Digital heritage: applying digital imaging to cultural heritage
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Oxford
Butterworth-Heinemann [u.a.]
2006
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | XXII, 583 S. graph. Darst., Kt. |
| ISBN: | 0750661836 9780750661836 |
Internformat
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| 245 | 1 | 0 | |a Digital heritage |b applying digital imaging to cultural heritage |c ed. by Lindsay MacDonald |
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| 650 | 4 | |a Archival materials |x Conservation and restoration | |
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Datensatz im Suchindex
| _version_ | 1804135394742108160 |
|---|---|
| adam_text | CONTENTS PREFACE FOREWORD LIST OF CONTRIBUTORS PART 1 USER REQUIREMENTS
CHAPTER 1 DIGITISING DOCUMENTS FOR PUBLIC ACCESS NEIL SMITH (BRITISH
LIBRARY, LONDON) 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 THE BRITISH LIBRARY THE
LIBRARY S DIGITISATION PROGRAMME STANDARDS AND GUIDELINES DIGITISATION
METHODS CASE STUDY - COLLECT BRITAIN THE USERS REFERENCES FURTHER
READING CHAPTER 2 DIGITISING RARE BOOKS AND MANUSCRIPTS CZESLAW JAN
GRYCZ (OCTAVO, OAKLAND, USA) 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 2.10
2.11 2.12 2.13 2.14 2.15 INTRODUCTION SURROGATES CHALLENGES PASSIONATE
COMMITMENT FAITHFULNESS COMPLETENESS AUTHENTICITY ARCHIVAL FILE
REPOSITORIES AND DERIVATIVES EXPERIMENTATION IDENTIFICATION CONSUMER
DEMANDS STRATEGIES THE FUTURE CONCLUSION REFERENCES XIII XV XIX 7 3 3 7
10 13 15 24 31 31 33 33 34 35 39 41 46 47 48 50 54 54 55 64 66 66 VIII
CONTENTS CHAPTER 3 DIGITISATION PROGRAMMES IN THE V&A JAMES STEVENSON
(V&A MUSEUM, LONDON) 3.1 INTRODUCTION 3.2 PHOTOGRAPHY OF THE V&A
COLLECTION 3.3 FIRST STEPS TOWARDS DIGITISATION 3.4 IMAGE IDENTIFICATION
3.5 GETTING STARTED WITH DIGITISATION 3.6 IMAGE MANAGEMENT 3.7 IMAGING
APPLICATIONS 3.8 FUTURE PLANS 3.9 REFERENCES CHAPTER 4 DIGITAL ACCESS TO
A PHOTOGRAPHIC COLLECTION ANDREA DE POLO AND SAM MINELLI (ALINARI,
FIRENZE, ITALY) 4.1 INTRODUCTION 4.2 THE ALINARI PHOTO ARCHIVE 4.3
ARCHITECTURE OF THE DATABASE SYSTEM 4.4 CATALOGUING: POPULATING THE
DATABASE 4.5 SEARCH ENGINE MODES 4.6 SOFTWARE SYSTEM 4.7 XL-IMAGE
SOFTWARE 4.8 IMAGE COMPRESSION 4.9 CONCLUSIONS 4.10 REFERENCES 4.11 WEB
REFERENCES CHAPTER 5 DIGITISATION IN THE COMMERCIAL ART WORLD ANTHONY
HAMBER (INDEPENDENT CONSULTANT, LONDON) 5.1 INTRODUCTION 5.2
STAKEHOLDERS AND USER REQUIREMENTS 5.3 PROCESS FLOW 5.4 DIGITAL CAMERA
