Railroadin' some: railroads in the early blues
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
York
Music Mentor Books
2006
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 390 S. Ill., Kt. |
ISBN: | 9780954706838 0954706838 |
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Datensatz im Suchindex
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adam_text | Contents
Contents
Introduction..........................................................................................
15
1
Smokestack is black, an the bell it shine like gold
............................ 25
Brief background of railroads in the antebellum era and slaves
involvement
—
role of Pullman and Red Cap porters
—
the Panama
Limited
—
origins of smokestack lightning and Charley
Patton
—
ticket as long as my right arm , ballin the jack
—
the other
Midnight Special
—
Texas
&
New Orleans RR and Lucille
Bogan.
2
Skippin round from log to log
.......................................................... 49
Evolution of logging camps in the South
—
origins of piano blues,
boogie woogie and the barrelhouse
—
oral transmission of early
blues via logging roads
—
more on the T&NO.
3
Ah! When I leave here, gonna catch that M&O
................................ 85
The story of the Mobile
&
Ohio and the blues from
1852
to
1940;
a journey from Mobile to St. Louis
—
background of the floating
bridge of Sleepy John
Estes
fame
—
Cairo, HI.
—
the real facts of
Casey Jones train wreck in
1900 —
river bottoms
—
the Union
Stockyard in Meridian, Miss.
—
oral transmission and (a) way
freight trains on the M&O, (b) stevedores at Mobile Bay.
4
She s givin it away
............................................................................ 121
Short history of the refrigerator car or reefer from
1858
to
1910 —
introduction of the banana to the masses in the black community
—
fast freights: the
redbalľ
and the hotshot
—
hoboing on a reefer
with
Т
-Bone
Walker and David Honeyboy Edwards
—
sexual
symbolism and street market blues
—
English music hall link with
some early vaudeville-blues singers.
5
Goin where the Southern cross the Yellow Dog
............................. 143
Origins of the yellow dog
—
short history of the Yazoo
&
Mississippi Valley RR
—
pea vine railroads
—
brief survey of labour
history and anti-union railroad companies
—
yellow dog contracts
—
recordings of the Yellow Dog from
1923
to
1961,
by Sam Collins,
Bessie Smith
et aï.
Contents
6
An that thing don t keep
-а
ringing so soon
.....................................161
Brief study of early Southern prison/correction systems
—
convict
lease and railroads involvement
—
source of the longest train
motif in the blues
—
origin of In The Pines
—
Joseph E. Brown
and Peg Leg Howell
—
brief survey of the Tennessee Coal, Iron
&
Railroad Co. or TCI , and singers
—
Railroad Bill and the L&N
—
short history of Gulfport
&
Ship Island RR and Robert Johnson link
—
the ding
dong
and Frank Stokes.
7
Runnin down to the station
..............................................................199
Resumé
of beginnings of the Fast Mail in
1875 —
importance to
rural South
—
source of John Byrd s Billy Goat Blues in the 1850s
—
fast mail trains such as the Big
80
and the Smnyland
—
lineage of
Robert Johnson s fastest train I see verse
—
streamline trains
—
blues singers knowledge of railroad operations
—
the railroad depot:
the seamier side and the leaving scene in the blues. As related by
Robert Wilkins, Roosevelt Sykes, Ma Rainey and Robert Johnson.
8
I carried water for the elephant
........................................................239
Short history of development of circus and carnival in the South
—
beginnings of medicine shows
—
circuses in Natchez, Miss, during
antebellum era and the early minstrel song, Billy Barlow
—
excursion trains
—
blues singers role in circus and origin of
ballyhoo
—
circus and carnival slang used in the blues
—
role of
steam calliope
—
short survey of origin of hokum and hokum blues
—
the railroad crossing
—
vaudeville-blues singers and travelling
shows including Clara Smith
—
oral transmission process.
9
Gonna leave a Pullman an ride the L&N
........................................273
Vaudeville blues lyrics and influence on rural singers
lilie
Blind
Lemon Jefferson by Sippie Wallace, Ida Cox and others
—
oral
transmission and the blues record
—
passenger train women,
platform vendors and Blind Boy Fuller
—
survey and ancestry of
Careless Love
—
Mae Glover, John Byrd, Bobby Grant and Buddy
Boy Hawkins
—
roots of Statesboro Blues by Blind Willie McTell.
