Charles Dickens and his performing selves: Dickens and the public readings
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford Univ. Press
2006
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 331 S. Ill. |
| ISBN: | 0199270694 9780199270699 |
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| adam_text | Contents
Préface and Acknowledgements vii
List ofIllustrations xiii
A Première: New York, December 1867 1
1. A Community of Readers 9
Serialization and the Bonded Reader; Anti theatricality and
Readingfor Money; Débuts
2. Reading, Reciting, Acting 50
Communal Reading Practices; Public Recitalists; Dickens
the Reader; The Limits of Reading ; The Reading
Texts—Novels into Scripts
3. Impersonation 97
Composing out loud) Mostpeople are otherpeople ; Charles
Mathews
4. Celebrity on Tour 126
The Set— The Desk, Props, The Platform; The Tour
Manager and Crew; Managing Celebrity; A convict in
golden fetters
5. Performance 176
Voice; Gesture; Characterization; Narrative and
Character; Rapport
Sikes and Nancy : A Reading 219
6. A New Expression of the Meaningofmy Books 226
Authentication; Colour and Définition; Realism; This
interprétation ofmyself
Finale: London, March 1870 263
Appendix: Schedule ofthe Public Readings 267
Abbreviations 291
Notes 292
Index 327
List ofIllustrations
Frontispiece Sikes and Nancy: A Reading : Dickens s
prompt copy, pp. 110 11. Henry W. and Albert A. Berg
Collection of English and American Literature, New York
Public Library, Astor, Lenox and Tilden Foundations. vi
1. Buying tickets for the Dickens Readings at Steinway Hall,
New York. Harper s Weekly, 28 December 1867. 3
2. A Christmas Carol : Dickens s prompt copy, pp. 56 7.
Henry W. and Albert A. Berg Collection of English and
American Literature, New York Public Library, Astor, Lenox
and Tilden Foundations. 86
3. R. H. Mason, Charles Dickens with Katie and Mamie, Gad s
Hill Place (?1865). Photograph. Courtesy of the Charles
Dickens Muséum, London. 127
4. Robert Hannah, Portraits of Charles Dickens Reading
(?1858). OU Painting. Courtesy of the Charles Dickens
Muséum, London. 130
5. Charles Dickens, Design for his Reading Desk (?1858).
Drawing. Courtesy of the Charles Dickens Muséum,
London. 132
6. Dickens s Reading Desk. The Charles Dickens Muséum,
London. Photograph by Jaron Chubb. 134
7. Stéréoscope of Dickens at his Reading Desk, based on a
photograph by Herbert Watkins (?1858). Courtesy of the
Charles Dickens Muséum, London. 137
8. G. Sargent, St Martin s Hall, Long Acre (1853). Drawing.
Guildhall Library, City of London. 139
9. St James s Music Hall, London. IllustratedLondon News, 10
April 1858. Courtesy of Illustrated London News Picture
Library. 141
10. Hanover Square Concert Room. Illustrated London News, 24
June 1843. 143
11. Dickens s Reading Set. Harper s Weekly, 7 December 1867. 145
12. Dickens and George Dolby in America. Cartoon Sketch
(?1868). Courtesy of the Charles Dickens Muséum, London. 149
13. Mathew Brady, Charles Dickens (?1867). Photograph.
Courtesy of National Archives and Records Administration,
Washington, DC. 153
14. Charles Lyall, From Whom We Hâve Great Expectations
(1861). Courtesy of the Charles Dickens Muséum, London. 161
15. Anon., Dickens giving a Public Reading (most probably at
St James s Hall, March 1870). Watercolour. Courtesy of the
Charles Dickens Muséum, London. 179
16. The Strokes of Gesture. Illustration in H. Campbell et al,
Voice, Speech and Gesture (1897), p. 131. 189
17. Harry Furniss, Charles Dickens Exhausted. Dickens is
imagined in a state of collapse after a Reading of Sikes and
Nancy (the murder scène is shadowed just above him). In
Harry Furniss, Some Victorian Men (1924), facing page 194. 225
|
| adam_txt |
Contents
Préface and Acknowledgements vii
List ofIllustrations xiii
A Première: New York, December 1867 1
1. A Community of Readers 9
Serialization and the Bonded Reader; Anti theatricality and
Readingfor Money; Débuts
2. Reading, Reciting, Acting 50
Communal Reading Practices; Public Recitalists; Dickens
the Reader; The 'Limits of Reading'; The Reading
Texts—Novels into Scripts
3. Impersonation 97
'Composing out loud) 'Mostpeople are otherpeople'; Charles
Mathews
4. Celebrity on Tour 126
The Set— The Desk, Props, The Platform; The Tour
Manager and Crew; Managing Celebrity; A convict in
golden fetters'
5. Performance 176
Voice; Gesture; Characterization; Narrative and
Character; Rapport
'Sikes and Nancy': A Reading 219
6. A'New Expression of the Meaningofmy Books' 226
Authentication; Colour and Définition; Realism; 'This
interprétation ofmyself
Finale: London, March 1870 263
Appendix: Schedule ofthe Public Readings 267
Abbreviations 291
Notes 292
Index 327
List ofIllustrations
Frontispiece 'Sikes and Nancy: A Reading': Dickens's
prompt copy, pp. 110 11. Henry W. and Albert A. Berg
Collection of English and American Literature, New York
Public Library, Astor, Lenox and Tilden Foundations. vi
1. Buying tickets for the Dickens Readings at Steinway Hall,
New York. Harper's Weekly, 28 December 1867. 3
2. 'A Christmas Carol': Dickens's prompt copy, pp. 56 7.