SELECTION 5.5 MODIFYING EXISTING WORKFLOWS 5.6 COLOUR IMAGE PROCESSING
5.7 WORKFLOW FROM PHOTOGRAPHY TO PRINT 5.8 DEVELOPMENTS OVER THE PAST
DECADE 5.9 CONCLUSION 5.10 REFERENCES CHAPTER 6 USER REQUIREMENTS FOR
METRIC SURVEY PAUL BRYAN (ENGLISH HERITAGE, YORK) 6.1 INTRODUCTION 6.2
NON-IMAGE-BASED SURVEY TECHNIQUES 6.3 IMAGE-BASED SURVEY TECHNIQUES 6.4
3D LASER SCANNING 69 69 70 71 73 75 82 87 90 92 93 93 96 98 102 106 107
109 111 113 114 114 115 115 117 120 123 130 132 139 140 145 146 149 149
150 153 163 CONTENTS IX 39 59 70 71 73 75 32 37 90 32 33 96 98 32 36 37
39 11 13 14 14 15 15 17 20 23 30 32 39 40 45 46 49 49 50 53 63 8.5
COMPARISON OF TECHNIQUES 6.6 SUMMARY 6.7 ACKNOWLEDGEMENTS 6.8 REFERENCES
6.9 WEB LINKS 6.10 GLOSSARY PART 2 TECHNOLOGY CHAPTER 7 PRINCIPLES AMD
EVOLUTION OF DIGITAL CAMERAS PETER RUDOLF (JENOPTIK, JENA, GERMANY) 7.1
INTRODUCTION 7.2 COMPONENTS OF A DIGITAL CAMERA 7.3 HISTORY OF DIGITAL
CAMERAS 7.4 FILM CAMERA VERSUS DIGITAL CAMERA 7.5 IMAGE PROCESSING 7.6
CONCLUSION 7.7 REFERENCES CHAPTER 8 HIGH RESOLUTION IMAGING IN THE NEAR
INFRARED DUILIO BERTANI AND LUCA CONSOLANDI (INO, FIRENZE, ITALY) 8.1
INTRODUCTION 8.2 INFRARED REFLECTOGRAPHY OF ANCIENT PAINTINGS 8.3
DEVELOPMENTS WITH CCD TECHNOLOGY 8.4 INFRARED EXAMINATION OF PAPYRI 8.5
CONCLUSION 8.6 ACKNOWLEDGEMENTS 8.7 REFERENCES CHAPTER 9 IMAGE RESIZING
- THE LIMITS OF IMAGE PROCESSING ALFREDO GIANI (UNIVERSITY OF PADOVA,
ITALY) 9.1 INTRODUCTION 9.2 THE CONTINUOUS IMAGE MODEL 9.3 THE DISCRETE
COSINE TRANSFORM 9.4 IMAGE SPECTRA AND ALIASING 9.5 IMAGE RESIZING 9.6
THE FOURIER TRANSFORM OF THE CONTINUOUS IMAGE 9.7 CONCLUSION 9.8
BIBLIOGRAPHY CHAPTER 10 IMAGE DATABASES AND ACCESS MIKE STAPLETON
(SYSTEM SIMULATION LIMITED, LONDON) 10.1 IMAGE DATABASES 10.2 HOW IMAGES
ARE STORED AND RETRIEVED 10.3 SEARCHING 10.4 DELIVERY OF IMAGES 168 171
171 172 172 173 775 177 177 178 184 189 200 208 209 211 211 212 219 229
236 238 238 239 239 240 243 246 249 253 256 257 259 259 263 267 269 X
CONTENTS 10.5 METADATA STANDARDS 10.6 AN IMAGE DATABASE IN PRACTICE 10.7
IMAGE DATABASE ARCHITECTURE 10.8 THE IMAGE DATABASE API 10.9 REFERENCES
CHAPTER 11 COLOUR MANAGEMENT IN HERITAGE PHOTOGRAPHY PHIL GREEN (LONDON
COLLEGE OF COMMUNICATION) 11.1 INTRODUCTION 11.2 COLORIMETRY AND COLOUR
VISION 11.3 COLOUR APPEARANCE 11.4 COLOUR MEASUREMENT 11.5 GOALS OF
COLOUR ENCODING AND REPRODUCTION 11.6 PROPERTIES OF COLOURED MEDIA 11.7
CHARACTERISATION 11.8 COLOUR MANAGEMENT USING ICC PROFILES 11.9 USING
PROFILES IN A COLOUR REPRODUCTION WORKFLOW 11.10 COLOUR MANAGEMENT
