A Mieke Bal reader:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chicago [u.a.]
University of Chicago Press
2006
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and indexes |
Beschreibung: | XXIV, 491 S. Ill. 24 cm |
ISBN: | 0226035840 0226035859 |
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264 | 1 | |a Chicago [u.a.] |b University of Chicago Press |c 2006 | |
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Datensatz im Suchindex
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adam_text | Contents
List of Illustrations xiii
Preface xv
Part 1 Analyzing Literature in Culture
1. Narration and Focalization 3
Introduction 3
Analysis 4
Commentary 7
Agents 12
Reader 14
Illustrations 20
Interpretations 26
Conclusion 34
.Votes 34
References 38
2. The Story of W 40
The Practice of Theory 40
Rape, Suicide, Signs, and Show 44
Contagious Logorrhea: Between Men 48
Vision Vying Violence: Between Women 52
Expository Writing 58
Notes 62
References 65
viii Contents
3. All in the Family: Familiarity and Estrangement
According to Marcel Proust 68
Introduction 68
Desire and the Ontology of the Snapshot 70
Primal Scenes: Against the Familial Gaze 80
Ethnography as Voyeurism 84
The Narration of Relation 88
Notes 92
References 94
4. Over Writing as Un Writing:
Descriptions, World Making, and Novelistic Time 96
Introduction 96
Robin (the frame) 98
Alhertine (the object) 111
Lucretia (the killing) 119
Nana (the decomposition) 126
Emma (the end) 135
Notes 139
References 142
Part 2 Interdisciplinary Methodology
5. Scared to Death 149
Scared to Death of Theory 150
Metaphors as Narratives 152
The Concept of Metaphor and the Metaphor Concept 157
Theory as Practice 162
Notes 166
References 167
6. Telling, Showing, Showing Off 169
Setting as Image, Nature as Sign 169
Who Is Speaking? 171
Asian Mammals: The Politics of Transition 175
The Contest between Time and Space: Evolution and Taxonomy 180
Circular Epistemology 185
In the Beginning Was the Word 189
Contents ix
Picking Up Crumbs 201
Notes 204
References 207
7. Enfolding Feminism 209
Figuring It Out 209
Beyond Representation 213
From House Wife to House Woman 218
Actualizing Attention 223
De allegorizing Feminism 229
Notes 231
References 233
8. Intention 236
^4 Concept We Hate to Love 236
Forms of Abandon 238
Productive Opposition 246
7A« Logic of Intentionalism 249
The Performance of Thought 252
Narrative Abandon 257
Abandoning Authority 260
JVoto 261
References 263
fijr J Visual Analysis
9. Telling Objects: A Narrative Perspective on Collecting 269
Narrative Introduction 269
Collecting as a Narrative 272
Beginnings: Many 273
Beginnings: One 277
MAfe 281
Endings 284
.Ato 286
References 287
10. Reading Art? 289
Appropriation 290
Neither Speech nor Icon 294
x Contents
The Need to Read 298
Reading Through, Skin Deep 305
Reading History 309
Notes 311
References 311
11. Reading Bathsheba: From Mastercodes to Misfits 313
Introduction 313
Genres as Mastercodes 315
Denaturalizing Mastercodes 316
Reading (for the) Text 319
The Telling Detail 322
The Line of Sight 323
Return to Sender: The Letter Writes Back 324
Reading Distortion 329
Conclusion 330
.Yofes 331
References 334
iWtf 4 Postmodern Theology
12. The Rape of Narrative and the Narrative of Rape:
Speech Acts and Body Language in Judges 339
Speech Acts: The Word Become Flesh 341
Samson s Riddle: The Word Become Woman 343
The Riddle as Vow and the Vow as Riddle 347
The Daughter s Body Language as a Challenge to Fatherhood 35°
The Mouth of the S/word 355
Notes 360
References 363
13. Lots ofWriting 365
