Roll over Adorno: critical theory, popular culture, audiovisual media
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Albany
State Univ. of New York Press
2006
|
Schriftenreihe: | The SUNY series in postmodern culture
|
Schlagworte: | |
Online-Zugang: | Table of contents Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references (p. 233-252) and index |
Beschreibung: | XXI, 262 S. Ill. |
ISBN: | 0791467333 0791467341 |
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Datensatz im Suchindex
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adam_text |
Contents
List of Illustrations xi
Acknowledgments xiii
Script xvii
INTRODUCTION: CRITICAL THEORY, POPULAR
CULTURE, AUDIOVISUAL MEDIA 1
Popular Music 3
Sound Film 8
Television 15
PART 1. POPULAR MUSIC: HI LO FIDELITY 23
1. ROCK 'N' THEORY: CULTURAL STUDIES,
AUTOBIOGRAPHY, AND THE DEATH OF ROCK 25
A Side: The Birth of Rock, or Memory Train 25
BSide: Rock in Theory 29
The Culture of Rock 30
Rock, Rap, and Riot Grrrls 33
World Musics: After Rock Imperialism 35
Production of Culture 36
Forced Choice: Britney or Avril? 38
My Generation 40
2. ROLL OVER ADORNO: BEETHOVEN, CHUCK BERRY,
AND POPULAR MUSIC IN THE AGE OF MP3 43
Mass Culture, Ersatz Kantianism 44
From Beethoven to Fascism 46
Amerika: Beethoven or Bikinis 47
Radio Days 49
"Roll Over Beethoven" 52
Magic Spell and the Two Spheres of Music 54
MP3 57
Fantasia 58
REPRISE: BEETHOVEN'S HAIR 61
vii
Viii ROLL OVER ADORNO
PART 2. SOUND FILM: SCREEN THEORY AND
AUDIOVISUALITY 67
3. THE SUTURE SCENARIO: AUDIOVISUALITY AND
POST SCREEN THEORY 69
Theory: The Suture Scenario 70
Post Screen Theory: Suture as Desuturing 72
Audiovisuality in Tongues Untied and Set It Off 73
Illustration A: Tongues Untied 74
Illustration B: Set It Off 79
4. AUDIOPHILIA: AUDIOVISUAL PLEASURE AND
NARRATIVE CINEMA IN JACKIE BROWN 91
Cinephilia 92
Scopophilia 94
From Scopophilia to Audiophilia: The Gaze qua Race 96
Audiophilia: Auditing Jackie Brown 98
"Across 110th Street": Overture 99
"Street Life": Jackie as Femme Noire 101
"Across 110th Street": Denouement 107
Audiophilia Reconsidered: "Asking for It" 111
Counterpoint: Post Soul Music or Pre Gangsta Rap? 117
REPRISE: ALEX'S "LOVELY LUDWIG VAN" AND
MARTY MCFLY'S WHITE ROCK MINSTREL SHOW 121
PART 3. TV: TELEVISION, TELEPHILIA, TELEVISUALITY 133
5. GEN X TV: POLITICAL LIBIDINAL STRUCTURES OF
FEELING IN MELROSE PLACE 135
Preview 136
After the Reagan Dynasty: "Help Me, Rhonda" 138
From Race to Sex Gender: Kiss Kiss, Bang Bang 142
The Romance of Capital: Fox, Female Address, and
Postfeminism 144
Melrose Space: The Fashion Mode 147
Adcult: The Commercial Supertext 149
Review 151
Contents ix
6. SHOT/COUNTERSHOT: SEXUALITY, PSYCHOANALYSIS,
AND POSTMODERN STYLE IN THE SOPRANOS 153
Shot: The Godfather 154
Citationality: The Gangster as Serio Comic Hero 154
"I'm a Man": Crossing Cultures 157
Psycho Gangster TV: Seriality and Self Reflexivity 159
A la Recherche du temps perdu 160
Primal Scene: Capicola as Proustian "Tea Cookie" 162
Countershot: Case Study 164
Black and Blue: Puzo's Women 166
Repetition Compulsion: From The Godfather to
The Sopranos 167
Beyond the University 168
Post Mortem: Bad Love 172
D I S R E S P E C T: Tele Psychoanalytic Metatext 173
Analysis Interminable 175
Martini Shot: "Hall Hath No Fury" 179