ISSUES FOR HERITAGE PHOTOGRAPHY 11.11 CONCLUSIONS 11.12 REFERENCES
CHAPTER 12 IMAGE COMPRESSION AND JPEG2000 THOMAS ZELLMAN (ALGOVISION
LURATECH, BERLIN, GERMANY) 12.1 INTRODUCTION 12.2 IMAGE COMPRESSION
STEPS 12.3 ADVANTAGES OF JPEG2000 12.4 DOCUMENT COMPRESSION 12.5 MARKET
ACCEPTANCE AND PRODUCTS 12.6 APPLICATION AT ALINARI PHOTOGRAPHIC ARCHIVE
12.7 APPLICATION AT THE GERMAN RESISTANCE MEMORIAL CENTRE 12.8
REFERENCES CHAPTER 13 ASSESSING IMAGE QUALITY LINDSAY MACDONALD (LONDON
COLLEGE OF COMMUNICATION) AND RALPH JACOBSON (UNIVERSITY OF WESTMINSTER,
LONDON) 13.1 INTRODUCTION 13.2 QUALITY IN IMAGE REPRODUCTION 13.3 IMAGE
QUALITY ASSESSMENT 13.4 DIMENSIONS OF IMAGE QUALITY 13.5 IMAGE QUALITY
METRICS 13.6 REFERENCES 13.7 BIBLIOGRAPHY 272 275 280 285 290 293 293
294 296 300 304 306 310 314 317 321 323 324 327 327 328 331 334 336 338
344 350 351 351 352 357 362 366 372 373 CONTENTS XI PART 3 APPLICATIONS
375 CHAPTER 14 IMAGING HISTORICAL ARCHITECTURAL SITES FOR CONSERVATION
377 NICK BECKETT (ENGLISH HERITAGE), BARBARA SCHICK (BLFD) AND KEITH
FINDLATER (COLOUR & IMAGING INSTITUTE, DERBY) 14.1 INTRODUCTION 377 14.2
PHOTOGRAPHIC TECHNIQUES 377 14.3 OBJECT CHARACTERISTICS 380 14.4
PHOTOGRAPHIC EQUIPMENT 381 14.5 SETTING THE SCENE 388 14.6 THE VITRA
PROJECT 394 14.7 SITE TESTING 401 14.8 SUMMARY 409 14.9 ACKNOWLEDGEMENTS
409 14.10 REFERENCES 409 14.11 GRAPHICS 410 14.12 REGISTERED TRADEMARKS
410 CHAPTER 15 IMAGING OF STAINED GLASS WINDOWS 41 1 LINDSAY MACDONALD
(LONDON COLLEGE OF COMMUNICATION), KEITH FINDLATER, RICHARD TAO SONG,
ALFREDO GIANI AND SHANMUGALINGAM SUGANTHAN (COLOUR & IMAGING INSTITUTE,
DERBY) 15.1 INTRODUCTION 411 15.2 SURVEY OF STAINED GLASS STUDIOS 412
15.3 PHOTOGRAPHY OF STAINED GLASS 414 15.4 CAMERA CHARACTERISATION 416
15.5 REMOVING SHADOWS FROM IMAGES OF STAINED GLASS 420 15.6 IMAGE
SEGMENTATION 431 15.7 FEATURE EXTRACTION 436 15.8 IMAGE MOSAICING 437
15.9 CONCLUSIONS 441 15.10 REFERENCES 443 CHAPTER 16 MAKING ONLINE
MONUMENTS MORE ACCESSIBLE THROUGH 445 INTERFACE DESIGN CRISTIANO BIANCHI
(UNIVERSITY COLLEGE LONDON) 16.1 INTRODUCTION TO INTERFACE DESIGN 445
16.2 DIGITAL CULTURAL HERITAGE 448 16.3 AUDIENCES 450 16.4 THE
EXPERIENCE OF DIGITAL CULTURAL HERITAGE 452 16.5 ACCESS TO DIGITAL
CULTURAL HERITAGE 455 16.6 TECHNOLOGY 457 16.7 REVIEW OF EUROPEAN FUNDED
PROJECTS IN THE FIELD OF 461 DIGITAL HERITAGE 16.8 CONCLUSIONS 464 16.9
REFERENCES 465 XII CONTENTS CHAPTER 17 VISUALISATION OF PANORAMIC IMAGES
OVER THE INTERNET 467 FRANCESCO AM, PIETRO ZANUTTIGH AND GUIDO M.