Introduction 365
Self Reflexion 370
Esther Writing Esther s Writing 375
The Subject of Writing 381
Conclusion 384
Notes 385
References 389
Contents xi
14. Postmodern Theology as Cultural Analysis 391
Points of Departure 391
Caravaggio Today 394
Refranting Judith 403
Notes 412
References 413
15. Religious Canon and Literary Identity 415
Literary Canon and Religious Identity 415
Religious Canon and Literary Identity 417
Ethical Non Indifference and Artistic Merit 420
The CuttingEdge of Literary Identity 425
Doubk Binding: Literary Identity and Its Religious Effects 429
History, Identity, and Religious Canon 433
Notes 437
References 438
Part 5 Cultural Analysis in an Expanded Field
16. Meanwhile: Literature in an Expanded Field 443
Notes 456
References 456
Index of Proper Nouns and Titles 459
Index of Terms and Concepts 471
Illustrations
fig. 1.1 Author/reader chart 14
fig. 3.1 Series of posed portraits, 1994 73
fig. 3.2 Contact sheet of snapshots, 1997 74
fig. 3.3 Studio portrait of a young woman (my mother), 1936 76
fig. 3.4 Eadweard Muybridge, Wrestlers, 1887 79
fig. 3.5 Photo of my mother in colonial India with her mother, 1919 88
FIG. 3.6 Photo of my mother in colonial India with her balm, 1917 8g
fig. 6.1 Floor plan, American Museum of Natural History, 1991 176
fig. 6.2 Queen Maya giving birth to the Buddha from her side, American Museum of
Natural History 178
fig. 6.3 Dog sacrifice, American Museum of Natural History 181
fig. 6.4 Panel of mural drawings, American Museum of Natural History 187
fig. 6.5 Entrance to Hall of African People, American Museum of Natural History lgi
fig. 6.6 Political Influences and Religious Influences, American Museum of
Natural History 194
fig. 6.7 Earliest human footsteps; Christianity, American Museum of
Natural History ig6
fig. 6.8 Working on the Pygmy Group; young New Yorker, American Museum of
Natural History 199
fig. 7.1 Michelangelo Merisi da Caravaggio, Death of the Virgin, ca. 1605 6 217
fig. 7.2 Louise Bourgeois, Femme Maison, 1983 220
fig. 7.3 Doris Salcedo, Unland: The Orphan s Tunic, 1997 226
fig. 7.4 Doris Salcedo, Unland: The Orphan s Tunic (detail), 1997 228
fig. 8.1 Jeannette Christensen, Tiden lager alle sdr, 1996 and 1997, installation of seven
steel benches widi red Jell O 259
fig. 8.2 Jeannette Christensen, Tiden lager alle sdr, detail after four weeks 240
fig. 8.3 Michelangelo Merisi da Caravaggio, Narcissus, ca. 1600 242
fig. 10.1 Michelangelo da Caravaggio, Medusa s Head, 1600 1 289
fig. 10.2 Henri de Toulouse Lautrec, The Bed, 1892 293
fig. 10.3 Rembrandt van Rijn, The Blinding of Samson, 1636 299
xiv Illustrations
fig. 10.4 George Butler, Arnold Schwarzenegger 300
fig. 10.5 George Butler, Arnold Schwarzenegger 300
fig. 10.6 George Butler, Arnold Schwarzenegger 301
fig. 10.7 Make them yours forever, advertisement 302
fig. 10.8 Rembrandt van Rijn, Judith Beheading Holofernes, ca. 1652 305
fig. 10.9 Treska van Aarde, Schreeuw (Scream) 306
fig. 10.10 Rembrandt van Rijn, The Suicide ofLucretia, 1664 308
fig. 11.1 Rembrandt van Rijn, Bethsabeeau bain 314
fig. 12.1 Rembrandt van Rijn, Samson Posing the Riddle to the Wedding
Guests, 1638 340
fig. 12.2 Rembrandt van Rijn, Sketch After Leonardo s Last Supper, 1635 341
fig. 12.3 Rembrandt van Rijn, The Levite Finds His Concubine in the Morning 353
fig. 13.1 Rembrandt van Rijn, Esther s Banquet, 1660 366
fig. 13.2 Detail of Esther s Banquet 367
fig. 13.3 Rembrandt van Rijn, Haman s Downfall, 1665 368
fig. 13.4 Detail of Haman s Downfall 369
fig. 13.5 Reading reflexivity in the book of Esther chart 374
