Skladateljske sledi po letu 1900: = Composer's traces from 1900
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Slovenian English |
| Veröffentlicht: |
Ljubljana
Društvo Slovenskih Skladateljev
2005.
|
| Ausgabe: | 2., pregl. in dop. izd. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Text engl. und slowen. |
| Beschreibung: | 295 S. Ill. |
| ISBN: | 9619108027 |
Internformat
MARC
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| 100 | 1 | |a Sojar Voglar, Črt |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Skladateljske sledi po letu 1900 |b = Composer's traces from 1900 |c Črt Sojar Voglar |
| 246 | 1 | 1 | |a Composer's traces from 1900 |
| 250 | |a 2., pregl. in dop. izd. | ||
| 264 | 1 | |a Ljubljana |b Društvo Slovenskih Skladateljev |c 2005. | |
| 300 | |a 295 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Text engl. und slowen. | ||
| 648 | 7 | |a Geschichte 1900-2005 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Slovenski skladatelji - 20.st - Biografski leksikoni |2 ssg | |
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| 689 | 0 | 2 | |a Geschichte 1900-2005 |A z |
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Datensatz im Suchindex
| _version_ | 1804135411911491584 |
|---|---|
| adam_text | Kazalo
Index
б
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20
22
24
26
28
30
32
34
36
38
40
42
44
46
48
50
52
54
56
58
60
62
64
66
68
70
72
74
76
78
80
82 Emil Hochreiter (1871-1938)
84 Vladimir
86
88
90
92
94
96
98
100
102
104
106
108
110
112
114
116
118
120
122
124
126
128
130
132
134
136
138
140
142
144
146
148
150
152
154
156
158
160
162
164
166
168
170
172
174
176
178
180
182
184
186
188
190
192
194
196
198
200
202
204
206
208
210
212
214
216
218
220
222
224
226
228
230
232
234
236
238
240
242 Heribert
244
246
248
250
252
254
256
258
260
262
264
266
268
270
272
274
276
278
280
282
284
286
288
290
292
294
f
Maatsbibliothek
Beseda
Editor s Word
В
no
sledi po letu
ber
je zasnovano
venskému in tujejezičnemu braku
najosnovnejše,
cije
čo
po letu
samezni skladatelji
go, tako ne
nrskih določnicah posameznikove skladatelj¬
ske ustvarjalnosti ali na ocenah le-te, temveč
na kronološkem principu nastajanja glasbenih
del.
temelj za ureditev pričujočega
li kljub svoji nevtralnosti opozoriti na pomen
skladateljev-članov Društva slovenskih sklada-
teljev.
ni« uvrščeni tuđi posamezni
vecino
stoletja,
beno zakladnico pomembnih
lj
Viktor
Pri pripravi Skladateljskih sledi si je avtor pri-
zadeval karseda natančno zbrati
biografske
nih skladateljih. Na živeče avtorje se je
s
ključnih
ki
je
seva najbolj aktualno stanje, kolikor ga je bilo
mogoče ugotoviti (redakcija je bila zaključena
v marcu
The reader is herewith presented with the
second, revised and completed edition of
Composers Traces after
ber
is conceived as a hand-book, in order to
enable Slovene and foreign music lovers to access
fundamental and at the same time representative
information about those Slovene composers, who
have made an impact on Slovene music history af¬
ter the year
composers have been included in the present book
are not determined by aesthetics, style or genre of
each composer s creativity and even less by any at¬
tempt at evaluation. Instead the author adopted
the chronological principle. In this way no precon¬
ceived »label« has been attached to the foundation
upon which rests the arrangement of data in the
present book. However, although the principle of
impartiality was adopted, it nevertheless strives to
draw the attention to the individual contribution
of each composer
ene Composers. Therefore a few composers whose
prime creative period still falls into the 19th cen¬
tury have been included into Composers Traces,
since they continued to contribute to the Slovene
musical treasury also during the 20th century
(like
While preparing Composers Traces the author
took great care in collecting and authenticating bi¬
ographical and bibliographical data on each com¬
poser. A request had been addressed to all living
composers to provide an up-to-date biography, a
list of ten most important works and a statement
about their own artistic and compositional credo.
The response was varied, some composers read¬
ily complied, others did not, and some declined or
even expressly forbade the inclusion in the book.
Skladateljske sledi nišo doživeli
mreč
Skladatelji
nem vrstnem redu (na isti način
tuđi
de na dostopnost podatkov
teriala
koncizno žanrsko, pri nekaterih osebnostih tu¬
đi slogovno
datke, izbor najpomembnejših
skladateljevi glasbi. Kjer slednja manjka, more
bralec predpostaviti, da se skladatelj ali ni do-
ločno izrazil
ali pa se je tovrstni artikulaciji
Uredniški koncept Skladateljskih sledi si priza-
deva za
nih podatkov skozi celotno izdajo. To
da si je avtor kolikor mogoče prizadeval priskr-
beti
se le-te
me, da časa nastanka posameznega glasbenega
dela
Pričujoče
jeno na precej nezavidljivo usodo: da je
posameznostih »zastarelo« že
ali tik po njem
ves
cepcijsko učinkovitost prve izdaje želim njeni
následnici prav
ár.
