Krakowski Teatr Żydowski: między szundem a sztuką = Krokewer Jidisz Teater
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Kraków
Wydawn. Uniw. Jagiellońskiego
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassung in engl. Sprache u.d.T.: The "Cracow Yiddish Theatre" ("Krokever Yidish Teater") - between shund and art. - Vollst. zugl.: Kraków, Uniw. Jagielloński, Diss. 2001 |
| Beschreibung: | 336 S. Ill. |
| ISBN: | 8323320810 |
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| 610 | 2 | 4 | |a Krakowski Teatr Żydowski |
| 648 | 4 | |a Geschichte 1900-2000 | |
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Datensatz im Suchindex
| _version_ | 1804135561200402432 |
|---|---|
| adam_text | SPIS TREŚCI
Wstęp
Wprowadzenie
Rozdział
Zawodowe występy teatralne wjidysz w Krakowie przed rokiem
Rozdział
Krakowski teatr żydowski za dyrekcji Mojżesza
Rozdział III.
Powstanie i działalność Towarzystwa „Krakowski Teatr Żydowski (Gezelszaft „Kro-
kewer Jidisz
Rozdział
„Krakowski Teatr Żydowski („Krokewer Jidisz
(sezon
Rozdział
„Krakowski Teatr Żydowski („Krokewer Jidisz
skiego (sezon
Rozdział
„Krakowski Teatr Żydowski („Krokewer Jidisz
(sezon
Zamiast zakończenia
Słowniczek
Bibliografía
Spis tabel w tekście
Indeks nazwisk, pseudonimów i kryptonimów
Indeks utworów scenicznych, literackich i filmowych
Summary
THE CRACOW YIDDISH THEATRE [ KROKEVER YIDISH
TEATER ]
SUMMARY
The book is divided into seven chapters. It begins with the Preface containing a critical
review of the scholarly books and articles devoted to the history of the Yiddish theatre
in Cracow. After this the methodological assumptions are examined which form the
foundation of the book. The most important are the following two. First, the author
rejects lachrymose history (term by S. Baron) which displays an inclination to see
Jewish life in Eastern Europe as pious yet plagued by poverty and persecution. Instead
she considers the Jews as a modern nation constituting an active historical force. Sec¬
ondly, she places the Yiddish theatre in Cracow in the context of the multi-lingual
poly-system of the culture created by and/or for the Jews. (This model of the poly-
system was proposed first by prof. Ch. Shmerak). It consisted of three subsystems: in
Hebrew, Yiddish and Polish language. Next the chapter discusses Polish and Yiddish
primary sources which constitute the supporting evidence for the book. They include
the materials preserved in the archives and libraries in Poland (the State Archives and
the Municipal Archives in Cracow, the Jagiellonian Library, the archives of the Jewish
Historical Institute in Warsaw, the National Library in Warsaw) and the USA (the
YIVO Institute for Jewish Research in New York).
The Introduction characterizes Jewish Cracow in the interwar period in its social,
demographic, occupational, geographical and political aspects, making use of not only
the historical research but also of memoirs and diaries. Next the factors favourable and
disadvantageous to the Yiddish theatre in the town are specified. In the final section of
this chapter the Yiddish theatre is considered as part of the world of performance .
The examples of interaction between theatre, films, performances, sports and circus
shows, and various other events are cited.
Chapter I deals with the origins of the Jewish theatre in Cracow, which dated back
to
phies of the actors and entrepreneurs. They show that the performers belonged to the
Yiddish theatre pioneers . Before coming to Cracow they had very often already had
a relatively long history of guest performances. Some had come through Romania and
Russia, having been expelled by the Tsar s government bans, some through Germany
and Austria, others still even via England and America. Their commitment and practi¬
cal experience compensated for their lack of professional training and formal educa¬
tion. After this a laborious process of the formation of the Yiddish repertoire is de¬
scribed. The most-often staged plays and their authors are listed. As regards the audi-
336
enee, in
everywhere else, was confined to a strict national ghetto.
Chapter IIfocuses on the first years after World War I
riod the Yiddish theatre in Cracow was a private undertaking run by Moses Yakob, a
former censor in the Austro-Hungarian administration. Under his management it be¬
came an illustrative example of shund (theatrical kitsch; trash). Various definitions of
shundaxe quoted and a list of its distinguishing features is compiled. They are followed
by a general description of this type of repertoire, consisting in plays by Jo¬
seph
these works, a five-act operetta Blimele, or The Pearl of Warsaw by J.
the music composed by Abramovitch (published in
performed in Cracow in
Chapter III concentrates on the establishment and operation of the Cracow Jewish
Theatre Society [in short Theatre Society ,
December
evenings, presentations, discussions, meetings with artists, poetry evenings, satirical
puppet plays (so-called
Teater
studio combined two functions: it trained actors and gave performances. The Society
published a bilingual (Polish and Yiddish) periodical
Yediyes» [«Theatre News»]. But the most important function of
was the supervision and management of the professional Yiddish theatre in the town.
