The concept of "literature" in Japan:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Japanese |
| Veröffentlicht: |
Kyoto
Internat. Research Center for Japanese Studies
2006
|
| Ausgabe: | 1. Engl. ed. |
| Schriftenreihe: | Nichibunken monograph series / International Research Center for Japanese Studies
8 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. [343] - 409 |
| Beschreibung: | XII, 428 S. graph. Darst. |
| ISBN: | 4901558315 |
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| 240 | 1 | 0 | |a Nihon no "bungaku" gainen |
| 245 | 1 | 0 | |a The concept of "literature" in Japan |c Suzuki Sadami. Transl. by Royall Tyler |
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| 264 | 1 | |a Kyoto |b Internat. Research Center for Japanese Studies |c 2006 | |
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| 490 | 1 | |a Nichibunken monograph series / International Research Center for Japanese Studies |v 8 | |
| 500 | |a Literaturverz. S. [343] - 409 | ||
| 650 | 4 | |a Littérature - Philosophie | |
| 650 | 4 | |a Littérature - Étude et enseignement - Japon | |
| 650 | 4 | |a Littérature japonaise - Histoire et critique | |
| 650 | 4 | |a Littérature japonaise - Philosophie | |
| 650 | 4 | |a Literatur | |
| 650 | 4 | |a Philosophie | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-014858375 | ||
Datensatz im Suchindex
| _version_ | 1804135446796566528 |
|---|---|
| adam_text | Contents
Preface xi
Introduction Literature (Bungaku SC^f1) Today:
Why Question the Concept of Literature Now? 1
What Can Literature Do? 1
The Decline of Literature 2
The Signiflcance of Questioning Literature Now 4
Toward Reconstruction 6
1. Doubts about Literature : Locus of the Problem, Methods of Approach 9
1.1 The Vagueness of Literature 9
1.1.1 The Difficulty ofDefining Literature 9
1.1.2 A Glance at the Dictionary 11
1.1.3 The Range of Literature 14
1.1.4 TheHistory oftheRelatedValue Judgments 16
1.2 The Snares of Convention and History: A Critique of Previous Studies 19
1.2.1 The Discrepancy between Standpoint and Method 19
1.2.2 How the Blinders Work 22
1.2.3 Removing the Blinders 25
1.2.4 The Structure of This Book 28
2. Literature in English and Chinese: Categories and Their Underlying Concepts 33
2.1 The Ambiguity of Literature in English, and Its Modern Meaning 33
2.1.1 The History of Literature 33
2.1.2 Beiles Lettres and Romanticism 35
2.1.3 Nationalism and Literary History 37
2.1.4 On Realism 41
2.2 The History of Wenxue (Bungaku) in China 43
2.2.1 The Origins of the Word Wenxue 43
2.2.2 The Philological Significance of Shi f# ( Poetry ) 46
2.2.3 The Study of Wenzhang X^ (Letters) .48
2.2.4 The Later Reformulation .52
3. The Reception and Reformulation of Bungaku : From Early Times to
the Tokugawa Period 57
3.1 From Early Times to the Medieval Period .57
3.1.1 Bungaku in Antiquity .57
3.1.2 Bungaku in Heian Times .60
3.1.2.1 The Rise of Japanese Bungaku, and the Stratification of Official History .. .64
3.1.3 Bungaku in the Medieval Period .65
3.2 Bungaku in the Tokugawa Period, and Consciousness of Genre .69
3.2.1 The Re establishment of Bungaku 69
3.2.2 The Dissolution and Re establishment of Bungaku .72
3.2.3 History of Poetry (f#f£) and Discourses on Poetry (f#fS) 76
3.2.4 Consciousness of Genre .78
3.3 Cultural Nationalism in the Tokugawa Period .82
3.3.1 Aspects of Cultural Nationalism .82
3.3.2 TheThought of MotooriNorinaga .85
3.3.3 Bungaku in the Years Leading Up to the Meiji Restoration .89
4. The Birth of Bungaku as a Translation Term 95
4.1 The Encounter between Literature and Bungaku .95
4.1.1 How the Term Came into Being .95
4.1.2 The Disparity between Bungaku and Literature 97
4.1.3 Bungaku in the Work ofNishiAmane .99
4.1.4 The Stability and Instabilityofa Translation Term 103
4.2 The Beginnings of Japanese Literature 106
