Music, theatre, and politics in Germany: 1848 to the Third Reich
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2006
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | XI, 315 S. Ill., Notenbeisp. |
| ISBN: | 0754655210 9780754655213 |
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| 245 | 1 | 0 | |a Music, theatre, and politics in Germany |b 1848 to the Third Reich |c ed. by Nikolaus Bacht |
| 264 | 1 | |a Aldershot [u.a.] |b Ashgate |c 2006 | |
| 300 | |a XI, 315 S. |b Ill., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1848-1945 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Politik | |
| 650 | 4 | |a Music |x Political aspects |z Germany | |
| 650 | 4 | |a Music |z Germany |y 19th century |x History and criticism | |
| 650 | 4 | |a Music |z Germany |y 20th century |x History and criticism | |
| 650 | 4 | |a Opera |z Germany | |
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Datensatz im Suchindex
| _version_ | 1804135478357655552 |
|---|---|
| adam_text | Contents
List of Figures vii
List of Music Examples vm
Notes on Contributors fc
Introduction 1
Part 1 The New German School
1 Weber s Ghost: Euryanthe, Genoveva, Lohengrin 9
Laura Tunbridge
2 Wagner amongst the Hegelians 31
Nicholas Walker
Part 2 Wagnerian Politics
3 Magnificent Obsession: Tristan und Isolde as the Object of Musical
Analysis 51
Thomas Grey
4 From Critical Tool to Political Metaphor: Thoughts on the Writings of
Houston Stewart Chamberlain 79
Roger Allen
5 A Question of Identity: Die Meistersinger von Nurnberg in Weimar
Germany 93
Aine Sheil
Part 3 The Politics of Reception
6 SchUtz s Dafne and the German Operatic Imagination 115
Bettina Varwig
7 Deception on Stage: Don Carlo di Vargas and Franz Werfel s Politics of
Operatic Translation 137
Gundula Kreuzer
vi Contents
8 Bruckner in the Theatre: On the Politics of Absolute Music in
Performance 159
Nicholas Attfield
Part 4 An Excursus on Vienna
i
9 Wer weiss, Vater, ob das nicht Engel sind? Reflections on the i
Pre Fascist Discourse of Degeneracy in Schreker s Die Gezeichneten 173 {
Peter Franklin j
i
10 The Republic of the Mind : Politics, the Arts and Ideas in Schoenberg s
Post War Projects 185
Jennifer Shaw
11 Berg s Operas and the Politics of Subjectivity 211
Julian Johnson
Part 5 Interwar Germany
12 Stadtluft macht frei : Urban Consciousness in Weimar Opera 237
Peter Tregear
13 Magic Boxes and Volksempjanger. Music on the Radio in Weimar
Germany 255
Alexander Rending
14 Socialism and the Free Development of Art : Karl Amadeus Hartmann s
Opera Simpticius Simplicissimus 273
Egon Voss
Bibliography 289
Index 307
List of Figures
3.1 Diagram from Benjamin Boretz, Metavariations IV: Analytical Fallout ,
Perspectives of New Music 11 (Fall Winter 1972), p. 189.
3.2 Diagram from Benjamin Boretz, Metavariations IV: Analytical Fallout ,
Perspectives of New Music 11 (Fall Winter 1972), p. 195.
12.1 Jonny tiber alles : The final scene of Jonny spielt auf Leipzig Premiere,
1927. © Reproduced with the kind permission of Universal Edition A.G.,
Vienna.
13.1 The Radio, Berliner lllustrirte Zeitung, 6 January 1924, p. 124 (private
collection).
13.2 Stage photo of Brecht/Weill/Hindemith, Der Lindberghflug. © Courtesy of
the Weill Lenya Research Center/Kurt Weill Foundation for Music, New
York.
List of Music Examples
1.1 Carl Maria von Weber, Overture to Euryanthe, the ghost music. 1
i
j
1.2 Robert Schumann, Genoveva, *Wenn ich ein Voglein wMr excerpt.
i
1.3 Robert Schumann, Genoveva, the end of O Du, der iiber alle wacht . |
1.4 Robert Schumann, Genoveva, Act III finale, excerpt.
1.5 Robert Schumann, Genoveva, Siegfried s entrance.
3.1 Wendelin Weissheimer, Richard Wagner: Tristan und Isolde , Neue
Zeitschrift flir Musik 53 (1860), musical supplement with motives and
paragraphs (Abschnitte).
3.2 Tristan und Isolde, Prelude to Act I, mm. 80 88.
5.1 Hans Pfitzner, Die neue Aesthetik der musikalischen Impotent, p. 87,
representation of Die Meistersinger von Niirnberg, 391 4.
7.1 Giuseppe Verdi, Laforza del destino, Act II, scene 1.
7.2 Giuseppe Verdi, Laforza del destino, Act II, scene 1.
12.1 Ernst Krenek, Jonny spielt auf, scene 3. © Reproduced with the kind
permission of Universal Edition A.G., Vienna.