REPRISE: TONY SOPRANO, MEET BUFFY THE
VAMPIRE SLAYER 183
Notes 197
Bibliography 233
Index 253
Illustrations
1. Mia Wallace (Uma Thurman) in Pulp Fiction
(Tarantino, 1994). 13
2. Cleo (Queen Latifah), Frankie (Vivica Fox), Stony
Qada Pinkett), and Tisean (Kimberly Elise)
in Set It Off (Gray, 1996). 83
3. Cleo in Set It Off. 85
4. Cleo, Tisean, Frankie, and Stony in Set It Off. 88
5. Jackie Brown (Pam Grier) in ]ackie Brown (Tarantino, 1997). 104
6. Ordell Robbie (Samuel L. Jackson) in Jackie Brown. 105
7. Jackie in Jackie Brown. 108
8. Max Cherry (Robert Forster) in Jackie Brown. 113
9. Louis Gara (Robert De Niro) and Melanie Ralston
(Bridget Fonda) in Jackie Brown. 116
10. Marty McFly (Michael J. Fox) in Back to the Future
(Zemeckis, 1985). 129
11. Left to right: Jo (Daphne Zuniga), Alison (Courtney
Thorne Smith), Jake (Grant Show), Jane (Josie Bisset),
Billy (Andrew Shue), Matt (Doug Savant), Michael
(Thomas Calabro), and Rhonda (Vanessa Williams)
in Melrose Place (Fox, 1992 99). 140
12. Tony Soprano (James Gandolfini), Meadow (Jamie Lynn
Sigler), Anthony, Jr. (Robert Her), and Carmela (Edie
Falco) in The Sopranos (HBO, 1999 present). 155
13. "Big Pussy" Bonpensiero (Vincent Pastore), Tony
Soprano, Christopher Moltisanti (Michael Imperioli),
Paulie "Walnuts" Gaultieri (Tony Sirico), Hesh Rabkin
(Jerry Adler), Silvio Dante (Steven van Zandt), and
Furio Giunta (Federico Castelluccio) in The Sopranos. 165
14. Dr. Jennifer Melfi (Lorraine Bracco) in The Sopranos. 178
15. Spike (James Marsters), Anya (Emma Caulfield),
Tara (Amber Benson), Rupert Giles (Anthony S. Head),
Buffy Summers (Sarah Michelle Gellar), Xander
(Nicholas Brendon), and Willow (Alyson Hannigan) in
Buffy the Vampire Slayer (WB, 1997 2001; UPN, 2001 03). 186
16. Tara and Willow in Buffy the Vampire Slayer. 189
xi |
adam_txt |
Contents
List of Illustrations xi
Acknowledgments xiii
Script xvii
INTRODUCTION: CRITICAL THEORY, POPULAR
CULTURE, AUDIOVISUAL MEDIA 1
Popular Music 3
Sound Film 8
Television 15
PART 1. POPULAR MUSIC: HI LO FIDELITY 23
1. ROCK 'N' THEORY: CULTURAL STUDIES,
AUTOBIOGRAPHY, AND THE DEATH OF ROCK 25
A Side: The Birth of Rock, or Memory Train 25
BSide: Rock in Theory 29
The Culture of Rock 30
Rock, Rap, and Riot Grrrls 33
World Musics: After Rock Imperialism 35
Production of Culture 36
Forced Choice: Britney or Avril? 38
My Generation 40
2. ROLL OVER ADORNO: BEETHOVEN, CHUCK BERRY,
AND POPULAR MUSIC IN THE AGE OF MP3 43
Mass Culture, Ersatz Kantianism 44
From Beethoven to Fascism 46
Amerika: Beethoven or Bikinis 47
Radio Days 49
"Roll Over Beethoven" 52
Magic Spell and the Two Spheres of Music 54
MP3 57
Fantasia 58
REPRISE: BEETHOVEN'S HAIR 61
vii
Viii ROLL OVER ADORNO
PART 2. SOUND FILM: SCREEN THEORY AND
AUDIOVISUALITY 67
3. THE SUTURE SCENARIO: AUDIOVISUALITY AND
POST SCREEN THEORY 69
Theory: The Suture Scenario 70
Post Screen Theory: Suture as Desuturing 72
Audiovisuality in Tongues Untied and Set It Off 73
Illustration A: Tongues Untied 74
Illustration B: Set It Off 79
4. AUDIOPHILIA: AUDIOVISUAL PLEASURE AND
NARRATIVE CINEMA IN JACKIE BROWN 91
Cinephilia 92
Scopophilia 94
From Scopophilia to Audiophilia: The Gaze qua Race 96
Audiophilia: Auditing Jackie Brown 98
"Across 110th Street": Overture 99
"Street Life": Jackie as Femme Noire 101
"Across 110th Street": Denouement 107