4.2.1 Lamenting the Stagnation of Japanese Literature 106
4.2.2 The Concept of Japanese Bungaku 109
4.2.3 The Beginnings of the History of Japanese Bungaku 111
4.3 Bungaku in a Transitional Age 115 I
4.3.1 The Problem of Higher and Lower Bungaku .115 I
4.3.2 The Shadow of Posterity 117
4.3.3 The Survival of Humanistic Bungaku 120
5. The Concept and Its Supporting Structure 123
5.1 Meiji Culture, and the Revival of Classical Chinese and Japanese Studies 123
5.1.1 The Reformulation of Learning and Education 123
5.1.2 English Studies and Chinese Studies 129
5.1.3 The Concurrent Revival of the Classics 131
5.2 Literature and Tokyo University 135
5.2.1 The Founding of the Faculty of Letters 135
5.2.2 The Imperial University and Its College of Letters 140
5.2.3 Two Levels of Bungaku 142
5.3 The Meiji View of Language and Literacy 145
5.3.1 Conceptions of the National Language and Unification of
the Spoken and Written Language 145
5.3.2 Literacy and Style in the Meiji Era 147
6. The Rise of Modern Literature in Japan 151
6.1 Ideas of Improvement 151
6.1.1 The Idea of Art (Bijutsu) 151
6.1.2 The Improvement of Poetry 153
6.1.3 The Shirt in the Position of the Novel 154
6.2 Is Shösetsu shinzui Canonical? 159
6.2.1 Faithful Portrayal of Human Emotion and Life 159
6.2.2 The Concept of Bungaku in Shösetsu shinzui 162
6.2.3 Some Reactions 165
7. AStruggle of Ideas 169
7.1 A Season of Controversy 169
7.1.1 Bungaku Broadly and Narrowly Defined 169
7.1.2 The Debate over Ukishiro monogatari 172
7.1.3 The Invention of the History of Japanese Literature 175
7.2 AConceptQuestioned 180
7.2.1 From Bi Bungaku (Beiles Lettres) to Jun Bungaku (Pure Literature) 180
7.2.2 The Controversy over Hard Literature and Soft Literature 183
7.2.3 What Was at Issue 188
8. The Acceptance and Evolution of Modern Literature 193
8.1 The Acceptance of Modern Literature 193
8.1.1 Three Histories of Japanese Literature 193
8.1.2 The Term Bungei (Literary Art) 197
8.1.3 When Modern Literature Became Established 199
8.2 Splits and Reversais: Their Rise and Evolution 205
8.2.1 Splits and Reversais 205
8.2.2 Mass (Taishü) Literature and Pure Literature 208
8.2.3 Changing Views of National (Kokumiri) Literature 212
8.3 The Concept of Japanese Literature and the Evaluational Reformulation
of the Classics 214
8.3.1 The Formation of Japanese Literature 214
8.3.2 The Scope of Japanese Literature 220
8.3.3 The Evaluation of Man yöshü 222
8.3.4 The Evaluation of Genji monogatari 226
8.3.5 The Evaluation of Bashö s Haikai 234
8.3.6 From Shi i to Rekishi M 241
9. The Idea of Modern Japanese Literature 247
9.1 Postwar Critical Strategies 247
9.1.1 The Starting Point of Postwar Criticism 247
9.1.2 Aspects of Strategy 249
9.2 The Formation of the Idea of Modern Literature 252
9.2.1 The Term the Modern Period 252
9.2.2 An Image of Modern Japanese Literature 255
9.2.3 In the New Order 256 j
9.2.4 Where to Place the Origin? 258
10. On the Origins of Modern Japanese Literature 263
10.1 The Pitfalls of History as History of Realism 263
10.1.1 The Bias toward Modernizationism 263
10.1.2 Another Explanation of the Origins 267
10.1.3 Is Shasei (Sketch) Realism? 269
10.1.4 TheTrapofthe Unificationof Spokenand Written Language 272
10.2 Shasei: The Idea and Its Expressions 275
10.2.1 Shasei according to Masaoka Shiki and Kunikida Doppo 275
10.2.2 Tokutomi Roka s Shizen tojinsei 280
10.2.3 Shimazaki Töson s Sketches 284
11. Strategies for Restructuring 289
11.1 A New Analytical Theme: Overcoming the Modern 289
11.1.1 The Invalidity of Modern versus Anti modern 289
11.1.2 Freeing the Novel from the Modern 291
11.2 Overcoming the Modern : Rise and Evolution 295
11.2.1 First Glimmerings 295
11.2.2 Establishment 300
11.2.3 Development 303
11.3 The Myth and Reality of I fiction in Japan 308