12.2 Ernst Krenek, Jonny spielt auf, scene 3. © Reproduced with the kind
permission of Universal Edition A.G., Vienna.
|
| adam_txt |
Contents
List of Figures vii
List of Music Examples vm
Notes on Contributors fc
Introduction 1
Part 1 The New German School
1 Weber's Ghost: Euryanthe, Genoveva, Lohengrin 9
Laura Tunbridge
2 Wagner amongst the Hegelians 31
Nicholas Walker
Part 2 Wagnerian Politics
3 Magnificent Obsession: Tristan und Isolde as the Object of Musical
Analysis 51
Thomas Grey
4 From Critical Tool to Political Metaphor: Thoughts on the Writings of
Houston Stewart Chamberlain 79
Roger Allen
5 A Question of Identity: Die Meistersinger von Nurnberg in Weimar
Germany 93
Aine Sheil
Part 3 The Politics of Reception
6 SchUtz's Dafne and the German Operatic Imagination 115
Bettina Varwig
7 Deception on Stage: Don Carlo di Vargas and Franz Werfel's Politics of
Operatic Translation 137
Gundula Kreuzer
vi Contents
8 Bruckner in the Theatre: On the Politics of 'Absolute' Music in
Performance 159
Nicholas Attfield
Part 4 An Excursus on Vienna
i
9 'Wer weiss, Vater, ob das nicht Engel sind?' Reflections on the i
Pre Fascist Discourse of Degeneracy in Schreker's Die Gezeichneten 173 {
Peter Franklin j
i
10 'The Republic of the Mind': Politics, the Arts and Ideas in Schoenberg's
Post War Projects 185
Jennifer Shaw '
11 Berg's Operas and the Politics of Subjectivity 211
Julian Johnson
Part 5 Interwar Germany
12 'Stadtluft macht frei': Urban Consciousness in Weimar Opera 237
Peter Tregear
13 Magic Boxes and Volksempjanger. Music on the Radio in Weimar
Germany 255
Alexander Rending
14 Socialism and the 'Free Development of Art': Karl Amadeus Hartmann's
Opera Simpticius Simplicissimus 273
Egon Voss
Bibliography 289
Index 307
List of Figures
3.1 Diagram from Benjamin Boretz, 'Metavariations IV: Analytical Fallout',
Perspectives of New Music 11 (Fall Winter 1972), p. 189.
3.2 Diagram from Benjamin Boretz, 'Metavariations IV: Analytical Fallout',
Perspectives of New Music 11 (Fall Winter 1972), p. 195.
12.1 Jonny 'tiber alles': The final scene of Jonny spielt auf Leipzig Premiere,
1927. © Reproduced with the kind permission of Universal Edition A.G.,
Vienna.
13.1 The Radio, Berliner lllustrirte Zeitung, 6 January 1924, p. 124 (private
collection).
13.2 Stage photo of Brecht/Weill/Hindemith, Der Lindberghflug. © Courtesy of
the Weill Lenya Research Center/Kurt Weill Foundation for Music, New
York.
List of Music Examples
1.1 Carl Maria von Weber, Overture to Euryanthe, the 'ghost' music. 1
i
j
1.2 Robert Schumann, Genoveva, *Wenn ich ein Voglein wMr\ excerpt. \
i
1.3 Robert Schumann, Genoveva, the end of 'O Du, der iiber alle wacht'. |
1.4 Robert Schumann, Genoveva, Act III finale, excerpt.
1.5 Robert Schumann, Genoveva, Siegfried's entrance.
3.1 Wendelin Weissheimer, 'Richard Wagner: Tristan und Isolde', Neue
Zeitschrift flir Musik 53 (1860), musical supplement with motives and
'paragraphs' (Abschnitte).
3.2 Tristan und Isolde, Prelude to Act I, mm. 80 88.
5.1 Hans Pfitzner, Die neue Aesthetik der musikalischen Impotent, p. 87,
representation of Die Meistersinger von Niirnberg, 391 4.
7.1 Giuseppe Verdi, Laforza del destino, Act II, scene 1.
7.2 Giuseppe Verdi, Laforza del destino, Act II, scene 1.
12.1 Ernst Krenek, Jonny spielt auf, scene 3. © Reproduced with the kind
permission of Universal Edition A.G., Vienna.
12.2 Ernst Krenek, Jonny spielt auf, scene 3. © Reproduced with the kind
permission of Universal Edition A.G., Vienna. |
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| spellingShingle | Music, theatre, and politics in Germany 1848 to the Third Reich Musik Politik Music Political aspects Germany Music Germany 19th century History and criticism Music Germany 20th century History and criticism Opera Germany Musik (DE-588)4040802-4 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4043582-9 (DE-588)4011882-4 |
| title | Music, theatre, and politics in Germany 1848 to the Third Reich |
| title_auth | Music, theatre, and politics in Germany 1848 to the Third Reich |
| title_exact_search | Music, theatre, and politics in Germany 1848 to the Third Reich |
| title_exact_search_txtP | Music, theatre, and politics in Germany 1848 to the Third Reich |
| title_full | Music, theatre, and politics in Germany 1848 to the Third Reich ed. by Nikolaus Bacht |
| title_fullStr | Music, theatre, and politics in Germany 1848 to the Third Reich ed. by Nikolaus Bacht |
| title_full_unstemmed | Music, theatre, and politics in Germany 1848 to the Third Reich ed. by Nikolaus Bacht |
| title_short | Music, theatre, and politics in Germany |
| title_sort | music theatre and politics in germany 1848 to the third reich |
| title_sub | 1848 to the Third Reich |
| topic | Musik Politik Music Political aspects Germany Music Germany 19th century History and criticism Music Germany 20th century History and criticism Opera Germany Musik (DE-588)4040802-4 gnd Oper (DE-588)4043582-9 gnd |
| topic_facet | Musik Politik Music Political aspects Germany Music Germany 19th century History and criticism Music Germany 20th century History and criticism Opera Germany Oper Deutschland |
| url | http://www.loc.gov/catdir/toc/ecip067/2006002159.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014879717&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bachtnikolaus musictheatreandpoliticsingermany1848tothethirdreich |