Audiophilia Reconsidered: "Asking for It" 111
Counterpoint: Post Soul Music or Pre Gangsta Rap? 117
REPRISE: ALEX'S "LOVELY LUDWIG VAN" AND
MARTY MCFLY'S WHITE ROCK MINSTREL SHOW 121
PART 3. TV: TELEVISION, TELEPHILIA, TELEVISUALITY 133
5. GEN X TV: POLITICAL LIBIDINAL STRUCTURES OF
FEELING IN MELROSE PLACE 135
Preview 136
After the Reagan Dynasty: "Help Me, Rhonda" 138
From Race to Sex Gender: Kiss Kiss, Bang Bang 142
The Romance of Capital: Fox, Female Address, and
Postfeminism 144
Melrose Space: The Fashion Mode 147
Adcult: The Commercial Supertext 149
Review 151
Contents ix
6. SHOT/COUNTERSHOT: SEXUALITY, PSYCHOANALYSIS,
AND POSTMODERN STYLE IN THE SOPRANOS 153
Shot: The Godfather 154
Citationality: The Gangster as Serio Comic Hero 154
"I'm a Man": Crossing Cultures 157
Psycho Gangster TV: Seriality and Self Reflexivity 159
A la Recherche du temps perdu 160
Primal Scene: Capicola as Proustian "Tea Cookie" 162
Countershot: Case Study 164
Black and Blue: Puzo's Women 166
Repetition Compulsion: From The Godfather to
The Sopranos 167
Beyond the University 168
Post Mortem: Bad Love 172
D I S R E S P E C T: Tele Psychoanalytic Metatext 173
Analysis Interminable 175
Martini Shot: "Hall Hath No Fury" 179
REPRISE: TONY SOPRANO, MEET BUFFY THE
VAMPIRE SLAYER 183
Notes 197
Bibliography 233
Index 253
Illustrations
1. Mia Wallace (Uma Thurman) in Pulp Fiction
(Tarantino, 1994). 13
2. Cleo (Queen Latifah), Frankie (Vivica Fox), Stony
Qada Pinkett), and Tisean (Kimberly Elise)
in Set It Off (Gray, 1996). 83
3. Cleo in Set It Off. 85
4. Cleo, Tisean, Frankie, and Stony in Set It Off. 88
5. Jackie Brown (Pam Grier) in ]ackie Brown (Tarantino, 1997). 104
6. Ordell Robbie (Samuel L. Jackson) in Jackie Brown. 105
7. Jackie in Jackie Brown. 108
8. Max Cherry (Robert Forster) in Jackie Brown. 113
9. Louis Gara (Robert De Niro) and Melanie Ralston
(Bridget Fonda) in Jackie Brown. 116
10. Marty McFly (Michael J. Fox) in Back to the Future
(Zemeckis, 1985). 129
11. Left to right: Jo (Daphne Zuniga), Alison (Courtney
Thorne Smith), Jake (Grant Show), Jane (Josie Bisset),
Billy (Andrew Shue), Matt (Doug Savant), Michael
(Thomas Calabro), and Rhonda (Vanessa Williams)
in Melrose Place (Fox, 1992 99). 140
12. Tony Soprano (James Gandolfini), Meadow (Jamie Lynn
Sigler), Anthony, Jr. (Robert Her), and Carmela (Edie
Falco) in The Sopranos (HBO, 1999 present). 155
13. "Big Pussy" Bonpensiero (Vincent Pastore), Tony
Soprano, Christopher Moltisanti (Michael Imperioli),
Paulie "Walnuts" Gaultieri (Tony Sirico), Hesh Rabkin
(Jerry Adler), Silvio Dante (Steven van Zandt), and
Furio Giunta (Federico Castelluccio) in The Sopranos. 165
14. Dr. Jennifer Melfi (Lorraine Bracco) in The Sopranos. 178
15. Spike (James Marsters), Anya (Emma Caulfield),
Tara (Amber Benson), Rupert Giles (Anthony S. Head),
Buffy Summers (Sarah Michelle Gellar), Xander
(Nicholas Brendon), and Willow (Alyson Hannigan) in
Buffy the Vampire Slayer (WB, 1997 2001; UPN, 2001 03). 186
16. Tara and Willow in Buffy the Vampire Slayer. 189
xi |
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dewey-search | 302.23 |
dewey-sort | 3302.23 |
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discipline_str_mv | Soziologie Philosophie |
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record_format | marc |
