What's that sound?: an introduction to rock and its history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Norton
2006
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| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVII, 555, 31 S. Ill. |
| ISBN: | 9780393975758 0393975754 |
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| 100 | 1 | |a Covach, John Rudolph |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a What's that sound? |b an introduction to rock and its history |c John Covach |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a New York [u.a.] |b Norton |c 2006 | |
| 300 | |a XVII, 555, 31 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Rock (Musique) - Histoire et critique | |
| 650 | 4 | |a Rock music |x History and criticism | |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments xvii
Introduction: Studying Rock 2
Elements to Consider 5
Rock History in the Media • I Know What I Like: The Fan Mentality • The Ups and
Downs of Chart Positions • The Four Themes • Tracking the Popularity Arc
Elements of Music: An Introduction 9
Form, Rhythm, and Meter Rocket 88 • Simple Verse Form • Instrumental Listening
The 1920s, 30s, 40s i4
Chapter 1:
The World Before Rock and Roll (Roots-1955) 16
Part 1. The World of Mainstream Pop in the Years Leading up to 1955 18
Building a National Audience for Music and Entertainment 18
National versus Regional • The Rise of the Radio Networks in the ig2os (How Did They
Work?) • The Migration of Big Corporate Money Away from Radio to Television
Tin Pan Alley 23
Sheet Music Publishers and Professional Songwriters
The Singer Steps Forward 28
The Singers and the Big Bands • Frank Sinatra • The Sound of Pop in the Early 1950s
Part 2. The Growth of Country and Western Music 34
Regional Styles 34
Country Music in the Southeast in the ig2os and 30s • Western Music in the
Southwest and California in the 1920s and 30s • Jimmie Rodgers, the First Star of
Country Music
The Development Toward a National Sound for
Country and Western Music 37
Superstation Radio Broadcasts in Prime Time • Country Music during World War II
(War Buddies) • Nashville Becomes Country and Western Headquarters
Hank Williams, Country Music Singer-Songwriter in the
Big Business of Country and Western 39
A Short Career that Cast a Long Shadow
Bluegrass, the New, Old-Time Country Music 40
Bill Monroe and His Blue Grass Boys
Part 3. Rhythm and Blues in the 1940s and 1950s 42
Rural (Delta) and Urban Blues 42
Migration Patterns from the Rural South to the Urban North • Regional Radio
and the Black Experience in lg^os America • Independent Labels Target Regional
Audiences
Rhythm and Blues as a Marketing Category That
Includes a Broad Range of Musical Styles 46
The Influence of Gospel Music (Rural Southern Church Traditions) • Chicago Electric
Blues • Atlantic and Black Pop • Doo-wop (Urban Vocal Music)
Rhythm and Blues as a Dangerous Influence on
American (White) Youth 49
Stagger Lee and the Black Male Swagger • Hokem Blues and Fun with Double
Meanings
The 1950s 54
Chapter 2:
The Birth and First Flourishing of Rock and Boll (1955-1960) 58
The Rise of Youth Culture in the 1950s 60
The First Wave of War Babies Reaches Adolescence (This Is Not Your Father s Pop Music)
Radio and Records 63
The Rise of the Disc Jockey in Regional Radio • Aggressive Marketing by Independent
Labels
Crossovers and Covers 66
Hit Records and the Charts
The First Rock and Rollers Cross Over 67
Fats Domino • Chuck Berry: Blending Rhythm and Blues and Country and Western
while Targeting a White Youth Audience • Berry s Musical Influence • Little Richard •
Bill Haley, Pat Boone, and the Whitening of Rhythm and Blues • The Controversy over
Cover Versions
The Rise of Elvis Presley: In Steps Corporate America yy
Elvis at Sun • The Big RCA Deal • Covers in Elvis s Early Career • Elvis s Move to
RCA for Broader Appeal
Rockabilly in the Wake of Elvis 83
Carl Perkins, johnny Cash, and Jerry Lee Lewis at Sun • Gene Vincent and Eddie
Cochran • Buddy Holly • Holly the Songwriter
The Day the Music Died 89
The Misfortunes of Many in Rock and Roll s First Wave • The Payola Investigations
Interlude 1: The Bigger Picture: Typical Formal Types in
American Popular Music 94
The 12-Bar Blues 94
Verse and Verse-Chorus Forms 96
Simple Verse-Chorus • Simple Verse Form • Contrasting Verse-Chorus
AABA Form 100
Chapter 3:
The Demise of Rock and the Promise of Soul (1959-1963) 104
Splitting up the Market: Teenyboppers and Their Older Siblings 206
The Adults in the Room: Brill Building and Aldon Publishing • Teen Idols for Idle
Teens • The Dance Craze, American Bandstand, The Twist • Folk Music and the
Putting Away of Childish Things
Ambitious Pop: The Rise of the Producer 119
Leiber and Stoller with the Coasters and Ben E. King with the Drifters • The Important
Collaboration between Songwriter/Producers and Performers • Taking on Social
Issues • Producers in the Brill Building: The Rise of the Girl Groups • Phil Spector and
the Wall of Sound
Sweet Soul on the Rise 128
Leiber and Stoller at Atlantic
Rockabilly Popsters 131
The Everly Brothers • Roy Orbison • Ricky Nelson
Surfin USA: It s Just Good, Clean, White-Suburban Fun 136
The Beach Boys, Jan and Dean, and Vocal Surf Music • Dick Dale, King of the Surf
Guitar • Duane Eddy, the Ventures
Baby, Baby, Baby: A Case Study in Record Production 340
There Goes My Baby • Be My Baby • Don t Worry Baby
Narrative Lyrics Run Amok: The Splatter Platter 144
Teenage Romanticization of Death
The 1960s i«
Chapter 4:
The Beatles and the British Invasion (1964-1966) 152
British Pop in the Late 1950s and Early 1960s 154
The Music Business in the UK
The Beatles as Students of American Pop, 1960-1963 156
Formation and First Gigs • Hamburg and Liverpool (ig6o-ig62)
Beatle Influences 159
Beatlemania, 1963-1966 160
Success in England • The American Experience • The Beatles Music Develops: From
Craftsmen to Artists • The Growing Importance of Lyrics • Developing Greater Stylistic
Range
The British Invade 168
Haircuts, Accents, and Guitars • Gerry and the Pacemakers, the Dave Clark Five, and
Other Beatles-type Bands • Herman s Hermits, Freddy and the Dreamers, and the Hollies
The Rolling Stones and the British Blues Revival 171
Bad Boys, Blues, and Rhythm and Blues • Blues Enthusiasts • The Rolling
Stones The Stones and the Blues Tradition • The Animals, the Yardbirds, and the
Spencer Davis Group • The Kinks and the Who: Raw Power and Ambitious Lyrics
The Mop Tops Threaten the Big Wigs 182
Chapter 5:
American Responses (1964-1966) 186
Folk Rock 188
Dylan Plugs In • The Byrds and the Jingle-Jangle of the Electric Twelve-String
Guitar • The Byrds, Dylan, the Beach Boys, and the Music Business • Simon and
Garfunkel Go Electric • California Dreamin : Barry McGuire, the Turtles, the Mamas
and the Papas
American Pop on Both Coasts 197
L.A.: Spector and His Legacy • The Beach Boys: Brian Stays Home • Ride the
