Schroeders Negativ-Praxis:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German English Italian Norwegian |
| Veröffentlicht: |
Geesthacht ; Hamburg
Labor-Partner
2002
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Text dt., engl., ital. und norweg. |
| Beschreibung: | 149 S. Ill., graph. Darst. : 22 x 27 cm |
| ISBN: | 3000100725 |
Internformat
MARC
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| 245 | 1 | 0 | |a Schroeders Negativ-Praxis |c author Hartmuth Schroeder. Transl. by Hans Einar Johannessen ... |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a Geesthacht ; Hamburg |b Labor-Partner |c 2002 | |
| 300 | |a 149 S. |b Ill., graph. Darst. : 22 x 27 cm | ||
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| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Text dt., engl., ital. und norweg. | ||
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Datensatz im Suchindex
| _version_ | 1804135576542117888 |
|---|---|
| adam_text | FRAGEN & ANTWORTEN 1. WARUM STELLT DIE INDUSTRIE SO VIELE
UNTERSCHIEDLICHE FILMSORTEN HER? 2. WAS SIND
SENSIBILISIERUNGSFARBSTOFFE? 3. WAS SIND PANCHROMATISCHE FILME? 4. WAS
SIND ORTHOCHROMATISCHE FILME? 5. WAS SIND ORTHOPANCHROMATISCHE FILME? 6.
HALBTONFOTOGRAFIE, WAS BEDEUTETDAS? 7. STRICHFOTOGRAFIE, WAS IST DAS? 8.
LITHFILM, WAS IST DAS? 9.INFRAROTFILME, WASMACHTMAN DAMIT? 10. WAS
VERSTEHT MAN UNTER FARBTEMPERATUR? 11. GIBT ES EINEN IDEALEN FILM? 12.
WIE SIND DIE FILMSCHICHTEN AUFGEBAUT? 13. SCHWARZSCHILD-EFFEKT 14. WAS
BEDEUTET AUFLOESUNGSVERMOEGEN? 15. WELCHE MERKMALE KENNZEICHNEN DIE
KOPIERFAEHIGKEIT EINES FILMS? 16. WIE VERMEIDET MAN STRESS WAEHREND DER
ENTWICKLUNG? 17. SCHICHTOBERFLAECHEN-ENTWICKLER (AUSGLEICHSENTWICKLER)
18. SCHICHTIEFEN-ENTWICKLER (FEINSTKORNENTWICKLER) 19.
FEINKORN-AUSGLEICHS-ENTWICKLER (UNECHTER FEINKORN-ENTWICKLER) 20.
EMPFINDLICHKEITSTEIGERNDE ENTWICKLER 21. WAS IST ENTWICKLER-HAERTUNG? 22.
WAS GESCHIEHT WAEHREND DER ENTWICKLUNG? 23. KENNEN SIE
SCHWARZWEISS-MEHRSCHICHT-FILME? 24. ENTWICKLEN, STOPPEN, FIXIEREN,
WAESSERN, NETZMITTEL - IN KURZFORM 25. HABEN SIE EIN REZEPT ZUR
UMKEHR-ENTWICKLUNG? 26. WAS BEDEUTET ROUTE MEAN SQARE (RMS)? 27. WAS
BEDEUTET AUFLOESUNGSVERMOEGEN / MODULATIONS-UEBERTRAGUNGS-FUNKTION (MTF)?
28. FIXAGE UND WAESSERUNG 29. DARF MAN MIT DEN FINGERN IN DIE ENTWICKLER
FASSEN? 30. WAS BEDEUTET TONALITAET ODER TONWERT-DIFFERENZIERUNG? 31.
GIBT ES DAS IDEAL, ODER NUR KOMPROMISSE? 32. INFORMATIONEN ZU
^OPTIMALEM FILM-ENTWICKLER-KOMBINATIONEN 33. AUFGABE DER
SELBSTBESCHRAENKUNG 34. KODAK & MACO-FUEM MIT LP-ENTWICKLERN 35.
