Alanis Obomsawin: the vision of a native filmmaker
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lincoln [u.a.]
Univ. of Nebraska Press
[2006]
|
| Schriftenreihe: | American Indian lives
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references (p. [241]-254) and index |
| Beschreibung: | xxvi, 260 S. Ill. |
| ISBN: | 0803229631 0803280459 9780803280458 9780803229631 |
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Datensatz im Suchindex
| _version_ | 1804135399485865984 |
|---|---|
| adam_text | CONTENTS List of Illustrations Preface 1. Abenaki Beginnings viii xi і 2. Early Films 36 3. A Gendered Gaze? 70 4. Documentary on the Middle Ground 88 5. Why Documentary? 122 6. Cinema of Sovereignty 156 Conclusion 195 Appendix A: Filmography 207 Appendix B: Native Documentaries 215 Notes 219 Bibliography 241 Index 255
A M Hli IC A N INDIAN L I V H S n more than twenty powerful films, the Abenaki filmmaker Alanis Obomsawin has waged a brilliant battle against the ignorance and stereotypes that Native Americans have long endured in cinema and television. In this book, the first devoted to any Native filmmaker, Obomsawin receives her due as the central figure in the development of indigenous media in North America. I Incorporating history, politics, and film theory into a compelling narrative, Randolph Lewis explores the life and work of a multifaceted woman whose career was flourishing long before Native films such as Smoke Signals reached the screen. He traces Obomsawin’s path from an impoverished Abenaki reserve in the 1930s to bohemian Montreal in the 1960s, where she first found fame as a traditional storyteller and singer. Lewis follows her career as a celebrated documentary filmmaker, citing her courage in covering, at great personal risk, the 1991 Oka Crisis between Mohawk warriors and Canadian soldiers. We see how, since the late 1960s, Obomsawin has transformed documentary film, reshaping it for the first time into a crucial forum for sharing indigenous perspectives. Through a careful examination of her work, Lewis proposes a new vision for indigenous media around the globe: a “cinema of sovereignty” based on what Obomsawin has accomplished. Randolph Lewis is a professor of American Studies at the University of Texas at Austin. He is the author of Emile de Antonio: Radieal Filmmaker in Cold War America and the co-editor of Reflections on James Joyce: The Paris Journals of Stuart
Gilbert.
|
| adam_txt |
CONTENTS List of Illustrations Preface 1. Abenaki Beginnings viii xi і 2. Early Films 36 3. A Gendered Gaze? 70 4. Documentary on the Middle Ground 88 5. Why Documentary? 122 6. Cinema of Sovereignty 156 Conclusion 195 Appendix A: Filmography 207 Appendix B: Native Documentaries 215 Notes 219 Bibliography 241 Index 255
A M Hli IC A N INDIAN L I V H S n more than twenty powerful films, the Abenaki filmmaker Alanis Obomsawin has waged a brilliant battle against the ignorance and stereotypes that Native Americans have long endured in cinema and television. In this book, the first devoted to any Native filmmaker, Obomsawin receives her due as the central figure in the development of indigenous media in North America. I Incorporating history, politics, and film theory into a compelling narrative, Randolph Lewis explores the life and work of a multifaceted woman whose career was flourishing long before Native films such as Smoke Signals reached the screen. He traces Obomsawin’s path from an impoverished Abenaki reserve in the 1930s to bohemian Montreal in the 1960s, where she first found fame as a traditional storyteller and singer. Lewis follows her career as a celebrated documentary filmmaker, citing her courage in covering, at great personal risk, the 1991 Oka Crisis between Mohawk warriors and Canadian soldiers. We see how, since the late 1960s, Obomsawin has transformed documentary film, reshaping it for the first time into a crucial forum for sharing indigenous perspectives. Through a careful examination of her work, Lewis proposes a new vision for indigenous media around the globe: a “cinema of sovereignty” based on what Obomsawin has accomplished. Randolph Lewis is a professor of American Studies at the University of Texas at Austin. He is the author of Emile de Antonio: Radieal Filmmaker in Cold War America and the co-editor of Reflections on James Joyce: The Paris Journals of Stuart
Gilbert. |
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| discipline | Allgemeines Anglistik / Amerikanistik |
| discipline_str_mv | Allgemeines Anglistik / Amerikanistik |
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| spelling | Lewis, Randolph 1966- Verfasser (DE-588)173694152 aut Alanis Obomsawin the vision of a native filmmaker Randolph Lewis Lincoln [u.a.] Univ. of Nebraska Press [2006] xxvi, 260 S. Ill. txt rdacontent n rdamedia nc rdacarrier American Indian lives Includes bibliographical references (p. [241]-254) and index Obomsawin, Alanis - Critique et interprétation Obomsawin, Alanis Criticism and interpretation Obomsawin, Alanis 1932- (DE-588)131997580 gnd rswk-swf Indiens d'Amérique au cinéma Producteurs et réalisateurs de cinéma - Canada Vidéos documentaires - Canada Film (DE-588)4017102-4 gnd rswk-swf Kanada (DE-588)4029456-0 gnd rswk-swf Obomsawin, Alanis 1932- (DE-588)131997580 p Kanada (DE-588)4029456-0 g Film (DE-588)4017102-4 s DE-604 http://www.loc.gov/catdir/toc/ecip0519/2005026933.html Table of contents Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014827839&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014827839&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Lewis, Randolph 1966- Alanis Obomsawin the vision of a native filmmaker Obomsawin, Alanis - Critique et interprétation Obomsawin, Alanis Criticism and interpretation Obomsawin, Alanis 1932- (DE-588)131997580 gnd Indiens d'Amérique au cinéma Producteurs et réalisateurs de cinéma - Canada Vidéos documentaires - Canada Film (DE-588)4017102-4 gnd |
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| title | Alanis Obomsawin the vision of a native filmmaker |
| title_auth | Alanis Obomsawin the vision of a native filmmaker |
| title_exact_search | Alanis Obomsawin the vision of a native filmmaker |
| title_exact_search_txtP | Alanis Obomsawin the vision of a native filmmaker |
| title_full | Alanis Obomsawin the vision of a native filmmaker Randolph Lewis |
| title_fullStr | Alanis Obomsawin the vision of a native filmmaker Randolph Lewis |
| title_full_unstemmed | Alanis Obomsawin the vision of a native filmmaker Randolph Lewis |
| title_short | Alanis Obomsawin |
| title_sort | alanis obomsawin the vision of a native filmmaker |
| title_sub | the vision of a native filmmaker |
| topic | Obomsawin, Alanis - Critique et interprétation Obomsawin, Alanis Criticism and interpretation Obomsawin, Alanis 1932- (DE-588)131997580 gnd Indiens d'Amérique au cinéma Producteurs et réalisateurs de cinéma - Canada Vidéos documentaires - Canada Film (DE-588)4017102-4 gnd |
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