Ambitious Surf: Brian Wilson as Producer • Sonny and Cher: Dylan Meets the Wall of
Sound • Gary Lewis and the Playboys, Johnny Rivers • Meanwhile Back in New York:
The Loviri Spoonful, the Rascals • The Old Guard Hangs On: New York
Garage Bands: No Professional Experience Necessary 208
From the Northwest: The Kingsmen, Garage Bands, and Louie, Louie
TV Rock: The Industry Tries to Take Control Once More 209
One If by Land, Two If by Sea: Paul Revere and the Raiders • A Collision of the Old and
New. The Monkees Tale • Monkee Complexitee
Interlude 2: Who s Ploying What?: Instrumentation in Rock 216
The Rhythm Section 216
Beat It: Drums and Percussion • The Low Down: Electric Bass • Harmony in Motion:
Rhythm Guitar and Keyboards
Singers and Solos 2ig
In the Spotlight: Lead Singers and Backup Vocals • Steppiri Up: Instrumental
Solos Horns and Strings: Sweetening the Sound
How It All Fits Together 220
Smoke on the Water • Bye Bye Love
Chapter 6:
Motown Pop and Southern Soul (1960-1970) 224
Berry Gordy Jr. and Black Music for White Audiences 226
Go Where the Money Is: White Kids and Disposable Income • Adapting the Brill
Building Production Model • The Studio, the Band, Quality Control • Artist
Development and Professional Choreography
The Motown Artists 229
The Temptations • The Supremes • The Supremes and Holland-Dozier-Holland • The
Four Tops Martha and the Vandellas • Marvin Gaye, Stevie Wonder • Assimilation,
Motown, and the Civil Rights Movement
Atlantic, Stax, and Southern Soul 236
Atlantic in the Early ig6os • Soulsville, USA: The Memphis Connection • Otis
Redding and Stax • Wilson Pickett and the Muscle Shoals Sound • Sam and Dave,
Porter and Hayes • The Stax Sound • Aretha Franklin • Motown, Atlantic, Stax, and
Issues of Blackness • 1968: A Pivotal Year for Black Popular Music
fames Brown: On the Way to Funk 246
From Doo-wop to Soul • Black Pride and the Birth of Funk
Chapter 7:
Psychedelia (1966-1969) 254
Drugs and the Quest for Higher Consciousness 256
The Doors of Perception: Km Kesey, Timothy Leary, and LSD • A Journey to the East:
The Beatles and the Maharishi • Two Psychedelic Approaches to Music
Psychedelic Ambition: The Beach Boys and the Beatles 258
Two Bands, One Label • Good Vibrations • Sgt. Pepper s Lonely Hearts Club
Band • Collapse and Retreat: SMiLE and Smiley Smile • And in the End: The Beatles
after Sgt. Pepper
The San Francisco Scene and Haight-Ashbury 267
The Red Dog, the Family Dog, Kesey s Acid Tests • It Takes a Village to Raise a Ruckus:
Concerts, News, the Psychedelic Shop, FM Radio • The Grateful Dead • The Jefferson
Airplane • Big Brother and the Holding Company, Janis Joplin • Country Joe and the
Fish • Quicksilver Messenger Service • Other Important San Francisco Bands: Moby
Grape, the Steve Miller Band
The London Scene 277
The Rise of the British Underground • Underground Clubs in Swinging
London • Musical Notes from the Underground: Pink Floyd, Soft Machine,
Tomorrow • The Public Face of British Psychedelia: The Major Acts • The Rolling
Stones: Psychedelic Rhythm and Blues? • Cream: British Blues on Acid with Pop on the
Side • Cream s Blues Adaptations • The Jimi Hendrix Experience: Psychedelic Blues
Meets the Avant-garde • Traffic, Van Morrison • Donovan and Psychedelic Folk
Los Angeles and Elsewhere 290
The Byrds, the Buffalo Springfield • Love and Arthur Lee, the Great Unknowns • The
Doors and Jim Morrison, Turning to the Dark Side • Iron Butterfly: Heavy Duty Rock
and Roll • Vanilla Fudge and Psychedelic-symphonic Cover Versions • Upstate
Americana: Dylan and the Band
A Woodstock Nation: Festivals, Audiences, and Radio 293
Do You Know the Way to Monterey? • Good Trip, Bad Trip: Woodstock and
Altamont • Festivals in the UK and Europe • The Fracturing of the American Radio
Audience: AM vs FM
The 1970s 300
Chapter 8:
The Grouting Rock Monster (1970-1975) 304
The Hippie Aesthetic 306
Psychedelic Legacies
Blues-Based British Rock 307
Roots in the Rolling Stones, the Yardbirds, and Cream • Led Zeppelin: Blues, Folk, and
Psychedelia Take the Next Step • Deep Purple: Blues, Classical, and Psychedelia • Black
Sabbath: British Rock Meets Boris Karloffand the Gothic Beginnings of Metal • Go
Your Own Way: The Faces, Humble Pie • Hippie Blues Rock
American Blues Rock and Southern Rock 313
The Allman Brothers Band and Southern Rock • Lynyrd Skynyrd • More Sounds of the
South Texas and South of the Border: Santana and ZZ Top • What Were Once Vices:
Steppenwolf, Three Dog Night, Grand Funk Railroad, Edgar Winter, the Doobie
Brothers • Aerosmith, J. Geils Band
Progressive Rock: Big Ideas and High Ambition 322
Philosophical Lyrics and Concept Albums • The Use of Classical Music with Rock • The
Who: Townshend s Big Projects • In the Beginning: King Crimson, Emerson, Lake £
Palmer • Hippie Spirituality: Jethro Tull, Yes • Symphonic Expansion • Bizarre Tales
and Progressive-rock Theater: Genesis and Pink Floyd
Jazz-Rock Fusion and Jazz-Influenced Rock 333
Jazz and the Studio Musician • Jazz-Rock Fusion: Miles and Beyond • Frank Zappa:
Satire and Complexity • Low Sparks and Pretzel Logic: Traffic and Steely Dan • Horn
Bands: Blood, Sweat, e[ Tears, Chicago
Glam Rock and Rock Theater: Shocking Characters 338
Dressing Up and Acting Out • Alice Cooper: Welcome to My Nightmare • Kiss and
Make Up • Ziggy Played Guitar: David Bowie
The Singer-Songwriters 341
The Importance of Being Earnest • 1960s Connections: James Taylor, Carole King, Paul
Simon • American Poets Society • British Singer-Songwriters: Van Morrison, Cat
Stevens, Elton John • Canadian Voices: Joni Mitchell, Neil Young, Gordon Lightfoot
Country Rock 347
The Gift to he Simple • Poor Boys Make Good: Creedence Clearwater Revival • The
Avocado Mafia • The Eagles Take It Easy
Interlude 3: In the Studio: The Role of Recording Techniques in
Rock Music 352
Ambience 352
Is It Live or Is It Memorex? • Reverb and Echo
EQ, Stereo, and Mixing 354
River Deep, Mountain High: EQ • Every Breadth You Take: Stereo Placement
Mono and Stereo 357
Chapter 9:
Black Pop and the Rise of Disco (1970-1980) 362
Black Pop Roots in the 1960s 363
Sly and the Family Stone: Sly Crosses Over • In Sly s Wake: Ohio Players, Kool and the
Gang • The Rock Connection: Tower of Power and War • Later in the jos: Earth, Wind,
and Fire, the Commodores • Motown Marches On: Norman Whitfield, the Temptations,
Marvin Gaye • Stevie Wonder Comes of Age • The Last Train for the Coast: Diana Ross,
Marvin Gaye, the Jackson 5, Rare Earth • The Philadelphia Sound: Gamble and Huff
• Thorn Bell, the Spinners, Stylistics • Blaxploitation : Isaac Hayes and Curtis Mayfield
James Brown, George Clinton and Parliament/Funkadelic 380
Soul Brother Number 1 • The Mothership Connections: George Clinton and
Company • Average White Band, the Band That Did Get Airplay on White Rock Radio
Reggae Comes Ashore 384
New Orleans and New York
The Rise of Disco 389
I Should Be Dancin ; a New Dance Craze • The Return of the Producers
Disco and the Hippies 391
Disco Sucks?
