European film music:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2006
|
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Bibliogr. S. [191] - 198 |
| Beschreibung: | XII, 206 S. Ill., Notenbeisp. |
| ISBN: | 9780754636588 9780754636595 0754636585 0754636593 |
Internformat
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| 245 | 1 | 0 | |a European film music |c ed. by Miguel Mera... |
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| 490 | 0 | |a Ashgate popular and folk music series | |
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| 650 | 4 | |a Film, Musique de - Europe - Analyse et appréciation | |
| 650 | 4 | |a Film, Musique de - Europe - Histoire et critique | |
| 650 | 7 | |a Filmmuziek |2 gtt | |
| 650 | 7 | |a Films |2 gtt | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Motion picture music |x History and criticism | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Figures and tables vii
Music examples viii
Notes on contributors ix
General Editor s preface xiii
Introduction 1
Miguel Mera andDavidBurnand
1 Per aspera ad astra and back again: film music in Germany from 1927
to 1945 13
Reimar Volker
2 Music, people and reality: the case of Italian neo realism 28
Richard Dyer
3 Contemporary Spanish film music: Carlos Saura and Pedro Almodovar 41
Kathleen M. Vernon and Cliff Eisen
4 Music as a satirical device in the Ealing Comedies 60
Kate Daubney
5 Screen playing: cinematic representations of classical music
performance and European identity 73
Janet K. Halfyard
6 Outing the synch: music and space in the French heritage film 86
Phil Powrie
7 Sean 6 Riada and Irish post colonial film music: George Morrison s
MiseEire 100
David Cooper
8 Angel of the air: Popol Vuh s music and Werner Herzog s films 116
K.J. Donnelly
9 Modernity and a day: the functions of music in the films of Theo
Angelopoulos 131
Miguel Mera
10 Preisner Kieslowski: the art of synergetic understatement in
Three Colours: Red 145
Jon Paxman
11 The Rhythm of the Night : reframing silence, music and masculinity
in Beau Travail 163
Heather Laing
vi CONTENTS
12 Scoring This Filthy Earth 178
David Burnand
Bibliography 191
Index 199
Figures and tables
Figures
1.1 Werner Richard Heymann conducting the Ufa Filmorchestra, late
1920s. Reproduced by permission of the Archiv der Akademie der
Kiinste, Berlin 15
9.1 Eternity and a Day, structural/thematic unity 137
Tables
4.1 First page of music cue sheet from Whisky Galore! (1949), score by
Ernest Irving. Data reproduced by kind permission of Canal+
Image UK Ltd 64
6.1 French heritage films from the 1980s to the end of the 1990s 89
7.1 Cues in Mise Eire derived from Roisin Dubh 108
7.2 Modernist cues in Mise Eire 111
8.1 Popul Vuh discography 119
12.1 Music cues for This Filthy Earth 181
Music examples
7.1 Opening of the melody Roisin Dubh Transcribed by the
author 106
7.2 Opening figure from the melody Sliabh na mBari . Transcribed
by the author 107
9.1 Eternity and a Day, Theme A Eternity . Reproduced by permission
of Eleni Karindrou 136
9.2 Eternity and a Day, Theme B Borders . Reproduced by permission
of Eleni Karindrou 13 7
10.1 Three Colours: Red, fashion show. Reproduced by permission of
Zbigniew Preisner 148
10.2 Three Colours: Red, second theme, part 1. Reproduced by
permission of Zbigniew Preisner 150
10.3 Three Colours: Red, second theme, part 2. Reproduced by
permission of Zbigniew Preisner 151
12.1 Iwan Gamus. Transcribed by the author 186
12.2 ArVerjelen. Transcribed by the author 187
|
| adam_txt |
Contents
Figures and tables vii
Music examples viii
Notes on contributors ix
General Editor s preface xiii
Introduction 1
Miguel Mera andDavidBurnand
1 Per aspera ad astra and back again: film music in Germany from 1927
to 1945 13
Reimar Volker
2 Music, people and reality: the case of Italian neo realism 28
Richard Dyer
3 Contemporary Spanish film music: Carlos Saura and Pedro Almodovar 41
Kathleen M. Vernon and Cliff Eisen
4 Music as a satirical device in the Ealing Comedies 60
Kate Daubney