11.3.1 The Significance and Character of I fiction 308
11.3.2 The Formation ofShinkyö Shösetsu (Mental state Fiction) 311
11.3.3 Re coining the Concept of I fiction 314
12. Condusion:Toward a History of Literary Art 319
12.1 Toward a Reformulation of the History of Literature 319
12.2 Toward a History of Literary Art 321
12.3 A Critique of the Concept of Expression 325
Afterword 327
List of Personal Names 329
Glossary of Terms 339
Bibliography 343
Index 411
|
| adam_txt |
Contents
Preface xi
Introduction Literature (Bungaku SC^f1) Today:
Why Question the Concept of "Literature" Now? 1
What Can "Literature" Do? 1
The Decline of "Literature" 2
The Signiflcance of Questioning "Literature" Now 4
Toward Reconstruction 6
1. Doubts about "Literature": Locus of the Problem, Methods of Approach 9
1.1 The Vagueness of "Literature" 9
1.1.1 The Difficulty ofDefining "Literature" 9
1.1.2 A Glance at the Dictionary 11
1.1.3 The Range of "Literature" 14
1.1.4 TheHistory oftheRelatedValue Judgments 16
1.2 The Snares of Convention and History: A Critique of Previous Studies 19
1.2.1 The Discrepancy between Standpoint and Method 19
1.2.2 How the Blinders Work 22
1.2.3 Removing the Blinders 25
1.2.4 The Structure of This Book 28
2. "Literature" in English and Chinese: Categories and Their Underlying Concepts 33
2.1 The Ambiguity of "Literature" in English, and Its Modern Meaning 33
2.1.1 The History of "Literature" 33
2.1.2 "Beiles Lettres" and "Romanticism" 35
2.1.3 Nationalism and Literary History 37
2.1.4 On Realism 41
2.2 The History of Wenxue (Bungaku) in China 43
2.2.1 The Origins of the Word "Wenxue" 43
2.2.2 The Philological Significance of Shi f# ("Poetry") 46
2.2.3 The Study of "Wenzhang" X^ (Letters) .48
2.2.4 The Later Reformulation .52
3. The Reception and Reformulation of "Bungaku": From Early Times to
the Tokugawa Period 57
3.1 From Early Times to the Medieval Period .57
3.1.1 "Bungaku" in Antiquity .57
3.1.2 "Bungaku" in Heian Times .60
3.1.2.1 The Rise of "Japanese Bungaku," and the Stratification of "Official History". .64
3.1.3 "Bungaku" in the Medieval Period .65
3.2 Bungaku in the Tokugawa Period, and Consciousness of Genre .69
3.2.1 The Re establishment of "Bungaku" 69
3.2.2 The Dissolution and Re establishment of "Bungaku" .72
3.2.3 History of Poetry (f#f£) and Discourses on Poetry (f#fS) 76
3.2.4 Consciousness of Genre .78
3.3 Cultural Nationalism in the Tokugawa Period .82
3.3.1 Aspects of Cultural Nationalism .82
3.3.2 TheThought of MotooriNorinaga .85
3.3.3 "Bungaku" in the Years Leading Up to the Meiji Restoration .89
4. The Birth of "Bungaku" as a Translation Term 95
4.1 The Encounter between "Literature" and "Bungaku" .95
4.1.1 How the Term Came into Being .95
4.1.2 The Disparity between "Bungaku" and "Literature" 97
4.1.3 "Bungaku" in the Work ofNishiAmane .99
4.1.4 The Stability and Instabilityofa Translation Term 103
4.2 The Beginnings of "Japanese Literature" 106
4.2.1 "Lamenting the Stagnation of Japanese Literature" 106
4.2.2 The Concept of "Japanese Bungaku" 109
4.2.3 The Beginnings of the "History of Japanese Bungaku" 111
4.3 "Bungaku" in a Transitional Age 115 I
4.3.1 The Problem of "Higher" and "Lower" Bungaku .115 I
4.3.2 The Shadow of Posterity 117
4.3.3 The Survival of Humanistic "Bungaku" 120
5. The Concept and Its Supporting Structure 123
5.1 Meiji Culture, and the Revival of Classical Chinese and Japanese Studies 123
5.1.1 The Reformulation of Learning and Education 123
5.1.2 English Studies and Chinese Studies 129
5.1.3 The Concurrent Revival of the Classics 131
5.2 "Literature" and Tokyo University 135
5.2.1 The Founding of the Faculty of Letters 135
5.2.2 The Imperial University and Its "College of Letters" 140
5.2.3 Two Levels of "Bungaku" 142
5.3 The Meiji View of Language and Literacy 145
