Poetics, plays, and performances: the politics of modern Indian theatre
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Delhi [u.a.]
Oxford Univ. Press
2006
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Publisher description Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIII, 366 S. Ill. 22 cm |
| ISBN: | 0195674731 9780195674736 |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgements vii
List of Photographs xiv
Introduction 1
I: In Search of a National Theatre
1. The National Drama of the Hindus : Harishchandra 27
of Banaras and the Classical Traditions in
Late Nineteenth Century India
The Orientalist Legacy and the Constitution of 28
National Drama
Structures of Authority in the North West Provinces 32
and the Invocation of Tradition
Occupying Strategic Positions: Mediations and 34
New Orientations in Natak (1883)
The Past as Framed by the Classical Sanskrit Tradition 41
and Shakespeare
The Tradition of Social and Political Polemics 50
Regressive Politics: Visions Past and Future 62
The Future of Drama in Hindi: Reservations 70
and Restrictions
xii Contents
2. Twentieth Century Projections of the Past: 87
Jayshankar Prasad and the New Subjectivity
New Interpretation of Traditional Aesthetics: 90
Chhayavad and Hindi Dramaturgy
Prasad s Perspective on the Evolution of the 94
Modern Hindi Stage
Filling the Gaps in History: Dhruvasvamini 98
Fiery Feminism: There is red blood in my veins, 102
there is fire in my heart
Celebration of Romantic Love: Heavenly light 104
resides in two hearts which love
The Challenge to Orthodoxy: What is the truth 105
of your ritual texts and your law books?
The Melodramatic Stage Frame and the Convolutions 108
of Prasad s Modernism
3. Neither Half nor Whole: Mohan Rakesh and 117
the Modernist Quest
From Ideality to Reality 118
Reality versus Ideality 123
The Quest for the Whole 126
Seeking the Other Half 130
The Fragmentation of Reality 136
II: The Nation and its Folk
4. Folk Theatre and the Search for an Indigenous 153
Idiom: Brecht in India
Collection and Conservation: Folk Culture as the 154
Nation s Self expression
Theatre of the People for the People 159
Theatre for the Nation 169
Discovering Brecht: The Links between Classical, 177
Folk, and Epic
Folk Forms Filtered through Brecht: 191
Plays and Playwrights
Contents xiii
The Theatre of Roots 199
Brecht Once More: No Heroics for the People 212
5. Brecht in Hindi: The Poetics of Response 234
Classical Sanskrit Poetics and Drama 236
The Genesis of Svang 237
Conventions Compared: Folk Theatre 239
and Brecht
The Uneasy Truce 243
6. To Be More Brechtian is to be More Indian : 251
On the Theatre of Habib Tanvir
With IPTA in Bombay 251
Europe and Brecht 254
Back to India and Folk 255
The Organization of Narrative in Theatre 260
Brecht Filtered through Folk 266
The Merging of Folk with Popular 268
On the Uses of Brecht 270
III: What is Indian?
7. Encountering the Other, Accosting the Self 281
The Modalities and Pitfalls of Inter culturalism 283
The Modalities and Pitfalls of Countering 296
Inter culturalism
Alternative Modalities 303
8. I am a Hindu: Assertions and Queries 313
Women Directors of the 1990s 314
The Vivadi Collective 318
Nation and Religious Identity: Tagore s Gora 322
(1907 1909)
Hindu in the Age of Hindutva: Gora (1991) 328
I Am a Hindu 339
Index 352
Photographs
Monumental Reality: Alkazi s production of 12
Dharmvir Bharati s Andha Vug (1970s)
(National School of Drama)
Hindu Romanticism: Jayshankar Prasad s Dhruvasvamini 109
(late 1990s) (National School of Drama)
Materials of Realism: Alkazi s production of Rakesh s 135
Ashadh ka ek din (early 1960s) (National School of Drama)
Materializing social gesture: Bennewitz s production of 181
Brecht s Puntilla (late 1970s) (National School of Drama)
The urban rural continuum: Habib Tanvirs Charandas Chor 265
(1970s) (Sangeet Natak Akademi)
Post Brecht Reformulations: Vivadi s production 333
ofTagore s Gora (1990s), directed by Anuradha Kapur,
photographs by Amit Bararia
Post Brecht Reformulations: Inter dining 334
Post Brecht Reformulations: Debate 335
Post Brecht Reformulations: Community 336
Post Brecht Reformulations: Soliloquy 337
Post Brecht Reformulations: Recasting 338
|
| adam_txt |
Contents
Acknowledgements vii
List of Photographs xiv
Introduction 1
I: In Search of a National Theatre
1. 'The National Drama of the Hindus': Harishchandra 27
of Banaras and the Classical' Traditions in
Late Nineteenth Century India
The Orientalist Legacy and the Constitution of 28
National Drama
Structures of Authority in the North West Provinces 32
and the Invocation of Tradition
Occupying Strategic Positions: Mediations and 34
New Orientations in 'Natak' (1883)
The Past as Framed by the Classical Sanskrit Tradition 41
and Shakespeare
The Tradition of Social and Political Polemics 50
Regressive Politics: Visions Past and Future 62
The Future of Drama in Hindi: Reservations 70
and Restrictions
xii Contents
2. Twentieth Century Projections of the Past: 87
Jayshankar Prasad and the New Subjectivity
New Interpretation of Traditional Aesthetics: 90
Chhayavad and Hindi Dramaturgy
Prasad's Perspective on the Evolution of the 94
Modern Hindi Stage
Filling the Gaps in History: Dhruvasvamini 98
Fiery Feminism: 'There is red blood in my veins, 102
there is fire in my heart'
Celebration of Romantic Love: 'Heavenly light 104
resides in two hearts which love'
The Challenge to Orthodoxy: 'What is the truth 105
of your ritual texts and your law books?'