Chapter 10:
Mainstream Rock, Punk, and New Wave (1975-1980) 396
Building the Business: Frampton Conies Alive 398
FM Radio Goes from Late 60s Free Form to AOR • Show Me the Way: The Advent of
the Big Album • Life s Been Good to Me So Far: More Big Albums
Mainstream Rock, 1975-1980 402
It s Still Rock and Roll to Me • Keeping the Faith: Stones, Wings, Walls, Starships, and
Airliners • Gaining Ground: Aerosmith, Bad Company, Kiss, the Doobie
Brothers • Rethinking Previous Approaches: Boston, Foreigner, Journey • Old Wine,
New Bottles: Cheap Trick, Blue Oyster Cult, Van Halen • Progressive Rock
Revamped • Revamped Prog from the North: Rush • Alan Parsons, FLO,
Queen • Singers, Songwriters, and Bands: Bob Dylan, Elton John, Paul Simon • Billy
Joel, Jackson Browne, Bob Seger, Bruce Springsteen • Form or Formula?
The Roots of Punk in the United States, 1967-1975 425
Safety Pins and Leather • Punk Roots: The Velvet Underground, the Stooges, the
MC$ • The Beginnings of the New York Scene • The Ramones and Blondie
The Rise of Punk in the UK, 1974-1977 420
No Hope: Malcolm McLaren, British Punk, and the Sex Pistols • The Clash, the Buzzcocks,
the Jam, Siouxsie and the Banshees • Punk Poetics—Organization or Anarchy?
The Rise of New Wave, 1977-1980 423
The Next Big Thing • Blondie, the Talking Heads • New Wave, American-style: the
Cars, Tom Petty, Devo, B-52S, the Knack • British New Wavers in America: Elvis
Costello, the Police, Joe Jackson • Pangs of Rock History?
The Rejection of Hippie Values and the Rise of Historical
Self-Consciousness 433
New Wave and the Hippie Aesthetic • Gary Wright and Gary Numan • Heart and
Blondie
The 1980s 436
Chapter 11:
I Want Mv MTV (1980-1990) 440
MTV Is on the Air 441
The Roots of MTV in Promotional Video • On the Air, but Who s Watching? • Can
Video Really Kill the Radio Star? • Music Video s New Elite: Michael Jackson and
Madonna • Dirty Minded? Prince and Janet Jackson • Let s Get Physical: Olivia
Newton-John • Brit Pop Hits MTV: Duran Duran, Culture Club • Thinking Person s
MTV: Eurythmics, Tears for Fears • The Hippie Aesthetic Returns Transformed
The Wave Continues 458
Keepers of the Wave: The Police, U2 • The Sun Never Sets on New Wave: Split Enz,
Crowded House, Men at Work, XTC, Squeeze • College Rock Underground: R.E.M. and
the Smiths • Girls Just Wanna Have Fun: The Go-Go s, Cyndi Lauper, and the
Bangles • The New Traditionalists: No Irony, Just a Healthy Love for Earlier Styles •
I Won t Back Down: Tom Petty, with and without the Heartbreakers • New Jersey
Nostalgia: Bruce Springsteen and the E-Street Band • Americana on Both Sides of the
Pond: John Mellencamp, Dire Straits • Rockahillies in Exile: The Stray Cats • Blue-
eyed Soul, 80s Style: Hall and Oates, George Michael, and Michael Bolton
The Revenge of the Prog Nerds and Mainstream Rock 471
The Dinosaurs Adapt • From Genesis to Corporation • Going for the One: Yes and
Asia • I Will Survive: ig6os and yos Rock Bands Continue to Thrive • Old School
Newcomers: AC/DC, Huey Lewis and the News
Chapter 12:
Heavy Metal, Rap, and the Rise of Rlternative Rock
(1982-1992) 478
Heavy! Duty! Heavy Metal in the 1980s 479
Heavy Metal Thunder • Blue-Collar Man: Image and Class • The New Wave of British
Heavy Metal • Early Los Angeles (LA) Bands and the American Heavy Metal
Underground • The Rise of the Metal Mega-Stars and Hair Bands • Metal Ambition •
The Role of Virtuosity and the Hippie Aesthetic
The Emergence of Rap 489
Rap Music and Hip-Hop Culture • From the Park to the Radio: The First Rap
Records • Russell Simmons, Rick Rubin: Crossing Over to White Audiences •
Challenging the Status Quo • Fear of a Black Planet? The Flap over Rap
Into the 1990s: Alternative Rock 497
America s Punk? • Seattle s Grunge Scene: Nirvana, Hole • Pearl Jam • Other Seattle
Bands: Soundgarden, Alice in Chains, Foo Fighters • California Bands • Revisiting the
1960s and lgyos
The 1990s ond Beyond 508
Chapter 13:
Conclusion (1990s and beyond) 512
The Rise of Classic Rock 513
The Age of the CD Re-Issue: Selling the Same Music Again • Radio Killed the Video
Star: The Classic-Rock Radio Format • Behind the Music: The Rise ofVH-i and
Rockumentary • You re Never Too Old to Rock and Roll
New Traditionalism Continues 537
Roots Rockers and Generation X • Sheryl Crow, Hootie and the Blowfish • Counting
Crows, the Wallflowers • The Return of Jamming: Phish, Widespread Panic, Blues
Traveler, Spin Doctors, the Dave Matthews Band • Matchbox 20, Third Eye Blind
Rhythm and Blues and Black Pop 522
The Return of Classic Motown: Boyz II Men • Babyface, L.A. Reid, and
LaFace • Crossover Divas: Whitney Houston and Mariah Carey
Teen Idols 52-]
If You Build It, They Will Come: Backstreet Boys, *NSYNC • Girl Power The Spice
Girls • Teen Divas: Britney Spears and Christina Aguilera
Female Singer-Songwriters 534
Both Sides Now. Another Take on Girl Power • Tori Amos, the Indigo Girls, Liz Phair,
Ani DiFranco • Canadian Contrasts: Sarah McLachlan, Alanis Morissette • Projecting
Feminine Identities: Teen Idols and Singer-Songwriters
Electronic Dance Music 537
Dance, Dance, Dance • New York, Larry Levan, and the Paradise Garage • Chicago and
Detroit • Rise of UK Rave Scene and Its Return to the United States • Breakthrough of
EDM into the U.S. Pop Mainstream • Listening to Dance Music and the Live Problem
Rap Rolls On 542
Gangsta Rap and a Proliferation of Styles • West Coast: Death Row, Dre, Snoop,
Tupac . East Coast: P. Diddy, Notorious B.I.G. . The Great DJ Spin-off: Wu Tang
Clan • Naughty and Nice: Will Smith and Eminem
Metal Extensions and Indie Rock 548
