Narrative in fiction and film: an introduction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Norwegian |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2005
|
| Ausgabe: | Reprinted |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 253 S. Ill. |
| ISBN: | 0198752326 |
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Datensatz im Suchindex
| _version_ | 1804135452313124864 |
|---|---|
| adam_text | Contents
PARTI
1.
Introduction
з
Narrative
text and narrative fiction
3
Narrative fiction: Discourse, story, and narration
6
Narrative fiction as film
8
Narrative theory and analysis
9
2.
Narrative Communication
11
Film communication
11
The narrative communication model
13
Narrative communication through narrative text
г6
Historical author and historical reader
17
Implied author and implied reader
18
Narrator and narratee
20
Third-person and first-person narrator
21
Reliable and unreliable narrator
25
Film narrator
27
Narrative levels
32
Narrative distance
34
Narrative perspective
38
Voice and speech presentation
45
Free indirect discourse
46
3.
Narrative Time and Repetition
49
Narrative time and narrative space
49
Time in fictional prose
53
Narrative time in film
62
Narrative repetition
63
4.
Events, Characters, and Characterization
72
Events
72
The concept of character
76
xii Contents
Characterization 81
Events,
characters,
and characterization in film
adaptation
85
Gabriel
Axel s Babette s Feast
91
PART
II
5.
The Parable as Narrative
Illustration:
From the Parable of
the Sower to Franz Kafka s The Trial and Orson Welles s
The Trial
105
6.
James Joyce s The Dead and John Huston s
The Dead
127
7.
Joseph Conrad s Heart of Darkness and Francis Ford
Coppola s Apocalypse Now
157
8.
Virginia
Woolf s
To the Lighthouse and Colin Gregg s To the
Lighthouse
197
References
233
Filmography
243
Index
245
Narrative in Fiction
and Film gives a clear and accessible
introduction to narrative theory, presenting the key concepts
associated with narrative theory and analysing a range of short
stories, novels, and films.
The book is divided into two parts
.
Part I presents the key
concepts—author, narrator, time, perspective, event, and
characterization. The discussion is oriented towards narrative
fiction and centred on literary texts, yet since film can also have
an important narrative dimension, the film aspect is brought
into each chapter.
Part II analyses five prose texts: the parable of the sower in St.
Mark s Gospel, Franz Kafka s The Trial, James Joyce s The Dead ,
Joseph Conrad s Heart of Darkness, and Virginia
Woolf s
To the
Lighthouse. Part II also discusses film versions of four of these
texts: Orson Welles s The Trial, John Huston s The Dead, Francis
Ford Coppola s Apocalypse Now, and Colin Gregg s To the
Lighthouse.
The book brings together and lucidly presents concepts and
theories in narrative theory, and illustrates and tests these
theories. It will be an invaluable text for undergraduates studyin
narrative theory as part of a literature or film studies course.
Jakob Lothe is Professor of English Literature at the University
of Oslo. His books include Conrad s Narrative Method
(198g),
and he is a contributor to the Cambridge Companions to
Thomas Hardy and Joseph Conrad.
|
| adam_txt |
Contents
PARTI
1.
Introduction
з
Narrative
text and narrative fiction
3
Narrative fiction: Discourse, story, and narration
6
Narrative fiction as film
8
Narrative theory and analysis
9
2.
Narrative Communication
11
Film communication
11
The narrative communication model
13
Narrative communication through narrative text
г6
Historical author and historical reader
17
Implied author and implied reader
18
Narrator and narratee
20
Third-person and first-person narrator
21
Reliable and unreliable narrator
25
Film narrator
27
Narrative levels
32
Narrative distance
34
Narrative perspective
38
Voice and speech presentation
45
Free indirect discourse
46
3.
Narrative Time and Repetition
49
Narrative time and narrative space
49
Time in fictional prose
53
Narrative time in film
62
Narrative repetition
63
4.