RATSCHLAEGE ZUR FILM- (NEGATIV-) VERARBEITUNG 36. SORTIMENT DER LABOR
PARTNER FOTOCHEMIE FUER DIE NEGATIV-VERARBEITUNG FILMENTWICKLER
LP-SUPERGRAIN FILMENTWICKLER LP-CUBE XS FILMENTWICKLER LP-DOCUFINE LC
DOKUMENTENENTWICKLER LP-DOCUFINE HC STOPPBAD LP-CITRIN HAERTENDES
STOPPBAD LP-CITRODUR FIXIERBAD LP-FIX SUPRA ENTWICKLERHAERTER LP-GELADUR
NETZMITTEL-SCHUTZBAD LP-MASTERPROOF INFRAROT FOTOGRAFIE 8-61 DOMANDE &
RISPOSTE 8-61 8 L.PERCHEL INDUSTRIA DEL SETTORE PRODUCE UNA VARIETAE DI
PELLICOLE COSI AMPIA? 8 10 2. COSA SONO LE SOSTANZE COLORANTI DI
SENSIBILIZZAZIONE? 10 10 3. COSA SONO LE PELLICOLE PANCROMATICHE? 10 10
4. COSA SONO LE PELLICOLE ORTOCROMATICHE? 10 10 5. COSA SONO LE
PELLICOLE PANCRORTOCROMATICHE? 10 12 6. FOTOGRAFIA A MEZZI TONI, COSA
SIGNIFICA ? 12 12 7. FOTOGRAFIA AL TRATTO, COSA SIGNIFICA? 12 12 8.
PELLICOLE LITH, COSA SONO? 12 12 9. PELLICOLE INFRAROSSO, COSA SONO? 12
12 10. COSA SI INTENDE PER TEMPERATURA COLORE? 12 14 11. ESISTE LA
PELLICOLA IDEALE? 14 14 12.MISPIEGHI LA COSTRUZIONE DEGLI STRATI DELLA
PELLICOLA ? 14 18 13. SPIEGA BREVEMENTE EHE COS E L EFFETTO
SCHWARZSCHILD? 18 18 14. COSA SIGNIFICA POTERE RISOLUTIVO, MTF, RMS
GRANDEZZA DEL GRANULO ? 18 20 15. QUALI REQUISITI CARATTERIZZANO
L IDONEITAE RIPRODUTTIVA DI UNA PELLICOLA? 20 20 16. COME SI EVITA LO
STRESS DURANTE LO SVILUPPO? 20 20 17. SVILUPPO DISUPERFICIE DELLO STRATO
(SVILUPPO COMPENSATORE) 20 22 18. SVILUPPO DI PROFONDITAE DELLO STRATO
(SVILUPPO FINE-GRANULANTE) 22 22 19. SVILUPPO COMPENSATORE A GRANAFINE
(FALSO SVILUPPO FINE-GRANULANTE) 22 22 20. SVILUPPI AD INCREMENTO DELLA
SENSIBILITAE 22 22 21. COS E LO SVILUPPO INDURITORE? 22 24 22. COSA
ACCADE DURANTE LAFASE DI SVILUPPO? 24 24 23. CONOSCE LE PELLICOLE IN
BIANCO/NERO MULTI-STRATI? 24 26 24. SVILUPPARE, ARRESTARE, FISSARE,
LAVARE, IMBIBENTE - IN BREVE 26 26 25. AVETE UNA RICETTA PER LO SVILUPPO
INVERTIBILE? 26 30 26. COSA SIGNIFICA ROUTE MEAN SQARE (RMS)? 30 32 27.
COSA SIGNIFICA POTERE RISOLUTIVO J FUNZIONE DI TRASMISSIONE E
MODULAZIONE (MTF)? 32 36 28. LABOR PARTNER CONSIGLIAIL LAVAGGIO A
CASCATA 36 38 29. SI PUOE INSERIRE UN DITO NELLO SVILUPPO? 38 38 30. COSA
SIGNIFICA TONALITAE, OVVERO DIFFERENZIAZIONE DEL VALORE TONALE? 38 44
31. ESISTE L IDEALE, OPPURE SOLO COMPROMESSI? 44 44 32.
INFORMAZIONISULLECOMBINAZIONI OTTIMALI DI SVILUPPI PER PELLICOLE 44 44
33. COMPITO DELLA AUTOLIMITAZIONE 44 46 34. KODAK & MACO-FILM -
COMBINAZIONI CON SVILUPPI LABOR PARTNER 46 48 35. CONSIGLI SUL
TRATTAMENTO DELLE PELLICOLE 48 60 36. ASSORTIMENTO DEI PRODOTTI
FOTO-CHIMICI LABOR PARTNER 60 62 - 79 SVILUPPO PER PELLICOLE
LP-SUPERGRAIN 62-79 80-85 SVILUPPO PER PELLICOLE LP-CUBE XS 80-85 86-91
SVILUPPO PER PELLICOLE LP-DOCUFINE LC 86-91 92-97 SVILUPPO PER DOCUMENTI
LP-DOCUFINE HC 92-97 98 - 100 BAGNO D ARRESTO LP-CITRIN 98 - WO 102 -
106 BAGNO D ARRESTO INDURITORE LP-CITRODUR Q2- W6 108-116 BAGN O DI
FISSAGGIO LP-F/X SUPRA 108-116 118 - 122 INDURITORE DI SVILUPPO
LP-GELADUR JJG _ 22 124 - 128 BAGNO IMBIBENTE-PROTETTIVO LP-MASTERPROOF
J24 -128 130 -148 FOTOGRAFIA INFRARQSSO 130 _ 148 SPORSMAEL OG SVAR 1.