CORTELAZZO (UNIVERSITY OF PADOVA, ITALY) 17.1 INTRODUCTION 467 17.2 THE
GEOMETRY OF PANORAMIC IMAGES 470 17.3 RENDERING PANORAMIC IMAGES AS 3D
OBJECTS 472 17.4 PROGRESSIVE COMPRESSION OF ZOOMABLE PANORAMIC IMAGES
479 17.5 CONCLUSIONS 484 17.6 ACKNOWLEDGEMENTS 486 17.7 BIBLIOGRAPHY 486
CHAPTER 18 3D VIRTUAL RESTORATION OF POLYCHROME SCULPTURE 489 ANGELA
GEARY (CAMBERWELL COLLEGE OF ART, LONDON) 18.1 INTRODUCTION 489 18.2 3D
DIGITISATION 490 18.3 CREATING THE 3D MODEL 497 18.4 SIMULATING SURFACES
IN 3D 502 18.5 VISUALISING POLYCHROME SCULPTURE 508 18.6 ST. CHRISTOPHER
510 18.7 THE DORMITION 516 18.8 REFERENCES 518 CHAPTER 19 DIGITAL
IMAGING FOR EASEL PAINTINGS 521 DAVID SAUNDERS, JOHN CUPITT AND JOSEPH
PADFIELD (NATIONAL GALLERY, LONDON) 19.1 INTRODUCTION 521 19.2 IMAGING
FOR TECHNICAL EXAMINATION 521 19.3 IMAGING FOR PUBLICATION AND
CONSERVATION DOCUMENTATION 538 19.4 ACKNOWLEDGEMENTS 545 19.5 REFERENCES
545 CHAPTER 20 RESEARCH POLICY AND DIRECTIONS 549 TOM EVANS (WAVECREST
SYSTEMS, LONDON) 20.1 INTRODUCTION 549 20.2 BACKGROUND TO RESEARCH
POLICY FOR DIGITAL CULTURE AND HERITAGE 550 20.3 CASE STUDY: THE
INTRODUCTION OF DIGITAL IMAGING AND MULTIMEDIA TO A MUSEUM 555 20.4
ATTITUDES AND USES: IMPLICATIONS FOR RESEARCH 563 20.5 THE FUTURE OF
DIGITAL HERITAGE RESEARCH: THE STATE-OF-THE-ART AND SCENARIO BUILDING
567 20.6 PICTURE CREDITS 572 20.7 REFERENCES 573 INDEX 575
|
| adam_txt |
CONTENTS PREFACE FOREWORD LIST OF CONTRIBUTORS PART 1 USER REQUIREMENTS
CHAPTER 1 DIGITISING DOCUMENTS FOR PUBLIC ACCESS NEIL SMITH (BRITISH
LIBRARY, LONDON) 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 THE BRITISH LIBRARY THE
LIBRARY'S DIGITISATION PROGRAMME STANDARDS AND GUIDELINES DIGITISATION
METHODS CASE STUDY - COLLECT BRITAIN THE USERS REFERENCES FURTHER
READING CHAPTER 2 DIGITISING RARE BOOKS AND MANUSCRIPTS CZESLAW JAN
GRYCZ (OCTAVO, OAKLAND, USA) 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 2.10
2.11 2.12 2.13 2.14 2.15 INTRODUCTION SURROGATES CHALLENGES PASSIONATE
COMMITMENT FAITHFULNESS COMPLETENESS AUTHENTICITY ARCHIVAL FILE
REPOSITORIES AND DERIVATIVES EXPERIMENTATION IDENTIFICATION 'CONSUMER'
DEMANDS STRATEGIES THE FUTURE CONCLUSION REFERENCES XIII XV XIX 7 3 3 7
10 13 15 24 31 31 33 33 34 35 39 41 46 47 48 50 54 54 55 64 66 66 VIII
CONTENTS CHAPTER 3 DIGITISATION PROGRAMMES IN THE V&A JAMES STEVENSON
(V&A MUSEUM, LONDON) 3.1 INTRODUCTION 3.2 PHOTOGRAPHY OF THE V&A
COLLECTION 3.3 FIRST STEPS TOWARDS DIGITISATION 3.4 IMAGE IDENTIFICATION
3.5 GETTING STARTED WITH DIGITISATION 3.6 IMAGE MANAGEMENT 3.7 IMAGING
APPLICATIONS 3.8 FUTURE PLANS 3.9 REFERENCES CHAPTER 4 DIGITAL ACCESS TO
A PHOTOGRAPHIC COLLECTION ANDREA DE POLO AND SAM MINELLI (ALINARI,
FIRENZE, ITALY) 4.1 INTRODUCTION 4.2 THE ALINARI PHOTO ARCHIVE 4.3