The Society raised money for the Cracow Yiddish Theatre .
In the three following chapters {Chapter W, Chapter
rical seasons of Krokever Yidish
Cracow Yiddish Theatre was managed by the artistic director Yonas
season
she Lipman. Each chapter reconstructs the facts related to the taking over of the mana¬
gerial position by subsequent artistic directors, characterizes them, describes their en¬
sembles, repertoires, stage settings, methods of play directing and acting, audience,
finances, the condition of the theatre building, and, finally, attempts to evaluate the
theatre s accomplishments not only as an artistic institution, but also as a social institu¬
tion supported by the Cracow Jewish Theatre Society.
In the Conclusion the results of the research based on new sources are recapitulated.
Finally plans for further studies on the Jewish stage, Yiddish performances and the
Jewish theatrical culture in Cracow are outlined.
|
| adam_txt |
SPIS TREŚCI
Wstęp
Wprowadzenie
Rozdział
Zawodowe występy teatralne wjidysz w Krakowie przed rokiem
Rozdział
Krakowski teatr żydowski za dyrekcji Mojżesza
Rozdział III.
Powstanie i działalność Towarzystwa „Krakowski Teatr Żydowski" (Gezelszaft „Kro-
kewer Jidisz
Rozdział
„Krakowski Teatr Żydowski" („Krokewer Jidisz
(sezon
Rozdział
„Krakowski Teatr Żydowski" („Krokewer Jidisz
skiego (sezon
Rozdział
„Krakowski Teatr Żydowski" („Krokewer Jidisz
(sezon
Zamiast zakończenia
Słowniczek
Bibliografía
Spis tabel w tekście
Indeks nazwisk, pseudonimów i kryptonimów
Indeks utworów scenicznych, literackich i filmowych
Summary
THE "CRACOW YIDDISH THEATRE" ["KROKEVER YIDISH
TEATER"]
SUMMARY
The book is divided into seven chapters. It begins with the Preface containing a critical
review of the scholarly books and articles devoted to the history of the Yiddish theatre
in Cracow. After this the methodological assumptions are examined which form the
foundation of the book. The most important are the following two. First, the author
rejects "lachrymose history" (term by S. Baron) which displays an inclination to see
Jewish life in Eastern Europe as pious yet plagued by poverty and persecution. Instead
she considers the Jews as a modern nation constituting an active historical force. Sec¬
ondly, she places the Yiddish theatre in Cracow in the context of the multi-lingual
poly-system of the culture created by and/or for the Jews. (This model of the poly-
system was proposed first by prof. Ch. Shmerak). It consisted of three subsystems: in
Hebrew, Yiddish and Polish language. Next the chapter discusses Polish and Yiddish
primary sources which constitute the supporting evidence for the book. They include
the materials preserved in the archives and libraries in Poland (the State Archives and
the Municipal Archives in Cracow, the Jagiellonian Library, the archives of the Jewish
Historical Institute in Warsaw, the National Library in Warsaw) and the USA (the
YIVO Institute for Jewish Research in New York).
The Introduction characterizes "Jewish Cracow" in the interwar period in its social,
demographic, occupational, geographical and political aspects, making use of not only
the historical research but also of memoirs and diaries. Next the factors favourable and
disadvantageous to the Yiddish theatre in the town are specified. In the final section of
this chapter the Yiddish theatre is considered as part of "the world of performance".
The examples of interaction between theatre, films, performances, sports and circus
shows, and various other events are cited.
Chapter I deals with the origins of the Jewish theatre in Cracow, which dated back
to
phies of the actors and entrepreneurs. They show that the performers belonged to the
Yiddish theatre "pioneers". Before coming to Cracow they had very often already had
a relatively long history of guest performances. Some had come through Romania and
Russia, having been expelled by the Tsar's government bans, some through Germany
and Austria, others still even via England and America. Their commitment and practi¬
cal experience compensated for their lack of professional training and formal educa¬
tion. After this a laborious process of the formation of the Yiddish repertoire is de¬
scribed. The most-often staged plays and their authors are listed. As regards the audi-
336
enee, in
everywhere else, was confined to a strict national ghetto.