Therefore the present edition reflects the actual
state as it could best be established (final research
was concluded in March
Composers are listed in alphabetical order (The
same order is adopted for the index at the end of
the book). According to accessibility of data and
photographic material, composers are introduced
by a portrait and a minute score facsimile each,
and are then further presented with a concise de¬
scription of their field of work and their composing
style, biographical data, a list of principal works
and composers own words. Where the latter are
missing, the reader can presume that a particular
composer did not make a clear declaration about
his creative processes or expressly renounced this
form of communication.
The editorial concept behind Composers Traces
was to strive for maximum consistency of individ¬
ual data throughout the whole book. This means
that the author went to great pains in order to ob¬
tain the exact date of origin for each composition;
where the year of origin is not stated, the reader
can assume that it was no longer possible to ascer¬
tain when that particular work was created.
The present book is by nature and definition
doomed to a somewhat unenviable fate, since in
some of its details it will already be »antiquat¬
ed« the very moment it appears in print or at
least immediately thereafter
is continuously -renewing itself and is becoming
richer with every new work that is being written!
However judging by the excellent response of the
readership to the first edition we can confidently
predict an equally great success to the second edi¬
tion.
Jonatan
|
| adam_txt |
Kazalo
Index
б
8
10
12
14
16
18
20
22
24
26
28
30
32
34
36
38
40
42
44
46
48
50
52
54
56
58
60
62
64
66
68
70
72
74
76
78
80
82 Emil Hochreiter (1871-1938)
84 Vladimir
86
88
90
92
94
96
98
100
102
104
106
108
110
112
114
116
118
120
122
124
126
128
130
132
134
136
138
140
142
144
146
148
150
152
154
156
158
160
162
164
166
168
170
172
174
176
178
180
182
184
186
188
190
192
194
196
198
200
202
204
206
208
210
212
214
216
218
220
222
224
226
228
230
232
234
236
238
240
242 Heribert
244
246
248
250
252
254
256
258
260
262
264
266
268
270
272
274
276
278
280
282
284
286
288
290
292
294
f
Maatsbibliothek
Beseda
Editor's Word
В
no
sledi po letu
ber
je zasnovano
venskému in tujejezičnemu braku
najosnovnejše,
cije
čo
po letu
samezni skladatelji
go, tako ne
nrskih določnicah posameznikove skladatelj¬
ske ustvarjalnosti ali na ocenah le-te, temveč
na kronološkem principu nastajanja glasbenih
del.
temelj za ureditev pričujočega
li kljub svoji nevtralnosti opozoriti na pomen
skladateljev-članov Društva slovenskih sklada-
teljev.
ni« uvrščeni tuđi posamezni
vecino
stoletja,
beno zakladnico pomembnih
lj
Viktor
Pri pripravi Skladateljskih sledi si je avtor pri-
zadeval karseda natančno zbrati
biografske
nih skladateljih. Na živeče avtorje se je
s
ključnih
ki
je
seva najbolj aktualno stanje, kolikor ga je bilo
mogoče ugotoviti (redakcija je bila zaključena
v marcu
The reader is herewith presented with the
second, revised and completed edition of
Composers' Traces after
ber
is conceived as a hand-book, in order to
enable Slovene and foreign music lovers to access
fundamental and at the same time representative
information about those Slovene composers, who
have made an impact on Slovene music history af¬
ter the year
composers have been included in the present book
are not determined by aesthetics, style or genre of
each composer's creativity and even less by any at¬
tempt at evaluation. Instead the author adopted
the chronological principle. In this way no precon¬
ceived »label« has been attached to the foundation
upon which rests the arrangement of data in the
present book. However, although the principle of
impartiality was adopted, it nevertheless strives to
draw the attention to the individual contribution
of each composer
ene Composers. Therefore a few composers whose
prime creative period still falls into the 19th cen¬
tury have been included into Composers' Traces,
since they continued to contribute to the Slovene
musical treasury also during the 20th century
(like
While preparing Composers' Traces the author
took great care in collecting and authenticating bi¬
ographical and bibliographical data on each com¬
poser. A request had been addressed to all living
composers to provide an up-to-date biography, a
list of ten most important works and a statement
about their own artistic and compositional credo.
The response was varied, some composers read¬
ily complied, others did not, and some declined or
even expressly forbade the inclusion in the book.
Skladateljske sledi nišo doživeli
mreč
Skladatelji
nem vrstnem redu (na isti način
tuđi
de na dostopnost podatkov
teriala
koncizno žanrsko, pri nekaterih osebnostih tu¬
đi slogovno
datke, izbor najpomembnejših
skladateljevi glasbi. Kjer slednja manjka, more
bralec predpostaviti, da se skladatelj ali ni do-
ločno izrazil
ali pa se je tovrstni artikulaciji
Uredniški koncept Skladateljskih sledi si priza-
deva za
nih podatkov skozi celotno izdajo. To
da si je avtor kolikor mogoče prizadeval priskr-
beti
se le-te
me, da časa nastanka posameznega glasbenega
dela
Pričujoče
jeno na precej nezavidljivo usodo: da je
posameznostih »zastarelo« že
ali tik po njem
ves
cepcijsko učinkovitost prve izdaje želim njeni
následnici prav
ár.