ARCHITECTURE OF THE DATABASE SYSTEM 4.4 CATALOGUING: POPULATING THE
DATABASE 4.5 SEARCH ENGINE MODES 4.6 SOFTWARE SYSTEM 4.7 XL-IMAGE
SOFTWARE 4.8 IMAGE COMPRESSION 4.9 CONCLUSIONS 4.10 REFERENCES 4.11 WEB
REFERENCES CHAPTER 5 DIGITISATION IN THE COMMERCIAL ART WORLD ANTHONY
HAMBER (INDEPENDENT CONSULTANT, LONDON) 5.1 INTRODUCTION 5.2
STAKEHOLDERS AND USER REQUIREMENTS 5.3 PROCESS FLOW 5.4 DIGITAL CAMERA
SELECTION 5.5 MODIFYING EXISTING WORKFLOWS 5.6 COLOUR IMAGE PROCESSING
5.7 WORKFLOW FROM PHOTOGRAPHY TO PRINT 5.8 DEVELOPMENTS OVER THE PAST
DECADE 5.9 CONCLUSION 5.10 REFERENCES CHAPTER 6 USER REQUIREMENTS FOR
METRIC SURVEY PAUL BRYAN (ENGLISH HERITAGE, YORK) 6.1 INTRODUCTION 6.2
NON-IMAGE-BASED SURVEY TECHNIQUES 6.3 IMAGE-BASED SURVEY TECHNIQUES 6.4
3D LASER SCANNING 69 69 70 71 73 75 82 87 90 92 93 93 96 98 102 106 107
109 111 113 114 114 115 115 117 120 123 130 132 139 140 145 146 149 149
150 153 163 CONTENTS IX 39 59 70 71 73 75 32 37 90 32 33 96 98 32 36 37
39 11 13 14 14 15 15 17 20 23 30 32 39 40 45 46 49 49 50 53 63 8.5
COMPARISON OF TECHNIQUES 6.6 SUMMARY 6.7 ACKNOWLEDGEMENTS 6.8 REFERENCES
6.9 WEB LINKS 6.10 GLOSSARY PART 2 TECHNOLOGY CHAPTER 7 PRINCIPLES AMD
EVOLUTION OF DIGITAL CAMERAS PETER RUDOLF (JENOPTIK, JENA, GERMANY) 7.1
INTRODUCTION 7.2 COMPONENTS OF A DIGITAL CAMERA 7.3 HISTORY OF DIGITAL
CAMERAS 7.4 FILM CAMERA VERSUS DIGITAL CAMERA 7.5 IMAGE PROCESSING 7.6
CONCLUSION 7.7 REFERENCES CHAPTER 8 HIGH RESOLUTION IMAGING IN THE NEAR
INFRARED DUILIO BERTANI AND LUCA CONSOLANDI (INO, FIRENZE, ITALY) 8.1
INTRODUCTION 8.2 INFRARED REFLECTOGRAPHY OF ANCIENT PAINTINGS 8.3
DEVELOPMENTS WITH CCD TECHNOLOGY 8.4 INFRARED EXAMINATION OF PAPYRI 8.5
CONCLUSION 8.6 ACKNOWLEDGEMENTS 8.7 REFERENCES CHAPTER 9 IMAGE RESIZING
- THE LIMITS OF IMAGE PROCESSING ALFREDO GIANI (UNIVERSITY OF PADOVA,
ITALY) 9.1 INTRODUCTION 9.2 THE CONTINUOUS IMAGE MODEL 9.3 THE DISCRETE
COSINE TRANSFORM 9.4 IMAGE SPECTRA AND ALIASING 9.5 IMAGE RESIZING 9.6
THE FOURIER TRANSFORM OF THE CONTINUOUS IMAGE 9.7 CONCLUSION 9.8
BIBLIOGRAPHY CHAPTER 10 IMAGE DATABASES AND ACCESS MIKE STAPLETON
(SYSTEM SIMULATION LIMITED, LONDON) 10.1 IMAGE DATABASES 10.2 HOW IMAGES
ARE STORED AND RETRIEVED 10.3 SEARCHING 10.4 DELIVERY OF IMAGES 168 171
171 172 172 173 775 177 177 178 184 189 200 208 209 211 211 212 219 229
236 238 238 239 239 240 243 246 249 253 256 257 259 259 263 267 269 X
CONTENTS 10.5 METADATA STANDARDS 10.6 AN IMAGE DATABASE IN PRACTICE 10.7
IMAGE DATABASE ARCHITECTURE 10.8 THE IMAGE DATABASE API 10.9 REFERENCES
CHAPTER 11 COLOUR MANAGEMENT IN HERITAGE PHOTOGRAPHY PHIL GREEN (LONDON
COLLEGE OF COMMUNICATION) 11.1 INTRODUCTION 11.2 COLORIMETRY AND COLOUR
VISION 11.3 COLOUR APPEARANCE 11.4 COLOUR MEASUREMENT 11.5 GOALS OF