5.3.1 Conceptions of "the National Language" and "Unification of
the Spoken and Written Language" 145
5.3.2 Literacy and Style in the Meiji Era 147
6. The Rise of Modern "Literature" in Japan 151
6.1 Ideas of "Improvement" 151
6.1.1 The Idea of "Art" (Bijutsu) 151
6.1.2 The Improvement of Poetry 153
6.1.3 The Shirt in the Position of the Novel 154
6.2 Is Shösetsu shinzui Canonical? 159
6.2.1 Faithful Portrayal of Human Emotion and Life 159
6.2.2 The Concept of "Bungaku" in Shösetsu shinzui 162
6.2.3 Some Reactions 165
7. AStruggle of Ideas 169
7.1 A Season of Controversy 169
7.1.1 "Bungaku" Broadly and Narrowly Defined 169
7.1.2 The Debate over Ukishiro monogatari 172
7.1.3 The Invention of the "History of Japanese Literature" 175
7.2 AConceptQuestioned 180
7.2.1 From Bi Bungaku (Beiles Lettres) to Jun Bungaku (Pure Literature) 180
7.2.2 The Controversy over "Hard Literature" and "Soft Literature" 183
7.2.3 What Was at Issue 188
8. The Acceptance and Evolution of Modern "Literature" 193
8.1 The Acceptance of Modern "Literature" 193
8.1.1 Three "Histories of Japanese Literature" 193
8.1.2 The Term "Bungei" (Literary Art) 197
8.1.3 When Modern "Literature" Became Established 199
8.2 Splits and Reversais: Their Rise and Evolution 205
8.2.1 Splits and Reversais 205
8.2.2 "Mass (Taishü) Literature" and "Pure Literature" 208
8.2.3 Changing Views of "National (Kokumiri) Literature" 212
8.3 The Concept of "Japanese Literature" and the Evaluational Reformulation
of the Classics 214
8.3.1 The Formation of "Japanese Literature" 214
8.3.2 The Scope of "Japanese Literature" 220
8.3.3 The Evaluation of Man 'yöshü 222
8.3.4 The Evaluation of Genji monogatari 226
8.3.5 The Evaluation of Bashö's Haikai 234
8.3.6 From Shi i to Rekishi M 241
9. The Idea of "Modern Japanese Literature" 247
9.1 Postwar Critical Strategies 247
9.1.1 The Starting Point of Postwar Criticism 247
9.1.2 Aspects of Strategy 249
9.2 The Formation of the Idea of "Modern Literature" 252
9.2.1 The Term "the Modern Period" 252
9.2.2 An Image of "Modern Japanese Literature" 255
9.2.3 In the "New Order" 256 j
9.2.4 Where to Place the Origin? 258
10. On the Origins of "Modern Japanese Literature" 263
10.1 The Pitfalls of History as History of Realism 263
10.1.1 The Bias toward Modernizationism 263
10.1.2 Another Explanation of the Origins 267
10.1.3 Is Shasei (Sketch) Realism? 269
10.1.4 TheTrapofthe"Unificationof Spokenand Written Language" 272
10.2 Shasei: The Idea and Its Expressions 275
10.2.1 Shasei according to Masaoka Shiki and Kunikida Doppo 275
10.2.2 Tokutomi Roka's Shizen tojinsei 280
10.2.3 Shimazaki Töson's Sketches 284
11. Strategies for Restructuring 289
11.1 A New Analytical Theme: "Overcoming the Modern" 289
11.1.1 The Invalidity of "Modern versus Anti modern" 289
11.1.2 Freeing the Novel from the Modern 291
11.2 "Overcoming the Modern": Rise and Evolution 295
11.2.1 First Glimmerings 295
11.2.2 Establishment 300
11.2.3 Development 303
11.3 The Myth and Reality of "I fiction" in Japan 308
11.3.1 The Significance and Character of "I fiction" 308
11.3.2 The Formation ofShinkyö Shösetsu (Mental state Fiction) 311
11.3.3 Re coining the Concept of "I fiction" 314
12. Condusion:Toward a History of Literary Art 319
12.1 Toward a Reformulation of the "History of Literature" 319
12.2 Toward a History of Literary Art 321
12.3 A Critique of the Concept of Expression 325
Afterword 327
List of Personal Names 329
Glossary of Terms 339
Bibliography 343
Index 411 |
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| author | Suzuki, Sadami |
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| discipline | Außereuropäische Sprachen und Literaturen Literaturwissenschaft |
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| edition | 1. Engl. ed. |
| format | Book |