Rap and Rock: Rage Against the Machine • Getting Heavy: Korn, Limp Bizkit, System
of a Down, Kid Rock • The Menacing Sounds of Industry: Nine Inch Nails, Marilyn
Manson • Indie Rock Continues: Yo La Tengo, Pavement, Guided by Voices • Indie
Music in the Mainstream: Beck
Conclusion 553
A New Generation and a Fracturing of the Audience • Technology and the Audience for
Popular Music in the Digital Age
Listening Guides
Introduction
Jackie Brenston and His Delta Cats, Rocket 88 11
Chapter 1
Judy Garland with Victor Young and His Orchestra, Over the Rainbow 26
Les Paul and Mary Ford, I m Sittiri on Top of the World 32
Hank Williams, Hey Good Lookiri 40
Big Joe Turner, Shake, Rattle, and Roll 50
Chapter 2
Fats Domino, Blueberry Hill 6g
Chuck Berry, Johnny B. Goode 72
Elvis Presley, That s All Right (Mama) 84
Interlude 1
Little Richard, Tutti Frutti 96
The Carter Family, Can the Circle Be Unbroken gy
Elvis Presley, Heartbreak Hotel gg
Chuck Berry, Rock and Roll Music gg
The Crickets, That ll Be the Day 100
jerry Lee Lewis, Great Balls of Fire 101
The Everly Brothers, Ml I Have to Do Is Dream 102
Chapter 3
The Kingston Trio, Tom Dooley 116
The Coasters, Down in Mexico 122
Roy Orbison, Only the Lonely (Know How I Feel) 234
The Beach Boys, Surfiri U.S.A. 138
The Drifters, There Goes My Baby 142
The Ronettes, Be My Baby 143
Chapter 4
The Beatles, I Want to Hold Your Hand 164
The Beatles, Tomorrow Never Knows 166
The Rolling Stones, Get Off of My Cloud 176
The Yardbirds, Heart Full of Soul 179
The Kinks, You Really Got Me 183
Chapter 5
Bob Dylan, Positively 4th Street 192
The Byrds, Mr. Tambourine Man 195
The Beach Boys, California Girls 200
The Monkees, Last Train to Clarksville 213
Interlude 2
Deep Purple, Smoke on the Water 221
The Everly Brothers, Bye Bye Love 222
Chapter 6
The Temptations, The Way You Do the Things You Do 230
The Supremes, Baby Love 232
Wilson Pickett, In the Midnight Hour 241
Aretha Franklin, Respect 244
James Brown, Papa s Got a Brand New Bag, Pt. 1 251
Chapter 7
The Beach Boys, Good Vibrations 260
The Beatles, A Day in the Life 264
The Jefferson Airplane, White Rabbit 274
Cream, Sunshine of Your Love 284
Thejimi Hendrix Experience, Purple Haze 286
Chapter 8
Led Zeppelin, Whole Lotta Love 3x2
The Allman Brothers Band, Whipping Post p6
Yes, Roundabout 330
Carole King, You ve Got a Friend 342
The Eagles, Take It Easy 349
Interlude 3
Steely Dan, Josie 358
The Crystals, Da Doo Ron Ron 360
Chapter 9
Sly and the Family Stone, Thank You (Falettinme Be Mice Elf Agin) 364
The Temptations, Papa Was a Rolling Stone 3J0
Stevie Wonder, Living for the City 3^3
Parliament, Tear ike Roof Off the Sucker (Give Up the Funk) 384
Bob Marley and the Wallers, Get Up, Stand Up 386
Donna Summer, Bad Girls 392
Chapter 10
Peter Frampton, Show Me the Way (Live) 400
Boston, More Than a Feeling 412
Foreigner, Feels Like the First Time 414
The Sex Pistols, Anarchy in the UK 424
The Cars, My Best Friend s Girl 432
Chapter 11
Michael Jackson, Billiejean 446
Madonna, Like a Virgin 450
Prince, 1999 454
The Police, Don t Stand So Close to Me 460
U2, Pride (In the Name of Love) 461
Bruce Springsteen, Born in the U.S.A. 468
Peter Gabriel, Sledgehammer 474
Chapter 12
Motley Crue, Shout at the Devil 482
Metallica, One 486
Run-DMC, Rock Box 492
Public Enemy, Don t Believe the Hype 496
Nirvana, Smells like Teen Spirit 502
Chapter 13
Sheryl Crow, All I Wanna Do 520
Boyz II Men, End of the Road 524
Britney Spears, ... Baby One More Time 532
Alanis Morissette, You Oughta Know 538
Dr. Dre, featuring Snoop Doggy Dogg, Nuthin but a G Thang 544
Credits A-l
Index A-3
|
| adam_txt |
Contents
Acknowledgments xvii
Introduction: Studying Rock 2
Elements to Consider 5
Rock History in the Media • I Know What I Like: The Fan Mentality • The Ups and
Downs of Chart Positions • The Four Themes • Tracking the Popularity Arc
Elements of Music: An Introduction 9
Form, Rhythm, and Meter "Rocket '88'" • Simple Verse Form • Instrumental Listening
The 1920s,'30s,'40s i4
Chapter 1:
The World Before Rock and Roll (Roots-1955) 16
Part 1. The World of Mainstream Pop in the Years Leading up to 1955 18
Building a National Audience for Music and Entertainment 18
National versus Regional • The Rise of the Radio Networks in the ig2os (How Did They
Work?) • The Migration of Big Corporate Money Away from Radio to Television
Tin Pan Alley 23
Sheet Music Publishers and Professional Songwriters
The Singer Steps Forward 28
The Singers and the Big Bands • Frank Sinatra • The Sound of Pop in the Early 1950s
Part 2. The Growth of Country and Western Music 34
Regional Styles 34
"Country" Music in the Southeast in the ig2os and '30s • "Western" Music in the
Southwest and California in the 1920s and '30s • Jimmie Rodgers, the First Star of
Country Music
The Development Toward a National Sound for
Country and Western Music 37
Superstation Radio Broadcasts in Prime Time • Country Music during World War II
(War Buddies) • Nashville Becomes Country and Western Headquarters
Hank Williams, Country Music Singer-Songwriter in the
Big Business of Country and Western 39
A Short Career that Cast a Long Shadow
Bluegrass, the New, Old-Time Country Music 40
Bill Monroe and His Blue Grass Boys
Part 3. Rhythm and Blues in the 1940s and 1950s 42
Rural (Delta) and Urban Blues 42
Migration Patterns from the Rural South to the Urban North • Regional Radio
and the Black Experience in lg^os America • Independent Labels Target Regional
Audiences
Rhythm and Blues as a Marketing Category That
Includes a Broad Range of Musical Styles 46
The Influence of Gospel Music (Rural Southern Church Traditions) • Chicago Electric
