The Freedman in Roman art and art history:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2006
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Table of contents Publisher description Inhaltsverzeichnis Klappentext |
Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
Beschreibung: | XVIII, 294 S. zahlr. Ill. |
ISBN: | 0521858895 9780521858892 9781107603592 |
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Datensatz im Suchindex
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adam_text | CONTENTS
List
oj
Illustrations
List of Abbreviations
Acknowledgments
INTRODUCTION: THE ROMAN FREEDMAN,
ART, AND TRIMALCHIO
PART I: PUBLIC LIFE AND ASSIMILATION
page
ix
xv
xvii
ONE: REBUILDING POMPEII: THE POPIDIUS FAMILY AND
THE TEMPLE OF ISIS X7
TWO: THE VISIBILITY OF THE
AUGUSTALES IN
POMPEII
57
THREE: MEMORY MAKING IN THE FUNERARY REALM: THE
TOMB OF THE BAKER IN ROME 84
PART II: SOCIAL INTEGRATION:
DOMUS
AND FAMILY
FOUR: FREEDMAN TASTE IN
DOMUS
DECORATION T23
FIVE: TO CLAIM
A DOMUS:
THE HOUSE OF THE CAEC1LII
AT POMPEII l63
SIX: FAMILY AND COMMUNITY AT THE
ISOLA
SACRA
NECROPOLIS: THE TOMB OF THE
VARII l84
EPILOGUE 227
Appendix
231
Notes
239
Bibliography
275
Index
289
From monumental tombs and domestic
decoration to acts of benefaction and
portraits of ancestors, Roman freed
slaves, or freedmen, were prodigious
patrons of art and architecture.
Traditionally, however, the history of
Roman art has been told primarily
through the monumental remains of the
emperors and ancient writers who
worked in their circles. In this study,
Lauren Hackworth Petersen critically
investigates the problematic notion of
freedman art in scholarship, dependent
as it is on elite-authored texts that are
filled with hyperbole and stereotypes of
freedmen, such as the memorable fic¬
tional character Trimalchio, a boorish
ex-slave in Petronius s Satyricon. She
emphasizes integrated visual ensembles
within defined historical and social con¬
texts and aims to show how material cul¬
ture can reflect preoccupations that were
prevalent throughout Roman society.
Interdisciplinary in scope, this book
explores the many ways that monuments
and artistic commissions usually ascrib¬
ed to freedmen spoke to a much more
complex reality than that presented
in literature.
|
adam_txt |
CONTENTS
List
oj
Illustrations
List of Abbreviations
Acknowledgments
INTRODUCTION: THE ROMAN FREEDMAN,
ART," AND TRIMALCHIO
PART I: PUBLIC LIFE AND ASSIMILATION
page
ix
xv
xvii
ONE: REBUILDING POMPEII: THE POPIDIUS FAMILY AND
THE TEMPLE OF ISIS X7
TWO: THE VISIBILITY OF THE
AUGUSTALES IN
POMPEII
57
THREE: MEMORY MAKING IN THE FUNERARY REALM: THE
TOMB OF THE BAKER IN ROME 84
PART II: SOCIAL INTEGRATION:
DOMUS
AND FAMILY
FOUR: "FREEDMAN TASTE" IN
DOMUS
DECORATION T23
FIVE: TO CLAIM
A DOMUS:
THE HOUSE OF THE CAEC1LII
AT POMPEII l63
SIX: FAMILY AND COMMUNITY AT THE
ISOLA
SACRA
NECROPOLIS: THE TOMB OF THE
VARII l84
EPILOGUE 227
Appendix
231
Notes
239
Bibliography
275
Index
289
From monumental tombs and domestic
decoration to acts of benefaction and
portraits of ancestors, Roman freed
slaves, or freedmen, were prodigious
patrons of art and architecture.