5 Screen playing: cinematic representations of classical music
performance and European identity 73
Janet K. Halfyard
6 Outing the synch: music and space in the French heritage film 86
Phil Powrie
7 Sean 6 Riada and Irish post colonial film music: George Morrison's
MiseEire 100
David Cooper
8 Angel of the air: Popol Vuh's music and Werner Herzog's films 116
K.J. Donnelly
9 Modernity and a day: the functions of music in the films of Theo
Angelopoulos 131
Miguel Mera
10 Preisner Kieslowski: the art of synergetic understatement in
Three Colours: Red 145
Jon Paxman
11 'The Rhythm of the Night": reframing silence, music and masculinity
in Beau Travail 163
Heather Laing
vi CONTENTS
12 Scoring This Filthy Earth 178
David Burnand
Bibliography 191
Index 199
Figures and tables
Figures
1.1 Werner Richard Heymann conducting the Ufa Filmorchestra, late
1920s. Reproduced by permission of the Archiv der Akademie der
Kiinste, Berlin 15
9.1 Eternity and a Day, structural/thematic unity 137
Tables
4.1 First page of music cue sheet from Whisky Galore! (1949), score by
Ernest Irving. Data reproduced by kind permission of Canal+
Image UK Ltd 64
6.1 French heritage films from the 1980s to the end of the 1990s 89
7.1 Cues in Mise Eire derived from 'Roisin Dubh' 108
7.2 Modernist cues in Mise Eire 111
8.1 Popul Vuh discography 119
12.1 Music cues for This Filthy Earth 181
Music examples
7.1 Opening of the melody 'Roisin Dubh\ Transcribed by the
author 106
7.2 Opening figure from the melody 'Sliabh na mBari'. Transcribed
by the author 107
9.1 Eternity and a Day, Theme A 'Eternity'. Reproduced by permission
of Eleni Karindrou 136
9.2 Eternity and a Day, Theme B 'Borders'. Reproduced by permission
of Eleni Karindrou 13 7
10.1 Three Colours: Red, fashion show. Reproduced by permission of
Zbigniew Preisner 148
10.2 Three Colours: Red, second theme, part 1. Reproduced by
permission of Zbigniew Preisner 150
10.3 Three Colours: Red, second theme, part 2. Reproduced by
permission of Zbigniew Preisner 151
12.1 Iwan Gamus. Transcribed by the author 186
12.2 ArVerjelen. Transcribed by the author 187 |
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| spelling | European film music ed. by Miguel Mera... Aldershot [u.a.] Ashgate 2006 XII, 206 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series Bibliogr. S. [191] - 198 Geschichte 1900-2000 gnd rswk-swf Film, Musique de - Europe - Analyse et appréciation Film, Musique de - Europe - Histoire et critique Filmmuziek gtt Films gtt Film Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf Europa (geografie) gtt (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmmusik (DE-588)4017129-2 s Geschichte 1900-2000 z DE-604 Mera, Miguel Sonstige oth http://www.loc.gov/catdir/toc/ecip061/2005027803.html Table of contents HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014845259&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | European film music Film, Musique de - Europe - Analyse et appréciation Film, Musique de - Europe - Histoire et critique Filmmuziek gtt Films gtt Film Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4143413-4 |
| title | European film music |
| title_auth | European film music |
| title_exact_search | European film music |
| title_exact_search_txtP | European film music |
| title_full | European film music ed. by Miguel Mera... |
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| title_full_unstemmed | European film music ed. by Miguel Mera... |
| title_short | European film music |
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| topic | Film, Musique de - Europe - Analyse et appréciation Film, Musique de - Europe - Histoire et critique Filmmuziek gtt Films gtt Film Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Film, Musique de - Europe - Analyse et appréciation Film, Musique de - Europe - Histoire et critique Filmmuziek Films Film Motion picture music History and criticism Filmmusik Europa (geografie) Aufsatzsammlung |
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