Echoes of women's voices: music, art, and female patronage in early modern Florence
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chicago [u.a.]
Univ. of Chicago Press
2006
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Schlagworte: | |
Online-Zugang: | Table of contents Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references (p. [349]-367) and index |
Beschreibung: | XVI, 378 S. Ill., Notenbeisp. 24 cm |
ISBN: | 0226316599 |
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245 | 1 | 0 | |a Echoes of women's voices |b music, art, and female patronage in early modern Florence |c Kelley Harness |
264 | 1 | |a Chicago [u.a.] |b Univ. of Chicago Press |c 2006 | |
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adam_text | Contents
List of Illustrations vii
Abbreviations xi
Notes to the Reader xiii
Acknowledgments xv
o
Introduction i
1 Modes of Artistic Communication and Perception in Early Modern Florence ij
2 A more than virile prudence : Archduchess Maria Magdalena 40
3 Amazons of God: Virgin Martyr Spectacles, 1621—25 62
4 Una forte, magnanima, e generosa vedova : Judith 111
5 She hoped to see in the triumphs of religion the triumphs of her house :
Epic Chivalric Poems and the Equestrian Ballets 142
6 Now it suits me to beseech : End of the Regency, End of a Decade
(1628 — 30) 174
7 One of the most perfect unions of the spiritual and the temporal
imaginable : The Monastero di Santa Croce 209
8 Queens of the Arno : Medici Princesses and the Crocctta 282
Appendix A Female Worthies Depicted in Lunette Frescoes in the Audience Room,
Villa Poggio Impenalc ^4S
Appendix B. Summary of Book •} of the Acts of Paul 547
Select Bibliography ^49
Index ibej
Illustrations
Plates
Following page 108
1 Rutilio Manetti, Masmissa and Sophtmisba
2 Artemisia Gentileschi, Judith Beheading Holofernes
5 Sandro Botticelli, Primavem
4 Francesco Morandini, Invention of the Holy Cross
Figures
1.1 Cesare Molza, diagram (with legend; of the seating arrangement for
La regina Sant Orsola, 1624 is
1.2 Tibeno Titi, Christine of Lorraine 16
1.3 Giovan Battista Foggini, posthumous bust of Archduchess Maria
Magdalena 20
2.1 Matteo Rossclli, Matilda leads Pope Gregory III bail; to Rome io
i.z Matteo Rosselli, Semiramis i4
2.J Justus Sustermans, Archduchess Maria Magdalena as Saml Mary Magdalen S7
j.i Giovanni Battista da Galliano, Non sdetjnar tra 1 nostn b.illi 76
;.2 Ottavio Vannini, Martyrdom of Saint I rsuhi Si
$.} Alfonso Pangi, Ireo at the feet of the km? of the Huns 04
4.1 Donatello. Judith ii(
4.2 Cnstofano Allori, Judith io
4.^ Cjiovanni Battista anni or Irancesco Montelalici. called C ecco Bravo.
Judith ,1,
vi Matteo Rosselli. Homage to Rudolph I 14;
5.2 Girolamo lrilli C roci. Aniuda and Rmaldo 1^
7.1 Antonio del C.eraiolo : . II.ix tc (.aivarx 11^
7.2 Giovanni Balducci, Coronation of the I rgm b Cod the latter with Angels 220
7.5 Francesco Morandini. preparatorv drawinsj for the Invention of
the Ilolx Cross altarpiece 222
viii Illustrations
7.4 Francesco Morandini, Crucifixion 223
8.1 Anonymous portrait of Princess Maria Maddalena de Medici 283
8.2 Giovanni da San Giovanni, Angels Carrying the Body of Saint Catherine
of Alexandria 297
Tables
2.1 Florentine State Spectacles featuring Female Protagonists, 1621 28 44
2.2 Saint Mary Magdalen Plays Performed at Court or Dedicated to
Archduchess Maria Magdalena 59
7.1 Payments by the Crocetta to Singers and Instrumentalists for the
Feasts of the Invention (3 May) and Exaltation (14 September) of
the Holy Cross, 1593—1607 226
7.2 Payments for Music at the Crocetta, 1608 —21 230
7.3 Payments by the Crocetta to Named Musicians, 1617—47 232
Musical examples
1.1 Three cadence types in early seventeenth century opera 37
