'Local music, not from here': the discourse of world music examined through three Zimbabwean case studies: The Bhundu Boys, Virginia Mukwesha and Sunduza
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Helsinki
Finnish Soc. for Ethnomusicology
2003
|
| Schriftenreihe: | Finnish Society for Ethnomusicology publications
10 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Zugl.: Diss. |
| Beschreibung: | 253 S. Ill. |
| ISBN: | 9519617167 |
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Datensatz im Suchindex
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| adam_text |
Johannes Brusila
'LOCAL MUSIC, NOT FROM HERE'
The Discourse of World Music
examined through three Zimbabwean case studies:
The Bhundu Boys, Virginia Mukwesha and Sunduza
FINNISH SOCIETY FOR ETHNOMUSICOLOGY PUBLICATIONS No 10
Contents
Acknowledgements 7
I INTRODUCTION 11
1 Earlier approaches 13
2 Aims of the research 22
3 Research setting 26
4 Methodological choices 31
II THE FORMATION AND INDUSTRIAL PRACTICE
OF WORLD MUSIC 43
1 Historical background 43
1 1 The term'World Music' 47
1 2 Background discourses 49
1 3 Cultural and industrial context 56
2 The formation of World Music 58
2 1 Definitions of World Music 60
2 2 The music of the 'Other' 64
3 The industrial practice of World Music 68
3 1 The marketing category of exclusion 69
3 2 The assumptions framing the concept of World Music 78
4 Binaries and fields of tension 84
III THE TENSION TRADITIONAL-MODERN 89
1 Traditional culture 89
1 1 The search for the lost tradition 92
1 2 Modern traditional mbira by Virginia Mukwesha 96
2 Roots music 107
2 1 The Bhundu Boys'jit 112
2 2 The city jiti of Mukwesha 123
2 3 Sunduza's mbube 127
3 Different yet familiar music 138
3 1 The accessibility of the music 139
3 2 The Bhundu Boys and WEA 145
4 Changing interpretations of tradition and modernization 157
IV THE TENSION LOCAL-GLOBAL 163
1 Local music in an international context 163
1 1 The Zimbabwean musicians out in the world 168
1 2 Musical tourism and traveling 174
2 The universality of the local 178
2 1 The production of music 180
2 2 The idea of universalism 181
2 3 Webs of consumption 186
2 4 The World Music scene 192
3 Cultural gray-out or heterogeneity 194
3 1 The Bhundu Boys between darkness and light 196
3 2 Virginia Mukwesha's pan-Africanized style 200
3 3 Sunduza: from mbube to dance theatre 204
4 Globalization processes 213
V SUMMARY AND CONCLUSIONS 221
1 World Music as a discourse 222
2 Fields of tension 224
3 World Music as a phenomenon of late modernity 228
4 Concluding words 229
REFERENCES 233 |
| adam_txt |
Johannes Brusila
'LOCAL MUSIC, NOT FROM HERE'
The Discourse of World Music
examined through three Zimbabwean case studies:
The Bhundu Boys, Virginia Mukwesha and Sunduza
FINNISH SOCIETY FOR ETHNOMUSICOLOGY PUBLICATIONS No 10
Contents
Acknowledgements 7
I INTRODUCTION 11
1 Earlier approaches 13
2 Aims of the research 22
3 Research setting 26
4 Methodological choices 31
II THE FORMATION AND INDUSTRIAL PRACTICE
OF WORLD MUSIC 43
1 Historical background 43
1 1 The term'World Music' 47
1 2 Background discourses 49
1 3 Cultural and industrial context 56
2 The formation of World Music 58
2 1 Definitions of World Music 60
2 2 The music of the 'Other' 64
3 The industrial practice of World Music 68
3 1 The marketing category of exclusion 69
3 2 The assumptions framing the concept of World Music 78
4 Binaries and fields of tension 84
III THE TENSION TRADITIONAL-MODERN 89
1 Traditional culture 89
1 1 The search for the lost tradition 92
1 2 Modern traditional mbira by Virginia Mukwesha 96
2 Roots music 107
2 1 The Bhundu Boys'jit 112
2 2 The city jiti of Mukwesha 123
2 3 Sunduza's mbube 127
3 Different yet familiar music 138
3 1 The accessibility of the music 139
3 2 The Bhundu Boys and WEA 145
4 Changing interpretations of tradition and modernization 157
IV THE TENSION LOCAL-GLOBAL 163
1 Local music in an international context 163
1 1 The Zimbabwean musicians out in the world 168
1 2 Musical tourism and traveling 174
2 The universality of the local 178
2 1 The production of music 180
2 2 The idea of universalism 181
2 3 Webs of consumption 186
2 4 The World Music scene 192
3 Cultural gray-out or heterogeneity 194
3 1 The Bhundu Boys between darkness and light 196
3 2 Virginia Mukwesha's pan-Africanized style 200
3 3 Sunduza: from mbube to dance theatre 204
4 Globalization processes 213
V SUMMARY AND CONCLUSIONS 221
1 World Music as a discourse 222
2 Fields of tension 224
3 World Music as a phenomenon of late modernity 228
4 Concluding words 229
REFERENCES 233 |
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| spellingShingle | Brusila, Johannes 'Local music, not from here' the discourse of world music examined through three Zimbabwean case studies: The Bhundu Boys, Virginia Mukwesha and Sunduza Finnish Society for Ethnomusicology publications Volksmuziek gtt Popular music Zimbabwe History and criticism World music History and criticism Weltmusik (DE-588)4267804-3 gnd |
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| title | 'Local music, not from here' the discourse of world music examined through three Zimbabwean case studies: The Bhundu Boys, Virginia Mukwesha and Sunduza |
| title_auth | 'Local music, not from here' the discourse of world music examined through three Zimbabwean case studies: The Bhundu Boys, Virginia Mukwesha and Sunduza |
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