fig. 14.1 Michelangelo Merisi da Caravaggio, The Crucifixion of Saint Peter, 1601 2 397
fig. 14.2 Michelangelo Merisi da Caravaggio, The Conversion of Saint Paul, 1601 2 39s
fig. 14.3 Gerrit Pieterszoon Sweelinck, Judith Showing the Head of
Holophernes, 1605 404
fig. 14.4 Installation shot of Sweelinck s Judith 405
|
adam_txt |
Contents
List of Illustrations xiii
Preface xv
Part 1 Analyzing Literature in Culture
1. Narration and Focalization 3
Introduction 3
Analysis 4
Commentary 7
Agents 12
Reader 14
Illustrations 20
Interpretations 26
Conclusion 34
.Votes 34
References 38
2. The Story of W 40
The Practice of Theory 40
Rape, Suicide, Signs, and Show 44
Contagious Logorrhea: Between Men 48
Vision Vying Violence: Between Women 52
Expository Writing 58
Notes 62
References 65
viii Contents
3. All in the Family: Familiarity and Estrangement
According to Marcel Proust 68
Introduction 68
Desire and the Ontology of the Snapshot 70
Primal Scenes: Against the Familial Gaze 80
Ethnography as Voyeurism 84
The Narration of Relation 88
Notes 92
References 94
4. Over Writing as Un Writing:
Descriptions, World Making, and Novelistic Time 96
Introduction 96
Robin (the frame) 98
Alhertine (the object) 111
Lucretia (the killing) 119
Nana (the decomposition) 126
Emma (the end) 135
Notes 139
References 142
Part 2 Interdisciplinary Methodology
5. Scared to Death 149
Scared to Death of Theory 150
Metaphors as Narratives 152
The Concept of "Metaphor" and the Metaphor "Concept" 157
Theory as Practice 162
Notes 166
References 167
6. Telling, Showing, Showing Off 169
Setting as Image, Nature as Sign 169
Who Is Speaking? 171
Asian Mammals: The Politics of Transition 175
The Contest between Time and Space: Evolution and Taxonomy 180
Circular Epistemology 185
In the Beginning Was the Word 189
Contents ix
Picking Up Crumbs 201
Notes 204
References 207
7. Enfolding Feminism 209
Figuring It Out 209
Beyond Representation 213
From House Wife to House Woman 218
Actualizing Attention 223
De allegorizing Feminism 229
Notes 231
References 233
8. Intention 236
^4 Concept We Hate to Love 236
Forms of Abandon 238
Productive Opposition 246
7A« Logic of Intentionalism 249
The Performance of Thought 252
Narrative Abandon 257
Abandoning Authority 260
JVoto 261
References 263
fijr J Visual Analysis
9. Telling Objects: A Narrative Perspective on Collecting 269
Narrative Introduction 269
Collecting as a Narrative 272
Beginnings: Many 273
Beginnings: One 277
MAfe 281
Endings 284
.Ato 286
References 287
10. Reading Art? 289
Appropriation 290
Neither Speech nor Icon 294
x Contents
The Need to Read 298
Reading Through, Skin Deep 305
Reading History 309
Notes 311
References 311
11. Reading Bathsheba: From Mastercodes to Misfits 313
Introduction 313
Genres as Mastercodes 315
Denaturalizing Mastercodes 316
Reading (for the) Text 319
The Telling Detail 322
The Line of Sight 323
Return to Sender: The Letter Writes Back 324
Reading Distortion 329
Conclusion 330
.Yofes 331
References 334
iWtf 4 Postmodern Theology
12. The Rape of Narrative and the Narrative of Rape:
Speech Acts and Body Language in Judges 339
Speech Acts: The Word Become Flesh 341
Samson's Riddle: The Word Become Woman 343
The Riddle as Vow and the Vow as Riddle 347
The Daughter's Body Language as a Challenge to Fatherhood 35°
The Mouth of the S/word 355
Notes 360
References 363
13. Lots ofWriting 365
Introduction 365
Self Reflexion 370
Esther Writing Esther's Writing 375
The Subject of Writing 381
Conclusion 384
Notes 385
References 389
Contents xi
14. Postmodern Theology as Cultural Analysis 391
Points of Departure 391