Therefore the present edition reflects the actual
state as it could best be established (final research
was concluded in March
Composers are listed in alphabetical order (The
same order is adopted for the index at the end of
the book). According to accessibility of data and
photographic material, composers are introduced
by a portrait and a minute score facsimile each,
and are then further presented with a concise de¬
scription of their field of work and their composing
style, biographical data, a list of principal works
and composers' own words. Where the latter are
missing, the reader can presume that a particular
composer did not make a clear declaration about
his creative processes or expressly renounced this
form of communication.
The editorial concept behind Composers' Traces
was to strive for maximum consistency of individ¬
ual data throughout the whole book. This means
that the author went to great pains in order to ob¬
tain the exact date of origin for each composition;
where the year of origin is not stated, the reader
can assume that it was no longer possible to ascer¬
tain when that particular work was created.
The present book is by nature and definition
doomed to a somewhat unenviable fate, since in
some of its details it will already be »antiquat¬
ed« the very moment it appears in print or at
least immediately thereafter
is continuously -renewing itself and is becoming
richer with every new work that is being written!
However judging by the excellent response of the
readership to the first edition we can confidently
predict an equally great success to the second edi¬
tion.
Jonatan |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Sojar Voglar, Črt |
| author_facet | Sojar Voglar, Črt |
| author_role | aut |
| author_sort | Sojar Voglar, Črt |
| author_variant | v č s vč včs |
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| bvnumber | BV021620301 |
| classification_rvk | LP 19900 LQ 87800 |
| ctrlnum | (OCoLC)447797862 (DE-599)BVBBV021620301 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 2., pregl. in dop. izd. |
| era | Geschichte 1900-2005 gnd |
| era_facet | Geschichte 1900-2005 |
| format | Book |
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| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| geographic | Slowenien (DE-588)4055302-4 gnd |
| geographic_facet | Slowenien |
| id | DE-604.BV021620301 |
| illustrated | Illustrated |
| index_date | 2024-07-02T14:53:29Z |
| indexdate | 2024-07-09T20:40:05Z |
| institution | BVB |
| isbn | 9619108027 |
| language | Slovenian English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014835377 |
| oclc_num | 447797862 |
| open_access_boolean | |
| owner | DE-12 DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-355 DE-BY-UBR |
| physical | 295 S. Ill. |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Društvo Slovenskih Skladateljev |
| record_format | marc |
| spelling | Sojar Voglar, Črt Verfasser aut Skladateljske sledi po letu 1900 = Composer's traces from 1900 Črt Sojar Voglar Composer's traces from 1900 2., pregl. in dop. izd. Ljubljana Društvo Slovenskih Skladateljev 2005. 295 S. Ill. txt rdacontent n rdamedia nc rdacarrier Text engl. und slowen. Geschichte 1900-2005 gnd rswk-swf Slovenski skladatelji - 20.st - Biografski leksikoni ssg Komponist (DE-588)4032009-1 gnd rswk-swf Slowenien (DE-588)4055302-4 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Slowenien (DE-588)4055302-4 g Komponist (DE-588)4032009-1 s Geschichte 1900-2005 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014835377&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014835377&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Sojar Voglar, Črt Skladateljske sledi po letu 1900 = Composer's traces from 1900 Slovenski skladatelji - 20.st - Biografski leksikoni ssg Komponist (DE-588)4032009-1 gnd |
| subject_GND | (DE-588)4032009-1 (DE-588)4055302-4 (DE-588)4006804-3 |
| title | Skladateljske sledi po letu 1900 = Composer's traces from 1900 |
| title_alt | Composer's traces from 1900 |
| title_auth | Skladateljske sledi po letu 1900 = Composer's traces from 1900 |
| title_exact_search | Skladateljske sledi po letu 1900 = Composer's traces from 1900 |
| title_exact_search_txtP | Skladateljske sledi po letu 1900 = Composer's traces from 1900 |
| title_full | Skladateljske sledi po letu 1900 = Composer's traces from 1900 Črt Sojar Voglar |
| title_fullStr | Skladateljske sledi po letu 1900 = Composer's traces from 1900 Črt Sojar Voglar |
| title_full_unstemmed | Skladateljske sledi po letu 1900 = Composer's traces from 1900 Črt Sojar Voglar |
| title_short | Skladateljske sledi po letu 1900 |
| title_sort | skladateljske sledi po letu 1900 composer s traces from 1900 |
| title_sub | = Composer's traces from 1900 |
| topic | Slovenski skladatelji - 20.st - Biografski leksikoni ssg Komponist (DE-588)4032009-1 gnd |
| topic_facet | Slovenski skladatelji - 20.st - Biografski leksikoni Komponist Slowenien Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014835377&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014835377&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT sojarvoglarcrt skladateljskesledipoletu1900composerstracesfrom1900 AT sojarvoglarcrt composerstracesfrom1900 |