Henry W. and Albert A. Berg Collection of English and
American Literature, New York Public Library, Astor, Lenox
and Tilden Foundations. 86
3. R. H. Mason, Charles Dickens with Katie and Mamie, Gad's
Hill Place (?1865). Photograph. Courtesy of the Charles
Dickens Muséum, London. 127
4. Robert Hannah, Portraits of Charles Dickens Reading
(?1858). OU Painting. Courtesy of the Charles Dickens
Muséum, London. 130
5. Charles Dickens, Design for his Reading Desk (?1858).
Drawing. Courtesy of the Charles Dickens Muséum,
London. 132
6. Dickens's Reading Desk. The Charles Dickens Muséum,
London. Photograph by Jaron Chubb. 134
7. Stéréoscope of Dickens at his Reading Desk, based on a
photograph by Herbert Watkins (?1858). Courtesy of the
Charles Dickens Muséum, London. 137
8. G. Sargent, 'St Martin's Hall, Long Acre' (1853). Drawing.
Guildhall Library, City of London. 139
9. 'St James's Music Hall, London.' IllustratedLondon News, 10
April 1858. Courtesy of Illustrated London News Picture
Library. 141
10. Hanover Square Concert Room. Illustrated London News, 24
June 1843. 143
11. Dickens's Reading Set. Harper's Weekly, 7 December 1867. 145
12. Dickens and George Dolby in America. Cartoon Sketch
(?1868). Courtesy of the Charles Dickens Muséum, London. 149
13. Mathew Brady, 'Charles Dickens' (?1867). Photograph.
Courtesy of National Archives and Records Administration,
Washington, DC. 153
14. Charles Lyall, 'From Whom We Hâve Great Expectations'
(1861). Courtesy of the Charles Dickens Muséum, London. 161
15. Anon., Dickens giving a Public Reading (most probably at
St James's Hall, March 1870). Watercolour. Courtesy of the
Charles Dickens Muséum, London. 179
16. The 'Strokes' of Gesture. Illustration in H. Campbell et al,
Voice, Speech and Gesture (1897), p. 131. 189
17. Harry Furniss, 'Charles Dickens Exhausted.' Dickens is
imagined in a state of collapse after a Reading of'Sikes and
Nancy' (the murder scène is shadowed just above him). In
Harry Furniss, Some Victorian Men (1924), facing page 194. 225 |
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| spelling | Andrews, Malcolm Verfasser aut Charles Dickens and his performing selves Dickens and the public readings Malcolm Andrews 1. publ. Oxford Oxford Univ. Press 2006 XIV, 331 S. Ill. txt rdacontent n rdamedia nc rdacarrier Dickens, Charles <1812-1870> Adaptations Dickens, Charles <1812-1870> Knowledge Performing arts Dickens, Charles 1812-1870 (DE-588)118525239 gnd rswk-swf Geschichte 1800-1900 Geschichte Wissen Oral interpretation of fiction History 19th century Oral reading History 19th century Performing arts in literature Performing arts Great Britain History 19th century Stage adaptations Autorenlesung (DE-588)4143718-4 gnd rswk-swf Großbritannien (DE-588)4188171-0 Verzeichnis gnd-content Dickens, Charles 1812-1870 (DE-588)118525239 p Autorenlesung (DE-588)4143718-4 s b DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014948383&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Andrews, Malcolm Charles Dickens and his performing selves Dickens and the public readings Dickens, Charles <1812-1870> Adaptations Dickens, Charles <1812-1870> Knowledge Performing arts Dickens, Charles 1812-1870 (DE-588)118525239 gnd Geschichte Wissen Oral interpretation of fiction History 19th century Oral reading History 19th century Performing arts in literature Performing arts Great Britain History 19th century Stage adaptations Autorenlesung (DE-588)4143718-4 gnd |
| subject_GND | (DE-588)118525239 (DE-588)4143718-4 (DE-588)4188171-0 |
| title | Charles Dickens and his performing selves Dickens and the public readings |
| title_auth | Charles Dickens and his performing selves Dickens and the public readings |
| title_exact_search | Charles Dickens and his performing selves Dickens and the public readings |
| title_exact_search_txtP | Charles Dickens and his performing selves Dickens and the public readings |
| title_full | Charles Dickens and his performing selves Dickens and the public readings Malcolm Andrews |
| title_fullStr | Charles Dickens and his performing selves Dickens and the public readings Malcolm Andrews |
| title_full_unstemmed | Charles Dickens and his performing selves Dickens and the public readings Malcolm Andrews |
| title_short | Charles Dickens and his performing selves |
| title_sort | charles dickens and his performing selves dickens and the public readings |
| title_sub | Dickens and the public readings |
| topic | Dickens, Charles <1812-1870> Adaptations Dickens, Charles <1812-1870> Knowledge Performing arts Dickens, Charles 1812-1870 (DE-588)118525239 gnd Geschichte Wissen Oral interpretation of fiction History 19th century Oral reading History 19th century Performing arts in literature Performing arts Great Britain History 19th century Stage adaptations Autorenlesung (DE-588)4143718-4 gnd |
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