Caravaggio Today 394
Refranting Judith 403
Notes 412
References 413
15. Religious Canon and Literary Identity 415
Literary Canon and Religious Identity 415
Religious Canon and Literary Identity 417
Ethical Non Indifference and Artistic Merit 420
The CuttingEdge of Literary Identity 425
Doubk Binding: Literary Identity and Its Religious Effects 429
History, Identity, and Religious Canon 433
Notes 437
References 438
Part 5 Cultural Analysis in an Expanded Field
16. Meanwhile: Literature in an Expanded Field 443
Notes 456
References 456
Index of Proper Nouns and Titles 459
Index of Terms and Concepts 471
Illustrations
fig. 1.1 Author/reader chart 14
fig. 3.1 Series of posed portraits, 1994 73
fig. 3.2 Contact sheet of snapshots, 1997 74
fig. 3.3 Studio portrait of a young woman (my mother), 1936 76
fig. 3.4 Eadweard Muybridge, Wrestlers, 1887 79
fig. 3.5 Photo of my mother in colonial "India" with her mother, 1919 88
FIG. 3.6 Photo of my mother in colonial "India" with her balm, 1917 8g
fig. 6.1 Floor plan, American Museum of Natural History, 1991 176
fig. 6.2 Queen Maya giving birth to the Buddha from her side, American Museum of
Natural History 178
fig. 6.3 Dog sacrifice, American Museum of Natural History 181
fig. 6.4 Panel of mural drawings, American Museum of Natural History 187
fig. 6.5 Entrance to Hall of African People, American Museum of Natural History lgi
fig. 6.6 "Political Influences" and "Religious Influences," American Museum of
Natural History 194
fig. 6.7 Earliest human footsteps; "Christianity," American Museum of
Natural History ig6
fig. 6.8 Working on the Pygmy Group; young New Yorker, American Museum of
Natural History 199
fig. 7.1 Michelangelo Merisi da Caravaggio, Death of the Virgin, ca. 1605 6 217
fig. 7.2 Louise Bourgeois, Femme Maison, 1983 220
fig. 7.3 Doris Salcedo, Unland: The Orphan's Tunic, 1997 226
fig. 7.4 Doris Salcedo, Unland: The Orphan's Tunic (detail), 1997 228
fig. 8.1 Jeannette Christensen, Tiden lager alle sdr, 1996 and 1997, installation of seven
steel benches widi red Jell O 259
fig. 8.2 Jeannette Christensen, Tiden lager alle sdr, detail after four weeks 240
fig. 8.3 Michelangelo Merisi da Caravaggio, Narcissus, ca. 1600 242
fig. 10.1 Michelangelo da Caravaggio, Medusa's Head, 1600 1 289
fig. 10.2 Henri de Toulouse Lautrec, The Bed, 1892 293
fig. 10.3 Rembrandt van Rijn, The Blinding of Samson, 1636 299
xiv Illustrations
fig. 10.4 George Butler, Arnold Schwarzenegger 300
fig. 10.5 George Butler, Arnold Schwarzenegger 300
fig. 10.6 George Butler, Arnold Schwarzenegger 301
fig. 10.7 "Make them yours forever," advertisement 302
fig. 10.8 Rembrandt van Rijn, "Judith Beheading Holofernes," ca. 1652 305
fig. 10.9 Treska van Aarde, Schreeuw (Scream) 306
fig. 10.10 Rembrandt van Rijn, The Suicide ofLucretia, 1664 308
fig. 11.1 Rembrandt van Rijn, Bethsabeeau bain 314
fig. 12.1 Rembrandt van Rijn, Samson Posing the Riddle to the Wedding
Guests, 1638 340
fig. 12.2 Rembrandt van Rijn, "Sketch After Leonardo's Last Supper," 1635 341
fig. 12.3 Rembrandt van Rijn, "The Levite Finds His Concubine in the Morning" 353
fig. 13.1 Rembrandt van Rijn, Esther's Banquet, 1660 366
fig. 13.2 Detail of Esther's Banquet 367
fig. 13.3 Rembrandt van Rijn, Haman's Downfall, 1665 368
fig. 13.4 Detail of Haman's Downfall 369
fig. 13.5 Reading reflexivity in the book of Esther chart 374
fig. 14.1 Michelangelo Merisi da Caravaggio, The Crucifixion of Saint Peter, 1601 2 397
fig. 14.2 Michelangelo Merisi da Caravaggio, The Conversion of Saint Paul, 1601 2 39s