Blues • Atlantic and Black Pop • Doo-wop (Urban Vocal Music)
Rhythm and Blues as a "Dangerous Influence" on
American (White) Youth 49
Stagger Lee and the Black Male Swagger • Hokem Blues and Fun with Double
Meanings
The 1950s 54
Chapter 2:
The Birth and First Flourishing of Rock and Boll (1955-1960) 58
The Rise of Youth Culture in the 1950s 60
The First Wave of War Babies Reaches Adolescence (This Is Not Your Father's Pop Music)
Radio and Records 63
The Rise of the Disc Jockey in Regional Radio • Aggressive Marketing by Independent
Labels
Crossovers and Covers 66
Hit Records and the Charts
The First Rock and Rollers Cross Over 67
Fats Domino • Chuck Berry: Blending Rhythm and Blues and Country and Western
while Targeting a White Youth Audience • Berry's Musical Influence • Little Richard •
Bill Haley, Pat Boone, and the "Whitening" of Rhythm and Blues • The Controversy over
Cover Versions
The Rise of Elvis Presley: In Steps Corporate America yy
Elvis at Sun • The Big RCA Deal • Covers in Elvis's Early Career • Elvis's Move to
RCA for Broader Appeal
Rockabilly in the Wake of Elvis 83
Carl Perkins, johnny Cash, and Jerry Lee Lewis at Sun • Gene Vincent and Eddie
Cochran • Buddy Holly • Holly the Songwriter
The Day the Music Died 89
The Misfortunes of Many in Rock and Roll's First Wave • The Payola Investigations
Interlude 1: The Bigger Picture: Typical Formal Types in
American Popular Music 94
The 12-Bar Blues 94
Verse and Verse-Chorus Forms 96
Simple Verse-Chorus • Simple Verse Form • Contrasting Verse-Chorus
AABA Form 100
Chapter 3:
The Demise of Rock and the Promise of Soul (1959-1963) 104
Splitting up the Market: Teenyboppers and Their Older Siblings 206
The Adults in the Room: Brill Building and Aldon Publishing • Teen Idols for Idle
Teens • The Dance Craze, American Bandstand, "The Twist" • Folk Music and the
Putting Away of Childish Things
Ambitious Pop: The Rise of the Producer 119
Leiber and Stoller with the Coasters and Ben E. King with the Drifters • The Important
Collaboration between Songwriter/Producers and Performers • Taking on Social
Issues • Producers in the Brill Building: The Rise of the Girl Groups • Phil Spector and
the Wall of Sound
Sweet Soul on the Rise 128
Leiber and Stoller at Atlantic
Rockabilly Popsters 131
The Everly Brothers • Roy Orbison • Ricky Nelson
Surfin' USA: It's Just Good, Clean, White-Suburban Fun 136
The Beach Boys, Jan and Dean, and Vocal Surf Music • Dick Dale, King of the Surf
Guitar • Duane Eddy, the Ventures
Baby, Baby, Baby: A Case Study in Record Production 340
"There Goes My Baby" • "Be My Baby" • "Don't Worry Baby"
Narrative Lyrics Run Amok: The Splatter Platter 144
Teenage Romanticization of Death
The 1960s i«
Chapter 4:
The Beatles and the British Invasion (1964-1966) 152
British Pop in the Late 1950s and Early 1960s 154
The Music Business in the UK
The Beatles as Students of American Pop, 1960-1963 156
Formation and First Gigs • Hamburg and Liverpool (ig6o-ig62)
Beatle Influences 159
Beatlemania, 1963-1966 160
Success in England • The American Experience • The Beatles' Music Develops: From
Craftsmen to Artists • The Growing Importance of Lyrics • Developing Greater Stylistic
Range
The British Invade 168
Haircuts, Accents, and Guitars • Gerry and the Pacemakers, the Dave Clark Five, and
Other Beatles-type Bands • Herman's Hermits, Freddy and the Dreamers, and the Hollies
The Rolling Stones and the British Blues Revival 171
Bad Boys, Blues, and Rhythm and Blues • Blues Enthusiasts • The Rolling
Stones ' The Stones and the Blues Tradition • The Animals, the Yardbirds, and the
Spencer Davis Group • The Kinks and the Who: Raw Power and Ambitious Lyrics
The Mop Tops Threaten the Big Wigs 182
Chapter 5:
American Responses (1964-1966) 186
Folk Rock 188
Dylan Plugs In • The Byrds and the Jingle-Jangle of the Electric Twelve-String
Guitar • The Byrds, Dylan, the Beach Boys, and the Music Business • Simon and
Garfunkel Go Electric • California Dreamin': Barry McGuire, the Turtles, the Mamas
and the Papas
American Pop on Both Coasts 197
L.A.: Spector and His Legacy • The Beach Boys: Brian Stays Home • Ride the
Ambitious Surf: Brian Wilson as Producer • Sonny and Cher: Dylan Meets the Wall of
Sound • Gary Lewis and the Playboys, Johnny Rivers • Meanwhile Back in New York:
The Loviri Spoonful, the Rascals • The Old Guard Hangs On: New York
Garage Bands: No Professional Experience Necessary 208
From the Northwest: The Kingsmen, Garage Bands, and "Louie, Louie"
TV Rock: The Industry Tries to Take Control Once More 209
One If by Land, Two If by Sea: Paul Revere and the Raiders • A Collision of the Old and
New. The Monkees' Tale • Monkee Complexitee
Interlude 2: Who's Ploying What?: Instrumentation in Rock 216
The Rhythm Section 216
Beat It: Drums and Percussion • The Low Down: Electric Bass • Harmony in Motion:
Rhythm Guitar and Keyboards
Singers and Solos 2ig
In the Spotlight: Lead Singers and Backup Vocals • Steppiri Up: Instrumental
Solos ' Horns and Strings: Sweetening the Sound
How It All Fits Together 220
"Smoke on the Water" • "Bye Bye Love"
Chapter 6:
Motown Pop and Southern Soul (1960-1970) 224
Berry Gordy Jr. and Black Music for White Audiences 226
Go Where the Money Is: White Kids and Disposable Income • Adapting the Brill
Building Production Model • The Studio, the Band, Quality Control • Artist
Development and Professional Choreography
The Motown Artists 229
The Temptations • The Supremes • The Supremes and Holland-Dozier-Holland • The
Four Tops ' Martha and the Vandellas • Marvin Gaye, Stevie Wonder • Assimilation,