10
Lined out smokin , look like it takin to scat
....................................301
Short survey of early tramps and hobos on the rails
—
women hobos
and Memphis Minnie
—
Chicago, the railroad hobo s Mecca
—
hobo jungles and Hoovervilles
—
symbolism of the railroad and
ultimate freedom for the hobo
—
The Atlanta Special , Bukka
White and Blind Willie McTell
—
riding the blinds and riding the
rods
—
railroad police and Sleepy John
Estes
—
origins of hobo .
Epilogue
...............................................................................................337
Contents
Appendix
I
.......................................................................................... 343
Appendix
II
......................................................................................... 345
Appendix
III
....................................................................................... 349
Bibliography..................................................................................
351
Glossary of Railroad Abbreviations
&
Nicknames
......................... 3 63
Index of Artists Names
..................................................................... 365
Index of Song Titles
........................................................................... 370
Generalindex
..................................................................................... 376
Photo Credits
...................................................................................... 386
|
adam_txt |
Contents
Contents
Introduction.
15
1
Smokestack is black, an' the bell it shine like gold
. 25
Brief background of railroads in the antebellum era and slaves'
involvement
—
role of Pullman and Red Cap porters
—
the Panama
Limited
—
origins of 'smokestack lightning' and Charley
Patton
—
'ticket as long as my right arm', 'ballin' the jack'
—
the 'other'
Midnight Special
—
Texas
&
New Orleans RR and Lucille
Bogan.
2
Skippin' 'round from log to log
. 49
Evolution of logging camps in the South
—
origins of piano blues,
boogie woogie and the barrelhouse
—
oral transmission of early
blues via logging roads
—
more on the T&NO.
3
Ah! When I leave here, gonna catch that M&O
. 85
The story of the Mobile
&
Ohio and the blues from
1852
to
1940;
a 'journey' from Mobile to St. Louis
—
background of the floating
bridge of Sleepy John
Estes
fame
—
Cairo, HI.
—
the real facts of
Casey Jones' train wreck in
1900 —
river bottoms
—
the Union
Stockyard in Meridian, Miss.
—
oral transmission and (a) way
freight trains on the M&O, (b) stevedores at Mobile Bay.
4
She's givin' it away
. 121
Short history of the refrigerator car or 'reefer' from
1858
to
1910 —
introduction of the banana to the 'masses' in the black community
—
fast freights: the
'redbalľ
and the 'hotshot'
—
hoboing on a reefer
with
Т
-Bone
Walker and David 'Honeyboy' Edwards
—
sexual
symbolism and street market blues
—
English music hall link with
some early vaudeville-blues singers.
5
Goin' where the Southern cross the Yellow Dog
. 143
Origins of the 'yellow dog'
—
short history of the Yazoo
&
Mississippi Valley RR
—
pea vine railroads
—
brief survey of labour
history and anti-union railroad companies
—
yellow dog contracts
—
recordings of the Yellow Dog from
1923
to
1961,
by Sam Collins,
Bessie Smith
et aï.
Contents
6
An' that thing don't keep
-а
ringing so soon
.161
Brief study of early Southern prison/correction systems
—
convict
lease and railroads' involvement
—
source of the 'longest train'
motif in the blues
—
origin of 'In The Pines'
—
Joseph E. Brown
and Peg Leg Howell
—
brief survey of the Tennessee Coal, Iron
&
Railroad Co. or 'TCI', and singers
—
Railroad Bill and the L&N
—
short history of Gulfport
&
Ship Island RR and Robert Johnson link
—
the 'ding
dong'
and Frank Stokes.
7
Runnin'down to the station
.199
Resumé
of beginnings of the Fast Mail in
1875 —
importance to
rural South
—
source of John Byrd's 'Billy Goat Blues' in the 1850s
—
fast mail trains such as the Big
80
and the Smnyland
—
lineage of
Robert Johnson's 'fastest train I see' verse
—
streamline trains
—
blues singers' knowledge of railroad operations
—
the railroad depot:
the seamier side and the 'leaving scene' in the blues. As related by
Robert Wilkins, Roosevelt Sykes, Ma Rainey and Robert Johnson.