HVORFOR PRODUSERES DETSAE MANGE FORSKJELLIGE FILMER? 2. HVA ER EGENTLIG
SENSIBUEIERINGSFARVESTOFFER? 3. HVA ER PANKROMATISKE FILMER? 4. HVA ER
ORTHOCHROMATISKE FILMER? 5. HVA ERPAN -ORTHOCHROMATISKE FILMER? 6. HVA
ER HALVTONE FOTOGRAFI? 7. HVA ER STREK FOTOGRAFI? 8. LUEHFILM, HVA ER
DET? 9. HVA BRUKES INFRAREDFILM TU? 10. HVAFORSTAER EN MED
FARVETEMPERATUR 11. FINNES DET EN IDEAL FILM? 12. FORKLAR HVORDAN
ENFILM ER BYGD OPP? 13. KORT FORKLARING AV SCHWARZSCHILDEFFEKTEN 14. HVA
BETYR OPPLESNINGSEVNE? 15. HVA KJENNETEGNER ENFILMS KOPIERINGSEVNE? 16.
HVORDAN UNNGAER MAN STRESS UNDERFRAMKALLINGEN? 17. OVERFLATEFRAMKALLER/
UTGJEVNENDE FRAMKALLING 18. DYBDEFRAMKALLER / EKSTREM FINKORNFRAMKALLER
19. FINKORNFRAMKALLER MED UTGJEVNING (UEKTE FINKORNFRAMKALLER) 20.
FRAMKALLERFOR HAYERE UTNYTTELSE AVFELSOMHET (PRESSING) 21. HVA ER
FRAMKALLER-HERDING? 22. HVA SKJER UNDER FRAMKALLINGEN? 23. FINNES
MERSKIKTS SORT/HVITTFILMER? 24. FRAMKALLING, STOPPEBAD, FIKSERING,
SPYLING, SKYLLEMIDDEL I KORTFORM 25. OPPSKRIFTPAE PAE OMVENDERFRAMKALLER
26. HVA BETYR ROUTE MEAN SQUARE (RMS)? 27. HVA BETYR OPPLOSNINGEVNE /
MODULASJONS OVERFORINGS FUNKSJON (MTF)? 28. LABOR PARTNER ANBEFALER
KASSKADESPYLING 29. KAN EN TA MEDFINGRENE NED I FRAMKALLEREN? 30. HVA
BETYR TONALITET HHV GRAETONEDIFFERENSIERING? 31. FINNES ET IDEAL, ELLER
BARE KOMPROMISSER? 32. INFORMASJON OM OPTIMALE FILM FRAMKALLER
KOMBINASJONER 33. OPPGI SELVPAELAGTE BEGRENSNINGER 34. KODAK OG MACOFILM
MED LP FRAMKALLER 35. RAD OM FILMFRAMKALLING 36. SORTIMENTET AV
LABORPARTNER FOTOKJEMI FILMFRAMKALLER LP-SUPERGRAIN FILMFRAMKALLER
LP-CUBE XS FILMFRAMKALLER LP-D0CUF1NE LC DOKUMENTFRAMKALLER LP-DOCUFINE
HC STOPPEBAD LP-CITRIN HERDENDE STOPPEBAD LP-CITRODUR FIKSERBAD LP-FIX
SUPRA FRAMKALLERHERDER LP-GELADUR VETEMIDDEL OG BESKYTTELBAD
LP-MASTERPROOF INFRARVD FOTOGRAFERING 8-61 8 10 10 *0 10 12 12 12 12 12
14 14 18 18 20 20 20 22 22 22 22 24 24 26 26 30 32 36 38 38 44 44 44 46
48 60 62-79 80-85 86-91 92-97 98 - 100 102 - 106 108 - 116 118 - 122 124
- 128 130 - 148 QUESTIONS & ANSWERS 9-61 1. WHY DOES THE PHOTOGRAPHIC
INDUSTRY MANUFACTURE SO MANY DIFFERENT TYPES OFFILMS? 9 2. WHAT IS A
SENSITISING DYE? 11 3.WHAT IS A PANCHROMATIC FILM ? 11 4. WHAT IS AN
ORTHOCHROMATIC FILM? 11 5. WHAT IS AN ORTHO-PAN-CHROMATIC FILM? 11 6.