Traditionally, however, the history of
Roman art has been told primarily
through the monumental remains of the
emperors and ancient writers who
worked in their circles. In this study,
Lauren Hackworth Petersen critically
investigates the problematic notion of
"freedman art" in scholarship, dependent
as it is on elite-authored texts that are
filled with hyperbole and stereotypes of
freedmen, such as the memorable fic¬
tional character Trimalchio, a boorish
ex-slave in Petronius's Satyricon. She
emphasizes integrated visual ensembles
within defined historical and social con¬
texts and aims to show how material cul¬
ture can reflect preoccupations that were
prevalent throughout Roman society.
Interdisciplinary in scope, this book
explores the many ways that monuments
and artistic commissions usually ascrib¬
ed to freedmen spoke to a much more
complex reality than that presented
in literature. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Petersen, Lauren Hackworth 1965- |
author_GND | (DE-588)133307867 |
author_facet | Petersen, Lauren Hackworth 1965- |
author_role | aut |
author_sort | Petersen, Lauren Hackworth 1965- |
author_variant | l h p lh lhp |
building | Verbundindex |
bvnumber | BV021649411 |
callnumber-first | N - Fine Arts |
callnumber-label | N5760 |
callnumber-raw | N5760 |
callnumber-search | N5760 |
callnumber-sort | N 45760 |
callnumber-subject | N - Visual Arts |
classification_rvk | LG 1700 NH 8550 NH 8575 |
ctrlnum | (OCoLC)63108305 (DE-599)BVBBV021649411 |
dewey-full | 704/.086250937 |
dewey-hundreds | 700 - The arts |
dewey-ones | 704 - Special topics in fine and decorative arts |
dewey-raw | 704/.086250937 |
dewey-search | 704/.086250937 |
dewey-sort | 3704 886250937 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte Geschichte Klassische Archäologie |
discipline_str_mv | Kunstgeschichte Geschichte Klassische Archäologie |
edition | 1. publ. |
format | Book |
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spelling | Petersen, Lauren Hackworth 1965- Verfasser (DE-588)133307867 aut The Freedman in Roman art and art history Lauren Hackworth Petersen 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2006 XVIII, 294 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Art, Roman Italy Freedmen in art Social status in art Kunst (DE-588)4114333-4 gnd rswk-swf Freigelassener (DE-588)4138609-7 gnd rswk-swf Italien Römisches Reich (DE-588)4076778-4 gnd rswk-swf Freigelassene (DE-2581)TH000007173 gbd Römisches Reich (DE-588)4076778-4 g Kunst (DE-588)4114333-4 s Freigelassener (DE-588)4138609-7 s DE-604 http://www.loc.gov/catdir/toc/ecip066/2006000504.html Table of contents http://www.loc.gov/catdir/enhancements/fy0633/2006000504-d.html Publisher description Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014864082&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014864082&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Petersen, Lauren Hackworth 1965- The Freedman in Roman art and art history Art, Roman Italy Freedmen in art Social status in art Kunst (DE-588)4114333-4 gnd Freigelassener (DE-588)4138609-7 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4138609-7 (DE-588)4076778-4 |
title | The Freedman in Roman art and art history |
title_auth | The Freedman in Roman art and art history |
title_exact_search | The Freedman in Roman art and art history |
title_exact_search_txtP | The Freedman in Roman art and art history |
title_full | The Freedman in Roman art and art history Lauren Hackworth Petersen |
title_fullStr | The Freedman in Roman art and art history Lauren Hackworth Petersen |
title_full_unstemmed | The Freedman in Roman art and art history Lauren Hackworth Petersen |
title_short | The Freedman in Roman art and art history |
title_sort | the freedman in roman art and art history |
topic | Art, Roman Italy Freedmen in art Social status in art Kunst (DE-588)4114333-4 gnd Freigelassener (DE-588)4138609-7 gnd |
topic_facet | Art, Roman Italy Freedmen in art Social status in art Kunst Freigelassener Italien Römisches Reich |
url | http://www.loc.gov/catdir/toc/ecip066/2006000504.html http://www.loc.gov/catdir/enhancements/fy0633/2006000504-d.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014864082&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014864082&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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