fig. 14.3 Gerrit Pieterszoon Sweelinck, Judith Showing the Head of
Holophernes, 1605 404
fig. 14.4 Installation shot of Sweelinck''s Judith 405 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Bal, Mieke 1946- |
author_GND | (DE-588)118860615 |
author_facet | Bal, Mieke 1946- |
author_role | aut |
author_sort | Bal, Mieke 1946- |
author_variant | m b mb |
building | Verbundindex |
bvnumber | BV021712750 |
callnumber-first | N - Fine Arts |
callnumber-label | NX65 |
callnumber-raw | NX65 |
callnumber-search | NX65 |
callnumber-sort | NX 265 |
callnumber-subject | NX - Arts in General |
classification_rvk | HN 1431 LH 60250 |
ctrlnum | (OCoLC)60971944 (DE-599)BVBBV021712750 |
dewey-full | 700/.9 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700/.9 |
dewey-search | 700/.9 |
dewey-sort | 3700 19 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte Anglistik / Amerikanistik |
discipline_str_mv | Kunstgeschichte Anglistik / Amerikanistik |
format | Book |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV021712750 |
illustrated | Illustrated |
index_date | 2024-07-02T15:20:58Z |
indexdate | 2024-07-09T20:42:17Z |
institution | BVB |
isbn | 0226035840 0226035859 |
language | English |
lccn | 2005019829 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014926536 |
oclc_num | 60971944 |
open_access_boolean | |
owner | DE-12 DE-19 DE-BY-UBM DE-11 DE-188 DE-M350 |
owner_facet | DE-12 DE-19 DE-BY-UBM DE-11 DE-188 DE-M350 |
physical | XXIV, 491 S. Ill. 24 cm |
publishDate | 2006 |
publishDateSearch | 2006 |
publishDateSort | 2006 |
publisher | University of Chicago Press |
record_format | marc |
spelling | Bal, Mieke 1946- Verfasser (DE-588)118860615 aut A Mieke Bal reader Chicago [u.a.] University of Chicago Press 2006 XXIV, 491 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and indexes Beeldcultuur gtt Cultuurkritiek gtt Feminisme gtt Godsdienst gtt Kunst gtt Literatuurtheorie gtt Verteltheorie gtt Feminismus Religion Arts Feminism and art Art and religion Feminismus (DE-588)4222126-2 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Feminismus (DE-588)4222126-2 s Kunst (DE-588)4114333-4 s DE-604 Religion (DE-588)4049396-9 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014926536&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Bal, Mieke 1946- A Mieke Bal reader Beeldcultuur gtt Cultuurkritiek gtt Feminisme gtt Godsdienst gtt Kunst gtt Literatuurtheorie gtt Verteltheorie gtt Feminismus Religion Arts Feminism and art Art and religion Feminismus (DE-588)4222126-2 gnd Religion (DE-588)4049396-9 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4222126-2 (DE-588)4049396-9 (DE-588)4114333-4 (DE-588)4143413-4 |
title | A Mieke Bal reader |
title_auth | A Mieke Bal reader |
title_exact_search | A Mieke Bal reader |
title_exact_search_txtP | A Mieke Bal reader |
title_full | A Mieke Bal reader |
title_fullStr | A Mieke Bal reader |
title_full_unstemmed | A Mieke Bal reader |
title_short | A Mieke Bal reader |
title_sort | a mieke bal reader |
topic | Beeldcultuur gtt Cultuurkritiek gtt Feminisme gtt Godsdienst gtt Kunst gtt Literatuurtheorie gtt Verteltheorie gtt Feminismus Religion Arts Feminism and art Art and religion Feminismus (DE-588)4222126-2 gnd Religion (DE-588)4049396-9 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Beeldcultuur Cultuurkritiek Feminisme Godsdienst Kunst Literatuurtheorie Verteltheorie Feminismus Religion Arts Feminism and art Art and religion Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014926536&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT balmieke amiekebalreader |