HALF TONE PHOTOGRAPHY - WHAT DOES THAT TERM MEAN ? 11 7. LINE
PHOTOGRAPHY - WHAT DOES THAT TERM MEAN? 11 8. LITHFILM - WHAT S THAT? 13
9. WHAT DOYOU DO WIRFT AN INFRAREDFILM? 13 10. WHAT IS UNDERSTOOD BY
COLOUR TEMPERATURE? 13 11. IS THERE AN IDEAL FILM? 15 12. EXPLAIN THE
STRUCTURE OFTHE LAYERS OFAFILM. 15 13. COULDYOU GIVE A BRIEF EXPLANATION
OFRECIPWCITY FAUEURE? 19 14. WHAT DOES THE TERM RESOLVINGPOWER MEAN? 19
15. WHAT CHARACTERISES PRINTABILITY? 21 16. HOW DO YOU AVOID STRESS
DURING DEVELOPMENT? 21 17. EMULSION-SURFACE DEVELOPERS (HIGH-DEFINITION
COMPENSATING DEVELOPERS) 21 18. DEPTH DEVELOPERS (HIGH-DEFINITION,
NON-SOLVENT, ULTRAFINE-GRAIN DEVELOPERS) 23 19. FINE-GRAIN COMPENSATING
DEVELOPERS (FALSE FINE-GRAIN DEVELOPERS) 23 20. SPEED-INCREASING
DEVELOPERS 23 21. WHAT IS HARDENING DURING DEVELOPMENT? 23 22. WHAT
HAPPENS DURING DEVELOPMENT? 25 23. DO YOU KNOW DOUBLE-COATED
BLACK-AND-WHITE FILMS? 25 24. DEVELOPING, STOPPING, FIXING, WASHING,
WETTING AGENT - IN BRIEF: 27 25. HAVE YOU GOT A RECIPE FOR REVERSAL
PROCESSING? 27 26. WHAT DOES ROOT MEAN SQUARE (RMS) MEAN? 31 27. WHAT DO
THE TERMS RESOLVINGPOWER AND MODULATION TRANSFERFUNCTIOW (MTF) MEAN?
33 28. FILM FIXING TIMES 37 29. CAN I DIP MYFINGERS IN THE DEVELOPER? 39
30. WHAT DOES TONALITY , OR ITONAL SEPARATION MEAN? 39 31. DOES THE
IDEAH EXIST, OR ARE THERE JUST COMPROMISES? 45 32. INFORMATION ON
OPTIMAH FILM/DEVELOPER COMBINATIONS 45 33. STOP DIMITING YOURSELFI 45
34. KODAK & MACO FILMS WITH LP DEVELOPERS 47 35. RECOMMENDATIONS FOR
FILM PROCESSING 49 36. PRODUCT RAENGE OF LABOR PARTNER PHOTO CHEMICALS
FOR FILM DEVELOPMENT 61 NEGATIV DEVELOPER LP-SUPERGRAIN 63 - 79 NEGATIV
DEVELOPER LP-CUBE XS 81 - 85 NEGATIV DEVELOPER LP-DOCUFINE LC 87 - 91
DOCUMENT DEVELOPER LP-DOCUFINE HC 93 - 97 STOP BATH LP-CITRIN 99 - 101
HARDENING STOP BATH LP-CITRODUR 103 - 107 FIXING BATH LP-FIX SUPRA 109 -
117 DEVELOPER HARDENER LP-GELADUR 119 - 123 PROTECTIVE WETTING AGENT
LP-MASTERPROOF 125 - 129 INFRARED PHOTOGRAPHY 131 - 149
|
| adam_txt |
FRAGEN & ANTWORTEN 1. WARUM STELLT DIE INDUSTRIE SO VIELE
UNTERSCHIEDLICHE FILMSORTEN HER? 2. WAS SIND
SENSIBILISIERUNGSFARBSTOFFE? 3. WAS SIND PANCHROMATISCHE FILME? 4. WAS
SIND ORTHOCHROMATISCHE FILME? 5. WAS SIND ORTHOPANCHROMATISCHE FILME? 6.
HALBTONFOTOGRAFIE, WAS BEDEUTETDAS? 7. STRICHFOTOGRAFIE, WAS IST DAS? 8.
LITHFILM, WAS IST DAS? 9.INFRAROTFILME, WASMACHTMAN DAMIT? 10. WAS
VERSTEHT MAN UNTER FARBTEMPERATUR? 11. GIBT ES EINEN IDEALEN FILM? 12.
