On Jewish music: past and present
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Frankfurt am Main [u.a.]
Lang
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 433 S. Ill., Notenbeisp. |
| ISBN: | 0820477222 3631539053 |
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Datensatz im Suchindex
| _version_ | 1804135425050148864 |
|---|---|
| adam_text | Contents
Introduction
List of Figures
Musical Examples
Past
I. Music in Ancient Israel/Palestine, the Biblical Terminology
of Music Instruments and the Near Eastern Context
A. Historical Survey (excerpts from: Music in Ancient Is¬
rael/Palestine [^Series The Bible in Its World, gen.
D.
ids, MichVCambridge, U. K.,
B. Biblical Terminology of Music Instruments (excerpts
from: Eerdmans Dictionary of the Bible,
Freedman, Grand Rapids/Cambridge,
929)________________________________________ 42
С
ments, in: The Oxford Encyclopedia of Archaeology in
the Near East,
York/Oxford,
II. Some Remarks on the Music History of Ancient Israel/Pa¬
lestine: Written or Archaeological Evidence (from:
Archäologie: Musikarchäologie,
et al.,
III. Music in Ancient Israel/Palestine and Ethnicity (based on
papers at the ICTM
2003/
11
IV. The Lute in Ancient Israeli and Jewish Iconography (from:
Festschrift Christoph-Hellmut Mahling,
vol.
ing,
V. The Iconography of the Organ: Change in Jewish Thought
and Musical Life (from: Music in Art,
The Diaspora: East Europe
VI. The Unpublished Volumes of
Musical Folklore (from: Israel Studies in Musicology IV,
1987,125-143).___________________________________ 159
VII.
(based on paper at the 3ed Congress on Jewish Music, Lon¬
don University
VIII.
ceedings of the World Congress on Jewish Music, Jerusalem
1978,
Hebrew Literature,
IX. Jews in Soviet Music (updated version of Research Paper
No.
and East European Research Centre, and Jews in Soviet
Culture,
1984,
X. Die
(from: Die
Systeme - Nachklaenge, ed. F. Geisler, Leipzig/Dresden
1997,
XI. On the
Shostakovich s Music
A. The Double Meaning (from: The Musical Quarterly,
LXXI/1,
12
B.
Style and Meaning (from: M.H. Brown,
and Soviet Music: Essays for Boris
bor, Mich.,
C. The Present Shostakovich Discourse (based on paper at
the International Shostakovich Symposium, Glazgow,
November
XII.
den Language of Resistance in Soviet Riga (from:
geschichte zwischen Ost- lind Westeuropa: Kirchenmusik -
geistliche Musik - religiöse Musik. Ed. H. Loos/Kl.-P. Koch,
Sinzig, 2002,
XIII.
ference Collaboration and Resistance During the Holocaust,
Uppsala University, April
Israel Today
XIV. Aspekte der Musiksoziologie in
systematischen Musikwissenschaft ^Hamburger Jahrbuch
für Musikwissenshaft 9, ed. P. Petersen, Hamburg, 1986,
85-104).________________________________________ 343
XV. Towards a Study of Israeli Musical Culture: The Case of
Kiryat
Music, XVII/2,
Conclusion
XVI.
and Today (from: K.
zepte der Musikwissenscahft: Bericht über den Internation¬
alen
Saale, 1998, vol. 2., 2000,
Figures___________________________________________
13
|
| adam_txt |
Contents
Introduction
List of Figures
Musical Examples
Past
I. Music in Ancient Israel/Palestine, the Biblical Terminology
of Music Instruments and the Near Eastern Context
A. Historical Survey (excerpts from: Music in Ancient Is¬
rael/Palestine [^Series The Bible in Its World, gen.
D.
ids, MichVCambridge, U. K.,
B. Biblical Terminology of Music Instruments (excerpts
from: Eerdmans Dictionary of the Bible,
Freedman, Grand Rapids/Cambridge,
929)_ 42
С
ments," in: The Oxford Encyclopedia of Archaeology in
the Near East,
York/Oxford,
II. Some Remarks on the Music History of Ancient Israel/Pa¬
lestine: Written or Archaeological Evidence (from:
Archäologie: Musikarchäologie,
et al.,
III. Music in Ancient Israel/Palestine and Ethnicity (based on
papers at the ICTM
2003/
11
IV. The Lute in Ancient Israeli and Jewish Iconography (from:
Festschrift Christoph-Hellmut Mahling,
vol.
ing,
V. The Iconography of the Organ: Change in Jewish Thought
and Musical Life (from: Music in Art,
The Diaspora: East Europe
VI. The Unpublished Volumes of
Musical Folklore (from: Israel Studies in Musicology IV,
1987,125-143)._ 159
VII.
(based on paper at the 3ed Congress on Jewish Music, Lon¬
don University
VIII.
ceedings of the World Congress on Jewish Music, Jerusalem
1978,
Hebrew Literature,
IX. Jews in Soviet Music (updated version of Research Paper
No.
and East European Research Centre, and Jews in Soviet
Culture,
1984,
X. Die
(from: Die
Systeme - Nachklaenge, ed. F. Geisler, Leipzig/Dresden
1997,
XI. On the
Shostakovich's Music
A. The Double Meaning (from: The Musical Quarterly,
LXXI/1,
12
B.
Style and Meaning (from: M.H. Brown,
and Soviet Music: Essays for Boris
bor, Mich.,
C. The Present Shostakovich Discourse (based on paper at
the International Shostakovich Symposium, Glazgow,
November
XII.
den Language of Resistance in Soviet Riga (from:
geschichte zwischen Ost- lind Westeuropa: Kirchenmusik -
geistliche Musik - religiöse Musik. Ed. H. Loos/Kl.-P. Koch,
Sinzig, 2002,
XIII.
ference Collaboration and Resistance During the Holocaust,
Uppsala University, April
Israel Today
XIV. Aspekte der Musiksoziologie in
systematischen Musikwissenschaft ^Hamburger Jahrbuch
für Musikwissenshaft 9, ed. P. Petersen, Hamburg, 1986,
85-104)._ 343
XV. Towards a Study of Israeli Musical Culture: The Case of
Kiryat
Music, XVII/2,
Conclusion
XVI.
and Today (from: K.
zepte der Musikwissenscahft: Bericht über den Internation¬
alen
Saale, 1998, vol. 2., 2000,
Figures_
13 |
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| title | On Jewish music past and present |
| title_auth | On Jewish music past and present |
| title_exact_search | On Jewish music past and present |
| title_exact_search_txtP | On Jewish music past and present |
| title_full | On Jewish music past and present Joachim Braun |
| title_fullStr | On Jewish music past and present Joachim Braun |
| title_full_unstemmed | On Jewish music past and present Joachim Braun |
| title_short | On Jewish music |
| title_sort | on jewish music past and present |
| title_sub | past and present |
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