A music producer's thoughts to create by:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston, Mass.
Thomson Course Technology PTR
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes index. |
| Beschreibung: | IX, 144 S. Ill. 24 cm |
| ISBN: | 1592009859 |
Internformat
MARC
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| 100 | 1 | |a Olsen, Keith |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a A music producer's thoughts to create by |c by Keith Olsen |
| 264 | 1 | |a Boston, Mass. |b Thomson Course Technology PTR |c 2006 | |
| 300 | |a IX, 144 S. |b Ill. |c 24 cm | ||
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| 500 | |a Includes index. | ||
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| 650 | 4 | |a Music trade |x Vocational guidance | |
| 650 | 4 | |a Sound recordings |x Production and direction | |
| 650 | 4 | |a Sound |x Recording and reproducing | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Introduction
Part I: Song
CHAPTER
Setting the Hook
Listener Ownership
The Melody
Structure without Structure
Clever and Copying
Complexities Need Not Be Obvious
Themes
Part II: Performance of That Song
CHAPTER
You re Not Superman!
The Arrangement
Be True to Your Genre
Do What You Do Best
Know Thyself, Know Thy Competition
Keep on Top of Trends
Part III: Sound of That Song
CHAPTER3 Does It Sound Good?
Getting in the Studio
Home Recording
iv
Contents
Is
Hooked on the Gear and Not the Hook
CHAPTER4 The Recording Process
You re Responsible for the Vibe.
On to the Studio
Microphones and Placement
Drums
Ambience Mies
Acoustic Guitars
Electric Guitars
Bass
Leslies On Anything
Pianos
Vocal
The Console
Gain Structure
Before and After the
EQ Amplifier
The Combining or Summing Amp
Iťs
Digital Converters
BitDepth
CHAPTERS Effects
Equalization
Compression, Gates, and Other Gain Control Devices
Reverb: Analog and Digital
Digital Effects
Delays
Chorus/Flanger
Auto-Tune
Pitch Shifters
Vocoders
Filters and Voltage Controlled Filters
Voltage Controlled Amplifiers
Re-Amp
A Musk Producer s Thoughts to Create By
CHAPTER
Lead Vocals
Latency
Intelligibility of the Lead Vocal
Background Vocals
Overdubbing
Lead Solos or Features
Final Ideas Before Completion
CHAPTER
Monitor Speakers vs. Reference Monitors
Sounds Great? That May Not Be the Right Choice
How to Demo a Studio Monitor
Stereo Monitor Placement
Half-space, Whole-space, Outer Space
Subwoofers
Active or Passive?
Room Acoustics
CHAPTER8 Mixing
The Big Picture
Spectral Mixing
Stereo vs. Surround
The Dot One Channel
Stereo Panning
Surround Panning
Overall Compression
What Do I Mix Down To?
CHAPTER
Know Your Audience
Promotion
EPK (Electronic Press Kit)
CHAPTER
Copyright
Take the Time
vi
Contents
What s an Industry to Do About Pirating?
Intellectual Property Rights (It s Your Reward)
CHAPTER
Finally That s Over
The
Know Your Strengths
The Final Thought
AppendixA
Glossary of Technical and Not So Technical Terms
Appendix
Musical Frequency Chart
Acknowledgments
About the Author
Index
VII
|
| adam_txt |
Contents
Introduction
Part I: Song
CHAPTER
Setting the Hook
Listener Ownership
The Melody
Structure without Structure
Clever and Copying
Complexities Need Not Be Obvious
Themes
Part II: Performance of That Song
CHAPTER
You're Not Superman!
The Arrangement
Be True to Your Genre
Do What You Do Best
Know Thyself, Know Thy Competition
Keep on Top of Trends
Part III: Sound of That Song
CHAPTER3 Does It Sound Good?
Getting in the Studio
Home Recording
iv
Contents
Is
Hooked on the Gear and Not the Hook
CHAPTER4 The Recording Process
You're Responsible for the Vibe.