WIE SIND DIE FILMSCHICHTEN AUFGEBAUT? 13. SCHWARZSCHILD-EFFEKT 14. WAS
BEDEUTET AUFLOESUNGSVERMOEGEN? 15. WELCHE MERKMALE KENNZEICHNEN DIE
KOPIERFAEHIGKEIT EINES FILMS? 16. WIE VERMEIDET MAN STRESS WAEHREND DER
ENTWICKLUNG? 17. SCHICHTOBERFLAECHEN-ENTWICKLER (AUSGLEICHSENTWICKLER)
18. SCHICHTIEFEN-ENTWICKLER (FEINSTKORNENTWICKLER) 19.
FEINKORN-AUSGLEICHS-ENTWICKLER (UNECHTER FEINKORN-ENTWICKLER) 20.
EMPFINDLICHKEITSTEIGERNDE ENTWICKLER 21. WAS IST ENTWICKLER-HAERTUNG? 22.
WAS GESCHIEHT WAEHREND DER ENTWICKLUNG? 23. KENNEN SIE
SCHWARZWEISS-MEHRSCHICHT-FILME? 24. ENTWICKLEN, STOPPEN, FIXIEREN,
WAESSERN, NETZMITTEL - IN KURZFORM 25. HABEN SIE EIN REZEPT ZUR
UMKEHR-ENTWICKLUNG? 26. WAS BEDEUTET ROUTE MEAN SQARE (RMS)? 27. WAS
BEDEUTET AUFLOESUNGSVERMOEGEN / MODULATIONS-UEBERTRAGUNGS-FUNKTION (MTF)?
28. FIXAGE UND WAESSERUNG 29. DARF MAN MIT DEN FINGERN IN DIE ENTWICKLER
FASSEN? 30. WAS BEDEUTET TONALITAET ODER TONWERT-DIFFERENZIERUNG? 31.
GIBT ES DAS IDEAL, ODER NUR KOMPROMISSE? 32. INFORMATIONEN ZU
^OPTIMALEM FILM-ENTWICKLER-KOMBINATIONEN 33. AUFGABE DER
SELBSTBESCHRAENKUNG 34. KODAK & MACO-FUEM MIT LP-ENTWICKLERN 35.
RATSCHLAEGE ZUR FILM- (NEGATIV-) VERARBEITUNG 36. SORTIMENT DER LABOR
PARTNER FOTOCHEMIE FUER DIE NEGATIV-VERARBEITUNG FILMENTWICKLER
LP-SUPERGRAIN FILMENTWICKLER LP-CUBE XS FILMENTWICKLER LP-DOCUFINE LC
DOKUMENTENENTWICKLER LP-DOCUFINE HC STOPPBAD LP-CITRIN HAERTENDES
STOPPBAD LP-CITRODUR FIXIERBAD LP-FIX SUPRA ENTWICKLERHAERTER LP-GELADUR
NETZMITTEL-SCHUTZBAD LP-MASTERPROOF INFRAROT FOTOGRAFIE 8-61 DOMANDE &
RISPOSTE 8-61 8 L.PERCHEL'INDUSTRIA DEL SETTORE PRODUCE UNA VARIETAE DI
PELLICOLE COSI AMPIA? 8 10 2. COSA SONO LE SOSTANZE COLORANTI DI
SENSIBILIZZAZIONE? 10 10 3. COSA SONO LE PELLICOLE PANCROMATICHE? 10 10
4. COSA SONO LE PELLICOLE ORTOCROMATICHE? 10 10 5. COSA SONO LE
PELLICOLE PANCRORTOCROMATICHE? 10 12 6. FOTOGRAFIA A MEZZI TONI, COSA
SIGNIFICA ? 12 12 7. FOTOGRAFIA AL TRATTO, COSA SIGNIFICA? 12 12 8.