COLOUR ENCODING AND REPRODUCTION 11.6 PROPERTIES OF COLOURED MEDIA 11.7
CHARACTERISATION 11.8 COLOUR MANAGEMENT USING ICC PROFILES 11.9 USING
PROFILES IN A COLOUR REPRODUCTION WORKFLOW 11.10 COLOUR MANAGEMENT
ISSUES FOR HERITAGE PHOTOGRAPHY 11.11 CONCLUSIONS 11.12 REFERENCES
CHAPTER 12 IMAGE COMPRESSION AND JPEG2000 THOMAS ZELLMAN (ALGOVISION
LURATECH, BERLIN, GERMANY) 12.1 INTRODUCTION 12.2 IMAGE COMPRESSION
STEPS 12.3 ADVANTAGES OF JPEG2000 12.4 DOCUMENT COMPRESSION 12.5 MARKET
ACCEPTANCE AND PRODUCTS 12.6 APPLICATION AT ALINARI PHOTOGRAPHIC ARCHIVE
12.7 APPLICATION AT THE GERMAN RESISTANCE MEMORIAL CENTRE 12.8
REFERENCES CHAPTER 13 ASSESSING IMAGE QUALITY LINDSAY MACDONALD (LONDON
COLLEGE OF COMMUNICATION) AND RALPH JACOBSON (UNIVERSITY OF WESTMINSTER,
LONDON) 13.1 INTRODUCTION 13.2 QUALITY IN IMAGE REPRODUCTION 13.3 IMAGE
QUALITY ASSESSMENT 13.4 DIMENSIONS OF IMAGE QUALITY 13.5 IMAGE QUALITY
METRICS 13.6 REFERENCES 13.7 BIBLIOGRAPHY 272 275 280 285 290 293 293
294 296 300 304 306 310 314 317 321 323 324 327 327 328 331 334 336 338
344 350 351 351 352 357 362 366 372 373 CONTENTS XI PART 3 APPLICATIONS
375 CHAPTER 14 IMAGING HISTORICAL ARCHITECTURAL SITES FOR CONSERVATION
377 NICK BECKETT (ENGLISH HERITAGE), BARBARA SCHICK (BLFD) AND KEITH
FINDLATER (COLOUR & IMAGING INSTITUTE, DERBY) 14.1 INTRODUCTION 377 14.2
PHOTOGRAPHIC TECHNIQUES 377 14.3 OBJECT CHARACTERISTICS 380 14.4
PHOTOGRAPHIC EQUIPMENT 381 14.5 SETTING THE SCENE 388 14.6 THE VITRA
PROJECT 394 14.7 SITE TESTING 401 14.8 SUMMARY 409 14.9 ACKNOWLEDGEMENTS
409 14.10 REFERENCES 409 14.11 GRAPHICS 410 14.12 REGISTERED TRADEMARKS
410 CHAPTER 15 IMAGING OF STAINED GLASS WINDOWS 41 1 LINDSAY MACDONALD
(LONDON COLLEGE OF COMMUNICATION), KEITH FINDLATER, RICHARD TAO SONG,
ALFREDO GIANI AND SHANMUGALINGAM SUGANTHAN (COLOUR & IMAGING INSTITUTE,
DERBY) 15.1 INTRODUCTION 411 15.2 SURVEY OF STAINED GLASS STUDIOS 412
15.3 PHOTOGRAPHY OF STAINED GLASS 414 15.4 CAMERA CHARACTERISATION 416
15.5 REMOVING SHADOWS FROM IMAGES OF STAINED GLASS 420 15.6 IMAGE
SEGMENTATION 431 15.7 FEATURE EXTRACTION 436 15.8 IMAGE MOSAICING 437
15.9 CONCLUSIONS 441 15.10 REFERENCES 443 CHAPTER 16 MAKING ONLINE
MONUMENTS MORE ACCESSIBLE THROUGH 445 INTERFACE DESIGN CRISTIANO BIANCHI
(UNIVERSITY COLLEGE LONDON) 16.1 INTRODUCTION TO INTERFACE DESIGN 445
16.2 DIGITAL CULTURAL HERITAGE 448 16.3 AUDIENCES 450 16.4 THE
EXPERIENCE OF DIGITAL CULTURAL HERITAGE 452 16.5 ACCESS TO DIGITAL
CULTURAL HERITAGE 455 16.6 TECHNOLOGY 457 16.7 REVIEW OF EUROPEAN FUNDED
PROJECTS IN THE FIELD OF 461 DIGITAL HERITAGE 16.8 CONCLUSIONS 464 16.9
REFERENCES 465 XII CONTENTS CHAPTER 17 VISUALISATION OF PANORAMIC IMAGES
OVER THE INTERNET 467 FRANCESCO AM, PIETRO ZANUTTIGH AND GUIDO M.
