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Background noise: perspectives on sound art

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Bibliographic Details
Main Author:	LaBelle, Brandon (Author)
Format:	Book
Language:	English
Published:	New York [u.a.] Continuum International 2008
Subjects:	Geschichte 1900-2000 Geräusch - Geräuschkulisse Raum - Kunst - Sound Sound in art Site-specific art Performance art Arts, Modern > 20th century Ästhetik Performance > Künste Klangkunst
Online Access:	Inhaltsverzeichnis
Item Description:	Includes bibliographical references and index
Physical Description:	XVIII, 316 S.
ISBN:	0826418449 0826418457

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MARC


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Record in the Search Index

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adam_text	CONTENTS ACKNOWLEDGEMENTS VII INTRODUCTION: AUDITORY RELATIONS IX FADE IN XVII PART 1:4 33 : SOUND AND POINTS OF ORIGIN 1 INTRODUCTION TO PART 1 3 CHAPTER 1 SOCIALITY OF SOUND: JOHN CAGE AND MUSICAL CONCEPTS 7 CHAPTER 2 EXPOSING THE SOUND OBJECT: MUSIQUE CONCRETE S SONIC RESEARCH 24 CHAPTER 3 AUTOMATIC MUSIC: GROUP ONGAKU S PERFORMATIVE LABORS 35 PART 2: BOX WITH THE SOUND OF ITS OWN MAKING: FROM GAGS TO SCULPTURAL FORM 47 INTRODUCTION TO PART 2 49 CHAPTER 4 RHYTHMS OF CHAOS: HAPPENINGS, ENVIRONMENTS, AND FLUXUS 54 CHAPTER 5 MINIMALIST TREATMENTS: LA MONTE YOUNG AND ROBERT MORRIS 68 CHAPTER 6 CONCEPTUALIZATIONS: MICHAEL ASHER AND THE SUBJECT OF SPACE 87 PART 3:1 AM SITTING IN A ROOM: VOCAL INTENSITIES 99 INTRODUCTION TO PART 3 101 CHAPTER 7 PERFORMING DESIRE/ PERFORMING FEAR: VITO ACCONCI AND THE POWER PLAYS OF VOICE 108 CHAPTER 8 FINDING ONESELF: ALVIN LUCIER AND THE PHENOMENAL VOICE 123 CHAPTER 9 WORD OF MOUTH: CHRISTOF MIGONE S LITTLE MANIAS 133 V VI BACKGROUND NOISE PART 4: PUBLIC SUPPLY: BUILDINGS, CONSTRUCTIONS, AND LOCATIONAL LISTENING 147 INTRODUCTION TO PART 4 149 CHAPTER 10 TUNING SPACE: MAX NEUHAUS AND SITE-SPECIFIC SOUND 154 CHAPTER 11 OTHER ARCHITECTURES: MICHAEL BREWSTER, MARYANNE AMACHER, AND BERNHARD LEITNER 167 CHAPTER 12 COMPOSING INTENSITIES: IANNIS XENAKIS S MULTIMEDIA ARCHITECTURES 183 PART 5: SOUNDMARKS: ENVIRONMENTS AND AURAL GEOGRAPHY 195 INTRODUCTION TO PART 5 197 CHAPTER 13 SEEKING URSOUND: HILDEGARD WESTERKAMP, STEVE PETERS, AND THE SOUNDSCAPE 201 CHAPTER 14 LANGUAGE GAMES: YASUNAO TONE AND THE MECHANICS OF INFORMATION 218 CHAPTER 15 COMPLICATING PLACE: BILL FONTANA AND NETWORKING THE SOUNDSCAPE 230 PART 6: GLOBAL STRINGS: INTERPERSONAL AND NETWORK SPACE 243 INTRODUCTION TO PART 6 245 CHAPTER 16 INTERACTIONS: ACHIM WOLLSCHEID S PRODUCTION OF THE LOCAL 251 CHAPTER 17 GLOBAL EVENTS: ATAU TANAKA AND NETWORK AS INSTRUMENT 267 CHAPTER 18 LIVE STREAMS: APO33 AND MULTIPLYING PLACE 280 FADE OUT 293 CONCLUSION: AUDITIVE PIVOT 295 LIST OF WORKS CITED 299 INDEX 309
adam_txt	CONTENTS ACKNOWLEDGEMENTS VII INTRODUCTION: AUDITORY RELATIONS IX FADE IN XVII PART 1:4 '33 ": SOUND AND POINTS OF ORIGIN 1 INTRODUCTION TO PART 1 3 CHAPTER 1 SOCIALITY OF SOUND: JOHN CAGE AND MUSICAL CONCEPTS 7 CHAPTER 2 EXPOSING THE SOUND OBJECT: MUSIQUE CONCRETE'S SONIC RESEARCH 24 CHAPTER 3 AUTOMATIC MUSIC: GROUP ONGAKU'S PERFORMATIVE LABORS 35 PART 2: BOX WITH THE SOUND OF ITS OWN MAKING: FROM GAGS TO SCULPTURAL FORM 47 INTRODUCTION TO PART 2 49 CHAPTER 4 RHYTHMS OF CHAOS: HAPPENINGS, ENVIRONMENTS, AND FLUXUS 54 CHAPTER 5 MINIMALIST TREATMENTS: LA MONTE YOUNG AND ROBERT MORRIS 68 CHAPTER 6 CONCEPTUALIZATIONS: MICHAEL ASHER AND THE SUBJECT OF SPACE 87 PART 3:1 AM SITTING IN A ROOM: VOCAL INTENSITIES 99 INTRODUCTION TO PART 3 101 CHAPTER 7 PERFORMING DESIRE/ PERFORMING FEAR: VITO ACCONCI AND THE POWER PLAYS OF VOICE 108 CHAPTER 8 FINDING ONESELF: ALVIN LUCIER AND THE PHENOMENAL VOICE 123 CHAPTER 9 WORD OF MOUTH: CHRISTOF MIGONE'S LITTLE MANIAS 133 V VI BACKGROUND NOISE PART 4: PUBLIC SUPPLY: BUILDINGS, CONSTRUCTIONS, AND LOCATIONAL LISTENING 147 INTRODUCTION TO PART 4 149 CHAPTER 10 TUNING SPACE: MAX NEUHAUS AND SITE-SPECIFIC SOUND 154 CHAPTER 11 OTHER ARCHITECTURES: MICHAEL BREWSTER, MARYANNE AMACHER, AND BERNHARD LEITNER 167 CHAPTER 12 COMPOSING