | UT exhibitiondesign AT derniedavid ausstellungsgestaltungkonzepteundtechniken |
Beschreibung
THWS Würzburg Teilbibliothek SHL, Raum I.2.11
Signatur: |
1340 AK 86500 D436 |
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Exemplar 1 | nicht ausleihbar Verfügbar Bestellen |