Background noise: perspectives on sound art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Continuum International
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVIII, 316 S. |
| ISBN: | 0826418449 0826418457 |
Internformat
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| 245 | 1 | 0 | |a Background noise |b perspectives on sound art |c Brandon LaBelle |
| 246 | 1 | 3 | |a Perspectives on sound art |
| 264 | 1 | |a New York [u.a.] |b Continuum International |c 2008 | |
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| 500 | |a Includes bibliographical references and index | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Geräusch - Geräuschkulisse | |
| 650 | 4 | |a Raum - Kunst - Sound | |
| 650 | 4 | |a Sound in art | |
| 650 | 4 | |a Site-specific art | |
| 650 | 4 | |a Performance art | |
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Datensatz im Suchindex
| _version_ | 1804135545900630016 |
|---|---|
| adam_text | CONTENTS ACKNOWLEDGEMENTS VII INTRODUCTION: AUDITORY RELATIONS IX FADE
IN XVII PART 1:4 33 : SOUND AND POINTS OF ORIGIN 1 INTRODUCTION TO
PART 1 3 CHAPTER 1 SOCIALITY OF SOUND: JOHN CAGE AND MUSICAL CONCEPTS 7
CHAPTER 2 EXPOSING THE SOUND OBJECT: MUSIQUE CONCRETE S SONIC RESEARCH
24 CHAPTER 3 AUTOMATIC MUSIC: GROUP ONGAKU S PERFORMATIVE LABORS 35 PART
2: BOX WITH THE SOUND OF ITS OWN MAKING: FROM GAGS TO SCULPTURAL FORM 47
INTRODUCTION TO PART 2 49 CHAPTER 4 RHYTHMS OF CHAOS: HAPPENINGS,
ENVIRONMENTS, AND FLUXUS 54 CHAPTER 5 MINIMALIST TREATMENTS: LA MONTE
YOUNG AND ROBERT MORRIS 68 CHAPTER 6 CONCEPTUALIZATIONS: MICHAEL ASHER
AND THE SUBJECT OF SPACE 87 PART 3:1 AM SITTING IN A ROOM: VOCAL
INTENSITIES 99 INTRODUCTION TO PART 3 101 CHAPTER 7 PERFORMING DESIRE/
PERFORMING FEAR: VITO ACCONCI AND THE POWER PLAYS OF VOICE 108 CHAPTER 8
FINDING ONESELF: ALVIN LUCIER AND THE PHENOMENAL VOICE 123 CHAPTER 9
WORD OF MOUTH: CHRISTOF MIGONE S LITTLE MANIAS 133 V VI BACKGROUND NOISE
PART 4: PUBLIC SUPPLY: BUILDINGS, CONSTRUCTIONS, AND LOCATIONAL
LISTENING 147 INTRODUCTION TO PART 4 149 CHAPTER 10 TUNING SPACE: MAX
NEUHAUS AND SITE-SPECIFIC SOUND 154 CHAPTER 11 OTHER ARCHITECTURES:
MICHAEL BREWSTER, MARYANNE AMACHER, AND BERNHARD LEITNER 167 CHAPTER 12
COMPOSING INTENSITIES: IANNIS XENAKIS S MULTIMEDIA ARCHITECTURES 183
PART 5: SOUNDMARKS: ENVIRONMENTS AND AURAL GEOGRAPHY 195 INTRODUCTION TO
PART 5 197 CHAPTER 13 SEEKING URSOUND: HILDEGARD WESTERKAMP, STEVE
PETERS, AND THE SOUNDSCAPE 201 CHAPTER 14 LANGUAGE GAMES: YASUNAO TONE
AND THE MECHANICS OF INFORMATION 218 CHAPTER 15 COMPLICATING PLACE: BILL
FONTANA AND NETWORKING THE SOUNDSCAPE 230 PART 6: GLOBAL STRINGS:
INTERPERSONAL AND NETWORK SPACE 243 INTRODUCTION TO PART 6 245 CHAPTER
16 INTERACTIONS: ACHIM WOLLSCHEID S PRODUCTION OF THE LOCAL 251 CHAPTER
17 GLOBAL EVENTS: ATAU TANAKA AND NETWORK AS INSTRUMENT 267 CHAPTER 18
LIVE STREAMS: APO33 AND MULTIPLYING PLACE 280 FADE OUT 293 CONCLUSION:
AUDITIVE PIVOT 295 LIST OF WORKS CITED 299 INDEX 309
|
| adam_txt |
CONTENTS ACKNOWLEDGEMENTS VII INTRODUCTION: AUDITORY RELATIONS IX FADE
IN XVII PART 1:4 '33 ": SOUND AND POINTS OF ORIGIN 1 INTRODUCTION TO
PART 1 3 CHAPTER 1 SOCIALITY OF SOUND: JOHN CAGE AND MUSICAL CONCEPTS 7
CHAPTER 2 EXPOSING THE SOUND OBJECT: MUSIQUE CONCRETE'S SONIC RESEARCH
24 CHAPTER 3 AUTOMATIC MUSIC: GROUP ONGAKU'S PERFORMATIVE LABORS 35 PART
2: BOX WITH THE SOUND OF ITS OWN MAKING: FROM GAGS TO SCULPTURAL FORM 47
INTRODUCTION TO PART 2 49 CHAPTER 4 RHYTHMS OF CHAOS: HAPPENINGS,
ENVIRONMENTS, AND FLUXUS 54 CHAPTER 5 MINIMALIST TREATMENTS: LA MONTE
YOUNG AND ROBERT MORRIS 68 CHAPTER 6 CONCEPTUALIZATIONS: MICHAEL ASHER
AND THE SUBJECT OF SPACE 87 PART 3:1 AM SITTING IN A ROOM: VOCAL
INTENSITIES 99 INTRODUCTION TO PART 3 101 CHAPTER 7 PERFORMING DESIRE/
PERFORMING FEAR: VITO ACCONCI AND THE POWER PLAYS OF VOICE 108 CHAPTER 8
FINDING ONESELF: ALVIN LUCIER AND THE PHENOMENAL VOICE 123 CHAPTER 9
WORD OF MOUTH: CHRISTOF MIGONE'S LITTLE MANIAS 133 V VI BACKGROUND NOISE
PART 4: PUBLIC SUPPLY: BUILDINGS, CONSTRUCTIONS, AND LOCATIONAL
LISTENING 147 INTRODUCTION TO PART 4 149 CHAPTER 10 TUNING SPACE: MAX
NEUHAUS AND SITE-SPECIFIC SOUND 154 CHAPTER 11 OTHER ARCHITECTURES:
MICHAEL BREWSTER, MARYANNE AMACHER, AND BERNHARD LEITNER 167 CHAPTER 12
COMPOSING INTENSITIES: IANNIS XENAKIS'S MULTIMEDIA ARCHITECTURES 183
PART 5: SOUNDMARKS: ENVIRONMENTS AND AURAL GEOGRAPHY 195 INTRODUCTION TO
PART 5 197 CHAPTER 13 SEEKING URSOUND: HILDEGARD WESTERKAMP, STEVE
PETERS, AND THE SOUNDSCAPE 201 CHAPTER 14 LANGUAGE GAMES: YASUNAO TONE
AND THE MECHANICS OF INFORMATION 218 CHAPTER 15 COMPLICATING PLACE: BILL
FONTANA AND NETWORKING THE SOUNDSCAPE 230 PART 6: GLOBAL STRINGS:
INTERPERSONAL AND NETWORK SPACE 243 INTRODUCTION TO PART 6 245 CHAPTER
16 INTERACTIONS: ACHIM WOLLSCHEID'S PRODUCTION OF THE LOCAL 251 CHAPTER
17 GLOBAL EVENTS: ATAU TANAKA AND NETWORK AS INSTRUMENT 267 CHAPTER 18
LIVE STREAMS: APO33 AND MULTIPLYING PLACE 280 FADE OUT 293 CONCLUSION:
AUDITIVE PIVOT 295 LIST OF WORKS CITED 299 INDEX 309 |
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| author | LaBelle, Brandon |
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| bvnumber | BV021709987 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX650 |
| callnumber-raw | NX650.S68 |
| callnumber-search | NX650.S68 |
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| callnumber-subject | NX - Arts in General |
| classification_rvk | LH 65829 LR 56820 |
| ctrlnum | (OCoLC)551819909 (DE-599)BVBBV021709987 |
| dewey-full | 786.7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.7 |
| dewey-search | 786.7 |
| dewey-sort | 3786.7 |
| dewey-tens | 780 - Music |
| discipline | Kunstgeschichte Musikwissenschaft |
| discipline_str_mv | Kunstgeschichte Musikwissenschaft |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
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| index_date | 2024-07-02T15:20:05Z |
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| language | English |
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| spelling | LaBelle, Brandon Verfasser aut Background noise perspectives on sound art Brandon LaBelle Perspectives on sound art New York [u.a.] Continuum International 2008 XVIII, 316 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1900-2000 Geräusch - Geräuschkulisse Raum - Kunst - Sound Sound in art Site-specific art Performance art Arts, Modern 20th century Ästhetik (DE-588)4000626-8 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Klangkunst (DE-588)4430771-8 gnd rswk-swf Klangkunst (DE-588)4430771-8 s DE-604 Ästhetik (DE-588)4000626-8 s 1\p DE-604 Performance Künste (DE-588)4173750-7 s 2\p DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014923818&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | LaBelle, Brandon Background noise perspectives on sound art Geräusch - Geräuschkulisse Raum - Kunst - Sound Sound in art Site-specific art Performance art Arts, Modern 20th century Ästhetik (DE-588)4000626-8 gnd Performance Künste (DE-588)4173750-7 gnd Klangkunst (DE-588)4430771-8 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4173750-7 (DE-588)4430771-8 |
| title | Background noise perspectives on sound art |
| title_alt | Perspectives on sound art |
| title_auth | Background noise perspectives on sound art |
| title_exact_search | Background noise perspectives on sound art |
| title_exact_search_txtP | Background noise perspectives on sound art |
| title_full | Background noise perspectives on sound art Brandon LaBelle |
| title_fullStr | Background noise perspectives on sound art Brandon LaBelle |
| title_full_unstemmed | Background noise perspectives on sound art Brandon LaBelle |
| title_short | Background noise |
| title_sort | background noise perspectives on sound art |
| title_sub | perspectives on sound art |
| topic | Geräusch - Geräuschkulisse Raum - Kunst - Sound Sound in art Site-specific art Performance art Arts, Modern 20th century Ästhetik (DE-588)4000626-8 gnd Performance Künste (DE-588)4173750-7 gnd Klangkunst (DE-588)4430771-8 gnd |
| topic_facet | Geräusch - Geräuschkulisse Raum - Kunst - Sound Sound in art Site-specific art Performance art Arts, Modern 20th century Ästhetik Performance Künste Klangkunst |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014923818&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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