INTENSITIES: IANNIS XENAKIS'S MULTIMEDIA ARCHITECTURES 183 PART 5: SOUNDMARKS: ENVIRONMENTS AND AURAL GEOGRAPHY 195 INTRODUCTION TO PART 5 197 CHAPTER 13 SEEKING URSOUND: HILDEGARD WESTERKAMP, STEVE PETERS, AND THE SOUNDSCAPE 201 CHAPTER 14 LANGUAGE GAMES: YASUNAO TONE AND THE MECHANICS OF INFORMATION 218 CHAPTER 15 COMPLICATING PLACE: BILL FONTANA AND NETWORKING THE SOUNDSCAPE 230 PART 6: GLOBAL STRINGS: INTERPERSONAL AND NETWORK SPACE 243 INTRODUCTION TO PART 6 245 CHAPTER 16 INTERACTIONS: ACHIM WOLLSCHEID'S PRODUCTION OF THE LOCAL 251 CHAPTER 17 GLOBAL EVENTS: ATAU TANAKA AND NETWORK AS INSTRUMENT 267 CHAPTER 18 LIVE STREAMS: APO33 AND MULTIPLYING PLACE 280 FADE OUT 293 CONCLUSION: AUDITIVE PIVOT 295 LIST OF WORKS CITED 299 INDEX 309
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author	LaBelle, Brandon
author_facet	LaBelle, Brandon
author_role	aut
author_sort	LaBelle, Brandon
author_variant	b l bl
building	Verbundindex
bvnumber	BV021709987
callnumber-first	N - Fine Arts
callnumber-label	NX650
callnumber-raw	NX650.S68
callnumber-search	NX650.S68
callnumber-sort	NX 3650 S68
callnumber-subject	NX - Arts in General
classification_rvk	LH 65829 LR 56820
ctrlnum	(OCoLC)551819909 (DE-599)BVBBV021709987
dewey-full	786.7
dewey-hundreds	700 - The arts
dewey-ones	786 - Keyboard & other instruments
dewey-raw	786.7
dewey-search	786.7
dewey-sort	3786.7
dewey-tens	780 - Music
discipline	Kunstgeschichte Musikwissenschaft
discipline_str_mv	Kunstgeschichte Musikwissenschaft
era	Geschichte 1900-2000
era_facet	Geschichte 1900-2000
format	Book
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isbn	0826418449 0826418457
language	English
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publisher	Continuum International
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spelling	LaBelle, Brandon Verfasser aut Background noise perspectives on sound art Brandon LaBelle Perspectives on sound art New York [u.a.] Continuum International 2008 XVIII, 316 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1900-2000 Geräusch - Geräuschkulisse Raum - Kunst - Sound Sound in art Site-specific art Performance art Arts, Modern 20th century Ästhetik (DE-588)4000626-8 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Klangkunst (DE-588)4430771-8 gnd rswk-swf Klangkunst (DE-588)4430771-8 s DE-604 Ästhetik (DE-588)4000626-8 s 1\p DE-604 Performance Künste (DE-588)4173750-7 s 2\p DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014923818&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	LaBelle, Brandon Background noise perspectives on sound art Geräusch - Geräuschkulisse Raum - Kunst - Sound Sound in art Site-specific art Performance art Arts, Modern 20th century Ästhetik (DE-588)4000626-8 gnd Performance Künste (DE-588)4173750-7 gnd Klangkunst (DE-588)4430771-8 gnd
subject_GND	(DE-588)4000626-8 (DE-588)4173750-7 (DE-588)4430771-8
title	Background noise perspectives on sound art
title_alt	Perspectives on sound art
title_auth	Background noise perspectives on sound art
title_exact_search	Background noise perspectives on sound art
title_exact_search_txtP	Background noise perspectives on sound art
title_full	Background noise perspectives on sound art Brandon LaBelle
title_fullStr	Background noise perspectives on sound art Brandon LaBelle
title_full_unstemmed	Background noise perspectives on sound art Brandon LaBelle
title_short	Background noise
title_sort	background noise perspectives on sound art
title_sub	perspectives on sound art
topic	Geräusch - Geräuschkulisse Raum - Kunst - Sound Sound in art Site-specific art Performance art Arts, Modern 20th century Ästhetik (DE-588)4000626-8 gnd Performance Künste (DE-588)4173750-7 gnd Klangkunst (DE-588)4430771-8 gnd
topic_facet	Geräusch - Geräuschkulisse Raum - Kunst - Sound Sound in art Site-specific art Performance art Arts, Modern 20th century Ästhetik Performance Künste Klangkunst
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014923818&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT labellebrandon backgroundnoiseperspectivesonsoundart AT labellebrandon perspectivesonsoundart

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