Classical music why bother?: hearing the world of contemporary culture through a composers ears
The famous quip "I don't know much about art, but I know what I like" sums up many people's ideas about how to judge a work of art; but there are inherent limitations if we rely on immediate impressions in judging what should be enduring products of our culture. While some might...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
2006
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Publisher description Inhaltsverzeichnis |
| Zusammenfassung: | The famous quip "I don't know much about art, but I know what I like" sums up many people's ideas about how to judge a work of art; but there are inherent limitations if we rely on immediate impressions in judging what should be enduring products of our culture. While some might criticize this as a return to "elitism," Joshua Fineberg argues that without some way of determining intrinsic value, there can be no movement forward for creators or their audience. He draws on contemporary thought about "Design space" and "Universal Grammar" to show how intrinsic values can be rediscovered. He then looks at the importance of multimedia in allowing multiple points of entry for the discovering of new works, finally showing how the composer can "Design music for human beings"--creating a kind of art that can preserve the research agenda of conceptual work without renouncing the understanding of human listeners and performers embodied by craft. Classical Music: Why Bother? will intrigue all listeners of contemporary music, students of musical thought, and composers-but it will also interest students of contemporary aesthetics. It answers the age-old question "How can we bring a new audience to contemporary art?" - and challenges both the creators and their audience to broaden their ideas about what is valuable and lasting in today's culture. |
| Beschreibung: | Includes bibliographical references (p. ) and index |
| Beschreibung: | XVII, 162 S. |
| ISBN: | 041597173X 0415971748 |
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| 520 | 3 | |a The famous quip "I don't know much about art, but I know what I like" sums up many people's ideas about how to judge a work of art; but there are inherent limitations if we rely on immediate impressions in judging what should be enduring products of our culture. While some might criticize this as a return to "elitism," Joshua Fineberg argues that without some way of determining intrinsic value, there can be no movement forward for creators or their audience. He draws on contemporary thought about "Design space" and "Universal Grammar" to show how intrinsic values can be rediscovered. He then looks at the importance of multimedia in allowing multiple points of entry for the discovering of new works, finally showing how the composer can "Design music for human beings"--creating a kind of art that can preserve the research agenda of conceptual work without renouncing the understanding of human listeners and performers embodied by craft. Classical Music: Why Bother? will intrigue all listeners of contemporary music, students of musical thought, and composers-but it will also interest students of contemporary aesthetics. It answers the age-old question "How can we bring a new audience to contemporary art?" - and challenges both the creators and their audience to broaden their ideas about what is valuable and lasting in today's culture. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CLASSICAL MUSIC WHY BOTHER? / FINEBERG, JOSHUA : 2006 TABLE OF
CONTENTS / INHALTSVERZEICHNIS AESTHETIC VALUE TASTE CONCEPT AND CRAFT
ELITISM TECHNOLOGY DESIGN SPACE UNDERSTANDING MUSIC DESIGNING MUSIC
FOR HUMAN BEINGS CODA. DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| adam_txt |
CLASSICAL MUSIC WHY BOTHER? / FINEBERG, JOSHUA : 2006 TABLE OF
CONTENTS / INHALTSVERZEICHNIS AESTHETIC VALUE TASTE CONCEPT AND CRAFT
ELITISM TECHNOLOGY DESIGN SPACE "UNDERSTANDING" MUSIC DESIGNING MUSIC
FOR HUMAN BEINGS CODA. DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Fineberg, Joshua 1969- |
| author_GND | (DE-588)123375924 |
| author_facet | Fineberg, Joshua 1969- |
| author_role | aut |
| author_sort | Fineberg, Joshua 1969- |
| author_variant | j f jf |
| building | Verbundindex |
| bvnumber | BV021738715 |
| callnumber-first | M - Music |
| callnumber-label | ML3800 |
| callnumber-raw | ML3800 |
| callnumber-search | ML3800 |
| callnumber-sort | ML 43800 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 56828 |
| ctrlnum | (OCoLC)62342062 (DE-599)BVBBV021738715 |
| dewey-full | 781.6/8 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6/8 |
| dewey-search | 781.6/8 |
| dewey-sort | 3781.6 18 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| index_date | 2024-07-02T15:28:42Z |
| indexdate | 2024-07-09T20:42:54Z |
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| isbn | 041597173X 0415971748 |
| language | English |
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| spelling | Fineberg, Joshua 1969- Verfasser (DE-588)123375924 aut Classical music why bother? hearing the world of contemporary culture through a composers ears Joshua Fineberg New York [u.a.] Routledge 2006 XVII, 162 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. ) and index The famous quip "I don't know much about art, but I know what I like" sums up many people's ideas about how to judge a work of art; but there are inherent limitations if we rely on immediate impressions in judging what should be enduring products of our culture. While some might criticize this as a return to "elitism," Joshua Fineberg argues that without some way of determining intrinsic value, there can be no movement forward for creators or their audience. He draws on contemporary thought about "Design space" and "Universal Grammar" to show how intrinsic values can be rediscovered. He then looks at the importance of multimedia in allowing multiple points of entry for the discovering of new works, finally showing how the composer can "Design music for human beings"--creating a kind of art that can preserve the research agenda of conceptual work without renouncing the understanding of human listeners and performers embodied by craft. Classical Music: Why Bother? will intrigue all listeners of contemporary music, students of musical thought, and composers-but it will also interest students of contemporary aesthetics. It answers the age-old question "How can we bring a new audience to contemporary art?" - and challenges both the creators and their audience to broaden their ideas about what is valuable and lasting in today's culture. Musique - Aspect social Musique - Orientation professionnelle Musique - Philosophie et esthétique Gesellschaft Musik Music Philosophy and aesthetics Music Social aspects Musik (DE-588)4040802-4 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Musikästhetik (DE-588)4040808-5 s DE-604 Musik (DE-588)4040802-4 s Gesellschaft (DE-588)4020588-5 s http://www.loc.gov/catdir/toc/ecip064/2005033461.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0651/2005033461-d.html Publisher description LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014952114&sequence=000007&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fineberg, Joshua 1969- Classical music why bother? hearing the world of contemporary culture through a composers ears Musique - Aspect social Musique - Orientation professionnelle Musique - Philosophie et esthétique Gesellschaft Musik Music Philosophy and aesthetics Music Social aspects Musik (DE-588)4040802-4 gnd Musikästhetik (DE-588)4040808-5 gnd Gesellschaft (DE-588)4020588-5 gnd |
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| title | Classical music why bother? hearing the world of contemporary culture through a composers ears |
| title_auth | Classical music why bother? hearing the world of contemporary culture through a composers ears |
| title_exact_search | Classical music why bother? hearing the world of contemporary culture through a composers ears |
| title_exact_search_txtP | Classical music why bother? hearing the world of contemporary culture through a composers ears |
| title_full | Classical music why bother? hearing the world of contemporary culture through a composers ears Joshua Fineberg |
| title_fullStr | Classical music why bother? hearing the world of contemporary culture through a composers ears Joshua Fineberg |
| title_full_unstemmed | Classical music why bother? hearing the world of contemporary culture through a composers ears Joshua Fineberg |
| title_short | Classical music why bother? |
| title_sort | classical music why bother hearing the world of contemporary culture through a composers ears |
| title_sub | hearing the world of contemporary culture through a composers ears |
| topic | Musique - Aspect social Musique - Orientation professionnelle Musique - Philosophie et esthétique Gesellschaft Musik Music Philosophy and aesthetics Music Social aspects Musik (DE-588)4040802-4 gnd Musikästhetik (DE-588)4040808-5 gnd Gesellschaft (DE-588)4020588-5 gnd |
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