PELLICOLE LITH, COSA SONO? 12 12 9. PELLICOLE INFRAROSSO, COSA SONO? 12
12 10. COSA SI INTENDE PER TEMPERATURA COLORE? 12 14 11. ESISTE LA
PELLICOLA IDEALE? 14 14 12.MISPIEGHI LA COSTRUZIONE DEGLI STRATI DELLA
PELLICOLA ? 14 18 13. SPIEGA BREVEMENTE EHE COS'E L'EFFETTO
SCHWARZSCHILD? 18 18 14. COSA SIGNIFICA POTERE RISOLUTIVO, MTF, RMS
GRANDEZZA DEL GRANULO ? 18 20 15. QUALI REQUISITI CARATTERIZZANO
L'IDONEITAE RIPRODUTTIVA DI UNA PELLICOLA? 20 20 16. COME SI EVITA LO
STRESS DURANTE LO SVILUPPO? 20 20 17. SVILUPPO DISUPERFICIE DELLO STRATO
(SVILUPPO COMPENSATORE) 20 22 18. SVILUPPO DI PROFONDITAE DELLO STRATO
(SVILUPPO FINE-GRANULANTE) 22 22 19. SVILUPPO COMPENSATORE A GRANAFINE
(FALSO SVILUPPO FINE-GRANULANTE) 22 22 20. SVILUPPI AD INCREMENTO DELLA
SENSIBILITAE 22 22 21. COS'E LO SVILUPPO INDURITORE? 22 24 22. COSA
ACCADE DURANTE LAFASE DI SVILUPPO? 24 24 23. CONOSCE LE PELLICOLE IN
BIANCO/NERO MULTI-STRATI? 24 26 24. SVILUPPARE, ARRESTARE, FISSARE,
LAVARE, IMBIBENTE - IN BREVE 26 26 25. AVETE UNA RICETTA PER LO SVILUPPO
INVERTIBILE? 26 30 26. COSA SIGNIFICA ROUTE MEAN SQARE (RMS)? 30 32 27.
COSA SIGNIFICA POTERE RISOLUTIVO J FUNZIONE DI TRASMISSIONE E
MODULAZIONE (MTF)? 32 36 28. LABOR PARTNER CONSIGLIAIL LAVAGGIO A
CASCATA 36 38 29. SI PUOE INSERIRE UN DITO NELLO SVILUPPO? 38 38 30. COSA
SIGNIFICA TONALITAE, OVVERO DIFFERENZIAZIONE DEL VALORE TONALE? 38 44
31. ESISTE L'IDEALE, OPPURE SOLO COMPROMESSI? 44 44 32.
INFORMAZIONISULLECOMBINAZIONI OTTIMALI DI SVILUPPI PER PELLICOLE 44 44
33. COMPITO DELLA AUTOLIMITAZIONE 44 46 34. KODAK & MACO-FILM -
COMBINAZIONI CON SVILUPPI LABOR PARTNER 46 48 35. CONSIGLI SUL
TRATTAMENTO DELLE PELLICOLE 48 60 36. ASSORTIMENTO DEI PRODOTTI
FOTO-CHIMICI LABOR PARTNER 60 62 - 79 SVILUPPO PER PELLICOLE
LP-SUPERGRAIN 62-79 80-85 SVILUPPO PER PELLICOLE LP-CUBE XS 80-85 86-91
SVILUPPO PER PELLICOLE LP-DOCUFINE LC 86-91 92-97 SVILUPPO PER DOCUMENTI
LP-DOCUFINE HC 92-97 98 - 100 BAGNO D'ARRESTO LP-CITRIN 98 - WO 102 -
106 BAGNO D'ARRESTO INDURITORE LP-CITRODUR \Q2- W6 108-116 BAGN O DI
FISSAGGIO LP-F/X SUPRA 108-116 118 - 122 INDURITORE DI SVILUPPO
LP-GELADUR JJG _ \22 124 - 128 BAGNO IMBIBENTE-PROTETTIVO LP-MASTERPROOF
J24 -128 130 -148 FOTOGRAFIA INFRARQSSO 130 _ 148 SPORSMAEL OG SVAR 1.
HVORFOR PRODUSERES DETSAE MANGE FORSKJELLIGE FILMER? 2. HVA ER EGENTLIG
SENSIBUEIERINGSFARVESTOFFER? 3. HVA ER PANKROMATISKE FILMER? 4. HVA ER
ORTHOCHROMATISKE FILMER? 5. HVA ERPAN -ORTHOCHROMATISKE FILMER? 6. HVA
ER HALVTONE FOTOGRAFI? 7. HVA ER STREK FOTOGRAFI? 8. LUEHFILM, HVA ER
DET? 9. HVA BRUKES INFRAREDFILM TU? 10. HVAFORSTAER EN MED
FARVETEMPERATUR 11. FINNES DET EN IDEAL FILM? 12. FORKLAR HVORDAN
ENFILM ER BYGD OPP? 13. KORT FORKLARING AV SCHWARZSCHILDEFFEKTEN 14. HVA
BETYR OPPLESNINGSEVNE? 15. HVA KJENNETEGNER ENFILMS KOPIERINGSEVNE? 16.