1.2 Jacopo Peri, UEuridice: O Re nel cui sembiante (Proserpina) 37
1.3 Jacopo Peri, UEuridice: Modi or soave or mesti (Orfeo) 38
1.4 Jacopo Peri, UEuridice: Quella, quella son io (Euridice) 39
1.5 Jacopo Peri, UEuridice: Tolsemi Orfeo (Euridice) 39
3.1 Giovanni Battista da Gagliano, Gioite, gioite, retexted as Girate, girate
(// martirio di Sant Agata) 110
5.1 Francesca Caccini, La liberazione di Ruggiero: Quanto per dolce, e mia beata
sorte (Ruggiero) 167
5.2 Francesca Caccini, La liberazione di Ruggiero: . . . e di cigni, e sirene (Alcina) 168
5.3 Francesca Caccini, La liberazione di Ruggiero: Ferma, ferma crudele (Alcina) 168
5.4 Francesca Caccini, La liberazione di Ruggiero: . . . o ferita di tigre (Alcina) 170
5.5 Francesca Caccini, La liberazione di Ruggiero: Atlante a te sen viene
(Melissa) 171
6.1 Marco da Gagliano, La Flora: Acerbissimi detti (Zephyr) 199
6.2 Jacopo Peri, La Flora: Fortunata Corilla (Chloris) 201
6.3 Marco da Gagliano, La Flora: Quest appunto ho voluto (Venus and
Cupid) 202
6.4 Marco da Gagliano, La Flora: M e forza (Venus) 204
6.5 Jacopo Peri, La Flora: Gioite al gioir mio (Flora) 206
6.6 Marco da Gagliano, La Flora: Su mio giocondo figlio (Venus) 208
7.1 Giovanni Battista da Gagliano, Dixit dominus, tertii toni (odd numbered
verses) 257
7.2 Giovanni Battista da Gagliano, Confitebor tibi, Domine, primi toni (v. 6) 264
7.3 Giovanni Battista da Gagliano, Laudate pueri, octavi toni (w. 5 and 7) 265
Illustrations ix
7.4 Marco da Gagliano, Crucem tuam adoramus 268
7.5 Marco da Gagliano, Cruxfidelis 269
7.6 Giovanni Battista da Gagliano, Cruxfidelis 274
8.1 Giovanni Battista da Gagliano, Venite virgims 318
8.2 Giovanni Battista da Gagliano, Veni sponsa Christi (1626) 329
8.3 Giovanni Battista da Gagliano, Veni sponsa Christi (1643) 339
|
adam_txt |
Contents
List of Illustrations vii
Abbreviations xi
Notes to the Reader xiii
Acknowledgments xv
o
Introduction i
1 Modes of Artistic Communication and Perception in Early Modern Florence ij
2 "A more than virile prudence": Archduchess Maria Magdalena 40
3 Amazons of God: Virgin Martyr Spectacles, 1621—25 62
4 "Una forte, magnanima, e generosa vedova": Judith 111
5 "She hoped to see in the triumphs of religion the triumphs of her house":
Epic Chivalric Poems and the Equestrian Ballets 142
6 "Now it suits me to beseech": End of the Regency, End of a Decade
(1628 — 30) 174
7 "One of the most perfect unions of the spiritual and the temporal
imaginable": The Monastero di Santa Croce 209
8 "Queens of the Arno": Medici Princesses and the Crocctta 282
Appendix A Female Worthies Depicted in Lunette Frescoes in the Audience Room,
Villa Poggio Impenalc ^4S
Appendix B. Summary of Book •} of the "Acts of Paul" 547
Select Bibliography ^49
Index ibej
Illustrations
Plates
Following page 108
1 Rutilio Manetti, Masmissa and Sophtmisba
2 Artemisia Gentileschi, Judith Beheading Holofernes
5 Sandro Botticelli, Primavem
4 Francesco Morandini, Invention of the Holy Cross
Figures
1.1 Cesare Molza, diagram (with legend; of the seating arrangement for
La regina Sant'Orsola, 1624 is
1.2 Tibeno Titi, Christine of Lorraine 16
1.3 Giovan Battista Foggini, posthumous bust of Archduchess Maria
Magdalena 20
2.1 Matteo Rossclli, Matilda leads Pope Gregory III bail; to Rome io
i.z Matteo Rosselli, Semiramis i4
2.J Justus Sustermans, Archduchess Maria Magdalena as Saml Mary Magdalen S7
j.i Giovanni Battista da Galliano, "Non sdetjnar tra 1 nostn b.illi" 76
;.2 Ottavio Vannini, Martyrdom of Saint I rsuhi Si
\$.} Alfonso Pangi, Ireo at the feet of the km? of the Huns 04
4.1 Donatello. Judith ii(
4.2 Cnstofano Allori, Judith \io
4.^ Cjiovanni Battista \anni or Irancesco Montelalici. called C ecco Bravo.