Motown, and the Civil Rights Movement
Atlantic, Stax, and Southern Soul 236
Atlantic in the Early ig6os • Soulsville, USA: The Memphis Connection • Otis
Redding and Stax • Wilson Pickett and the Muscle Shoals Sound • Sam and Dave,
Porter and Hayes • The Stax Sound • Aretha Franklin • Motown, Atlantic, Stax, and
Issues of Blackness • 1968: A Pivotal Year for Black Popular Music
fames Brown: On the Way to Funk 246
From Doo-wop to Soul • Black Pride and the Birth of Funk
Chapter 7:
Psychedelia (1966-1969) 254
Drugs and the Quest for Higher Consciousness 256
The Doors of Perception: Km Kesey, Timothy Leary, and LSD • A Journey to the East:
The Beatles and the Maharishi • Two Psychedelic Approaches to Music
Psychedelic Ambition: The Beach Boys and the Beatles 258
Two Bands, One Label • "Good Vibrations" • Sgt. Pepper's Lonely Hearts Club
Band • Collapse and Retreat: SMiLE and Smiley Smile • And in the End: The Beatles
after Sgt. Pepper
The San Francisco Scene and Haight-Ashbury 267
The Red Dog, the Family Dog, Kesey's Acid Tests • It Takes a Village to Raise a Ruckus:
Concerts, News, the Psychedelic Shop, FM Radio • The Grateful Dead • The Jefferson
Airplane • Big Brother and the Holding Company, Janis Joplin • Country Joe and the
Fish • Quicksilver Messenger Service • Other Important San Francisco Bands: Moby
Grape, the Steve Miller Band
The London Scene 277
The Rise of the British Underground • Underground Clubs in Swinging
London • Musical Notes from the Underground: Pink Floyd, Soft Machine,
Tomorrow • The Public Face of British Psychedelia: The Major Acts • The Rolling
Stones: Psychedelic Rhythm and Blues? • Cream: British Blues on Acid with Pop on the
Side • Cream's Blues Adaptations • The Jimi Hendrix Experience: Psychedelic Blues
Meets the Avant-garde • Traffic, Van Morrison • Donovan and Psychedelic Folk
Los Angeles and Elsewhere 290
The Byrds, the Buffalo Springfield • Love and Arthur Lee, the Great Unknowns • The
Doors and Jim Morrison, Turning to the Dark Side • Iron Butterfly: Heavy Duty Rock
and Roll • Vanilla Fudge and Psychedelic-symphonic Cover Versions • Upstate
Americana: Dylan and the Band
A Woodstock Nation: Festivals, Audiences, and Radio 293
Do You Know the Way to Monterey? • Good Trip, Bad Trip: Woodstock and
Altamont • Festivals in the UK and Europe • The Fracturing of the American Radio
Audience: AM vs FM
The 1970s 300
Chapter 8:
The Grouting Rock Monster (1970-1975) 304
The Hippie Aesthetic 306
Psychedelic Legacies
Blues-Based British Rock 307
Roots in the Rolling Stones, the Yardbirds, and Cream • Led Zeppelin: Blues, Folk, and
Psychedelia Take the Next Step • Deep Purple: Blues, Classical, and Psychedelia • Black
Sabbath: British Rock Meets Boris Karloffand the Gothic Beginnings of Metal • Go
Your Own Way: The Faces, Humble Pie • Hippie Blues Rock
American Blues Rock and Southern Rock 313
The Allman Brothers Band and Southern Rock • Lynyrd Skynyrd • More Sounds of the
South ' Texas and South of the Border: Santana and ZZ Top • What Were Once Vices:
Steppenwolf, Three Dog Night, Grand Funk Railroad, Edgar Winter, the Doobie
Brothers • Aerosmith, J. Geils Band
Progressive Rock: Big Ideas and High Ambition 322
Philosophical Lyrics and Concept Albums • The Use of Classical Music with Rock • The
Who: Townshend's Big Projects • In the Beginning: King Crimson, Emerson, Lake £
Palmer • Hippie Spirituality: Jethro Tull, Yes • Symphonic Expansion • Bizarre Tales
and Progressive-rock Theater: Genesis and Pink Floyd
Jazz-Rock Fusion and Jazz-Influenced Rock 333
Jazz and the Studio Musician • Jazz-Rock Fusion: Miles and Beyond • Frank Zappa:
Satire and Complexity • Low Sparks and Pretzel Logic: Traffic and Steely Dan • Horn
Bands: Blood, Sweat, e[ Tears, Chicago
Glam Rock and Rock Theater: Shocking Characters 338
Dressing Up and Acting Out • Alice Cooper: Welcome to My Nightmare • Kiss and
Make Up • Ziggy Played Guitar: David Bowie
The Singer-Songwriters 341
The Importance of Being Earnest • 1960s Connections: James Taylor, Carole King, Paul
Simon • American Poets Society • British Singer-Songwriters: Van Morrison, Cat
Stevens, Elton John • Canadian Voices: Joni Mitchell, Neil Young, Gordon Lightfoot
Country Rock 347
The Gift to he Simple • Poor Boys Make Good: Creedence Clearwater Revival • The
Avocado Mafia • The Eagles' "Take It Easy"
Interlude 3: In the Studio: The Role of Recording Techniques in
Rock Music 352
Ambience 352
Is It Live or Is It Memorex? • Reverb and Echo
EQ, Stereo, and Mixing 354
River Deep, Mountain High: EQ • Every Breadth You Take: Stereo Placement
Mono and Stereo 357
Chapter 9:
Black Pop and the Rise of Disco (1970-1980) 362
Black Pop Roots in the 1960s 363
Sly and the Family Stone: Sly Crosses Over • In Sly's Wake: Ohio Players, Kool and the
Gang • The Rock Connection: Tower of Power and War • Later in the 'jos: Earth, Wind,
and Fire, the Commodores • Motown Marches On: Norman Whitfield, the Temptations,
Marvin Gaye • Stevie Wonder Comes of Age • The Last Train for the Coast: Diana Ross,
Marvin Gaye, the Jackson 5, Rare Earth • The Philadelphia Sound: Gamble and Huff
• Thorn Bell, the Spinners, Stylistics • "Blaxploitation": Isaac Hayes and Curtis Mayfield
James Brown, George Clinton and Parliament/Funkadelic 380
Soul Brother Number 1 • The Mothership Connections: George Clinton and
Company • Average White Band, the Band That Did Get Airplay on White Rock Radio
Reggae Comes Ashore 384
New Orleans and New York
The Rise of Disco 389
I Should Be Dancin'; a New Dance Craze • The Return of the Producers
Disco and the Hippies 391
Disco Sucks?
