Screening Shakespeare in the twenty-first century:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | IV, 218 S. |
| ISBN: | 0748623515 0748623507 9780748623501 9780748623518 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
v
Introduction
1
Mark Thornton Burnett and
Ramona
Wray
1
If I m right : Michael Wood s In Search of Shakespeare
13
Richard Dutton
2
I see my father in my mind s eye : Surveillance and the
Filmic Hamlet
31
Mark Thornton Burnett
3
Backstage Pass(ing): Stage Beauty, Othello and the Make-up
of Race
53
Richard
Burt
4
The Postnostalgic Renaissance: The Place of Liverpool in
Don Boyd s My Kingdom
72
Courtney
Lehmann
5
Our
Shakespeares:
British Television and the Strains of
Multiculturalism
90
Susanne Greenhalgh
and Robert Shaughnessy
6
Looking for Shylock: Stephen Greenblatt, Michael Radford
and
Al Parino
113
Samuel Crow!
7
Speaking Maori Shakespeare: The Maori Merchant of Venice
and the Legacy of Colonisation
127
Catherine Silverstone
¡v
Contents
8
Into a thousand parts divide one man : Dehumanised
Metafiction and Fragmented Documentary in Peter Babakitis
Henry V
146
Sarah Hatchuel
9
Screening the McShakespeare in Post-Millennial
Shakespeare Cinema
163
Carolyn Jess-Cooke
10
Shakespeare and the Singletons, or, Beatrice Meets
Bridget Jones: Post-Feminism, Popular Culture and
Shakespea(Re)-Told
185
Ramona
Wray
Notes on Contributors
206
Index
211
This bold new collection offers an innovative discussion of Shakespeare on
screen after the millennium. Cutting-edge, and fully up-to-date, it surveys
the rich field of Bardic film representations, from Michael Almereyda s Hamlet to
the BBC Shakespea(Re)-Told season, from Michael Radford s The Merchant of
Venice to Peter Babakitis Henry V. In addition to offering in-depth analyses of all the
major productions, Screening Shakespeare in the Twenty-First Century includes
reflections upon the less well-known filmic
Shakespeares ,
which encompass
cinema advertisements, appropriations, post-colonial reinventions and mass media
citations, and which move across and between genres and mediums.
Arguing that Shakespeare is a magnet for negotiations about style, value and
literary authority, the essays contend that screen reinterpretations of England s most
famous dramatist simultaneously address concerns centred upon nationality and
ethnicity, gender and romance, and McDonaldisation and the political process,
thereby constituting an important intervention in the debates of the new century. As
a result, through consideration of such offerings as the Derry Film Initiative Hamlet,
the New Zealand The Maori Merchant of Venice and the television documentary In
Search of Shakespeare, this collection is able to assess as never before the continuing
relevance of Shakespeare in his local and global screen incarnations.
Mark Thornton Burnett is Professor of Renaissance Studies at Queen s University,
Belfast.
Ramona Wray
is Lecturer in English at Queen s University, Belfast.
|
| adam_txt |
Contents
Acknowledgements
v
Introduction
1
Mark Thornton Burnett and
Ramona
Wray
1
'If I'm right': Michael Wood's In Search of Shakespeare
13
Richard Dutton
2
'I see my father' in 'my mind's eye': Surveillance and the
Filmic Hamlet
31
Mark Thornton Burnett
3
Backstage Pass(ing): Stage Beauty, Othello and the Make-up
of Race
53
Richard
Burt
4
The Postnostalgic Renaissance: The 'Place' of Liverpool in
Don Boyd's My Kingdom
72
Courtney
Lehmann
5
Our
Shakespeares:
British Television and the Strains of
Multiculturalism
90
Susanne Greenhalgh
and Robert Shaughnessy
6
Looking for Shylock: Stephen Greenblatt, Michael Radford
and
Al Parino
113
Samuel Crow!
7
Speaking Maori Shakespeare: The Maori Merchant of Venice
and the Legacy of Colonisation
127
Catherine Silverstone
¡v
Contents
8
'Into a thousand parts divide one man': Dehumanised
Metafiction and Fragmented Documentary in Peter Babakitis'
Henry V
146
Sarah Hatchuel
9
Screening the McShakespeare in Post-Millennial
Shakespeare Cinema
163
Carolyn Jess-Cooke
10
Shakespeare and the Singletons, or, Beatrice Meets
Bridget Jones: Post-Feminism, Popular Culture and
'Shakespea(Re)-Told'
185
Ramona
Wray
Notes on Contributors
206
Index
211
This bold new collection offers an innovative discussion of Shakespeare on
screen after the millennium. Cutting-edge, and fully up-to-date, it surveys
the rich field of Bardic film representations, from Michael Almereyda's Hamlet to
the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of
Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the
major productions, Screening Shakespeare in the Twenty-First Century includes
reflections upon the less well-known filmic
'Shakespeares',
which encompass
cinema advertisements, appropriations, post-colonial reinventions and mass media
citations, and which move across and between genres and mediums.
Arguing that Shakespeare is a magnet for negotiations about style, value and
literary authority, the essays contend that screen reinterpretations of England's most
famous dramatist simultaneously address concerns centred upon nationality and
ethnicity, gender and romance, and 'McDonaldisation' and the political process,
thereby constituting an important intervention in the debates of the new century. As
a result, through consideration of such offerings as the Derry Film Initiative Hamlet,
the New Zealand The Maori Merchant of Venice and the television documentary In
Search of Shakespeare, this collection is able to assess as never before the continuing
relevance of Shakespeare in his local and global screen incarnations.
Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University,
Belfast.
Ramona Wray
is Lecturer in English at Queen's University, Belfast. |
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| spellingShingle | Screening Shakespeare in the twenty-first century Shakespeare, William <1564-1616> Film adaptations Congresses Shakespeare, William 1564-1616 (DE-588)118613723 gnd English drama Film adaptations Congresses Film adaptations History and criticism Congresses Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4017102-4 (DE-588)4143413-4 (DE-588)1071861417 |
| title | Screening Shakespeare in the twenty-first century |
| title_auth | Screening Shakespeare in the twenty-first century |
| title_exact_search | Screening Shakespeare in the twenty-first century |
| title_exact_search_txtP | Screening Shakespeare in the twenty-first century |
| title_full | Screening Shakespeare in the twenty-first century ed. by Mark Thornton Burnett ... |
| title_fullStr | Screening Shakespeare in the twenty-first century ed. by Mark Thornton Burnett ... |
| title_full_unstemmed | Screening Shakespeare in the twenty-first century ed. by Mark Thornton Burnett ... |
| title_short | Screening Shakespeare in the twenty-first century |
| title_sort | screening shakespeare in the twenty first century |
| topic | Shakespeare, William <1564-1616> Film adaptations Congresses Shakespeare, William 1564-1616 (DE-588)118613723 gnd English drama Film adaptations Congresses Film adaptations History and criticism Congresses Film (DE-588)4017102-4 gnd |
| topic_facet | Shakespeare, William <1564-1616> Film adaptations Congresses Shakespeare, William 1564-1616 English drama Film adaptations Congresses Film adaptations History and criticism Congresses Film Aufsatzsammlung Konferenzschrift |
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