Judith ,1,
vi Matteo Rosselli. Homage to Rudolph I 14;
5.2 Girolamo lrilli C'roci. Aniuda and Rmaldo 1^
7.1 Antonio del C.eraiolo : . II.ix tc (.aivarx 11^
7.2 Giovanni Balducci, Coronation of the I rgm b\ Cod the latter with Angels 220
7.5 Francesco Morandini. preparatorv drawinsj for the Invention of
the Ilolx Cross altarpiece 222
viii Illustrations
7.4 Francesco Morandini, Crucifixion 223
8.1 Anonymous portrait of Princess Maria Maddalena de' Medici 283
8.2 Giovanni da San Giovanni, Angels Carrying the Body of Saint Catherine
of Alexandria 297
Tables
2.1 Florentine State Spectacles featuring Female Protagonists, 1621 28 44
2.2 Saint Mary Magdalen Plays Performed at Court or Dedicated to
Archduchess Maria Magdalena 59
7.1 Payments by the Crocetta to Singers and Instrumentalists for the
Feasts of the Invention (3 May) and Exaltation (14 September) of
the Holy Cross, 1593—1607 226
7.2 Payments for Music at the Crocetta, 1608 —21 230
7.3 Payments by the Crocetta to Named Musicians, 1617—47 232
Musical examples
1.1 Three cadence types in early seventeenth century opera 37
1.2 Jacopo Peri, UEuridice: "O Re nel cui sembiante" (Proserpina) 37
1.3 Jacopo Peri, UEuridice: "Modi or soave or mesti" (Orfeo) 38
1.4 Jacopo Peri, UEuridice: "Quella, quella son io" (Euridice) 39
1.5 Jacopo Peri, UEuridice: "Tolsemi Orfeo" (Euridice) 39
3.1 Giovanni Battista da Gagliano, "Gioite, gioite," retexted as "Girate, girate"
(// martirio di Sant'Agata) 110
5.1 Francesca Caccini, La liberazione di Ruggiero: "Quanto per dolce, e mia beata
sorte" (Ruggiero) 167
5.2 Francesca Caccini, La liberazione di Ruggiero: ". . . e di cigni, e sirene" (Alcina) 168
5.3 Francesca Caccini, La liberazione di Ruggiero: "Ferma, ferma crudele" (Alcina) 168
5.4 Francesca Caccini, La liberazione di Ruggiero: ". . . o ferita di tigre" (Alcina) 170
5.5 Francesca Caccini, La liberazione di Ruggiero: "Atlante a te sen viene"
(Melissa) 171
6.1 Marco da Gagliano, La Flora: "Acerbissimi detti" (Zephyr) 199
6.2 Jacopo Peri, La Flora: "Fortunata Corilla" (Chloris) 201
6.3 Marco da Gagliano, La Flora: "Quest'appunto ho voluto" (Venus and
Cupid) 202
6.4 Marco da Gagliano, La Flora: "M'e forza" (Venus) 204
6.5 Jacopo Peri, La Flora: "Gioite al gioir mio" (Flora) 206
6.6 Marco da Gagliano, La Flora: "Su mio giocondo figlio" (Venus) 208
7.1 Giovanni Battista da Gagliano, Dixit dominus, tertii toni (odd numbered
verses) 257
7.2 Giovanni Battista da Gagliano, Confitebor tibi, Domine, primi toni (v. 6) 264
7.3 Giovanni Battista da Gagliano, Laudate pueri, octavi toni (w. 5 and 7) 265
Illustrations ix
7.4 Marco da Gagliano, Crucem tuam adoramus 268
7.5 Marco da Gagliano, Cruxfidelis 269
7.6 Giovanni Battista da Gagliano, Cruxfidelis 274
8.1 Giovanni Battista da Gagliano, Venite virgims 318
8.2 Giovanni Battista da Gagliano, Veni sponsa Christi (1626) 329
8.3 Giovanni Battista da Gagliano, Veni sponsa Christi (1643) 339 |
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author | Harness, Kelley Ann |
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discipline_str_mv | Kunstgeschichte Musikwissenschaft |
era | Geschichte 1600-1700 Geschichte 1600-1700 gnd |
era_facet | Geschichte 1600-1700 |
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geographic | Italien Florence (Italy) Kings and rulers Art patronage Florenz (DE-588)4017581-9 gnd |
geographic_facet | Italien Florence (Italy) Kings and rulers Art patronage Florenz |
id | DE-604.BV021703501 |
illustrated | Illustrated |
index_date | 2024-07-02T15:18:03Z |
indexdate | 2024-07-09T20:42:03Z |
institution | BVB |
isbn | 0226316599 |
language | English |
lccn | 2005013127 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014917421 |
oclc_num | 60375721 |
open_access_boolean | |
owner | DE-12 DE-20 DE-11 DE-Y3 DE-255 DE-Y2 |
owner_facet | DE-12 DE-20 DE-11 DE-Y3 DE-255 DE-Y2 |
physical | XVI, 378 S. Ill., Notenbeisp. 24 cm |
publishDate | 2006 |
publishDateSearch | 2006 |
publishDateSort | 2006 |