HVORDAN UNNGAER MAN STRESS UNDERFRAMKALLINGEN? 17. OVERFLATEFRAMKALLER/
UTGJEVNENDE FRAMKALLING 18. DYBDEFRAMKALLER / EKSTREM FINKORNFRAMKALLER
19. FINKORNFRAMKALLER MED UTGJEVNING (UEKTE FINKORNFRAMKALLER) 20.
FRAMKALLERFOR HAYERE UTNYTTELSE AVFELSOMHET (PRESSING) 21. HVA ER
FRAMKALLER-HERDING? 22. HVA SKJER UNDER FRAMKALLINGEN? 23. FINNES
MERSKIKTS SORT/HVITTFILMER? 24. FRAMKALLING, STOPPEBAD, FIKSERING,
SPYLING, SKYLLEMIDDEL I KORTFORM 25. OPPSKRIFTPAE PAE OMVENDERFRAMKALLER
26. HVA BETYR ROUTE MEAN SQUARE (RMS)? 27. HVA BETYR OPPLOSNINGEVNE /
MODULASJONS OVERFORINGS FUNKSJON (MTF)? 28. LABOR PARTNER ANBEFALER
KASSKADESPYLING 29. KAN EN TA MEDFINGRENE NED I FRAMKALLEREN? 30. HVA
BETYR TONALITET HHV GRAETONEDIFFERENSIERING? 31. FINNES ET IDEAL, ELLER
BARE KOMPROMISSER? 32. INFORMASJON OM OPTIMALE FILM FRAMKALLER
KOMBINASJONER 33. OPPGI SELVPAELAGTE BEGRENSNINGER 34. KODAK OG MACOFILM
MED LP FRAMKALLER 35. RAD OM FILMFRAMKALLING 36. SORTIMENTET AV
LABORPARTNER FOTOKJEMI FILMFRAMKALLER LP-SUPERGRAIN FILMFRAMKALLER
LP-CUBE XS FILMFRAMKALLER LP-D0CUF1NE LC DOKUMENTFRAMKALLER LP-DOCUFINE
HC STOPPEBAD LP-CITRIN HERDENDE STOPPEBAD LP-CITRODUR FIKSERBAD LP-FIX
SUPRA FRAMKALLERHERDER LP-GELADUR VETEMIDDEL OG BESKYTTELBAD
LP-MASTERPROOF INFRARVD FOTOGRAFERING 8-61 8 10 10 *0 10 12 12 12 12 12
14 14 18 18 20 20 20 22 22 22 22 24 24 26 26 30 32 36 38 38 44 44 44 46
48 60 62-79 80-85 86-91 92-97 98 - 100 102 - 106 108 - 116 118 - 122 124
- 128 130 - 148 QUESTIONS & ANSWERS 9-61 1. WHY DOES THE PHOTOGRAPHIC
INDUSTRY MANUFACTURE SO MANY DIFFERENT TYPES OFFILMS? 9 2. WHAT IS A
SENSITISING DYE? 11 3.WHAT IS A PANCHROMATIC FILM ? 11 4. WHAT IS AN
ORTHOCHROMATIC FILM? 11 5. WHAT IS AN ORTHO-PAN-CHROMATIC FILM? 11 6.
HALF TONE PHOTOGRAPHY - WHAT DOES THAT TERM MEAN ? 11 7. LINE
PHOTOGRAPHY - WHAT DOES THAT TERM MEAN? 11 8. LITHFILM - WHAT'S THAT? 13
9. WHAT DOYOU DO WIRFT AN INFRAREDFILM? 13 10. WHAT IS UNDERSTOOD BY
COLOUR TEMPERATURE? 13 11. IS THERE AN IDEAL FILM? 15 12. EXPLAIN THE
STRUCTURE OFTHE LAYERS OFAFILM. 15 13. COULDYOU GIVE A BRIEF EXPLANATION
OFRECIPWCITY FAUEURE? 19 14. WHAT DOES THE TERM RESOLVINGPOWER MEAN? 19
15. WHAT CHARACTERISES PRINTABILITY? 21 16. HOW DO YOU AVOID STRESS
DURING DEVELOPMENT? 21 17. EMULSION-SURFACE DEVELOPERS (HIGH-DEFINITION
COMPENSATING DEVELOPERS) 21 18. DEPTH DEVELOPERS (HIGH-DEFINITION,
NON-SOLVENT, ULTRAFINE-GRAIN DEVELOPERS) 23 19. FINE-GRAIN COMPENSATING
DEVELOPERS (FALSE FINE-GRAIN DEVELOPERS) 23 20. SPEED-INCREASING
DEVELOPERS 23 21. WHAT IS HARDENING DURING DEVELOPMENT? 23 22. WHAT
HAPPENS DURING DEVELOPMENT? 25 23. DO YOU KNOW DOUBLE-COATED
BLACK-AND-WHITE FILMS? 25 24. DEVELOPING, STOPPING, FIXING, WASHING,
WETTING AGENT - IN BRIEF: 27 25. HAVE YOU GOT A RECIPE FOR REVERSAL
PROCESSING? 27 26. WHAT DOES ROOT MEAN SQUARE (RMS) MEAN? 31 27. WHAT DO
THE TERMS RESOLVINGPOWER AND MODULATION TRANSFERFUNCTIOW (MTF) MEAN?