Chapter 10:
Mainstream Rock, Punk, and New Wave (1975-1980) 396
Building the Business: Frampton Conies Alive 398
FM Radio Goes from Late '60s Free Form to AOR • Show Me the Way: The Advent of
the "Big Album" • Life's Been Good to Me So Far: More Big Albums
Mainstream Rock, 1975-1980 402
It's Still Rock and Roll to Me • Keeping the Faith: Stones, Wings, Walls, Starships, and
Airliners • Gaining Ground: Aerosmith, Bad Company, Kiss, the Doobie
Brothers • Rethinking Previous Approaches: Boston, Foreigner, Journey • Old Wine,
New Bottles: Cheap Trick, Blue Oyster Cult, Van Halen • Progressive Rock
Revamped • Revamped Prog from the North: Rush • Alan Parsons, FLO,
Queen • Singers, Songwriters, and Bands: Bob Dylan, Elton John, Paul Simon • Billy
Joel, Jackson Browne, Bob Seger, Bruce Springsteen • Form or Formula?
The Roots of Punk in the United States, 1967-1975 425
Safety Pins and Leather • Punk Roots: The Velvet Underground, the Stooges, the
MC$ • The Beginnings of the New York Scene • The Ramones and Blondie
The Rise of Punk in the UK, 1974-1977 420
No Hope: Malcolm McLaren, British Punk, and the Sex Pistols • The Clash, the Buzzcocks,
the Jam, Siouxsie and the Banshees • Punk Poetics—Organization or Anarchy?
The Rise of New Wave, 1977-1980 423
The Next Big Thing • Blondie, the Talking Heads • New Wave, American-style: the
Cars, Tom Petty, Devo, B-52S, the Knack • British New Wavers in America: Elvis
Costello, the Police, Joe Jackson • Pangs of Rock History?
The Rejection of Hippie Values and the Rise of Historical
Self-Consciousness 433
New Wave and the Hippie Aesthetic • Gary Wright and Gary Numan • Heart and
Blondie
The 1980s 436
Chapter 11:
I Want Mv MTV (1980-1990) 440
MTV Is on the Air 441
The Roots of MTV in Promotional Video • On the Air, but Who's Watching? • Can
Video Really Kill the Radio Star? • Music Video's New Elite: Michael Jackson and
Madonna • Dirty Minded? Prince and Janet Jackson • Let's Get Physical: Olivia
Newton-John • Brit Pop Hits MTV: Duran Duran, Culture Club • Thinking Person's
MTV: Eurythmics, Tears for Fears • The Hippie Aesthetic Returns Transformed
The Wave Continues 458
Keepers of the Wave: The Police, U2 • The Sun Never Sets on New Wave: Split Enz,
Crowded House, Men at Work, XTC, Squeeze • College Rock Underground: R.E.M. and
the Smiths • Girls Just Wanna Have Fun: The Go-Go's, Cyndi Lauper, and the
Bangles • The New Traditionalists: No Irony, Just a Healthy Love for Earlier Styles •
I Won't Back Down: Tom Petty, with and without the Heartbreakers • New Jersey
Nostalgia: Bruce Springsteen and the E-Street Band • Americana on Both Sides of the
Pond: John Mellencamp, Dire Straits • Rockahillies in Exile: The Stray Cats • Blue-
eyed Soul, '80s Style: Hall and Oates, George Michael, and Michael Bolton
The Revenge of the Prog Nerds and Mainstream Rock 471
The Dinosaurs Adapt • From Genesis to Corporation • Going for the One: Yes and
Asia • I Will Survive: ig6os and 'yos Rock Bands Continue to Thrive • Old School
Newcomers: AC/DC, Huey Lewis and the News
Chapter 12:
Heavy Metal, Rap, and the Rise of Rlternative Rock
(1982-1992) 478
Heavy! Duty! Heavy Metal in the 1980s 479
Heavy Metal Thunder • Blue-Collar Man: Image and Class • The New Wave of British
Heavy Metal • Early Los Angeles (LA) Bands and the American Heavy Metal
Underground • The Rise of the Metal Mega-Stars and Hair Bands • Metal Ambition •
The Role of Virtuosity and the Hippie Aesthetic
The Emergence of Rap 489
Rap Music and Hip-Hop Culture • From the Park to the Radio: The First Rap
Records • Russell Simmons, Rick Rubin: Crossing Over to White Audiences •
Challenging the Status Quo • Fear of a Black Planet? The Flap over Rap
Into the 1990s: Alternative Rock 497
America's Punk? • Seattle's Grunge Scene: Nirvana, Hole • Pearl Jam • Other Seattle
Bands: Soundgarden, Alice in Chains, Foo Fighters • California Bands • Revisiting the
1960s and lgyos
The 1990s ond Beyond 508
Chapter 13:
Conclusion (1990s and beyond) 512
The Rise of Classic Rock 513
The Age of the CD Re-Issue: Selling the Same Music Again • Radio Killed the Video
Star: The Classic-Rock Radio Format • Behind the Music: The Rise ofVH-i and
Rockumentary • You're Never Too Old to Rock and Roll
New Traditionalism Continues 537
Roots Rockers and Generation X • Sheryl Crow, Hootie and the Blowfish • Counting
Crows, the Wallflowers • The Return of Jamming: Phish, Widespread Panic, Blues
Traveler, Spin Doctors, the Dave Matthews Band • Matchbox 20, Third Eye Blind
Rhythm and Blues and Black Pop 522
The Return of Classic Motown: Boyz II Men • Babyface, L.A. Reid, and
LaFace • Crossover Divas: Whitney Houston and Mariah Carey
Teen Idols 52-]
If You Build It, They Will Come: Backstreet Boys, *NSYNC • Girl Power The Spice
Girls • Teen Divas: Britney Spears and Christina Aguilera
Female Singer-Songwriters 534
Both Sides Now. Another Take on Girl Power • Tori Amos, the Indigo Girls, Liz Phair,
Ani DiFranco • Canadian Contrasts: Sarah McLachlan, Alanis Morissette • Projecting
Feminine Identities: Teen Idols and Singer-Songwriters
Electronic Dance Music 537
Dance, Dance, Dance • New York, Larry Levan, and the Paradise Garage • Chicago and
Detroit • Rise of UK Rave Scene and Its Return to the United States • Breakthrough of
EDM into the U.S. Pop Mainstream • Listening to Dance Music and the "Live" Problem
Rap Rolls On 542
Gangsta Rap and a Proliferation of Styles • West Coast: Death Row, Dre, Snoop,
Tupac . East Coast: P. Diddy, Notorious B.I.G. . The Great DJ Spin-off: Wu Tang
Clan • Naughty and Nice: Will Smith and Eminem
Metal Extensions and Indie Rock 548
Rap and Rock: Rage Against the Machine • Getting Heavy: Korn, Limp Bizkit, System
of a Down, Kid Rock • The Menacing Sounds of Industry: Nine Inch Nails, Marilyn
Manson • Indie Rock Continues: Yo La Tengo, Pavement, Guided by Voices • Indie
Music in the Mainstream: Beck
Conclusion 553
A New Generation and a Fracturing of the Audience • Technology and the Audience for
Popular Music in the Digital Age
Listening Guides
Introduction
Jackie Brenston and His Delta Cats, "Rocket '88'" 11
Chapter 1
Judy Garland with Victor Young and His Orchestra, "Over the Rainbow" 26
Les Paul and Mary Ford, "I'm Sittiri on Top of the World" 32
Hank Williams, "Hey Good Lookiri" 40
Big Joe Turner, "Shake, Rattle, and Roll" 50
Chapter 2
Fats Domino, "Blueberry Hill" 6g