Events, Characters, and Characterization
72
Events
72
The concept of character
76
xii Contents
Characterization 81
Events,
characters,
and characterization in film
adaptation
85
Gabriel
Axel's Babette's Feast
91
PART
II
5.
The Parable as Narrative
Illustration:
From the Parable of
the Sower to Franz Kafka's The Trial and Orson Welles's
The Trial
105
6.
James Joyce's 'The Dead' and John Huston's
The Dead
127
7.
Joseph Conrad's Heart of Darkness and Francis Ford
Coppola's Apocalypse Now
157
8.
Virginia
Woolf's
To the Lighthouse and Colin Gregg's To the
Lighthouse
197
References
233
Filmography
243
Index
245
Narrative in Fiction
and Film gives a clear and accessible
introduction to narrative theory, presenting the key concepts
associated with narrative theory and analysing a range of short
stories, novels, and films.
The book is divided into two parts
.
Part I presents the key
concepts—author, narrator, time, perspective, event, and
characterization. The discussion is oriented towards narrative
fiction and centred on literary texts, yet since film can also have
an important narrative dimension, the film aspect is brought
into each chapter.
Part II analyses five prose texts: the parable of the sower in St.
Mark's Gospel, Franz Kafka's The Trial, James Joyce's 'The Dead',
Joseph Conrad's Heart of Darkness, and Virginia
Woolf 's
To the
Lighthouse. Part II also discusses film versions of four of these
texts: Orson Welles's The Trial, John Huston's The Dead, Francis
Ford Coppola's Apocalypse Now, and Colin Gregg's To the
Lighthouse.
The book brings together and lucidly presents concepts and
theories in narrative theory, and illustrates and tests these
theories. It will be an invaluable text for undergraduates studyin
narrative theory as part of a literature or film studies course.
Jakob Lothe is Professor of English Literature at the University
of Oslo. His books include Conrad's Narrative Method
(198g),
and he is a contributor to the Cambridge Companions to
Thomas Hardy and Joseph Conrad. |
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| index_date | 2024-07-02T15:01:59Z |
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| language | English Norwegian |
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| spelling | Lothe, Jakob 1950- Verfasser (DE-588)138088578 aut Narrative in fiction and film an introduction Jakob Lothe Reprinted Oxford [u.a.] Oxford Univ. Press 2005 XII, 253 S. Ill. txt rdacontent n rdamedia nc rdacarrier Discourse analysis, Narrative Fiction Technique Motion pictures and literature Narration (Rhetoric) Literatur (DE-588)4035964-5 gnd rswk-swf Erzähltheorie (DE-588)4152975-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Erzähltheorie (DE-588)4152975-3 s Literatur (DE-588)4035964-5 s DE-604 Film (DE-588)4017102-4 s Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014862188&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014862188&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Lothe, Jakob 1950- Narrative in fiction and film an introduction Discourse analysis, Narrative Fiction Technique Motion pictures and literature Narration (Rhetoric) Literatur (DE-588)4035964-5 gnd Erzähltheorie (DE-588)4152975-3 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4152975-3 (DE-588)4017102-4 |
| title | Narrative in fiction and film an introduction |
| title_auth | Narrative in fiction and film an introduction |
| title_exact_search | Narrative in fiction and film an introduction |
| title_exact_search_txtP | Narrative in fiction and film an introduction |
| title_full | Narrative in fiction and film an introduction Jakob Lothe |
| title_fullStr | Narrative in fiction and film an introduction Jakob Lothe |
| title_full_unstemmed | Narrative in fiction and film an introduction Jakob Lothe |
| title_short | Narrative in fiction and film |
| title_sort | narrative in fiction and film an introduction |
| title_sub | an introduction |
| topic | Discourse analysis, Narrative Fiction Technique Motion pictures and literature Narration (Rhetoric) Literatur (DE-588)4035964-5 gnd Erzähltheorie (DE-588)4152975-3 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Discourse analysis, Narrative Fiction Technique Motion pictures and literature Narration (Rhetoric) Literatur Erzähltheorie Film |
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