CORTELAZZO (UNIVERSITY OF PADOVA, ITALY) 17.1 INTRODUCTION 467 17.2 THE
GEOMETRY OF PANORAMIC IMAGES 470 17.3 RENDERING PANORAMIC IMAGES AS 3D
OBJECTS 472 17.4 PROGRESSIVE COMPRESSION OF ZOOMABLE PANORAMIC IMAGES
479 17.5 CONCLUSIONS 484 17.6 ACKNOWLEDGEMENTS 486 17.7 BIBLIOGRAPHY 486
CHAPTER 18 3D VIRTUAL RESTORATION OF POLYCHROME SCULPTURE 489 ANGELA
GEARY (CAMBERWELL COLLEGE OF ART, LONDON) 18.1 INTRODUCTION 489 18.2 3D
DIGITISATION 490 18.3 CREATING THE 3D MODEL 497 18.4 SIMULATING SURFACES
IN 3D 502 18.5 VISUALISING POLYCHROME SCULPTURE 508 18.6 ST. CHRISTOPHER
510 18.7 THE DORMITION 516 18.8 REFERENCES 518 CHAPTER 19 DIGITAL
IMAGING FOR EASEL PAINTINGS 521 DAVID SAUNDERS, JOHN CUPITT AND JOSEPH
PADFIELD (NATIONAL GALLERY, LONDON) 19.1 INTRODUCTION 521 19.2 IMAGING
FOR TECHNICAL EXAMINATION 521 19.3 IMAGING FOR PUBLICATION AND
CONSERVATION DOCUMENTATION 538 19.4 ACKNOWLEDGEMENTS 545 19.5 REFERENCES
545 CHAPTER 20 RESEARCH POLICY AND DIRECTIONS 549 TOM EVANS (WAVECREST
SYSTEMS, LONDON) 20.1 INTRODUCTION 549 20.2 BACKGROUND TO RESEARCH
POLICY FOR DIGITAL CULTURE AND HERITAGE 550 20.3 CASE STUDY: THE
INTRODUCTION OF DIGITAL IMAGING AND MULTIMEDIA TO A MUSEUM 555 20.4
ATTITUDES AND USES: IMPLICATIONS FOR RESEARCH 563 20.5 THE FUTURE OF
DIGITAL HERITAGE RESEARCH: THE STATE-OF-THE-ART AND SCENARIO BUILDING
567 20.6 PICTURE CREDITS 572 20.7 REFERENCES 573 INDEX 575 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author_GND | (DE-588)136753078 |
| building | Verbundindex |
| bvnumber | BV021609535 |
| callnumber-first | T - Technology |
| callnumber-label | TA1637 |
| callnumber-raw | TA1637 |
| callnumber-search | TA1637 |
| callnumber-sort | TA 41637 |
| callnumber-subject | TA - General and Civil Engineering |
| classification_rvk | AK 87000 LH 60370 |
| ctrlnum | (OCoLC)71344930 (DE-599)BVBBV021609535 |
| dewey-full | 025.84 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 025 - Operations of libraries and archives |
| dewey-raw | 025.84 |
| dewey-search | 025.84 |
| dewey-sort | 225.84 |
| dewey-tens | 020 - Library and information sciences |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| edition | 1. ed. |
| format | Book |
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| id | DE-604.BV021609535 |
| illustrated | Illustrated |
| index_date | 2024-07-02T14:50:06Z |
| indexdate | 2024-07-09T20:39:49Z |
| institution | BVB |
| isbn | 0750661836 9780750661836 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014824770 |
| oclc_num | 71344930 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-12 DE-523 DE-634 DE-188 DE-525 DE-739 |
| owner_facet | DE-473 DE-BY-UBG DE-12 DE-523 DE-634 DE-188 DE-525 DE-739 |
| physical | XXII, 583 S. graph. Darst., Kt. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Butterworth-Heinemann [u.a.] |
| record_format | marc |
| spelling | Digital heritage applying digital imaging to cultural heritage ed. by Lindsay MacDonald 1. ed. Oxford Butterworth-Heinemann [u.a.] 2006 XXII, 583 S. graph. Darst., Kt. txt rdacontent n rdamedia nc rdacarrier Archival materials Conservation and restoration Digital preservation Image processing Digital techniques Kunstgeschichte Fach (DE-588)4138803-3 gnd rswk-swf Kulturgut (DE-588)4139819-1 gnd rswk-swf Kulturerbe (DE-588)4033560-4 gnd rswk-swf Digitale Fotografie (DE-588)4763160-0 gnd rswk-swf Information und Dokumentation (DE-588)4026901-2 