On to the Studio
Microphones and Placement
Drums
Ambience Mies
Acoustic Guitars
Electric Guitars
Bass
Leslies On Anything
Pianos
Vocal
The Console
Gain Structure
Before and After the
EQ Amplifier
The Combining or Summing Amp
Iťs
Digital Converters
BitDepth
CHAPTERS Effects
Equalization
Compression, Gates, and Other Gain Control Devices
Reverb: Analog and Digital
Digital Effects
Delays
Chorus/Flanger
Auto-Tune
Pitch Shifters
Vocoders
Filters and Voltage Controlled Filters
Voltage Controlled Amplifiers
Re-Amp
A Musk Producer's Thoughts to Create By
CHAPTER
Lead Vocals
Latency
Intelligibility of the Lead Vocal
Background Vocals
Overdubbing
Lead Solos or Features
Final Ideas Before Completion
CHAPTER
Monitor Speakers vs. Reference Monitors
Sounds Great? That May Not Be the Right Choice
How to Demo a Studio Monitor
Stereo Monitor Placement
Half-space, Whole-space, Outer Space
Subwoofers
Active or Passive?
Room Acoustics
CHAPTER8 Mixing
The Big Picture
Spectral Mixing
Stereo vs. Surround
The Dot One Channel
Stereo Panning
Surround Panning
Overall Compression
What Do I Mix Down To?
CHAPTER
Know Your Audience
Promotion
EPK (Electronic Press Kit)
CHAPTER
Copyright
Take the Time
vi
Contents
What's an Industry to Do About Pirating?
Intellectual Property Rights (It's Your Reward)
CHAPTER
Finally That's Over
The
Know Your Strengths
The Final Thought
AppendixA
Glossary of Technical and Not So Technical Terms
Appendix
Musical Frequency Chart
Acknowledgments
About the Author
Index
VII |
| any_adam_object | 1 |
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| spelling | Olsen, Keith Verfasser aut A music producer's thoughts to create by by Keith Olsen Boston, Mass. Thomson Course Technology PTR 2006 IX, 144 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes index. Sound recording industry Vocational guidance Music trade Vocational guidance Sound recordings Production and direction Sound Recording and reproducing Tonträgerindustrie (DE-588)4267529-7 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content USA (DE-588)4078704-7 g Tonträgerindustrie (DE-588)4267529-7 s Musikwirtschaft (DE-588)4268614-3 s DE-604 Schallaufzeichnung (DE-588)4052020-1 s Musik (DE-588)4040802-4 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014916031&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Olsen, Keith A music producer's thoughts to create by Sound recording industry Vocational guidance Music trade Vocational guidance Sound recordings Production and direction Sound Recording and reproducing Tonträgerindustrie (DE-588)4267529-7 gnd Musikwirtschaft (DE-588)4268614-3 gnd Musik (DE-588)4040802-4 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
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| title | A music producer's thoughts to create by |
| title_auth | A music producer's thoughts to create by |
| title_exact_search | A music producer's thoughts to create by |
| title_exact_search_txtP | A music producer's thoughts to create by |
| title_full | A music producer's thoughts to create by by Keith Olsen |
| title_fullStr | A music producer's thoughts to create by by Keith Olsen |
| title_full_unstemmed | A music producer's thoughts to create by by Keith Olsen |
| title_short | A music producer's thoughts to create by |
| title_sort | a music producer s thoughts to create by |
| topic | Sound recording industry Vocational guidance Music trade Vocational guidance Sound recordings Production and direction Sound Recording and reproducing Tonträgerindustrie (DE-588)4267529-7 gnd Musikwirtschaft (DE-588)4268614-3 gnd Musik (DE-588)4040802-4 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
| topic_facet | Sound recording industry Vocational guidance Music trade Vocational guidance Sound recordings Production and direction Sound Recording and reproducing Tonträgerindustrie Musikwirtschaft Musik Schallaufzeichnung USA Ratgeber |
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