33 28. FILM FIXING TIMES 37 29. CAN I DIP MYFINGERS IN THE DEVELOPER? 39
30. WHAT DOES TONALITY , OR ITONAL SEPARATION MEAN? 39 31. DOES THE
IDEAH EXIST, OR ARE THERE JUST COMPROMISES? 45 32. INFORMATION ON
OPTIMAH FILM/DEVELOPER COMBINATIONS 45 33. STOP DIMITING YOURSELFI 45
34. KODAK & MACO FILMS WITH LP DEVELOPERS 47 35. RECOMMENDATIONS FOR
FILM PROCESSING 49 36. PRODUCT RAENGE OF LABOR PARTNER PHOTO CHEMICALS
FOR FILM DEVELOPMENT 61 NEGATIV DEVELOPER LP-SUPERGRAIN 63 - 79 NEGATIV
DEVELOPER LP-CUBE XS 81 - 85 NEGATIV DEVELOPER LP-DOCUFINE LC 87 - 91
DOCUMENT DEVELOPER LP-DOCUFINE HC 93 - 97 STOP BATH LP-CITRIN 99 - 101
HARDENING STOP BATH LP-CITRODUR 103 - 107 FIXING BATH LP-FIX SUPRA 109 -
117 DEVELOPER HARDENER LP-GELADUR 119 - 123 PROTECTIVE WETTING AGENT
LP-MASTERPROOF 125 - 129 INFRARED PHOTOGRAPHY 131 - 149 |
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| author | Schroeder, Hartmuth |
| author_facet | Schroeder, Hartmuth |
| author_role | aut |
| author_sort | Schroeder, Hartmuth |
| author_variant | h s hs |
| building | Verbundindex |
| bvnumber | BV021730180 |
| classification_rvk | AP 97500 AP 97600 |
| ctrlnum | (OCoLC)76721408 (DE-599)BVBBV021730180 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 1. ed. |
| format | Book |
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| id | DE-604.BV021730180 |
| illustrated | Illustrated |
| index_date | 2024-07-02T15:26:10Z |
| indexdate | 2024-07-09T20:42:42Z |
| institution | BVB |
| isbn | 3000100725 |
| language | German English Italian Norwegian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014943699 |
| oclc_num | 76721408 |
| open_access_boolean | |
| owner | DE-M347 DE-523 DE-525 |
| owner_facet | DE-M347 DE-523 DE-525 |
| physical | 149 S. Ill., graph. Darst. : 22 x 27 cm |
| publishDate | 2002 |
| publishDateSearch | 2002 |
| publishDateSort | 2002 |
| publisher | Labor-Partner |
| record_format | marc |
| spelling | Schroeder, Hartmuth Verfasser aut Schroeders Negativ-Praxis author Hartmuth Schroeder. Transl. by Hans Einar Johannessen ... 1. ed. Geesthacht ; Hamburg Labor-Partner 2002 149 S. Ill., graph. Darst. : 22 x 27 cm txt rdacontent n rdamedia nc rdacarrier Text dt., engl., ital. und norweg. Entwicklung Fotografie (DE-588)4014930-4 gnd rswk-swf Entwicklung Fotografie (DE-588)4014930-4 s DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014943699&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Schroeder, Hartmuth Schroeders Negativ-Praxis Entwicklung Fotografie (DE-588)4014930-4 gnd |
| subject_GND | (DE-588)4014930-4 |
| title | Schroeders Negativ-Praxis |
| title_auth | Schroeders Negativ-Praxis |
| title_exact_search | Schroeders Negativ-Praxis |
| title_exact_search_txtP | Schroeders Negativ-Praxis |
| title_full | Schroeders Negativ-Praxis author Hartmuth Schroeder. Transl. by Hans Einar Johannessen ... |
| title_fullStr | Schroeders Negativ-Praxis author Hartmuth Schroeder. Transl. by Hans Einar Johannessen ... |
| title_full_unstemmed | Schroeders Negativ-Praxis author Hartmuth Schroeder. Transl. by Hans Einar Johannessen ... |
| title_short | Schroeders Negativ-Praxis |
| title_sort | schroeders negativ praxis |
| topic | Entwicklung Fotografie (DE-588)4014930-4 gnd |
| topic_facet | Entwicklung Fotografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014943699&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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