Chuck Berry, "Johnny B. Goode" 72
Elvis Presley, "That's All Right (Mama)" 84
Interlude 1
Little Richard, "Tutti Frutti" 96
The Carter Family, "Can the Circle Be Unbroken" gy
Elvis Presley, "Heartbreak Hotel" gg
Chuck Berry, "Rock and Roll Music" gg
The Crickets, "That'll Be the Day" 100
jerry Lee Lewis, "Great Balls of Fire" 101
The Everly Brothers, "Ml I Have to Do Is Dream" 102
Chapter 3
The Kingston Trio, "Tom Dooley" 116
The Coasters, "Down in Mexico" 122
Roy Orbison, "Only the Lonely (Know How I Feel)" 234
The Beach Boys, "Surfiri U.S.A." 138
The Drifters, "There Goes My Baby" 142
The Ronettes, "Be My Baby" 143
Chapter 4
The Beatles, "I Want to Hold Your Hand" 164
The Beatles, "Tomorrow Never Knows" 166
The Rolling Stones, "Get Off of My Cloud" 176
The Yardbirds, "Heart Full of Soul" 179
The Kinks, "You Really Got Me" 183
Chapter 5
Bob Dylan, "Positively 4th Street" 192
The Byrds, "Mr. Tambourine Man" 195
The Beach Boys, "California Girls" 200
The Monkees, "Last Train to Clarksville" 213
Interlude 2
Deep Purple, "Smoke on the Water" 221
The Everly Brothers, "Bye Bye Love" 222
Chapter 6
The Temptations, "The Way You Do the Things You Do" 230
The Supremes, "Baby Love" 232
Wilson Pickett, "In the Midnight Hour" 241
Aretha Franklin, "Respect" 244
James Brown, "Papa's Got a Brand New Bag, Pt. 1" 251
Chapter 7
The Beach Boys, "Good Vibrations" 260
The Beatles, "A Day in the Life" 264
The Jefferson Airplane, "White Rabbit" 274
Cream, "Sunshine of Your Love" 284
Thejimi Hendrix Experience, "Purple Haze" 286
Chapter 8
Led Zeppelin, "Whole Lotta Love" 3x2
The Allman Brothers Band, "Whipping Post" p6
Yes, "Roundabout" 330
Carole King, "You've Got a Friend" 342
The Eagles, "Take It Easy" 349
Interlude 3
Steely Dan, "Josie" 358
The Crystals, "Da Doo Ron Ron" 360
Chapter 9
Sly and the Family Stone, "Thank You (Falettinme Be Mice Elf Agin) " 364
The Temptations, "Papa Was a Rolling Stone" 3J0
Stevie Wonder, "Living for the City" 3^3
Parliament, "Tear ike Roof Off the Sucker (Give Up the Funk)" 384
Bob Marley and the Wallers, "Get Up, Stand Up" 386
Donna Summer, "Bad Girls" 392
Chapter 10
Peter Frampton, "Show Me the Way" (Live) 400
Boston, "More Than a Feeling" 412
Foreigner, "Feels Like the First Time" 414
The Sex Pistols, "Anarchy in the UK" 424
The Cars, "My Best Friend's Girl" 432
Chapter 11
Michael Jackson, "Billiejean" 446
Madonna, "Like a Virgin" 450
Prince, "1999" 454
The Police, "Don't Stand So Close to Me" 460
U2, "Pride (In the Name of Love)" 461
Bruce Springsteen, "Born in the U.S.A." 468
Peter Gabriel, "Sledgehammer" 474
Chapter 12
Motley Crue, "Shout at the Devil" 482
Metallica, "One" 486
Run-DMC, "Rock Box" 492
Public Enemy, "Don't Believe the Hype" 496
Nirvana, "Smells like Teen Spirit" 502
Chapter 13
Sheryl Crow, "All I Wanna Do" 520
Boyz II Men, "End of the Road" 524
Britney Spears, ". Baby One More Time" 532
Alanis Morissette, "You Oughta Know" 538
Dr. Dre, featuring Snoop Doggy Dogg, "Nuthin' but a 'G' Thang" 544
Credits A-l
Index A-3 |
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| author | Covach, John Rudolph |
| author_facet | Covach, John Rudolph |
| author_role | aut |
| author_sort | Covach, John Rudolph |
| author_variant | j r c jr jrc |
| building | Verbundindex |
| bvnumber | BV021634913 |
| callnumber-first | M - Music |
| callnumber-label | ML3534 |
| callnumber-raw | ML3534 |
| callnumber-search | ML3534 |
| callnumber-sort | ML 43534 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LS 48000 LS 48040 |
| ctrlnum | (OCoLC)63164712 (DE-599)BVBBV021634913 |
| dewey-full | 781.6609 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6609 |
| dewey-search | 781.6609 |
| dewey-sort | 3781.6609 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1. ed. |
| era | Geschichte gnd |
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| format | Book |
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| id | DE-604.BV021634913 |
| illustrated | Illustrated |
| index_date | 2024-07-02T14:58:28Z |
| indexdate | 2024-07-09T20:40:27Z |
| institution | BVB |
| isbn | 9780393975758 0393975754 |
| language | English |
| lccn | 2006002220 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014849769 |
| oclc_num | 63164712 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | XVII, 555, 31 S. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Norton |
| record_format | marc |
| spelling | Covach, John Rudolph Verfasser aut What's that sound? an introduction to rock and its history John Covach 1. ed. New York [u.a.] Norton 2006 XVII, 555, 31 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Rock (Musique) - Histoire et critique Rock music History and criticism Rockmusik (DE-588)4115774-6 gnd rswk-swf Rockmusik (DE-588)4115774-6 s Geschichte z DE-604 http://www.loc.gov/catdir/toc/ecip067/2006002220.html Table of contents HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014849769&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Covach, John Rudolph What's that sound? an introduction to rock and its history Rock (Musique) - Histoire et critique Rock music History and criticism Rockmusik (DE-588)4115774-6 gnd |
| subject_GND | (DE-588)4115774-6 |
| title | What's that sound? an introduction to rock and its history |
| title_auth | What's that sound? an introduction to rock and its history |
| title_exact_search | What's that sound? an introduction to rock and its history |
| title_exact_search_txtP | What's that sound? an introduction to rock and its history |
| title_full | What's that sound? an introduction to rock and its history John Covach |
| title_fullStr | What's that sound? an introduction to rock and its history John Covach |
| title_full_unstemmed | What's that sound? an introduction to rock and its history John Covach |
| title_short | What's that sound? |
| title_sort | what s that sound an introduction to rock and its history |
| title_sub | an introduction to rock and its history |
| topic | Rock (Musique) - Histoire et critique Rock music History and criticism Rockmusik (DE-588)4115774-6 gnd |
| topic_facet | Rock (Musique) - Histoire et critique Rock music History and criticism Rockmusik |
| url | http://www.loc.gov/catdir/toc/ecip067/2006002220.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014849769&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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