series2 | The SUNY series in postmodern culture |
spelling | Miklitsch, Robert Verfasser aut Roll over Adorno critical theory, popular culture, audiovisual media Robert Miklitsch Albany State Univ. of New York Press 2006 XXI, 262 S. Ill. txt rdacontent n rdamedia nc rdacarrier The SUNY series in postmodern culture Includes bibliographical references (p. 233-252) and index Kritische theorie gtt Populaire cultuur gtt Sociale aspecten gtt Film Gesellschaft Television broadcasting Social aspects United States Motion pictures Social aspects United States Popular music Social aspects United States Popular culture United States Fernsehen (DE-588)4016825-6 gnd rswk-swf Popkultur (DE-588)4175361-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Popkultur (DE-588)4175361-6 s Fernsehen (DE-588)4016825-6 s DE-604 Film (DE-588)4017102-4 s http://www.loc.gov/catdir/toc/ecip0513/2005015254.html Table of contents HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014947282&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Miklitsch, Robert Roll over Adorno critical theory, popular culture, audiovisual media Kritische theorie gtt Populaire cultuur gtt Sociale aspecten gtt Film Gesellschaft Television broadcasting Social aspects United States Motion pictures Social aspects United States Popular music Social aspects United States Popular culture United States Fernsehen (DE-588)4016825-6 gnd Popkultur (DE-588)4175361-6 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4016825-6 (DE-588)4175361-6 (DE-588)4017102-4 (DE-588)4078704-7 |
title | Roll over Adorno critical theory, popular culture, audiovisual media |
title_auth | Roll over Adorno critical theory, popular culture, audiovisual media |
title_exact_search | Roll over Adorno critical theory, popular culture, audiovisual media |
title_exact_search_txtP | Roll over Adorno critical theory, popular culture, audiovisual media |
title_full | Roll over Adorno critical theory, popular culture, audiovisual media Robert Miklitsch |
title_fullStr | Roll over Adorno critical theory, popular culture, audiovisual media Robert Miklitsch |
title_full_unstemmed | Roll over Adorno critical theory, popular culture, audiovisual media Robert Miklitsch |
title_short | Roll over Adorno |
title_sort | roll over adorno critical theory popular culture audiovisual media |
title_sub | critical theory, popular culture, audiovisual media |
topic | Kritische theorie gtt Populaire cultuur gtt Sociale aspecten gtt Film Gesellschaft Television broadcasting Social aspects United States Motion pictures Social aspects United States Popular music Social aspects United States Popular culture United States Fernsehen (DE-588)4016825-6 gnd Popkultur (DE-588)4175361-6 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Kritische theorie Populaire cultuur Sociale aspecten Film Gesellschaft Television broadcasting Social aspects United States Motion pictures Social aspects United States Popular music Social aspects United States Popular culture United States Fernsehen Popkultur USA |
url | http://www.loc.gov/catdir/toc/ecip0513/2005015254.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014947282&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT miklitschrobert rolloveradornocriticaltheorypopularcultureaudiovisualmedia |