Chapter IIfocuses on the first years after World War I
riod the Yiddish theatre in Cracow was a private undertaking run by Moses Yakob, a
former censor in the Austro-Hungarian administration. Under his management it be¬
came an illustrative example of shund (theatrical kitsch; trash). Various definitions of
shundaxe quoted and a list of its distinguishing features is compiled. They are followed
by a general description of this type of repertoire, consisting in plays by Jo¬
seph
these works, a five-act operetta Blimele, or The Pearl of Warsaw by J.
the music composed by Abramovitch (published in
performed in Cracow in
Chapter III concentrates on the establishment and operation of the "Cracow Jewish
Theatre" Society [in short "Theatre Society",
December
evenings, presentations, discussions, meetings with artists, poetry evenings, satirical
puppet plays (so-called
"Teater
studio combined two functions: it trained actors and gave performances. The Society
published a bilingual (Polish and Yiddish) periodical
Yediyes» [«Theatre News»]. But the most important function of
was the supervision and management of the professional Yiddish theatre in the town.
The Society raised money for the "Cracow Yiddish Theatre".
In the three following chapters {Chapter W, Chapter
rical seasons of "Krokever Yidish
"Cracow Yiddish Theatre" was managed by the artistic director Yonas
season
she Lipman. Each chapter reconstructs the facts related to the taking over of the mana¬
gerial position by subsequent artistic directors, characterizes them, describes their en¬
sembles, repertoires, stage settings, methods of play directing and acting, audience,
finances, the condition of the theatre building, and, finally, attempts to evaluate the
theatre's accomplishments not only as an artistic institution, but also as a social institu¬
tion supported by the "Cracow Jewish Theatre" Society.
In the Conclusion the results of the research based on new sources are recapitulated.
Finally plans for further studies on the Jewish stage, Yiddish performances and the
Jewish theatrical culture in Cracow are outlined. |
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| era_facet | Geschichte 1900-2000 Geschichte 1918-1933 |
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| index_date | 2024-07-02T15:23:02Z |
| indexdate | 2024-07-09T20:42:27Z |
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| isbn | 8323320810 |
| language | Polish |
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| publisher | Wydawn. Uniw. Jagiellońskiego |
| record_format | marc |
| spelling | Bułat, Mirosława M. Verfasser aut Krakowski Teatr Żydowski między szundem a sztuką = Krokewer Jidisz Teater Mirosława M. Bułat Krokewer Jidisz Teater Kraków Wydawn. Uniw. Jagiellońskiego 2006 336 S. Ill. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache u.d.T.: The "Cracow Yiddish Theatre" ("Krokever Yidish Teater") - between shund and art. - Vollst. zugl.: Kraków, Uniw. Jagielloński, Diss. 2001 Krakowski Teatr Żydowski Geschichte 1900-2000 Geschichte 1918-1933 gnd rswk-swf Geschichte Jewish theater Poland Kraków History Theater Poland Kraków History 20th century Juden (DE-588)4028808-0 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Polen Krakau (DE-588)4073760-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Krakau (DE-588)4073760-3 g Juden (DE-588)4028808-0 s Theater (DE-588)4059702-7 s Geschichte 1918-1933 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014933578&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014933578&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Bułat, Mirosława M. Krakowski Teatr Żydowski między szundem a sztuką = Krokewer Jidisz Teater Krakowski Teatr Żydowski Geschichte Jewish theater Poland Kraków History Theater Poland Kraków History 20th century Juden (DE-588)4028808-0 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4028808-0 (DE-588)4059702-7 (DE-588)4073760-3 (DE-588)4113937-9 |
| title | Krakowski Teatr Żydowski między szundem a sztuką = Krokewer Jidisz Teater |
| title_alt | Krokewer Jidisz Teater |
| title_auth | Krakowski Teatr Żydowski między szundem a sztuką = Krokewer Jidisz Teater |
| title_exact_search | Krakowski Teatr Żydowski między szundem a sztuką = Krokewer Jidisz Teater |
| title_exact_search_txtP | Krakowski Teatr Żydowski między szundem a sztuką = Krokewer Jidisz Teater |
| title_full | Krakowski Teatr Żydowski między szundem a sztuką = Krokewer Jidisz Teater Mirosława M. Bułat |
| title_fullStr | Krakowski Teatr Żydowski między szundem a sztuką = Krokewer Jidisz Teater Mirosława M. Bułat |
| title_full_unstemmed | Krakowski Teatr Żydowski między szundem a sztuką = Krokewer Jidisz Teater Mirosława M. Bułat |
| title_short | Krakowski Teatr Żydowski |
| title_sort | krakowski teatr zydowski miedzy szundem a sztuka krokewer jidisz teater |
| title_sub | między szundem a sztuką = Krokewer Jidisz Teater |
| topic | Krakowski Teatr Żydowski Geschichte Jewish theater Poland Kraków History Theater Poland Kraków History 20th century Juden (DE-588)4028808-0 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Krakowski Teatr Żydowski Geschichte Jewish theater Poland Kraków History Theater Poland Kraków History 20th century Juden Theater Polen Krakau Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014933578&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014933578&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bułatmirosławam krakowskiteatrzydowskimiedzyszundemasztukakrokewerjidiszteater AT bułatmirosławam krokewerjidiszteater |