8
I carried water for the elephant
.239
Short history of development of circus and carnival in the South
—
beginnings of medicine shows
—
circuses in Natchez, Miss, during
antebellum era and the early minstrel song, 'Billy Barlow'
—
excursion trains
—
blues singers' role in circus and origin of
'ballyhoo'
—
circus and carnival slang used in the blues
—
role of
steam calliope
—
short survey of origin of 'hokum' and hokum blues
—
the railroad crossing
—
vaudeville-blues singers and travelling
shows including Clara Smith
—
oral transmission process.
9
Gonna leave a Pullman an' ride the L&N
.273
Vaudeville blues lyrics and influence on rural singers
lilie
Blind
Lemon Jefferson by Sippie Wallace, Ida Cox and others
—
oral
transmission and the blues record
—
passenger train women,
platform vendors and Blind Boy Fuller
—
survey and ancestry of
'Careless Love'
—
Mae Glover, John Byrd, Bobby Grant and Buddy
Boy Hawkins
—
roots of 'Statesboro Blues' by Blind Willie McTell.
10
Lined out smokin', look like it takin' to scat
.301
Short survey of early tramps and hobos on the rails
—
women hobos
and Memphis Minnie
—
Chicago, the railroad hobo's Mecca
—
hobo jungles and 'Hoovervilles'
—
symbolism of the railroad and
ultimate freedom for the hobo
—
'The Atlanta Special', Bukka
White and Blind Willie McTell
—
riding the blinds and riding the
rods
—
railroad police and Sleepy John
Estes
—
origins of 'hobo'.
Epilogue
.337
Contents
Appendix
I
. 343
Appendix
II
. 345
Appendix
III
. 349
Bibliography.
351
Glossary of Railroad Abbreviations
&
Nicknames
. 3 63
Index of Artists' Names
. 365
Index of Song Titles
. 370
Generalindex
. 376
Photo Credits
. 386 |
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publisher | Music Mentor Books |
record_format | marc |
spelling | Haymes, Max Verfasser aut Railroadin' some railroads in the early blues Max Haymes York Music Mentor Books 2006 390 S. Ill., Kt. txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1850-1950 gnd rswk-swf Musik Schwarze. USA African Americans Music 19th century History and criticism African Americans Music 20th century History and criticism Blues (Music) History and criticism Railroads United States Songs and music History and criticism Eisenbahn Motiv (DE-588)4113404-7 gnd rswk-swf Blues (DE-588)4132568-0 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Blues (DE-588)4132568-0 s Eisenbahn Motiv (DE-588)4113404-7 s Geschichte 1850-1950 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014886600&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Haymes, Max Railroadin' some railroads in the early blues Musik Schwarze. USA African Americans Music 19th century History and criticism African Americans Music 20th century History and criticism Blues (Music) History and criticism Railroads United States Songs and music History and criticism Eisenbahn Motiv (DE-588)4113404-7 gnd Blues (DE-588)4132568-0 gnd |
subject_GND | (DE-588)4113404-7 (DE-588)4132568-0 (DE-588)4078704-7 |
title | Railroadin' some railroads in the early blues |
title_auth | Railroadin' some railroads in the early blues |
title_exact_search | Railroadin' some railroads in the early blues |
title_exact_search_txtP | Railroadin' some railroads in the early blues |
title_full | Railroadin' some railroads in the early blues Max Haymes |
title_fullStr | Railroadin' some railroads in the early blues Max Haymes |
title_full_unstemmed | Railroadin' some railroads in the early blues Max Haymes |
title_short | Railroadin' some |
title_sort | railroadin some railroads in the early blues |
title_sub | railroads in the early blues |
topic | Musik Schwarze. USA African Americans Music 19th century History and criticism African Americans Music 20th century History and criticism Blues (Music) History and criticism Railroads United States Songs and music History and criticism Eisenbahn Motiv (DE-588)4113404-7 gnd Blues (DE-588)4132568-0 gnd |
topic_facet | Musik Schwarze. USA African Americans Music 19th century History and criticism African Americans Music 20th century History and criticism Blues (Music) History and criticism Railroads United States Songs and music History and criticism Eisenbahn Motiv Blues USA |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014886600&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT haymesmax railroadinsomerailroadsintheearlyblues |