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| geographic | Japan (DE-588)4028495-5 gnd |
| geographic_facet | Japan |
| id | DE-604.BV021643631 |
| illustrated | Illustrated |
| index_date | 2024-07-02T15:00:50Z |
| indexdate | 2024-07-09T20:40:38Z |
| institution | BVB |
| isbn | 4901558315 |
| language | English Japanese |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014858375 |
| oclc_num | 70187257 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-29 DE-12 DE-11 DE-188 |
| owner_facet | DE-19 DE-BY-UBM DE-29 DE-12 DE-11 DE-188 |
| physical | XII, 428 S. graph. Darst. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Internat. Research Center for Japanese Studies |
| record_format | marc |
| series2 | Nichibunken monograph series / International Research Center for Japanese Studies |
| spelling | Suzuki, Sadami Verfasser aut Nihon no "bungaku" gainen The concept of "literature" in Japan Suzuki Sadami. Transl. by Royall Tyler 1. Engl. ed. Kyoto Internat. Research Center for Japanese Studies 2006 XII, 428 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Nichibunken monograph series / International Research Center for Japanese Studies 8 Literaturverz. S. [343] - 409 Littérature - Philosophie Littérature - Étude et enseignement - Japon Littérature japonaise - Histoire et critique Littérature japonaise - Philosophie Literatur Philosophie Japanese literature Philosophy Literature Philosophy Begriff (DE-588)4005248-5 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Japan (DE-588)4028495-5 g Literatur (DE-588)4035964-5 s Begriff (DE-588)4005248-5 s DE-604 Tyler, Royall 1936- Sonstige (DE-588)130069221 oth International Research Center for Japanese Studies Nichibunken monograph series 8 (DE-604)BV012959626 8 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014858375&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Suzuki, Sadami The concept of "literature" in Japan Littérature - Philosophie Littérature - Étude et enseignement - Japon Littérature japonaise - Histoire et critique Littérature japonaise - Philosophie Literatur Philosophie Japanese literature Philosophy Literature Philosophy Begriff (DE-588)4005248-5 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4005248-5 (DE-588)4035964-5 (DE-588)4028495-5 |
| title | The concept of "literature" in Japan |
| title_alt | Nihon no "bungaku" gainen |
| title_auth | The concept of "literature" in Japan |
| title_exact_search | The concept of "literature" in Japan |
| title_exact_search_txtP | The concept of "literature" in Japan |
| title_full | The concept of "literature" in Japan Suzuki Sadami. Transl. by Royall Tyler |
| title_fullStr | The concept of "literature" in Japan Suzuki Sadami. Transl. by Royall Tyler |
| title_full_unstemmed | The concept of "literature" in Japan Suzuki Sadami. Transl. by Royall Tyler |
| title_short | The concept of "literature" in Japan |
| title_sort | the concept of literature in japan |
| topic | Littérature - Philosophie Littérature - Étude et enseignement - Japon Littérature japonaise - Histoire et critique Littérature japonaise - Philosophie Literatur Philosophie Japanese literature Philosophy Literature Philosophy Begriff (DE-588)4005248-5 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Littérature - Philosophie Littérature - Étude et enseignement - Japon Littérature japonaise - Histoire et critique Littérature japonaise - Philosophie Literatur Philosophie Japanese literature Philosophy Literature Philosophy Begriff Japan |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014858375&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV012959626 |
| work_keys_str_mv | AT suzukisadami nihonnobungakugainen AT tylerroyall nihonnobungakugainen AT suzukisadami theconceptofliteratureinjapan AT tylerroyall theconceptofliteratureinjapan |