gnd rswk-swf Kunstwerk (DE-588)4123592-7 gnd rswk-swf Wissenschaftliche Fotografie (DE-588)4190098-4 gnd rswk-swf Konservierung (DE-588)4114279-2 gnd rswk-swf Kulturerbe (DE-588)4033560-4 s Konservierung (DE-588)4114279-2 s Digitale Fotografie (DE-588)4763160-0 s DE-604 Kulturgut (DE-588)4139819-1 s Kunstwerk (DE-588)4123592-7 s 1\p DE-604 Wissenschaftliche Fotografie (DE-588)4190098-4 s Kunstgeschichte Fach (DE-588)4138803-3 s 2\p DE-604 Information und Dokumentation (DE-588)4026901-2 s 3\p DE-604 MacDonald, L. W. 1950- Sonstige (DE-588)136753078 oth http://www.agi-imc.de/intelligentSEARCH.nsf/alldocs/B1D2A1E336D782D6C1257170004A5CFC/$File/0125399.PDF?OpenElement Inhaltsverzeichnis SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014824770&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Digital heritage applying digital imaging to cultural heritage Archival materials Conservation and restoration Digital preservation Image processing Digital techniques Kunstgeschichte Fach (DE-588)4138803-3 gnd Kulturgut (DE-588)4139819-1 gnd Kulturerbe (DE-588)4033560-4 gnd Digitale Fotografie (DE-588)4763160-0 gnd Information und Dokumentation (DE-588)4026901-2 gnd Kunstwerk (DE-588)4123592-7 gnd Wissenschaftliche Fotografie (DE-588)4190098-4 gnd Konservierung (DE-588)4114279-2 gnd |
| subject_GND | (DE-588)4138803-3 (DE-588)4139819-1 (DE-588)4033560-4 (DE-588)4763160-0 (DE-588)4026901-2 (DE-588)4123592-7 (DE-588)4190098-4 (DE-588)4114279-2 |
| title | Digital heritage applying digital imaging to cultural heritage |
| title_auth | Digital heritage applying digital imaging to cultural heritage |
| title_exact_search | Digital heritage applying digital imaging to cultural heritage |
| title_exact_search_txtP | Digital heritage applying digital imaging to cultural heritage |
| title_full | Digital heritage applying digital imaging to cultural heritage ed. by Lindsay MacDonald |
| title_fullStr | Digital heritage applying digital imaging to cultural heritage ed. by Lindsay MacDonald |
| title_full_unstemmed | Digital heritage applying digital imaging to cultural heritage ed. by Lindsay MacDonald |
| title_short | Digital heritage |
| title_sort | digital heritage applying digital imaging to cultural heritage |
| title_sub | applying digital imaging to cultural heritage |
| topic | Archival materials Conservation and restoration Digital preservation Image processing Digital techniques Kunstgeschichte Fach (DE-588)4138803-3 gnd Kulturgut (DE-588)4139819-1 gnd Kulturerbe (DE-588)4033560-4 gnd Digitale Fotografie (DE-588)4763160-0 gnd Information und Dokumentation (DE-588)4026901-2 gnd Kunstwerk (DE-588)4123592-7 gnd Wissenschaftliche Fotografie (DE-588)4190098-4 gnd Konservierung (DE-588)4114279-2 gnd |
| topic_facet | Archival materials Conservation and restoration Digital preservation Image processing Digital techniques Kunstgeschichte Fach Kulturgut Kulturerbe Digitale Fotografie Information und Dokumentation Kunstwerk Wissenschaftliche Fotografie Konservierung |
| url | http://www.agi-imc.de/intelligentSEARCH.nsf/alldocs/B1D2A1E336D782D6C1257170004A5CFC/$File/0125399.PDF?OpenElement http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014824770&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT macdonaldlw digitalheritageapplyingdigitalimagingtoculturalheritage |
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