The Melodramatic Stage Frame and the Convolutions 108
of Prasad's Modernism
3. Neither Half nor Whole: Mohan Rakesh and 117
the Modernist Quest
From Ideality to Reality 118
Reality versus Ideality 123
The Quest for the Whole 126
Seeking the Other Half 130
The Fragmentation of'Reality' 136
II: The Nation and its 'Folk'
4. Folk Theatre and the Search for an Indigenous 153
Idiom: Brecht in India
Collection and Conservation: Folk Culture as the 154
Nation's Self expression
Theatre of the People for the People 159
Theatre for the Nation 169
Discovering Brecht: The Links between Classical, 177
Folk, and Epic
Folk Forms Filtered through Brecht: 191
Plays and Playwrights
Contents xiii
The Theatre of Roots 199
Brecht Once More: No Heroics for the People 212
5. Brecht in Hindi: The Poetics of Response 234
Classical Sanskrit Poetics and Drama 236
The Genesis of 'Svang' 237
Conventions Compared: Folk Theatre 239
and Brecht
The Uneasy Truce 243
6. 'To Be More Brechtian is to be More Indian': 251
On the Theatre of Habib Tanvir
With IPTA in Bombay 251
Europe and Brecht 254
Back to India and'Folk' 255
The Organization of Narrative in Theatre 260
Brecht Filtered through 'Folk' 266
The Merging of Folk with Popular 268
On the Uses of Brecht 270
III: What is Indian?
7. Encountering the Other, Accosting the Self 281
The Modalities and Pitfalls of Inter culturalism 283
The Modalities and Pitfalls of Countering 296
Inter culturalism
Alternative Modalities 303
8. 'I am a Hindu: Assertions and Queries 313
Women Directors of the 1990s 314
The Vivadi Collective 318
Nation and Religious Identity: Tagore's Gora 322
(1907 1909)
'Hindu in the Age of Hindutva: Gora (1991) 328
'I Am a Hindu' 339
Index 352
Photographs
Monumental Reality: Alkazi's production of 12
Dharmvir Bharati's Andha Vug (1970s)
(National School of Drama)
Hindu Romanticism: Jayshankar Prasad's Dhruvasvamini 109
(late 1990s) (National School of Drama)
Materials of Realism: Alkazi's production of Rakesh's 135
Ashadh ka ek din (early 1960s) (National School of Drama)
Materializing social gesture: Bennewitz's production of 181
Brecht s Puntilla (late 1970s) (National School of Drama)
The urban rural continuum: Habib Tanvirs Charandas Chor 265
(1970s) (Sangeet Natak Akademi)
Post Brecht Reformulations: Vivadi's production 333
ofTagore's Gora (1990s), directed by Anuradha Kapur,
photographs by Amit Bararia
Post Brecht Reformulations: Inter dining 334
Post Brecht Reformulations: Debate 335
Post Brecht Reformulations: Community 336
Post Brecht Reformulations: Soliloquy 337
Post Brecht Reformulations: Recasting 338 |
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| spelling | Dalmia, Vasudha 1947- Verfasser (DE-588)104210745 aut Poetics, plays, and performances the politics of modern Indian theatre Vasudha Dalmia 1. publ. New Delhi [u.a.] Oxford Univ. Press 2006 XIII, 366 S. Ill. 22 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1900-2000 Geschichte Politik Theater Political aspects India History 20th century Inszenierung (DE-588)4027223-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Indien Indien (DE-588)4026722-2 gnd rswk-swf Indien (DE-588)4026722-2 g Drama (DE-588)4012899-4 s Theater (DE-588)4059702-7 s Inszenierung (DE-588)4027223-0 s DE-604 http://www.loc.gov/catdir/enhancements/fy0637/2005386884-d.html Publisher description HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014914013&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dalmia, Vasudha 1947- Poetics, plays, and performances the politics of modern Indian theatre Geschichte Politik Theater Political aspects India History 20th century Inszenierung (DE-588)4027223-0 gnd Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
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| title | Poetics, plays, and performances the politics of modern Indian theatre |
| title_auth | Poetics, plays, and performances the politics of modern Indian theatre |
| title_exact_search | Poetics, plays, and performances the politics of modern Indian theatre |
| title_exact_search_txtP | Poetics, plays, and performances the politics of modern Indian theatre |
| title_full | Poetics, plays, and performances the politics of modern Indian theatre Vasudha Dalmia |
| title_fullStr | Poetics, plays, and performances the politics of modern Indian theatre Vasudha Dalmia |
| title_full_unstemmed | Poetics, plays, and performances the politics of modern Indian theatre Vasudha Dalmia |
| title_short | Poetics, plays, and performances |
| title_sort | poetics plays and performances the politics of modern indian theatre |
| title_sub | the politics of modern Indian theatre |
| topic | Geschichte Politik Theater Political aspects India History 20th century Inszenierung (DE-588)4027223-0 gnd Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Geschichte Politik Theater Political aspects India History 20th century Inszenierung Drama Theater Indien |
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