publisher | Univ. of Chicago Press |
record_format | marc |
spelling | Harness, Kelley Ann Verfasser aut Echoes of women's voices music, art, and female patronage in early modern Florence Kelley Harness Chicago [u.a.] Univ. of Chicago Press 2006 XVI, 378 S. Ill., Notenbeisp. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [349]-367) and index Medici, House of Art patronage Geschichte 1600-1700 Geschichte 1600-1700 gnd rswk-swf História da arte - Século 17 - Florença (itália) larpcal Mecenato (história) - Itália larpcal Mulheres larpcal Geschichte Musik Women art patrons Italy Florence History 17th century Arts, Italian Italy Florence History 17th century Music Italy Florence 17th century History and criticism Mäzenatentum (DE-588)4074442-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Italien Florence (Italy) Kings and rulers Art patronage Florenz (DE-588)4017581-9 gnd rswk-swf Florenz (DE-588)4017581-9 g Mäzenatentum (DE-588)4074442-5 s Frau (DE-588)4018202-2 s Kunst (DE-588)4114333-4 s Musik (DE-588)4040802-4 s Geschichte 1600-1700 z DE-604 http://www.loc.gov/catdir/toc/ecip0512/2005013127.html Table of contents HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014917421&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Harness, Kelley Ann Echoes of women's voices music, art, and female patronage in early modern Florence Medici, House of Art patronage História da arte - Século 17 - Florença (itália) larpcal Mecenato (história) - Itália larpcal Mulheres larpcal Geschichte Musik Women art patrons Italy Florence History 17th century Arts, Italian Italy Florence History 17th century Music Italy Florence 17th century History and criticism Mäzenatentum (DE-588)4074442-5 gnd Kunst (DE-588)4114333-4 gnd Musik (DE-588)4040802-4 gnd Frau (DE-588)4018202-2 gnd |
subject_GND | (DE-588)4074442-5 (DE-588)4114333-4 (DE-588)4040802-4 (DE-588)4018202-2 (DE-588)4017581-9 |
title | Echoes of women's voices music, art, and female patronage in early modern Florence |
title_auth | Echoes of women's voices music, art, and female patronage in early modern Florence |
title_exact_search | Echoes of women's voices music, art, and female patronage in early modern Florence |
title_exact_search_txtP | Echoes of women's voices music, art, and female patronage in early modern Florence |
title_full | Echoes of women's voices music, art, and female patronage in early modern Florence Kelley Harness |
title_fullStr | Echoes of women's voices music, art, and female patronage in early modern Florence Kelley Harness |
title_full_unstemmed | Echoes of women's voices music, art, and female patronage in early modern Florence Kelley Harness |
title_short | Echoes of women's voices |
title_sort | echoes of women s voices music art and female patronage in early modern florence |
title_sub | music, art, and female patronage in early modern Florence |
topic | Medici, House of Art patronage História da arte - Século 17 - Florença (itália) larpcal Mecenato (história) - Itália larpcal Mulheres larpcal Geschichte Musik Women art patrons Italy Florence History 17th century Arts, Italian Italy Florence History 17th century Music Italy Florence 17th century History and criticism Mäzenatentum (DE-588)4074442-5 gnd Kunst (DE-588)4114333-4 gnd Musik (DE-588)4040802-4 gnd Frau (DE-588)4018202-2 gnd |
topic_facet | Medici, House of Art patronage História da arte - Século 17 - Florença (itália) Mecenato (história) - Itália Mulheres Geschichte Musik Women art patrons Italy Florence History 17th century Arts, Italian Italy Florence History 17th century Music Italy Florence 17th century History and criticism Mäzenatentum Kunst Frau Italien Florence (Italy) Kings and rulers Art patronage Florenz |
url | http://www.loc.gov/catdir/toc/ecip0512/2005013127.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014917421&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT harnesskelleyann echoesofwomensvoicesmusicartandfemalepatronageinearlymodernflorence |